Zenyatta’s Cozmic One Joins TAKE2 Thoroughbred League

Cozmic One (Bernardini), the first foal out of Horse of the Year Zenyatta (Street Cry {Ire}), has joined the TAKE2 Thoroughbred League and is slated to compete in the TAKE2 Thoroughbred Jumper Division at the Kentucky National Horse Show Sept. 22-26. The classes for his division will be held in the Walnut Ring at the Kentucky Horse Park near Lexington. Cozmic One could earn a wild card berth in the $20,000 TAKE2 Hunter and Jumper Finals Sept. 26 if he finishes in the top five in the division.

Now a 9-year-old and with a huge fan following since his birth, Cozmic One made little impact on the racetrack and retired in 2017. He competed in the Retired Racehorse Project's 2018 Makeover and finished fifth for Isabela de Sousa. The college student owns Cozmic One in partnership with her father, Sergio, who now rides the horse, and Zenyatta's owners, Jerry Moss and Ann Holbrook.

“It's pretty amazing, a lot of people really enjoy seeing what he is up to,” said Sergio de Sousa. “People love the mare, and they love him, too. We post things about him on social media–from the horse shows, but also 'Coz' playing with his buddy, rolling in the mud, just being a horse. It makes people happy to see it, and it is simple for us to do that. We get letters, Christmas cards, cookies, birthday cards, you can go on and on. My daughter started it a couple of years ago, so people could follow him, make the connection with Coz, see how he was training. She got a lot of people to participate in his journey.”

De Sousa, the managing partner of Hidden Brook, competed with Cozmic One at the Split Rock Horse Show in June and the Robert Murphy Stable Horse Show in July.

“This is his second career, but he really is retired, he is just having fun,” said de Sousa. “He gets excited going to the shows, he loves to watch the other horses perform, he loves to watch the people go by. He's like a boxer, ready to go in the ring. But we're not looking to be in the Olympics, this is just for his enjoyment. He doesn't owe us anything.”

TDN won a 2018 Multi-Media Eclipse Award for a feature on Cozmic One in his second career.

The TAKE2 Thoroughbred League was launched in 2015 to promote second careers for retired racehorses and offers $10,000 in year-end high-score awards to Thoroughbreds competing in TAKE2-affiliated hunter and jumper divisions across the country, with the $20,000 TAKE2 Finals held every September.

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Charity Auction Features American Pharoah, Zenyatta Items To Benefit KEMI

Through the generosity of the Kentucky Thoroughbred Farm Managers Club, the Kentucky Equine Management Internship is auctioning five halters and one horseshoe plaque to benefit its program.

The items include halters worn by American Pharoah (donated by Coolmore/Ashford Stud), Zenyatta (donated by Lane's End Farm), Hard Spun (donated by Godolphin/Darley America), Serengeti Empress (donated by Taylor Made Farm), New Money Honey (donated by e5 Racing Thoroughbreds) and a plaque of a shoe worn by War Front (donated by Claiborne Farm).

All proceeds benefit the KEMI program, which is a non-profit organization dedicated to improving opportunities for students wishing to pursue a career in equine management. KEMI works with students currently enrolled at a sponsoring college or university or with recent graduates of those institutions. Their internships provide students with opportunities to combine their academic work with hands-on experience at central Kentucky farms

The items are being auctioned off on eBay. The auction ends July 3, 2021 at 3 pm. Find the auctions here.

For more information about the KEMI program, check out their website at www.kemi.org.

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The California Series: John Shirreffs, Part Two

Great expectations don't necessarily begin with lofty intent.

Most new licensees start out hungry for that one lionheart of any stripe to announce their arrival. Those trainers who are routinely sent the big weekend warriors learn to acquire a more refined palate, to remodulate their ambitions accordingly.

But scant few are fortunate enough to have harnessed the sort of thunderbolt that doesn't just electrify a trainer's career but leaves a patch of scorched earth for posterity. And really, how many ever expect to?

In part one, we deconstructed some of the scaffolding of the Shirreffs training philosophy-today, we take a peek beneath these outer-workings.

And where better to start than with a horse who, for three years between November of 2007 and October of 2010, danced her way to a 19-race win-streak that encompassed 14 Grade Is before signing off with a narrow defeat in the GI Breeders' Cup Classic at Churchill Downs, the collective groan to which still resonates today.

“She was difficult,” said John Shirreffs of Zenyatta (Street Cry {Ire}), as though narrating her movie trailer. “She was very difficult.”

