Voss: American Pharoah’s Hall Of Fame Induction Marks A Complicated Moment For Racing

To say the combined 2020/2021 Hall of Fame induction ceremony was surreal seems an understatement. The public gallery in the Fasig-Tipton pavilion was packed with people well before the 10:30 a.m. start time, as might be expected in a year that saw the first admission of a Triple Crown winner since 1981 when Seattle Slew was enshrined. Still spinning from the cancellation of last year's ceremony (and much else) due to COVID-19, people were “just happy to be here this year.”

It's appropriate that the ceremony is held with a day of racing at Saratoga as its backdrop – the pinnacle of achievement, recognized in one of the toughest places to win a horse race. It's supposed to be a pure moment each year to honor the very best accomplishments in our sport. This year, it was a cloudy one.

Indeed, the stretch run of the 2015 Belmont, which so many of us have seen over and over again, was played a few more times. The crowd stirred a little. Everyone remembered how they felt in the moments when Larry Collmus called those immortal words into his microphone: American Pharoah is finally the one.

According to the eligibility rules for the Hall of Fame, this is the first year American Phaorah was on the ballot to enter the Hall, and he got in on the first try, as he should have. But in the six years since his retirement, the men united by his accomplishments are no longer thought of as solely the engineers of racing's favorite history-making moment.

Bob Baffert saddled another Triple Crown winner, who was later discovered to have tested positive for scopolamine and had that test result buried by California regulators while he was on his way to winning the roses. He has had a slew of other therapeutic drug positives among his other graded stakes winners, followed by an apology, followed by the biggest scandal of all – a betamethasone overage in this year's Kentucky Derby winner.

The legal fallout from the Medina Spirit saga is still unrolling and probably will continue for many years to come. It's the public trust in racing that will suffer for far longer. In a sport that already had two black eyes from the 2018-19 California breakdowns and the 2020 federal indictments, Baffert has knocked us right in the kisser. Everywhere I've gone this year, non-horse people have asked me (with absolutely no prompting from me) about 'why the white-haired trainer doped that horse' or why he 'thinks he can get away with it' as Baffert and his lawyer went on a public relations blitz, making clear they would fight a disqualification. People who hadn't watched a race in years remember this one, and probably the last time you could say that about a horse race, it was the 2015 Belmont.

Ahmed and Justin Zayat look on as a highlight reel of American Pharoah's career plays on the monitors at this year's Hall of Fame induction ceremony. Photo by Joe Nevills

Ahmed Zayat ran through the money American Pharoah won him with dizzying speed and took out $23 million in loans barely a year after the horse crossed the wire in the Belmont. He had run out of money to prop up his racing operation, telling MGG Investments he was already in debt and wanted to buy more horses. At the start of last year, MGG took Zayat to civil court, claiming he had not only failed to pay back that loan, but also that he sold breeding rights to his Triple Crown winner in violation of contract. Zayat has since declared bankruptcy, with a bunch of trainers and other horse industry professionals listed as his creditors – hard-working people who endured early mornings and bad weather trying to take care of his animals, people who now may not see a dime for it.

There's a tendency in horse racing – among fans and journalists alike – to cringe away from discomfort. It's human. When a person in racing does something we don't like, I hear people say they prefer to focus on the horse and the horse's accomplishments, laying to one side the problematic connections they'd rather not think about.

It is true, after all, that the horse can't choose his or her connections, and I, like many people in this sport, am in this because of my fascination with the horse more so than the people.

But I'll just say the thing I'm not supposed to say: it wasn't American Pharoah accepting a bronze plaque acknowledging his immortality on Friday morning. It was Ahmed Zayat.

Just as horses have no say in what their owners or trainers do, they also have no use for the accolades we do or don't give them. Becoming an Eclipse Award winner or a Hall of Famer will not change a horse's day. While I believe horses are highly intelligent, I also think they live in the moment; they are not worried about human constructs, for better or for worse, but the people around them will add to their own net worth with such honors.

