Baffert: Haskell Winner Authentic ‘Still Has A Lot Of Improving To Do’

With the win secured in Saturday's Grade 1, $1 million TVG.com Haskell Stakes at Monmouth Park in Oceanport, N.J., Authentic will train into the Kentucky Derby, which has been rescheduled to Sept. 5. The Into Mischief colt has some lessons to learn over the next seven weeks, Hall of Fame trainer Bob Baffert said.

After racing to what appeared to be a comfortable lead in the stretch on the way to an easy victory, Authentic and Hall of Fame jockey Mike Smith had to hold off a determined and fast-closing Ny TrafficThe margin of victory, confirmed via photo finish, was a nose – the fourth time in the Haskell's 53-year history it has produced that margin of victory at the finish.

The 14-race card also produced a record non-Breeders' Cup day handle of $20,479,392 for Monmouth Park.

“We're going to work on him a little until then (the Derby),” Baffert said by phone from his Southern California base Sunday morning. “I was pretty proud of him. He ran well. I might have to put a little blinker on him because he went to idling on me.

“Turning for home, I kept waiting for him to turn it on, but he was doing some looking around and idling there. Mike saw that other horse (Ny Traffic) coming at the last minute.”

The victory extended Baffert's record for Haskell wins to nine.

Authentic, meanwhile, achieved millionaire status with the winner's share of the Haskell purse and has four wins and one second in five career, including three graded stakes victories. That is even more notable considering he was foaled May 5, 2017, making biologically younger than many of his sophomore classmates.

“He's a late foal. He's maturing but he's a quirky little guy,” Baffert said. “I think that it's impressive that he shipped, he got on a plane, he went all the way over there, and he handled it well. He didn't get hot in the paddock. He handled it all well and that's what you want to see.

“I'm happy with him. But he still has a lot of improving to do.”

Baffert, who said that had Authentic not won it would have been what he termed a horrible beat, was in an upbeat mood the day after and shared some of the conversation he and Smith had immediately after the race.

“It was funny,” Baffert said. “I told Mike, 'You know, you've got to stay busy on him.' And Mike said, 'Well, we turned for home and he cut, and I thought he was okay, and I was smooching to him. I said, 'Um, Mike, he had ear plugs in.' It was pretty funny. But it worked out right. It worked out good. But Mike said when that horse came to him, he could feel it. He wasn't going to let him get by him. He just took off. I'm proud of him.”

As happy as he was with Authentic, who with the win also guaranteed his spot in the Nov. 7 Breeders' Cup Classic through the “Win and You're In” Challenge Series, Baffert was quick to praise the effort by the Saffie Joseph, Jr.trained Ny Traffic.

“I have to credit to the horse who ran second. The track wasn't that fast yesterday,” said Baffert. “That Ny Traffic is a nice horse. He's right there. He gets beat by the good horses, so you have to give him credit, too.”

Ny Traffic has yet to win a stakes race, but he's been second in graded stakes in his last three starts so he's been banging on the door and signaling he's poised to knock it down.

“I hope when he does it's not my door that he knocks down,” said Baffert.

Authentic came out of the Haskell in terrific shape and on Sunday was headed by van to Lexington, Ky., where he will remain for a week before catching a flight back to rejoin Baffert's Southern California stable.

Joseph, who earned his first and only Grade1 victory last year with Math Wizard in the Pennsylvania Derby, was philosophical the morning after the race.

“That was a tough beat, but to be honest, it really didn't hurt that much because I am just so proud of this horse,” he said. “He ran an amazing race. At the quarter-pole it looked like he was all done and the other horse (Authentic) was going to win easily. But he got going again and I'm very proud of him.”

Joseph was excited about the New York-bred son of Cross Traffic going into the Haskell and he is even more so afterward.

“He showed he's got a lot of guts, a lot of heart, and a lot of fight in him. Most definitely,” he said.

