‘Gallop And Graze’: Keeneland Leads Blue Grass Farms Charities’ Gift Matching Campaign

Beginning in July, Blue Grass Farms Charities (BGFC) will launch its inaugural matching gift campaign, “Gallop and Graze,” to further the mission of the charity.

Founded in 2003, Blue Grass Farm Charities' purpose is to provide health and human services to those working in the Thoroughbred racing community. With a commitment to this mission, BGFC is proud to announce Gallop and Graze, a matching campaign to provide continued services and assistance to our vital backstretch and farm community.

We are thrilled to announce that Keeneland has kicked off this campaign with a $20,000 gift and that the Mary K. Oxley Foundation has stepped forward with a $10,000 gift. With a goal of $200,000 to be reached by the close of 2020, BGFC is requesting individuals and businesses who benefit from the horse industry to consider making a $10,000 contribution to help meet this goal.

On behalf of Blue Grass Farm Charities, Keeneland and the other partners who have joined this campaign, we are grateful for your support of the racing industry and the mission of BGFC.

“Our partnership with Keeneland has strengthened considerably during the Nourish the Backstretch program,” said Julie Berry, BGFC Executive Director. “Both entities see a great need for assistance to support the horsemen and their families. Besides food insecurity, other benevolent services such as housing and medical assistance, are needed. The Nourish the Backstretch program has ended, but we are still dealing with a pandemic and the financial burden brought on by it.”

Blue Grass Farms Charities has been selected as Keeneland's industry charity during its Summer Meet scheduled July 8-12. Please consider making a monetary contribution by clicking the Donate button at www.bgfcky.org.

“Keeneland is proud of our partnership with Blue Grass Farms Charities and the needs we are able to address, first through Nourish the Backstretch and now Gallop and Graze,” Keeneland President and CEO Bill Thomason said. “Backstretch and farm employees are racing's front-line heroes and we are grateful for their commitment to show up every day to care for the horses. In appreciation for their hard work and dedication, the horse industry must do all we can to support and provide for this community.”

We hope we can count on you to support this community when it is needed most. Building this strong foundation will bring more security and assistance to the essential worker who is caring for the Thoroughbred during this time and will be for years to come.

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Thoroughbred Makeover And National Symposium Postponed Until 2021

After extensive information gathering, research and consideration, the board of the Retired Racehorse Project (RRP) has made the difficult but unanimous decision to postpone the 2020 Thoroughbred Makeover and National Symposium, presented by Thoroughbred Charities of America (TCA), until 2021. The RRP plans to host an expanded Thoroughbred Makeover on October 12-17, 2021 that will offer separate classes in all ten disciplines for both 2020 and 2021 entries.

Put on each year by the RRP, a 501c3 nonprofit organization, the Thoroughbred Makeover typically draws hundreds of competitors from 40+ states and multiple Canadian provinces, each of whom has taken on the challenge of bringing along a Thoroughbred in his or her first year of retraining post-racing. In a normal year, the event also includes the ASPCA Makeover Marketplace (a large-scale horse shopping experience), a vendor fair with more than 70 on-site retailers and other equine businesses, seminars, the Thoroughbred Aftercare Summit and various social and networking events.

To comply with COVID-19 pandemic event guidelines as recommended by US Equestrian and the Kentucky Horse Park, many of these aspects, which monetize a significant portion of the event, would have to be eliminated or heavily modified.

“This was a decision that was not entered into lightly,” said the RRP's executive director Jen Roytz. “We went to great lengths to look at the feasibility of putting on the event from various perspectives, including preparedness of our competitors, current sponsorship commitments, the cost and steps necessary to implement COVID-19 risk management protocols for an event like ours, and what changes we would need to make to the event to comply with state and venue regulations. We also explored various 'what if' scenarios with our legal counsel, insurance company, and board, and what their impacts could be on not only the event, but our organization as a whole.”

With the Thoroughbred Makeover being a competition for horses in their first year of training after racing, the organization sent out two surveys to its competitors, one in April and one in June, to better understand how the pandemic was affecting its competitors' ability to prepare their horses. Questions in the survey also aimed to gauge how their competitors would feel about the changes to the event that would have to be made in 2020 in order to put it on.