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In American Pharoah's case, we were fairly warned. Zayat was sued in 2009 by Fifth Third Bank for allegedly defaulting on $34 million in loans, and then filed for Chapter 11 bankruptcy protection for his Zayat Stables. Baffert's history of therapeutic violations prior to American Pharoah has been well-documented – so well-documented, in fact, that an animal rights activist who protested Friday's induction ceremony carried what I assume was supposed to be a poppyseed bagel. So was the 2013 investigation into the number of sudden deaths suffered by his horses in California, which were never completely explained but eventually blamed on thyroid medication Baffert was administering to horses who did not have a medical need for it.

The voting body (of which I am a member) could hardly have refused American Pharoah's enshrinement based on all this. His accomplishments were historic. But it's time to stop pretending that 2015 was a fairy tale, and that this moment isn't a complicated one.

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National Museum Of Racing And Hall Of Fame Announces Special Summer Exhibits

The National Museum of Racing and Hall of Fame will feature several new and returning special exhibitions this summer for the upcoming Saratoga racing season. All summer exhibitions will debut on Thursday, July 1.

New Exhibitions 

Muybridge and Motion: Selections from the Tang Teaching Museum Collection

(On display in the Link Gallery through Jan. 2, 2022)

This exhibition features a series of groundbreaking animal locomotion photographic studies by English photographer Eadweard Muybridge (1830 – 1904) from the Tang Teaching Museum collection and paintings by American artist Henry Stull (1851 – 1913) from the National Museum of Racing collection. 

Exhibited together, these works from two separate museum collections illustrate how the technological advancements in photography made by Muybridge forever changed the way motion is depicted and understood, particularly in the field of equine art. Muybridge and Motion is part of All Together Now, a regional collection-sharing project organized by The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College with the support of the Henry Luce Foundation. For the duration of this exhibition, the Museum will offer complimentary admission to any visitor with a Skidmore College ID.

'Chasing Summer: The Art of Steeplechase

(On display in the von Stade Gallery through Sept. 30)

This year's fine art exhibition celebrates the Steeplechase Hall of Fame induction year with 31 works of steeplechasing art by British and American sporting artists from the 19th and 20th centuries. 'Chasing Summer also celebrates the return of 13 works from the collection that were previously on loan and have not been exhibited at the Museum in decades. Artists represented in this exhibition include Henry Alken, Samuel Henry Alken, Ann Collins, W. Smithson Broadhead, Paul Brown, June Harrah, Sir Alfred J. Munnings, Frederic Remington, Henry Stull, Franklin Brooke Voss, Eleanor Iselin Wade, and Charles Morris Young, among others.

New Exhibit Updates and Ongoing Exhibitions 

Triple Crown Gallery

The Triple Crown Gallery features text panels and artifacts related to Triple Crown history and an interactive exhibit that allows visitors to learn about the 13 Triple Crown winners through historic race footage and photographs. Renovated in recent years to include America's 12th Triple Crown winner and 2021 Hall of Fame inductee, American Pharoah, additional gallery updates were added in 2019 to honor the most recent Triple Crown winner, Justify. This year marks the 75th anniversary of Assault's Triple Crown sweep of 1946. In honor of this milestone anniversary year, artifacts on loan from King Ranch Archives — including race-worn silks and photographs — will be featured in this gallery through 2022. 

Edward P. Evans Gallery

The Edward P. Evans Gallery allows the Museum to showcase more of the treasures from its diverse permanent collection and honor the legacy of Mr. Evans and his passion for the sport of thoroughbred racing. Current featured exhibits include: Selections from the Edward P. Evans Trophy Collection, The Triple Crown, Selections from the James E. “Sunny Jim” Fitzsimmons Collection, The Legacy of Man o' War, The Grand National, Tiffany & Co. in the National Museum of Racing Collection, and A Salute to Hollywood Park. New for 2021, Fifty Years Ago, an exhibit highlighting the racing achievements of 1971 and showcasing trophies won by Hall of Fame horses Shuvee and Riva Ridge and Eclipse Awards won by Hall of Fame trainer Charlie Whittingham and Hall of Fame Pillar of the Turf Paul Mellon.