Next up it's the Kentucky Derby, and a rematch with Authentic.

“I thought we already had enough Derby points going in, so the important thing was to just get a good race into him,” he said. “Now it's about who is moving forward, not who has peaked or is going backward. Going forward is the most important thing right now and that's why that tough beat can't really hurt me.

“I was just really happy to see him take that major step forward. That's the most important thing. Most definitely, there is a lot to be excited about with him. I just want him to stay sound and healthy and then we're on to the Derby.”

Ny Traffic, who would be Joseph's first Kentucky Derby starter, was reported to have come out of his race in excellent shape. He left Monmouth Park on Sunday morning at 8 a.m. by van for upstate New York to rejoin Joseph's Saratoga string.

ht that was a good race. He was beaten less than two lengths. So it looked like he was getting back to where we think he can be. He's a classy, sound horse who makes it easy.”

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Breeders’ Cup Presents Connections: ‘I Still Can’t Find The Words’

Tommy Drury is used to standing on the sidelines, watching horses he had a hand in go on to major success on the racetrack. He doesn't mind; the unique niche he's carved out in the Kentucky Thoroughbred industry allows him to stay home with his son and daughter year-round, and to work hand-in-hand with some of the sport's top horsemen.

Last Saturday all of that changed when Art Collector earned the trainer his first graded stakes win in the G2 Toyota Blue Grass at Keeneland. Still, Drury found himself pulling back to watch the post-race celebrations from the rail.

“When the horse came back, they started sponging him off and everybody high-fived and all that,” Drury remembered. “The horse was circling, and I was just lost, I was kinda standing there, off to the side.

“I was just watching, literally I was just taking it in. I was so happy for my assistant Jose Garcia, for (long-time friend and groom) Jerry Dixon; I mean this is the same crew that you're gonna see in the last race at Turfway Park and here we are in the Blue Grass. I just wanted to watch it for a minute. As they started circling the horse, finally (jockey) Brian (Hernandez) kind of hit me in the back and said, 'Hey, you just won the Blue Grass,' and it just hit me, like, 'Yeah, yeah we sure did.'”

With Art Collector established as one of the top three contenders for the Sept. 5 Kentucky Derby, Drury can't help but be awestruck at the sudden shift in his career.

“The way we got the horse, the way everything's fallen into place, how do you describe it?” said Drury, who followed his father into racing and has saddled 471 winners since 1991. “It's just, it's unbelievable.”

Neither Drury nor the 3-year-old son of Bernardini would be in this position had the coronavirus pandemic not caused the postponement of this year's Run for the Roses.

Art Collector made his first five starts for trainer Joe Sharp and began his career on the turf, winning a 6 ½-furlong maiden special weight sprint at Kentucky Downs in his second out. The colt made his first attempt at two turns in the G3 Bourbon over 1 1/16 miles on the Keeneland turf, but he leveled off late to finish seventh.

Switched over to the dirt, Art Collector found his stride in his fifth start when he won a six-furlong allowance at Churchill by 7 ½ lengths. Unfortunately, a post-race test found elevated levels of levamisole in Art Collector's system, and the colt was disqualified.

Owner and breeder Bruce Lunsford gave Art Collector a brief break at Kesmarc, then sent him to Drury's barn in January to prepare for a return to the track. He and Drury have a long-standing business relationship, and Lunsford's horses often use Drury's facility as a waystation between races.

“The only thing Bruce said was, 'This is a really, really nice horse,'” said Drury. “The only reason I knew who he was was Brian had sent me a text and asked me if I had Art Collector… At that point I thought, if Brian's trying to figure out where this horse is at, he must be alright.”

Art Collector was intended to move on to the care of trainer Rusty Arnold when he was ready to resume racing, but the virus put everything on hold.

Keeneland canceled its April meet, and Churchill kept delaying the start of the Spring meet, awaiting permission from the Kentucky governor to resume live racing. Meanwhile, Art Collector kept quietly accumulating solid workouts over the Pro-Ride synthetic surface at Skylight.

