Caravel Headlines Highlander

The fleet-footed filly Caravel (Mizzen Mast) rides a hot streak into her first try for Graham Motion and first at the highest level in the GI Highlander S. at Woodbine. Bred and raced by her previous trainer Elizabeth Merryman, the gray captured The Very One S. at Pimlico May 14 and followed suit with a win in Monmouth's Goldwood S. June 25. Bobby Flay bought into the filly after that score and she carried his silks to victory in Saratoga's GIII Caress S. July 24. While Merryman remains part-owner, Caravel was transferred to Motion after that win as previously agreed upon in the terms of Flay's purchase.

Turned Aside (American Pharoah) seeks redemption in this first try in Grade I company. The handsome bay won four of nine starts for previous trainer Linda Rice, including Saratoga's GIII Quick Call S. and culminating with Aqueduct's Turf Sprint Championship S. last November. Sent through the ring at Keeneland January as part of the dispersal of his late owner Paul Pompa's stock, the 4-year-old summoned $725,000 from West Point Thoroughbreds and D J Stable and was sent to Mark Casse. Turned Aside has not been quite the same horse since leaving New York, finishing fourth in Tampa's Turf Dash S. Feb. 24 and failing to fire when ninth in Keeneland's GII Shakertown S. Apr. 3. He has run well off the layoff in the past and displays a series of strong works over the local synthetic in preparation for this.

City Boy (City Zip) represents the estate of late Woodbine legend Gustav Schickedanz in this event. The hard-knocking 7-year-old has not seen the winner's circle since the 2019 GII Nearctic S., but has finished a close second in this last three outings, most recently in a five-panel turf event here Aug. 1.

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Munnyfor Ro Takes on the Boys in Queen’s Plate

Munnyfor Ro (Munnings) looks to become the fifth filly in the last 10 years to beat the boys in Woodbine's most prestigious race, the $1-million Queen's Plate S. for Ontario-breds. Breaking her maiden on the grass while part of the Brian Lynch's shedrow this spring, the chestnut was third in a turfy allowance at Churchill May 8 and was sixth in the GIII Regret S. three weeks later. Sent back to Kevin Attard, she checked in second on the local synthetic in the GIII Selene S. and followed that with a late-closing victory in the Woodbine Oaks Aug. 1. Four of the last five fillies to win the Queen's Plate entered off a win in the Woodbine Oaks and the fifth, Wonder Gadot (Medaglia d'Oro), was runner-up in that event.

The top male contender is Joshua Attard's Keep Grinding (Tizway). Graduating at third asking in November, the dark bay was third behind Tidal Forces (Malibu Moon) and Harlan Estate (Kantharos) in a local optional claimer June 19. He was second next out in the GIII Marine S. at this venue July 11, in which Haddassah (Air Force Blue) finished third. Tidal Forces was fifth next out in the Marine, meanwhile Harlan Estate returned to win a nine-panel event here July 16, besting Dance Some Mo (Uncle Mo) by a nose.

Avoman (Old Forester) broke his maiden at second asking in the Ontario-bred Bull Page S. on the local lawn in September. Off the board in the state-bred Frost King S. sprinting on the synthetic in November, the gelding was third when trying two turns in an optional claimer here July 3. He won the local prep for this event, the nine-panel Plate Trial S. for Ontario-breds Aug. 1.