Trainers expressed concern through these surveys about having their horses adequately prepared for the show environment, as well as financial concerns due to lost income during shutdowns. In some cases, horses could not receive necessary maintenance care or undergo elective veterinary or therapy procedures. Furthermore, every state's pandemic guidelines were different which had, and continues to have, an impact on competitors.

“We worked hard to identify what the best course of action would be, not only for our constituents and horses, but for the long-term viability and stability of our organization,” continued Roytz. “Our competitor survey responses showed us not only that a significant percentage of our competitors were behind on their training due to a variety of factors, but also that if we were to implement the changes that the pandemic would force us to make, it would not only put our organization in a precarious position financially but would negatively impact our competitors' enjoyment of the event.”

A critical aspect of the Thoroughbred Makeover on the part of participating trainers is having recently retired racehorses, all of which are relatively green in terms of their show career, adequately prepared for a big show environment at the Kentucky Horse Park. Typically, this is achieved by trainers exposing their horses to various competitive environments in the ten-month training period prior to the Makeover.

“The Thoroughbred Makeover at its core is designed to serve the mission of the RRP as a showcase of the versatility and trainability of the breed,” said Managing Director and Event Organizer, Kirsten Green. “Much of the feedback we've received, as well as the results of our surveys, tell us that the majority of our competitors are not feeling as confident as they typically would about their ability to showcase their horses as well as they otherwise would have. Furthermore, the Makeover typically draws entries from more than 40 states, as well as a significant Canadian contingent, and we're still contending with a continually changing landscape over the coming months. We don't yet know when the Canadian border will reopen, we're seeing states re-implementing quarantine mandates for travelers, trainers having their income impacted, and more. That is only compounded by the financial challenges we and other nonprofits have faced in recent months and changes we would have to make in order to move forward with the event. By postponing the competition until next year and expanding the Marketplace virtually for this year, we felt it was the best way to create the most opportunities for all involved, while also doing what is in the best interest of the horses and our organization.”

Western Competitors at Makeover
Several aspects of the 2020 TCA Thoroughbred Makeover will be run virtually this year in October, including a virtual vendor fair, webinars in place of seminars, and the ASPCA Makeover Marketplace. The Marketplace will transition into an expanded online showcase of transitioned Thoroughbreds who were intended to compete in October and be offered for sale or adoption at the Makeover.

“I know I speak on behalf of the entire RRP board and staff when I say this was an incredibly difficult decision, but we feel it's the right one,” said RRP board president Carolyn Karlson. “The challenges presented by the pandemic are unprecedented. The RRP expanded its online educational offerings this year to better support those retraining horses amid all of the travel and shelter-in-place restrictions, like our Five-Minute Clinic series and webinars, and we have several more exciting initiatives to roll out as the year goes on. We are steadfast to our commitment to our competitors, sponsors, vendors, volunteers, supporters and, most importantly, the horses we and they serve.”

Trainers who entered this year's Thoroughbred Makeover will have the opportunity to retain their registered 2020 horses to compete in a special 2020 division at the 2021 Thoroughbred Makeover. They also have the option to withdraw their 2020 horses and roll their entry fee to the 2021 competition with a new 2021-eligible horse. In some cases, some 2020-entered horses will be able to retain their eligibility for the 2021 division as long as they do not exceed the maximum of 15 retraining rides before December 1, 2020.

“It's been a priority for us to make sure that we found a solution that was flexible for our trainers and their horses and give them options to suit whatever their goals might be,” said Green. “We look forward to working with everyone to offer content and activities to honor the Makeover this October, and to welcome everyone back to the Bluegrass for a knockout event in 2021.”

Added Roytz, “We are incredibly grateful to the TCA, ASPCA and our other major sponsors and donors for being exceedingly understanding and supportive of this decision. Many of them have also been affected by this pandemic and anticipate feeling the effects well into the coming year, but were eager to help us find ways to support both this year's and next year's classes of Makeover competitors in meaningful ways.”

For more information and updates about the Thoroughbred Makeover, please visit tbmakeover.org. More announcements about virtual activities and events will be released throughout the summer and early fall. Sign up to receive the ASPCA Makeover Marketplace catalog at tbmakeover.org/catalogsignup.

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Curlin’s Voyage Remains Early Favorite Among 36 Fillies Eligible For Woodbine Oaks

Woodbine Entertainment released an updated list today of Canadian-bred three-year-old fillies eligible to the 65th running of the $500,000 Woodbine Oaks presented by Budweiser, set for Saturday, Aug. 15.