Hernandez, who is Drury's long-time friend and has been the trainer's go-to rider since his bug-boy days, shipped back to Louisville from his winter home in New Orleans early this year to be nearby after his wife gave birth. The jockey began coming out to Skylight nearly every week to breeze Art Collector, and his reports back to both Drury and Lunsford were extremely optimistic; everyone was just waiting for the chance to get him going.

Finally, Churchill announced that racing would resume in mid-May and released its first condition book.

There was an allowance race that would be perfect for Art Collector on May 17, but Churchill was only allowing trainers to ship in to the backstretch in stages based on where they had spent the winter; Arnold's string from Florida wouldn't be allowed on the track until after the first weekend of racing.

Rather than wait and miss the race, Lunsford allowed Drury to saddle Art Collector for his first start of 2020. The colt won the seven-furlong contest by 2 ¾ lengths, and Lunsford decided Drury had done such a good job that he ought to keep training him.

Arnold also called Drury after that first win, congratulating him.

“It was one of the classiest things anybody's ever done,” Drury said. “Rusty said, 'Tommy, that horse ran fantastic. There's absolutely no reason to change anything, that horse needs to stay exactly where he's at.'”

Lunsford was ready to try Art Collector around two turns again, but Drury wasn't convinced he wanted to go that far. The colt isn't particularly large, Drury explained, and his one previous race around two turns hadn't gone well.

Art Collector is bred for the distance, though. His dam is a two-turn stakes-winning daughter of Distorted Humor named Distorted Legacy, whose half-brother Vision and Verse earned over a million dollars on the track, running second in both the G1 Belmont Stakes and the G1 Travers.

With the colt training exceptionally well, Drury entered him in another allowance race at Churchill, this time over 1 1/16 miles on June 13. Art Collector responded with a dominant 6 ½-length victory, earning a 100 Beyer.

“I was a little nervous before that second race,” Drury admitted. “I was really happy to see him get around the second turn that day, that was pretty exciting.”

The decision was made to enter Art Collector in the Blue Grass. On Wednesday before the race, Shared Sense, whom Art Collector had beaten in the June 13 allowance, came back to win the G3 Indiana Derby.

On the same day, trainer Ken McPeek decided to enter the points-leader for the Kentucky Oaks, Swiss Skydiver, in the Blue Grass. Suddenly, Drury started to wonder if he'd picked the wrong Derby prep to point for.

Lunsford is a staunch supporter of Kentucky racing, though, and Drury knew that if he wanted to even think about the Derby with Art Collector, the colt would have to be tested.

That doesn't mean the trainer wasn't nervous.

“It's funny, I can run a $5,000 claimer at Belterra and get nervous, so that part doesn't change,” Drury said. “The toughest part for me is after you throw the jockey up and you're just waiting. That post parade was the longest six minutes of my life. Actually, Tammy Fox (trainer Dale Romans' partner) yelled at me over the fence, 'You look like you're washing out, are you okay?'”

Standing at the sixteenth pole, Drury watched with his heart in his throat as Mike Smith sat chilly on Swiss Skydiver at the top of the stretch. Art Collector was coming on strong, but from his vantage point it was hard to tell whether the colt would get to the wire in time.

When the pair blew past him, Drury could see Art Collector passing the filly, and the images around him started to blur.

“You know, my program really hasn't been geared toward getting this kind of horse,” Drury explained. “I'm the behind-the-scenes guy. If a guy needs a 2-year-old legged up, he calls me. If a guy runs out of stalls at Churchill and he has three horses coming, he calls me. I'm happy to do it, and I've made a good living doing it, but because I do it, you don't even think about stuff like this.

“You kind of feel like it's never going to happen, you almost know its never going to happen. And now, all of a sudden this thing… I don't know how to describe it. I still can't find the words. People keep asking me what I think and how I'm feeling, and I just don't know.”