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Saturday Insights: Loaded Maiden Kicks Off Alabama Day Card

Sponsored by Alex Nichols Agency
1st-SAR, $100K, Msw, 2yo, 6 1/2f, post time: 1:05 p.m. ET
While the GI Alabama S. takes centerstage later on in the program, the Saturday lid-lifter at Saratoga looks a key race in prospect, with any number of booming pedigrees and lofty pricetags on display. Peter Leidel signed the ticket at an even $1 million for RAYMOND (Into Mischief) at Keeneland September last fall, with the colt's breeder Stonestreet Stables staying in for a share. The Apr. 21 foal is the third foal to the races from Stonestreet's GSW & GISP Teen Pauline (Tapit), whose daughter Cambria (Speightstown) took out the Kentucky Downs Juvenile Turf Sprint in 2019. Robert Clay's Grandview went to $600,000 for Gilded Age (Medaglia d'Oro) at KEESEP, a son of Grade I-winning juvenile filly Angela Renee (Bernardini), who was purchased by Don Alberto Corp. at Fasig-Tipton November in 2015. The full-sister to MGISW sire To Honor and Serve and half to SW & GISP is from the  family of MGSW India (Hennessy), dam of Japanese dual-surface G1SW Mozu Ascot (Frankel {GB}) and of Silver Strand (Frosted), an impressive Saratoga debut winner Aug. 19. Peter Brant's Triple Elvis (Into Mischief), a $700,000 purchase by Demi O'Byrne out of last year's Fasig-Tipton Selected Yearlings Showcase, is a half-brother to multiple Grade III-winning turf router Made You Look (More Than Ready) and counts the irrepressible 11-time Grade I and Eclipse Award winner Serena's Song (Rahy) as his second dam. The supporting cast includes WinStar Farm & Siena Farm's Napa Valley (Flatter), whose cleverly named dam Mandrell (Dubawi {Ire}) is adaughter of MGISW Country Star (Empire Maker); Jay Em Ess homebred Union Lights (Union Rags), a half-brother to dual Grade I winner By The Moon (Indian Charlie) and GSP Wonderful Light (Tiz Wonderful); and $420,000 KEESEP grad Major General (Constitution). TJCIS PPs

Another 'Mischief'ous Colt Down to Debut…

7th-SAR, $100,000, Msw, 2yo, 6 1/2f, post time: 3:55 p.m. ET
The second division of the maiden lacks perhaps some of the depth of the first, but MY PRANKSTER (Into Mischief) will be well-backed to open his account at first asking. Purchased by Robert and Lawana Low for $600,000 at Fasig-Tipton last September, the bay is the second to the races for his dam My Wandy's Girl (Flower Alley), a champion in Puerto Rico who won was third in the GI Gazelle S. once repatriated and added the GII Barbara Fritchie H. the following season. My Wandy's Girl is a half to the dam of MSW/MGSP Sagauro Row (Union Rags). Triumphant Road (Quality Road) is out of California MGSW turf distaffer Foxysox (GB) (Foxhound), the dam of MSW Curlin's Fox (Curlin). A $310,000 short yearling at KEEJAN in 2020, the dark bay fetched $475,000 at OBS March after breezing in :10 1/5. Reserve Currency (American Freedom) cost $40,000 at FTKSEL last year, but was hammered down to Klaravich Stables for $375,000 at Fasig-Tipton Midlantic in May (breeze), the second most-expensive of 38 of his sire's first-crop juveniles reported as sold this year. TJCIS PPs

Best Looking For Some Headline News at Ellis…

5th-ELP, $51K, Msw, 2yo, 6f, post time: 3:42 p.m. ET
PAGE ONE (Practical Joke) cost Larry Best's OXO Equine $260,000 at KEENOV in 2019, a price which ranks as the second-priciest among the 35 of his sire (by Into Mischief)'s first-crop weanlings sold that year. The Elm Tree Farm-bred colt is out of the stakes-placed Bailzee (Grand Slam) and is a half-brother to the promising Witsel (Nyquist), a debut winner by 13 1/4 lengths over the winter at Tampa and narrow runner-up to 'TDN Rising Star' Beau Liam (Liam's Map) in a stakes-quality first-level allowance at Saratoga July 17. TJCIS PPs