A total of 36 fillies, including four supplements, have been nominated to the 1 1/8-mile opening leg of the Canadian Triple Tiara following the July 1 sustaining payment deadline.

Sovereign Award winner Curlin's Voyage stamped herself as an early favorite for the mid-August affair following her Fury Stakes triumph on Sunday at Woodbine. The Curlin-Atlantic Voyage filly has won half of her eight career starts, including the Grade 3 Mazarine and Ontario Lassie, while earning nearly $365,000 for breeder Hill 'n' Dale Equine Holdings and co-owner Windsor Boys Racing.

Owlette was impressive in her season's debut, capturing the Star Shoot Stakes over Curlin's Voyage on June 13 for trainer Wesley Ward and Ten Broeck Farm. The daughter of Frac Daddy and Itstartswithadream has finished no worse than second in six career starts while earning just over $300,000 and boasts additional stakes wins in the Shady Well and Victorian Queen.

Other stakes-winning fillies that remain eligible to the Oaks include Princess Elizabeth champion Cool Shadows, a Chiefswood Stables homebred trained by Stuart Simon, and Roger Attfield's South Ocean Stakes winner Gun Society.

The high-profile filly Infinite Patience, co-owned by NHL star Ryan Nugent-Hopkins and breeder William DeCoursey, was a gutsy third in last weekend's Fury after going five-for-five in her freshman campaign at Hastings Racecourse. The Sungold-Montero filly has been supplemented to the Oaks for $2,500 along with Curlin's Tiger, Lasting Union and River of Pearls.

The list of eligibles includes Ann of Cleves, who is a half-sister to 2015 Woodbine Oaks champion Academic. Ricky Griffith trains the Verrazano-Awesome Lass filly for Racing Canada and John Phillip Brown.

NK Racing's contender Sansa's Vow is a full-sister to Tone Broke, winner of two-thirds of last year's Canadian Triple Crown (Prince of Wales and Breeders' Stakes). Unraced at two, the Broken Vow-Mendocino Beano miss broke her maiden when making her second career start in a 1-1/16 mile-turf race on June 21 for trainer Josie Carroll.

Sam-Son Farm, owner and breeder of last year's Oaks champion Desert Ride, has three nominees including Raven's Song. The Medaglia d'Oro-Song of the Lark filly is a half-sister to multiple graded stakes champion Up With the Birds, who was a close runner-up in the Queen's Plate and winner of the Breeders' Stakes during his 2013 Horse of the Year campaign.

Another filly with Triple Crown pedigree is Itskathiesluckyday, trained by Mike Keogh for The Estate of Gustav Schickedanz. Sired by Itsmyluckyday, the maiden filly's dam Half Sister is in fact a half-sister to Triple Crown winner Wando.

Fifty-eight fillies were originally nominated to the 2020 Woodbine Oaks.

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Your Horse Country Needs You!

Across the world, the economic tsunami triggered by the pandemic has been stemmed, to some degree, by massive government interventions. But these can only go so far, whether in funds, duration or reach. Beyond those margins, many hugely deserving enterprises find themselves perilously exposed–and it will fall onto society, onto each one of us, to help determine which are worth saving.

Broadsided by this unaccountable emergency into a sudden, existential crisis, Horse Country is now turning to the community it serves and making its own case for salvation.

That’s a chastening positional shift for an operation that had, by its own volition, appeared to be achieving inexorable momentum. But it’s also one that can be made with the clearest of consciences, however you choose to quantify that “worth.”

In literal terms, you could point to over $1 million of known, direct investment in the business already made by converts made through Horse Country. (And who knows what other seeds may yet be germinating among 120,000 guests, from all 50 states and 22 other nations, entertained to date?)

But other gains are less tangible. What price, after all, can we put on evangelism for a sport so menaced by the misapprehensions of an increasingly urban society? As many as 73% of Horse Country guests have never previously or only occasionally been exposed to any equine experience. Even before being drawn into this global crisis, remember, the industry had spent much of the previous year struggling to demonstrate its commitment to the welfare of noble animals sometimes reduced by breakdowns and/or corrupt use of pharmaceuticals.

In reality, these different types of traction are actually continuous. Because whoever takes a Horse Country tour, whether as novice or aficionado, will come away knowing that the Bluegrass way of life starts and ends with the Thoroughbred.