Drury sent excited texts to his son and his daughter after the race, but otherwise settled in for a quiet evening at home with a pizza and a cold beer. By the next morning, he had over 312 text messages on his phone, and voice mails from other trainers and friends from all over the country.

“I laughed and told Bill Mott, 'I always wondered what it was like for you guys after you win a big race!'” Drury joked. “I called Rusty and I told him, 'Thank you so much for what you did, because this thing has changed my life.' You know Rusty, he just said, 'Tommy, that was the best thing for that horse.'”

Whether Art Collector makes another start before the Derby has not yet been decided, with Drury deferring the decision but suggesting the Ellis Park Derby on Aug. 9 as the most likely option.

Looking forward to the first Saturday in September, one day before his 49th birthday, Drury has a hard time imagining what it might look like with the virus protocols Churchill will employ. He hopes to be able to bring his children with him on the walkover, but no matter what happens he's grateful to be along for the ride with his horse of a lifetime.

“You know, the best part of all this is that I'm sharing it with my crew and my friends,” Drury said. “It means so much to be here with Jose, and Jerry, and Brian, and with Bruce as well.”

“The most special thing about it is to be on this trail with Tommy,” Hernandez echoed, speaking to the Ellis Park press office. “I've ridden at every little racetrack in the country, I think, for Tommy. Indiana, River Downs, Beulah, Ellis and now to win the Blue Grass for him is a special moment. Being friends like we are, it's more special to have this good of a horse. We've always talked about 'Man, if we could ever get a really good one like this, the trip it would put us on.' It's meant a lot.”

 

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Bravo Rides $62,500 Claim Aquaphobia To United Nations Upset

Aquaphobia engineered a $23.40 upset of Saturday's Grade 1 United Nations Stakes at Monmouth Park in Oceanport, N.J., coming from just off the pace to defeat Australian-bred pacesetter Paret by one length. Corelli finished third, with 13-10 favorite Arklow fourth in the field nine older turf runners going 1 3/8 miles.

Time for the race on a firm course was 2:12.63 after Paret (like the winner, sent away at odds of 10-1) set fractions of :24.50, :48.90, 1:14.41, 1:38.48 and 2:01.25.

A 7-year-old son of Giant's Causeway, Aquaphobia was winning for the ninth time in 36 starts. The United Nations was his first graded stakes victory. Out of the Real Quiet mare Pussycat Doll, Aquaphobia was bred in Kentucky by Mr. and Mrs. M Roy Jackson.

Aquaphobia is trained by Michael Maker, who claimed the horse for $62,500 at Gulfstream Park Jan. 26 from Drawing Away Stable and trainer Robert Falcone Jr. Aquaphobia earned the $180,000 winner's share of the $300,000 United Nations purse for owners Paradise Farms Corp, David Staudacher, Hooties Racing and Skychai Racing.

“Joe Bravo rode him beautifully,” said Maker. “We had a lot of confidence in the horse coming in and he didn't let us down. He's run a mile and quarter in the past and he was successful but he hasn't had the opportunity to go that long or longer again. We felt this horse was better than we were getting out of him.

“I think the distance was the reason,” said Maker. “He'd been training dynamite so I was optimistic. Coming out of his last race, the Grade 2 Wise Dan (when fourth), I thought that was a good race. He was beaten less than two lengths. So it looked like he was getting back to where we think he can be. He's a classy, sound horse who makes it easy.”

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Paris Lights Takes Grade 1 Coaching Club American Oaks In Stakes Debut

Saturday's 104th running of the Grade 1, $350,000 Coaching Club American Oaks saw a dramatic stretch battle between WinStar Stablemates color-bearers Paris Lights and Crystal Ball, with the former getting her head on the wire at the right time in the 1 1/8-mile event for 3-year-old fillies at Saratoga Race Course in Saratoga Springs, N.Y.