Baffert Debuts Well-Bred Quality Road Pair…

4th-DMR, $70K, Msw, 2yo, 5 1/2f, post time: 6:34 p.m. ET
RHETORIC, a $600,000 KEESEP acquisition, makes his first trip to the races for SF Racing, Starlight Racing and Madaket Stables et al, and is the first produce to race from Hard Not To Like (Hard Spun), winner of the grassy GI Diana S. at Saratoga and the GI Gamely S. on this circuit, who twice realized seven-figure prices when offered at KEENOV–$1.5 million in 2014 and $2.2 million the following year. Hard Not To Like is a half-sister to Credit River (More Than Ready), who belied odds of 41-1 to break his maiden at first asking in the Ontario Racing S. at Woodbine last September. Baoma Corp. paid $400,000 for Kamui at KEENOV in 2019 and attempted to pinhook the colt at KEESEP the following year, only to take him home when bidding stalled out at $875,000. The bay is out of a half-sister to MGSW Tequilita (Union Rags) and hails from the female family of Offlee Wild and Dynaformer. TJCIS PPs

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This Side Up: Tiz the Story of a True Magician

Nothing, it seems, will help you see through the vanity of materialism quite like a $4.1 billion fortune.

A few summers ago, I was sitting alone in the baronial boardroom at Spendthrift, waiting to interview the farm's owner. It was a hot day, but here all was panelled cool, the venerable furnishings slumbering through the prosperous drone of a lawnmower. I was thinking about this apt conflation of heritage and modernity when startled by the entry of a tanned octogenarian whose casual apparel, in the round, must have cost rather less than a typical pair of socks on Wall Street. B. Wayne Hughes apologized for running a little late, slouched into a chair, and gave the kind of smile you hope to see from the fellow who takes up his place next to you in the bleachers.

By the time we had finished, of course, I understood that even the immense riches that had funded the Spendthrift revival were nothing compared with the inner wealth of this extraordinary human being. Of course, he couldn't have accumulated one without the other–but nobody fortunate to have borrowed his insights for an hour or two would be so crass as to measure the man we lost on Wednesday merely by his worldly assets.

I should have known as much simply by reflecting on his choice of a humble cottage as his farm residence, turning over one of the most beautiful mansions in the Bluegrass to his team as an inspiring work environment.

Now if I had that kind of money…No, come on, what's the point of having an example like that right in front of you, if you still say that? When I have that kind of money, I must likewise see through the trappings; and remember that someday we will all be reduced, by our shared mortality, to the basic human equation: a finite existence that spans infinite possibilities of conduct, but only one ultimate outcome.

There's a consoling paradox to the fact that the B. Wayne Hughes respected and celebrated from the outside, including right here, will inevitably be a mere silhouette of the private figure loved and now grieved by friends and family.

These latter will be discovering little comfort in the reflection that Hughes was one of the greatest of all “winners” in the game of life. Their bereavement, on a human level, is no different from that endured by the rest of us, whatever our station, creed or color. (And nobody knew that better than Hughes himself, having lost an 8-year-old son to leukemia.)

But you know what? When their tears have dried, and they can take a step back, they should let the salutations of the public figure gradually seep into their reckonings. Because having duly lamented a cherished, complex parcel of flesh and blood, they will perhaps join the obituarists in recognizing the only immortality we know to be available: namely, the way a person uses such years as fall to his or her allocation.

In this case, the most obvious legacy could scarcely be more tangible. His philanthropic munificence will for years to come achieve concrete transformation in the odds facing those who feel they have “lost” the game of life. (And that aversion to personal aggrandizement, so evident in his wardrobe and mode of life, would prompt him to make many donations conditional on absolute anonymity.)

But Hughes leaves us parallel bequests that are barely less momentous. One, also destined to last for generations, will be registered in the genetic composition of the modern Thoroughbred. The other is one that might work for any or all of us, as individuals–and that is his example. The son of an Oklahoma sharecropper, whose family made the Grapes of Wrath migration from the Dust Bowl with a mattress strapped to the car roof, he sampled the full spectrum of human experience under capitalism.