For one, the shell was ill-designed for the engine, with back-end problems and creaky joints a source of constant headaches. “We had to be really careful with her,” Shirreffs continued. “I don't know how she did it. She overcame so much.”

Nor did it help that she was wired with an electric current, evident from the moment she pranced off the horsebox and into the Shirreffs barn at Hollywood Park that looked out onto the old training track.

“She was very highly strung and very nervous on the track. At the start, I don't know how many times I saw her drop the rider and come running back to the barn,” he said. “So yeah, she was difficult.”

By the time the 2008 GI Vanity H. at Hollywood Park rolled around, personality quirk was devolving into vice–she washed out in the preliminaries, all jittery nerves and sweat, before dispensing with her rivals in unusually grueling fashion.

“Almost cost us the race,” admitted Shirreffs, about her pre-race antics. “That's when we realized we needed to do something on the racetrack to conserve her energies.”

Shirreffs pressed reset, stood her by the quarter pole every day. Why there? “From the quarter pole, it was only an eighth of a mile walk to the gate,” he said. Stretched and supple from her parade-ring yoga, Zenyatta needed no warm-up.

“And while all the other horses were warming up, we'd stand her just to conserve her energy.”

Her next race–the GII Clement L. Hirsch H. at Del Mar–was won in customarily graceful fashion, setting a Polytrack record in the process.

“I'll have to go back to the basics.”

Superstition runs like the Nile Delta through any backstretch, with good fortune sought from many an idol, false or not-voodoo amulets nailed to the wall, lucky socks, the empty stall nearest the office reserved for the trainer's next oracle.

Shirreffs, however, appears less than dogmatic about one of the staple deities of the track-old father time, whose avatar is the trusty stopwatch. “I don't even clock my horses any more,” he said.

“What makes everybody excited? Speed. You're watching your horse work and, 'wow, we went in :23. My goodness, he's going that fast.' But the stopwatch is like a treat, right? It can give you a lot of satisfaction-but that's all it is, a treat. I think that will never change.”

Nor is he beholden to the rigid sanctity of the morning set-list. Just take Life is Sweet (Storm Cat), the 2009 GI Breeders' Cup Ladies Classic winner, a veritable sleeping beauty who Shirreffs sent out for morning exercise only when she deemed the hour ripe to rise, yawn and stretch.

And once again, patience is the key virtue when it comes to returning sheen to tarnished reputation. Or as Shirreffs puts it: “Is that not the joy of training, having fun with different personalities, doing something that'll help them bridge that gap?”

No finer example of that can be found than in Morning Line (Tiznow), a Grade I winner on the East Coast whose career had jack-knifed. Two starts after claiming pole position the GI Carter H. at Aqueduct, he brought up the rear in the GI Whitney H. at Saratoga. Jim Stark in need of a cause.

Indeed, when Morning Line arrived in California, “He would just go to the outside fence and he wouldn't move,” Shirreffs explained, about the son of Tiznow's black mood of a morning. “I didn't know what to do. So, I thought to myself, 'well, I guess I'll have to go back to the basics.'”

Back to basics isn't a euphemism for a few weeks of jogging or tack-walking around the shedrow. No, this was the equivalent of sending Einstein back to grade school.

“We would put the driving reins on him and drive him around the racetrack,” said Shirreffs, of the foundation stone of the rebel's rehabilitation.

When Morning Line became accustomed to the driving reins, then a rider was put on. When he acclimatized to both driver and rider, they increased the pace–a performance that necessitated a relay race, where the more athletic members of the Shirreffs Olympic team would be situated around the track, ready to be handed the driving reins from their rubber-legged counterparts.

“Pretty soon, it got to the point where we just started him with the driving reins, and then the rider would let go of them and carry on like usual,” said Shirreffs.

On his first start post Betty Ford, Morning Line won the GII Mervyn LeRoy H. at Hollywood Park, and two starts later, finished third in the GI Triple Bend H.

A more timely war of perseverance concerned the recently-retired Hard Not to Love (Hard Spun).

A one-eyed bag of nerves. “She obviously needed to see what was going on, so when she got nervous and upset, she just she'd have to spin around and spin around.” Shirreffs experimented with a mirror in her stall, an optical illusion for the optically challenged. “It made all the world of difference.”

Still, Hard Not to Love had a greater phobia to overcome if she were ever to make her mark. “She was terrified of the gates. Absolutely terrified,” he said.

In a nod to Hansel and Gretel, Shirreffs built a starting gate from straw. “But she'd just run through it, and then she wouldn't want to go back.” Then came an eureka moment–the same straw replica of the starting gate, but positioned around the entrance to her stall.