Paris Lights broke sharply from the outside post under jockey Tyler Gaffalione and was in the clear heading into the first turn before Crystal Ball assumed command to lead the five-horse field through an opening quarter-mile in 24.43 seconds. Paris Lights kept close company just to her outside with Tonalist's Shape, who checked going into the turn, moving over to the three-path while under a tight hold from jockey Irad Ortiz, Jr.

Approaching the far turn, Crystal Ball was put under a drive from Hall of Fame rider Javier Castellano, while Gaffalione remain cool, calm and collected aboard his filly and did not begin asking her until they reached the quarter pole.

At the top of the Saratoga stretch, Paris Lights put a head in front, but a stubborn Crystal Ball was resilient and fought gamely to her inside. The two fillies duked it out and remained nip and tuck throughout the remaining furlong and a half, but Paris Lights came out on the winning end, completing the journey in a final time of 1:50.81 on the fast main track.

Crystal Ball finished 4 3/4 lengths ahead of Antoinette who rounded out the trifecta.

Tonalist's Shape and Velvet Crush, who walked out of the gate and was never a factor, completed the order of finish. Altaf was scratched.

Paris Lights made her stakes debut in the CCA Oaks, arriving at the event off a pair of victories going 1 1/16 miles at Churchill Downs. She now boasts a record of 4-3-0-1 and earnings of $287,912.

The bay daughter of Curlin earned 100 qualifying points towards the Grade 1 Kentucky Oaks on September 4 at Churchill Downs.

The win was a redeeming one for Hall of Fame trainer Bill Mott, who turned the tables on Crystal Ball's Hall of Fame trainer Bob Baffert three years after coming out on the losing end of a memorable stretch battle in the 2017 CCA Oaks when Elate finished a head behind the Baffert-trained Abel Tasman.

“I think the fact we had another allowance race in her at Churchill [helped],” said Mott, who saddled Ajina to victory in the 1997 CCA Oaks. “She broke her maiden and we were able to get another allowance race in her for experience and build on that experience a bit and on her confidence level. It paid off today.”

The Grade 1, $500,000 Alabama on August 15, which also is a Kentucky Oaks qualifier, is in play for Paris Lights, Mott said.

“I don't see any reason we wouldn't make that her potential goal. We've been lucky enough to win it a couple of times and naturally, I'd like to try it again,” said Mott – a three-time winner of the Alabama.

The victory marked the first Grade 1 win at Saratoga for Gaffalione, who has been aboard Paris Lights in all four of her starts.

“My filly just kept digging in. The other filly [Crystal Ball, No. 5] was a little stubborn to get by, but my filly is all class,” said Gaffalione. “All credit to Mr. Mott and his team. As usual, they do such a fabulous job and I'm just thankful I got the opportunity to ride her.”

Gaffalione took advantage of a clean trip, which he said was key to securing the win.

“My filly jumped out really well. I looked over and saw the Baffert horse [Crystal Ball] go to the lead and I figured she was the speed on form,” Gaffalione said. “I thought maybe [Velvet Crush, No. 4] would go with her, but she didn't get away that clean. So, I took advantage of it, and my filly was there for me the whole way.”

Castellano, aboard Crystal Ball, said he was far from disappointed in his filly's effort.

“She's a young horse and it was just the third start of her career,” Castellano said. “The way it developed, with better horses in this race, she hooked up and battled with one of the best horses. I'm not disappointed. I'm happy the way she did it. We just got beat on the [head] bob.”

Bred in Kentucky by WinStar Farm, Paris Lights is out of the Bernardini broodmare Paris Bikini, who is a half-sister to graded stakes winner America and is a direct descendant of prolific broodmare Best In Show.

Live racing returns on Sunday with a 10-race card which features the Grade 2, $150,000 Lake Placid for 3-year-old fillies over the inner turf. First post is 1:10 p.m. Eastern.

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