The humility that made Hughes so insistent on his ordinariness is not, of course, the same as meekness. And his horror of pretension reflected a contempt for the kind of airs he saw in those who are either born to privilege, or devote their lives to its pursuit. Perhaps this helped to stimulate the revolution he instigated in Kentucky's commercial breeding industry, causing such fear and resentment among his establishment rivals. These complained that the kind of incentive schemes by which Hughes sustained an ever more industrial roster would make competition no longer viable. Most, however, ended up introducing equivalent programs on their own farms.

Hughes relished their discomfiture. “When you print all this crap that I'm saying, I'm probably going to be written up as a nut,” he said that morning, chuckling exultantly. “But I don't give a damn. What are they going to do to me? There's nothing they can do. That's what kills those guys.” He had been here before, after all, remembering the hostility of Californians to “Okies” who would work gratefully even for a subsistence wage.

And he had a prophecy: “If they want to stay in business, everybody will be doing what we're doing. And that includes everybody.” Because at some point one of these ugly-duckling stallions would turn into a swan.

It was beginning to happen already, at that time, the Share The Upside program having been devised to help a commercially moribund young stallion named Into Mischief. “You pay a bunch of money for a stallion, it's got the best chance,” Hughes said. “But his chances aren't 100%. And another guy's chance isn't zero. They're closer together. So we'll see.”

And see we did. The system produced its game-changer, and now Spendthrift has once again become a destination for Classic, two-turn stallions at the top end of the market, now including a Horse of the Year in Authentic.

Hughes cheerfully declared that he knew nothing about breeding; he could leave that to his experts. What he did understand was business, and human nature. And he knew that it was all about the base of the pyramid. That meant giving a shot to the little guys. They'd keep coming back and, the Thoroughbred being what it is, one of those seeds floating in the breeze would eventually sow a whole plantation of oaks.

His own journey, from victim of a historic crisis in capitalism to its summit, served as heartening template both for his roll-the-dice stallions and for the clients who used them. And who knows? Maybe his engagement with MyRacehorse, which gave him such pleasure in the success of Authentic, will yield a similar narrative. Maybe some blue-collar microshareholder will be the next to stake $25,000 with a buddy in a business that ends up valued at $40 billion.

Fitting, then, that the field assembling for the GI TVG Pacific Classic on Saturday should include Tizamagician (Tiznow). Perhaps the fates governing the Turf, for all their ruthless caprice, might even prove amenable to honoring Hughes with success for a horse representing MyRacehorse and Spendthrift Farm LLC. For he would ask no better parting shot than a reminder that our sport cannot survive as the preserve only of an opulent few; that it will only thrive if accessible and inclusive.

True, the Hughes system has also produced a legacy that makes some of us less comfortable. Doubtless he saw The Jockey Club's attempt to limit stallion books to 140 as the establishment circling its wagons, but the fact is that for every Into Mischief there will be dozens of failures–not just at Spendthrift, of course, but at other factory farms–whose hundreds of undeserved opportunities can only impair the breed.

Overall, however, our community is surely indebted to Hughes for a wholesome reproof against complacency. Ironic that he should have made his fortune in “self-storage.” Of the very few whose lives have followed such a giddy arc, fewer still have been so averse to flaunting “self.” And “storage” is such a conservative concept, suggestive of resources nervously withheld. What an embrace of life, in contrast, went into this epic tale!

By all accounts, Hughes remained to the end as restlessly full of ideas as he had been the morning of our meeting, when he had just made an offer for a stallion–an investment, as he noted, he couldn't begin to judge for at least four years.

So whatever the scoreboard of life tells us about our own state of play–whether we are still eking what we can from the dust, or can afford to send half a dozen mares to Authentic–we can all take something from this great American saga. For the Grapes of Wrath, at least in this instance, yielded a harvest of endeavor, generosity and imagination that we can profitably distill for many a year yet.

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