For this is no artificial show, spinning some artful marketing message. The idea is simply to remove all barriers, real or perceived, between the horse and the world beyond the paddock rails. That transparency, that belief, has sustained dynamic growth through what remains, at no more than six years, the relatively brief history of Horse Country.

To Price Bell, whose family’s Mill Ridge Farm has been a key partner from the outset, that trust–in the wonder of the Thoroughbred, and the candour of the experience–gives Horse Country seamless application. If anything, in fact, the disastrous severing of access during the pivotal tour season (wiping out projected revenue between March and June of $345,000, and stacking up refunds of $150,000) has only served to emphasize that reach. For the improvisation of virtual tours has given a staggering new dimension to public engagement, with over 2.5 million views in 12 weeks.

“What I’m so proud of is that we’d lost 40% of our budget, and all the pre-bookings for this year,” Bell says. “And instead of just saying, ‘Woe is me,’ we said, ‘Okay, well, how do we keep pushing the mission?’ Claiborne kicked off the first virtual tour and their series has generated over 550,000 views. Mill Ridge has had 430,000 views. It’s been incredible.

“It was mid-March, and everyone was in a tailspin. So there was not a lot of planning. It was just, like, ‘Hey, let’s see if we can share the peace of these pastures with you.’ And we had a ton of first responders and medical workers who wrote to say how much it meant to them, how they were going to the E.R. every day and how just being out in the field gave them peace.'”

That heart-warming feedback came from one end of the spectrum. But Bell was also gratified to receive enthusiastic messages from industry peers. One prominent breeder sent him a selfie while tuning out from the stresses of the day with a glass of bourbon and a virtual tour.

“That was a good touch point,” Bell says. “I thought, okay, if guys like this are consuming these, that’s got to be good. This has to be worth continuing.”

Then there came a warm message from Tanya Gunther, after a friend had forwarded footage of Bell’s father Headley illuminating viewers about the success of Glennwood Farm. She’s a shareholder in Mill Ridge’s stallion, Oscar Performance, so here was an alternative interaction during lockdown. Even in a time of mass alienation, Horse Country had shown–from exhausted nurses to important clients–an unfailing ability to connect.

It’s sometimes been difficult, for the hosts of virtual tours, to know quite where they’re going. “But in your gut it feels like the right thing to do,” Bell says. “And then you get all these moments, whether it be the front-line workers, or potential customers, or existing clients. And when you hear how much they enjoy it, you’re like, ‘Well, yeah, we got to keep doing this.'”

And that, again, has all been an exercise in transparency and confidence. There have been live feeds, live questions, live comments. There’s no rehearsal, no window-dressing. And, judging from some of the comments received, the direct nature of that connection has won trust, hearts, minds. Here are a few samples:

“Seeing this behind-the-scenes operation will make watching racing more enjoyable for me.”

“This was wonderful… I hope you all will continue doing these even after social distancing is no longer a factor. For those of us who don’t live close by it keeps us connected to the horses.”

“Thank you!!! Can’t wait to see the foals from season one start racing!!!”

“We could never thank you enough for opening up the farm to us on these wonderful virtual tours. You made enduring this pandemic so enjoyable. I learned so much… What was so wonderful was learning the history of your family and the farm.”

“Hello from Seton Medical Center–I’m screening to [patient] visitors rt now!”

“You made my little grandniece so happy today by chatting with her. Thank you for making a little girl’s day. Hope to see you all real soon in person.”

“All the foals I now feel as though I know, I will follow as they get to the track… I hope it may be a whole new market for the racing industry.”

Even in extremis, then, the project has been proving its value. But what has changed, temporarily but critically, is its viability.

Before the pandemic hit, Horse Country was on the brink of a confirmed sustainability. A maturing product had shown that it merited marketing spend, and enthused members were investing in making the experience better yet.

The belated resumption of tours, a couple of weeks ago, remains drastically confined by regulations on social distancing. As things stand, even with a very small payroll half-furloughed until September, the numbers will no longer add up this fall. And, should that happen, the open embrace of Horse Country will revert to the folded arms and averted gaze that discouraged outsiders in times past.