“So, when she went through it, tried to run, she could only go to the back wall-it made all the difference.” Indeed, the daughter of Hard Spun ended up winning the GI La Brea S. at Santa Anita, cementing herself a star of the West Coast distaff division.

“Let them drink as much as they want the first time”

Not all idiosyncrasies are created equal, however, and as anyone who sweats the details can attest, even a small realignment of the daily routine can suddenly unlock the vault. But in Express Train (Union Rags), Shirreffs is rewarded the long game.

Indeed, the improving son of Union Rags recently ran a career high when finishing second in the GI Santa Anita H., a race that once was a high-tide mark on the calendar, but in its sublimation by other dueling interests has become a barometer to the shifting fashions of the West.

It's instructive to hear Shirreffs's commentary of these changing fads, some of it dusted with nostalgia, like a hankering for the journey-man days of the old California circuit. Or a time when the backstretch community dispensed horse-sense like penny toffies.

“I was new to the track, and one day I remember Don Porter, a great trainer up North, he saw me walking into the receiving barn to give a horse a drink.

“He said, 'John, just remember the first drink a horse takes will be its biggest drink in there. So, let them drink as much as they want the first time, because otherwise they're not going to rehydrate themselves well enough.' I mean, back then people helped each other.”

Has that changed?

“I don't see a lot of that going on now,” Shirreffs replied.

Some have a historical bent, observations that betray hokey bygone truths–like the way he and others once used arsenic to stimulate the appetite and on bandages to cool the legs. “I used to use a lot of lead to help cool the legs, as well.”

Some of it reflects shifting industry winds. “I think the jockeys are fitter now than they were before. As soon as the gate opens, it's like, 'go, go, go,' right? There's more pressure on jockeys to perform all the time and in every race.”

Fitter jockey, tougher race. “Back when I started, people didn't expect the horse to win first time out-they expected the horse to have a couple of races and eventually race himself into shape. The demands on the horse are, I think, a lot higher now than they were, so we've had to adjust.”

Telling are those trainers he holds in high regard. “I think Neil Drysdale's a really good trainer,” said Shirreffs. “I think he's one of those people that understands horses and doesn't overtrain, tries to get along with them. The trouble is, he's English!

“I think Bobby Frankel was another great trainer. His approach, I thought, was always interesting. Another one who wouldn't over face them.”

Is there a connecting thread between these names? “All these trainers, I think, they just love their horses.”

If there's another, then surely it pertains to the little things. Which brings us full circle to Giacamo (Holy Bull), the horse that gave the Shirreffs name its international flavor.

The day before the 2005 GI Kentucky Derby was a lazy and warm spring Kentucky morning. Shirreffs was in the paddock schooling his great white hope, Giacomo, when the son of Holy Bull twisted off a shoe.

“We had to get him back to the barn to get re-shod, but Giacomo had very shallow feet–he really didn't have strong feet–and as you know at Churchill Downs, it's very gravely.”

Shirreffs dispatched the exercise rider to the barn, who returned with a bandage that they used to swaddle the foot, carefully led him back to the barn. The next day, Giacomo won the Derby at 50-1.

It can be all too easy to dismiss anecdotes like this as insignificant–just one of a million incidental decisions made along the winner's path. “Just doing those little things, you know, they don't seem like they're really important,” admitted Shirreffs.

But we need look no further than Sir Arthur Conan Doyle–he of Sherlock Holmes fame, with the microscope eye-for redress: It has long been an axiom of mine that the little things are infinitely the most important.

“I mean,” Shirreffs added, in explanation, “were it not for what we did, he probably wouldn't have won the Derby, right?”

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The California Series: John Shirreffs

In a new TDN series, we curry lessons and wise counsel from veteran Californian figures who, like gold nuggets panned from the Tuolomne River in the High Sierras, have unearthed career riches on arguably the toughest circuit in the States. We begin this series with John Shirreffs.

Born at Fort Leavenworth, Kansas, Shirreffs was raised around horses on his family farm, and was deployed to Vietnam with the Marine Corps before embarking on a career in racing, using a 10-year stint at the Loma Rica Horse Ranch in Northern California as a springboard to a training career that would see him sift one of the rarest jewels of all.

Part I

Amid the tall spiking pines and jutting mountain cathedrals of Northern California's Grass Valley back when the sprawling Loma Rica Horse Ranch still hummed with activity and where the transatlantic phenom Noor would later be interred–to haunt the barns, some say–one stubborn son-of-a-gun yearling colt gave a young John Shirreffs an abject lesson in obstinance.