Women in Racing

(On display in McBean Gallery through Jan. 2, 2022)

Women have been involved in the sport of thoroughbred racing in America for more than 100 years. The pioneers and trailblazers of the past paved the way for future generations of horse lovers and racing enthusiasts, allowing them to continue to break boundaries in a male-dominated sport and industry. Featuring art, photographs, and multimedia from the Museum Collection and on loan, this special exhibition honors the women involved in every aspect of thoroughbred racing.

Some exhibition highlights include: a timeline of firsts celebrating the milestone achievements of the pioneers of the sport, artifacts from the career of pioneering female jockey Wantha Davis, items from Hall of Fame jockey Julie Krone's historic Belmont Stakes victory, the inaugural Diana Handicap trophy won by the first licensed female trainer, Mary Hirsch, artifacts and portraits relating to every woman inducted into the Hall of Fame, historic silks, and an interactive exhibit featuring race footage and short films for visitors to explore.

The National Museum of Racing and Hall of Fame is open daily from 9 a.m. to 5 p.m. For more information about the Museum, including special events and program offerings, please call (518) 584-0400 or visit our website at www.racingmuseum.org

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Janae Delivers Malibu Moon Colt At Safari North Farm As Part Of National Museum of Racing’s Foal Patrol Season 4

Janae, a 6-year-old mare owned by Susan Moulton, delivered a colt by Malibu Moon on April 17 at Moulton's Safari North Farm as part of the National Museum of Racing and Hall of Fame's Foal Patrol Season 4.

This is the fourth and final foal of the season delivered on Foal Patrol. Both the mare and foal are healthy and doing well.

A bay daughter of Closing Argument out of the Petionville mare Debs Pet, Janae was bred in Louisiana by Jim and Sue Harris. Janae, who won twice in seven starts in her racing career, previously produced a filly by Mizzen Mast in 2019 and a filly by Daredevil in 2020.

Along with Janae, Foal Patron Season 4 features the mares Miss Always Ready (Three Chimneys Farm), Miss Chapin (Mill Ridge Farm), and To the Moon Alice (Old Tavern Farm), all of whom previously foaled this season.

Foal Patrol is a one-of-a-kind interactive web project that features a collection of live cameras where people can view real-time streams of mares and their foals. The live camera feeds will be available according to each horse's daily schedule, set by the farm. The cameras will be active for Season 4 through June. For more information, please visit www.foalpatrol.com.

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Miss Always Ready Delivers Palace Malice Filly At Three Chimneys Farm As Part Of National Museum of Racing’s Foal Patrol Season 4

Miss Always Ready, a 9-year-old mare owned by Three Chimneys Farm, delivered a filly by Three Chimneys stallion Palace Malice on April 13 at the farm as part of the National Museum of Racing and Hall of Fame's Foal Patrol Season 4.

The newborn filly weighed in at 132 pounds with a height of 42.1 inches. This is the third foal of the season delivered on Foal Patrol. Both the mare and foal are healthy and doing well.

Miss Always Ready, a daughter of More Than Ready out of the Dehere mare Miss Seffens, delivered her Palace Malice filly more than two weeks after her expected date of March 30. The foal is a full sibling to Structor, winner of the 2019 Breeders' Cup Juvenile Turf. Structor was Miss Always Ready's first foal. She has also given birth to fillies by Palace Malice (2019) and Gun Runner (2020).

There are four mares participating in Foal Patrol Season 4. Along with Miss Always Ready, the mares Miss Chapin (Mill Ridge Farm) and To the Moon Alice (Old Tavern Farm) have already given birth this season. The final mare in this season's program is Janae at Safari North Farm in Versailles, who is scheduled to deliver her foal by Malibu Moon any day now.

Foal Patrol is a one-of-a-kind interactive web project. Season 4 features a collection of live cameras where people can view real-time streams of mares and their foals. The live camera feeds will be available according to each horse's daily schedule, set by the farm. For more information, please visit www.foalpatrol.com.

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