“To me, the great success story of Horse Country was that it had shown that it can be sustainable,” Bell reflects. “We weren’t crowding an already crowded marketplace, with the annual fundraiser, annual gala, annual contribution. We came with a business plan that was sustainable, and thus could celebrate the wonderful work of all the incredible charities that so many of us support and not compete with them.

“And then the coronavirus happens. So, the question is: are we valuable enough, in this time of extreme need, for the industry to come together and help keep the lights on?”

Happily, that question should be less difficult to answer now that the necessary red tape has been unravelled to give Horse Country flexible charitable status and eligibility for tax-deductible donations. (The Bluegrass Community Foundation, as a 501 (c3) non-profit organization, is hosting a designated fund for this purpose.) That lifeline has come just in time for an organization hitherto dependent, for industry-wide benefit, on the dedication of relatively few partners–some of whom have in effect been contributing hundreds of thousands by deferring or renouncing tour payments.

“We don’t know when we can get back to giving tours on a sustainable level,” Bell explains. “Members have been giving them for free for six to nine months, all the proceeds going to sustaining the organization. They’ve done a lot. Hopefully they can do more. But our hope is that our industry can recognize the value of what we’re doing, and the need. Maybe you didn’t get involved because you didn’t have a farm, or maybe you do have a farm but didn’t want tours. But now here’s the opportunity, with this fund, that you can support us.”

Even as it was, sales were on track to exceed even a budgeted 36% increase in sales across the fiscal year. Horse Country had established a virtuous circle by which greater sales lead to more marketing, which leads to more sales and ultimately more evangelists for the industry. A meeting had accordingly been scheduled with a major industry organization, with a view to an injection of marketing funds, the very week of the shutdown.

“That’s the great irony of it all,” says Bell ruefully. “There we were, kind of at that inflection point of starting to have a slight surplus of revenue that we could then pile back into marketing, into pushing our utilization. We had not wanted to ask for help; had not, perhaps, made a very good job of showing our vulnerabilities. As a start-up, you have to be scrappy; you like to work out your issues yourselves. And we’d almost gotten through that.

“We felt we had shown proof of concept, we felt we were growing. With one more member doing daily tours, we felt would really be able to get to the next level. To use Mill Ridge as an example, we hired an Experience Co-ordinator last year–and were on pace for her to pay for herself in a full year, because we’d seen such growth. That snowball was really starting to roll down the mountain. And then the pandemic happened.”

Hopefully, then, it’s only a question of fire-fighting. Horse Country has already shown that it is a sustainable model, so long as it can negotiate this crisis. Now it just needs enough people to recognize not just the merit of what has already been achieved, but also the still greater potential suggested in the process.

After all, the whole premise of the tour–emulating the Bourbon Trail’s model for sharing resources and insights–was that the community’s sum can be greater than its parts.

Some members have stoked the engine throughout. Claiborne observed a tradition of openness from the outset, and duly produced the first virtual tour four days after the Horse Country office closed. Coolmore generously harnessed the windfall of public interest when welcoming the first Triple Crown winner in 37 years. Many members have been hiring specialist staff and/or upgrading tour facilities.

By no means everyone in our community is in a position to do these things. Yes, Horse Country is always eager for new members willing to operate new tours. But its appeal is to every single one of us. It wants us to show that community means commitment; to show that we are all stakeholders in a way of life that is the cultural and commercial signature of the Bluegrass.

Do we really want to go back to hiding behind a post-and-rail palisade, and asking every intrigued newcomer to show credentials first? For all we know, remember, any Horse Country bus rolling down the drive may contain some future magnate of our business, making his or her first ever visit to a farm. But any home run of that kind would just be a bonus. This is about the incremental gains, the sense of homecoming that can be awakened across all tiers of society.

And the stakes, now, cannot be stated too starkly. “The lights go off in September,” Bell says. “We don’t think we can count on our existing business model until there’s a vaccine or until travel really picks back up. So if you are inspired by the way we’ve been creating fans, the way we’ve been sharing the story of the horse, then we could really use your support right now. I hope that anyone touched by this industry will be able to say: ‘I hadn’t considered this organization as a need–but I can see how they’re trying, I’m proud of what they’re doing, and I want to keep them going.'”

If you are interested in supporting Horse Country,
contact Executive Director Anne Hardy directly at ahardy@visithorsecountry.com or make an online donation here https://bgcf.givingfuel.com/horsecountry.

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