This Side Up: Baaeed News is Good News

I guess the whole point is that ours is a world apart, a sanctuary from the cares of the “real” one. But it still feels unnerving, to see a new cycle of the sales calendar open with such blithe indifference to a wider consensus that the global economy is scrabbling along the top of a precipice.

Both Saratoga and Deauville benefit from a heady atmosphere that might easily induce a perilous incaution when a yearling stands there shimmering on a sale rostrum. But it was ever thus, and the market at both Fasig-Tipton and Arqana exhibited remarkable buoyancy when measured against historic standards.

We know that bloodstock tends to lag somewhat behind other indices of recession, and conceivably this will prove to be some final, decadent flourish before the bulls start to draw in their horns. But it may also turn out, as when bloodstock showed such startling resilience during the pandemic, that the outlook simply looks different to the affluent elite on whom our industry so candidly depends. Inflation may be a bolting mustang; there may be wars and rumors of wars; political discourse may be ever more acrimoniously polarized. None of it seems to matter to these guys.

To be fair, in certain states American investors can increasingly entertain the possibility that their racetrack programs can aspire to something vaguely resembling viability–even if some benighted horsemen appear masochistically determined to erode that equation with their stubborn litigations. But the parallel strength of the market over the water suggests that a lot of people must also be animated by less tangible dividends.

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That being so, we must always remember how destructive to our sport is the contamination of bad publicity. No shortage of that, of course, in an average week–and this one has been no different. Equally, however, we must acknowledge our debt to those priceless horses and horsemen that do succeed in capturing the public imagination; to those that intrigue outsiders, and inspire them to enter and contribute to our community, whether as fans and handicappers or as buyers of seven-figure yearlings. And it's also been a week, either side of the ocean, that has magnified those positives.

First and foremost, we have had a fresh reminder of the captivating grandeur within the compass of the Thoroughbred. Raised in distance for the first time, Baaeed (GB) (Sea The Stars {Ire}) also raised his game anew to reach a pantheon lately shared, on European turf, perhaps only by his sire and Frankel (GB) (Galileo {Ire}).

Someone as tediously insistent as me, on the importance of a transatlantic cross-pollination, is hardly going to neglect the opportunity to highlight the way Baaeed's pedigree combines gene pools that have since become disastrously bisected. No fewer than 11 of the 16 contributors to this grass titan's fourth generation were bred in North America. Mr. Prospector is sire not only of Baaeed's fourth dam; but also of his damsire, Kingmambo; and of Miswaki, whose daughter Urban Sea gave us Sea The Stars. And look who's here, as sire of the third dam: the great enigma himself, Arazi!

Galileo, half-brother of Sea the Stars, sire of leading stallion Frankel (GB) | Emma Berry

Sea The Stars, specifically, combines two transatlantic cocktails. Start with his sire Cape Cross (Ire). He's by Green Desert, himself a son of Danzig out of a daughter of Sir Ivor and Courtly Dee; and out of Park Appeal (Ire), whose genes (by Ahonoora (GB) out of a Balidar (GB) mare) are no less evocative of a completely different world. As for Urban Sea, the epoch-making dam of Sea The Stars (and Galileo, of course), she similarly blends a classic American brand (Miswaki was by Mr. Prospector out of a Buckpasser mare) with a mare whose parents both channelled doughty German blood.

Much the same kind of thing happens along Baaeed's bottom line. That Mr. Prospector fourth dam we just mentioned, for instance, is actually out of the British matriarch Height Of Fashion (GB), who was by Bustino (GB) and saturated with other indigenous influences. So, really, can anyone look at Baaeed's pedigree and still understand why most breeders, either side of the Atlantic, no longer want to mix turf and dirt lines?

So much for Baaeed's past. As far as his future is concerned, we must naturally yield to the judgement of those who have brought him this far with such skill. But it must be said that the horse stands in danger of leaving us with the same wistfulness as did Frankel, who similarly spent most of his career beating up proven inferiors at a mile before stepping up in trip only in his penultimate start–and in the same York race that Baaeed won this week. The plan has long been to remain in step with Frankel by also bowing out over 10 furlongs at Ascot, but the door is apparently still ajar to going to the Arc instead.

In declining to run either at Longchamp or at the Breeders' Cup, Frankel was left exposed to the charge that he never went looking for trouble. Suspecting him to be one of the best of all time, everyone was comparing him to specters past–yet he never measured himself against plenty of good ones then alive and well, and available for racetrack competition.

The fact is that Baaeed finished the new trip at York ravenously, and is a full-brother to a Group 1 winner at 12f (and Group winner at 14f). So let's hope that the desire to preserve his immaculate record does not discourage connections of another great horse from exploring the full range of his brilliance.

If a sporting gamble happened to misfire, it wouldn't take a cent off his value. In terms of his legacy, he has nothing to lose and much to gain. And, as we've been saying, there's a wider consideration–one might almost say, a wider obligation–to make this game as engrossing as we can; to showcase charisma, and retrieve the news agenda from the bad guys.

Happily, that is just what is happening at Saratoga this summer, with D. Wayne Lukas back on center stage Saturday with his latest Classic winner squaring up for her decider with Nest (Curlin). Last week we highlighted the way Lukas appears to be reversing the ageing process, as a rejuvenated force in the sales ring as well as on the racetrack. He promptly produced another exciting juvenile in Bourbon Bash (City Of Light), who won his second start by eight lengths and looks eligible to extend his trainer's record of eight wins in the GI Hopeful S.

This is the first foal out of a stakes-winning Violence mare named Buy Sell Hold. Sell or hold is an adequate conundrum for most people right now, trying to read the alarming runes in less singular markets. How long our own marketplace can remain insulated by such unquantifiable factors as horses like Baaeed, and horsemen like Lukas, remains to be seen. But history tells us that we will find out soon enough.

The post This Side Up: Baaeed News is Good News appeared first on TDN | Thoroughbred Daily News | Horse Racing News, Results and Video | Thoroughbred Breeding and Auctions.

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‘Nobody Knows Me But Everybody Knows Urban Sea’: Jean Lesbordes Recalls The Extraordinary Mare

On the day of this year's French Guineas, Jean Lesbordes perused the runners in the paddock for the Prix de la Seine, made his way to the stands to watch the race, and then back to the winner's enclosure for another look at the victrix Hidden Dimples (Ire), a daughter of Frankel (GB).

Thirty years earlier, Lesbordes had a much stronger connection to the winner of the same race. He was her trainer and the filly's name was Urban Sea. The fact that her name appears in the third generation of the pedigree of Hidden Dimples will come as no surprise to anyone who has followed the progress of that great mare. It is an understatement to say that Urban Sea's influence has been profound; she is arguably the most significant matriarch of the modern era. Without her there would be no Galileo (Ire), and therefore no Frankel (GB). No Sea The Stars (Ire), who would come to emulate his mother by winning the race for which she is best remembered of her seven stakes victories, the 1993 Prix de l'Arc de Triomphe. 

It is at Epsom that Urban Sea's legacy runs the deepest, however. When Sea The Stars followed his half-brother Galileo by winning the Derby in 2009, the guest of honour that day was trainer/breeder Arthur Budgett, whose broodmare Windmill Girl (GB) had been the last mare before Urban Sea to produce two Derby winners, starting 40 years earlier with Blakeney (GB) and followed four years later by Morston (GB). 

It doesn't end there, of course. Galileo is now the sire of five Derby winners and grandsire of another two. One of those, Masar (Ire) (New Approach {Ire}), has Urban Sea on both sides of his pedigree as his third dam Melikah (Ire) (Lammtarra) is one of her four daughters, three of whom are now black-type producers themselves.

Sea The Stars, too, has sired the Derby winner Harzand (Ire) as well as Oaks winner Taghrooda (Ire), and he has the favourite for this year's Oaks in Emily Upjohn (GB). Nine of the top 10 in the betting for the Derby are all sons or grandsons of Galileo. Of the horses remaining in both Epsom Classics this weekend, 14 of the 18 potential Derby runners have Urban Sea in their pedigree, as do seven of 12 in the Oaks, not to mention 11 of 18 for Sunday's Prix du Jockey Club.

The Prix de la Seine of May 31, 1992 was really just the start for Urban Sea, certainly as far as the racing public was concerned. Though she had won an October maiden as a 2-year-old, this Listed contest was her first black-type victory, having finished third in the G2 German 1,000 Guineas on her previous start. For Lesbordes, however, it was really just the affirmation of a feeling he had had about Urban Sea ever since he first saw and fell in love with the chestnut daughter of Miswaki and Allegretta (GB) as a yearling at Marc de Chambure's Haras d'Etreham.

Everybody could ride her, even the girls who came to help at my stable on a Sunday. She was so straightforward. In our stable her name was 'La Mule'.

In partnership with Michel Henochsberg and Maurice Legasse, de Chambure bred Urban Sea at Denali Stud in Kentucky under their shared name of Marystead Farm. Her dam Allegretta, from a family with its roots deep in Germany's outstanding nursery Gestut Schlenderhan, was no one-horse wonder at stud. Her later foals included the 2,000 Guineas winner King's Best (Kingmambo) and G3 Prix de Flore winner Allez Les Trois (Riverman), who went on to produce the Prix du Jockey Club winner Anabaa Blue (GB) (Anabaa), but none would leave their imprint on the breed in the manner of Urban Sea. 

“In the beginning I chose her on pedigree because she was by Miswaki and I remember when I went to Keeneland I saw Mr Prospector and I loved him,” says Lesbordes, who bought the yearling filly for FF280,000 (circa €33,000).

“I saw her in the stud, a grand-daughter of Mr Prospector, and I just felt that everything was right. That was just before the August Sale. When I saw her, I don't know why, but something about her spoke to me. So when she came to Deauville I said, 'this one is for me'.”

That first important decision made, Urban Sea returned to the Chantilly stable of Lesbordes, whose passion for horses was sparked by attending the races with his father in Bordeaux, close to where he grew up. From stints on a stud farm while still studying, he worked for several trainers before eventually training in his own right in the south-west of France, including a successful period with jumpers in Pau.

“I had some results so I ended up moving to Chantilly,” he explains of his journey north in 1986. “My ambition was to win every type of Classic, and the horses who weren't good enough for Classics could go jumping. On the Flat I didn't want to run in handicaps.”

Bar one period when the number of horses in his stable rose to around 60, Lesbordes usually trained around 25 horses. Urban Sea was one of 20 horses purchased for a single owner.

“I bought Urban Sea for a Japanese owner with a big string in France,” he explains. “I bought her in August and then by February the Japanese owner had a financial crash.”

Faced with the prospect of losing the horses, Lesbordes was fortuitously introduced to Hong Kong businessman David Tsui through a mutual acquaintance, and Tsui, originally in partnership with a friend, ended up buying the entire group. 

“Our friendship has continued for more than 30 years,” says Lesbordes. He remains closely connected to the Tsui family and was present at Longchamp for the Arc victory of their homebred Sea The Stars, who raced in the colours of David and Ling Tsui's son Christopher. 

That year was a momentous one. Urban Sea died from complications after foaling her final son, Born To Sea (Ire), in March 2009. Come April, Sea the Stars started his extraordinary romp, month after month, through six Group 1 races: the 2,000 Guineas, Derby, Eclipse, Juddmonte International, Irish Champion Stakes, and finally the Arc itself. 

It is easy to see how Lesbordes is so strongly attached to his clear favourite of Urban Sea's offspring. It was not, however, instantly obvious to the trainer that he had a future champion on his hands when Sea The Stars's mother first entered training. In fact,  Urban Sea was given a nickname that is certainly not befitting of her now-legendary status. 

“In the stable at the beginning she was the easiest to ride,” he recalls. “Everybody could ride her as a yearling, even the girls who came to help at my stable on a Sunday. She was so straightforward. In our stable her name was 'La Mule'.

“My son Clement started to ride her and when she started to work she was fantastic. As a 2-year-old she had a little issue  with her fetlock so we had to stop. But it was no problem and then she ran later at two and won the second time she ran at Maisons-Laffitte. She was very easy to train. She was asleep most of the time, but every time we showed her something she picked it up no problem.”

In my life as a trainer only three times I said 'I will win'. Three times. And the Arc was one of them.

It is this equable temperament that Lesbordes says he believes has been key to the success not just of Urban Sea but of her offspring. Of her 11 foals, nine raced, eight of which were black-type winners, four of those at the highest level. Certainly in assessing the phenomenal success Ballydoyle has had with Galileo, Aidan O'Brien refers regularly to the strength of his temperament and to that of his offspring. 

Sea The Stars had the same character,” says Lesbordes, who ceased training a handful of years after Urban Sea retired from racing as a 5-year-old. He later spent eight years working for the Paris-Turf.

“He started in training when I was working as a journalist so I had more opportunity to follow him. I saw Sea The Stars for the first time at Epsom for the Derby and when he came into the parade ring he was so quiet, almost asleep, just the same. Urban Sea gave him this disposition.

“It's incredible because all of her produce were fantastic. When you have a horse like Galileo you think that is pretty special, but then after that you have Sea The Stars. Incredible. Then there were the good fillies, and now they are all good producers, too.”

For Lesbordes, though the memories of Urban Sea are are still fresh decades later, they come with a bittersweet edge. His son Clement, her daily exercise rider who was 20 at the time of the mare's Arc victory, was killed in a cycling accident four years later. He had accompanied Urban Sea on her many trips abroad, to Japan, Hong Kong, England, Germany, Canada and America, with that road once travelled so happily together coming to the most tragically abrupt ending.

“I remember everything about Urban Sea,” says Lesbordes, now 76 and still resident in Chantilly. 

He adds wistfully, “Nobody knows me but everybody knows Urban Sea. When I am finished Urban Sea will always be remembered. For me, it is extra special as my son took Urban Sea everywhere. It was magic.”

Of the most magical of all those days, he says, “I felt sure she would win the Arc. I was sure. I don't know why. In my life as a trainer only three times I said 'I will win'. Three times. And the Arc was one of them. 

“On the day of the Arc I was quite nervous and I saw one of the breeders of Urban Sea, Michel Henochsberg. The race just before the Arc, Verveine (Lear Fan) won the Prix de l'Opera and Urban Sea had beaten her in Deauville in August. In the stables, Michel Henochsberg said to me 'C'est dommage'.

“I remember at the time it felt like a knife in the heart. But after the Arc it was not a shame at all!”

The post ‘Nobody Knows Me But Everybody Knows Urban Sea’: Jean Lesbordes Recalls The Extraordinary Mare appeared first on TDN | Thoroughbred Daily News | Horse Racing News, Results and Video | Thoroughbred Breeding and Auctions.

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