“He's in the stall rearing up and striking and I can't get the bridle on him,” said Shirreffs, remembering the scene from the safe hindsight of some five decades. The memory remains sharp, however.

Rolling up his sleeves, the young Shirreffs sniffed a challenge, which quickly turned from a wily game of wits into a war of muscle. He jumped on the colt bareback. He grabbed his ears. “We're having this Battle Royale.”

After a fashion, though, Shirreffs waved the white flag and with ego deflated turned to Henry Freitas, the farm's storied manager, for pointers on a less adversarial approach.
“Henry said, 'John, just stop all the B.S. Just go down the stall and put the bridle on the horse and quit all that crap you're doing.'”

Shirreffs was unimpressed. “I'm walking down the shedrow thinking to myself, 'what kind of help was that?'” Still, the relationship between pupil and master was one of deference to experience–decades worth, in the case of Freitas–and so, Shirreffs dutifully obliged.

“I went in the stall, put the bridle on the horse–the horse never moved. It was over.”

And what was the main takeaway? “The value of a timeout with horses,” he replied. “When you're caught up in the moment and things aren't working out, the best thing to do is just stop and give yourself and the horse a chance to have a moment of thought to recover.”

Shirreffs after the Breeders' Cup Distaff with Zenyatta | Sarah Andrew

Shirreffs imparted the story one recent morning in his office at Santa Anita, the nearby San Gabriel Mountains draped in a cold, grey drizzle like a soggy blanket, as the veteran trainer reflected on a 45-year career looped into which is a Kentucky Derby win and multiple Breeders' Cups and the sort of horse in Zenyatta (Street Cry {Ire}) that comes along about as often as Halley's Comet.

This nugget of barn-spun wisdom also provides a useful barometer of the trainer's evolution as a horseman, familiar sounding to anyone long enough in the tooth to know that any career with racehorses is akin to a college course without end.

“When I was younger, I could dominate a horse, right? I could handle them pretty well through strength. But as I got older, horses started getting a lot stronger than I was. Most of them were starting to outsmart me. So, I learned over the years what a mental game it is.”

Indeed, from a world in which the economics of high-level competition has sprouted large military-run outfits–those where routine and repetition are bywords for necessity and thrift–the Shirreffs barn offers a refreshing alternative, where morning training is approached with the same certitude of an explorer setting foot on virgin terrain.

But while Cook and Columbus had in the North Star their guiding light, Shirreffs has for his something altogether more fluid and transactional.

“It's always about building the bond,” said Shirreffs, focusing in on what appears a central conceit of his.

“You have to build a bond between the horse and the person. I have to find a way where that horse has trust in whoever's handling him or doing something with them. So, it's always about the bond, because if that horse trusts the groom or trusts the person with them, then they will behave much better than if all they're thinking about is being nervous, being anxious about what's coming next.”

Big range of emotions

Wander down any shedrow and you'll hear horse behavior equated with everything from wayward teens to recalcitrant spouses to loving sweethearts. This isn't new–the instinct to anthropomorphize is as ancient as civilization itself.

What's unusual is to hear any trainer–especially those operating within the upper echelons of a sport where a business degree can sometimes feel like the most instructive qualification–talk of the complex emotional bandwidth of a racehorse, as Shirreffs does.

The foundations of this clearly stem from those early days under Freitas at Loma Rica Ranch, a 600-acre university for horsemanship, home as it was to stallion and mare, yearling and breaker, lay-up and foal.

“I think somebody should spend an hour in the stall with a stud, just to understand the range of emotion that an animal can have,” he said. “Sometimes, the thing that amazes me about horses is how much they are willing to communicate and how much they're studying us.

It's a matter of getting to know your horse: Shirreffs with Giacomo | Horsephotos

He added, “You have to realize that they are trying to make their environment as good as they can. And we are the biggest thing in their environment that they have to control. Right?” he added. “We're the ones that could endanger them. So, obviously they're studying what type of a relationship they're going to have with us.”

Like all relationships, the means define the ends. Of course, when it comes to understanding quirks and foibles, there are few substitutes for patience. “It's a matter of getting to know your horse,” he said.

“It's fun to watch the horses to pick up on their habits–I have the time to do that, when the work gets done and everyone's gone to lunch, I have that opportunity, when it's quiet, to watch the horses and see how they're behaving, see what's different about one or the other.”

This, he says, is particularly instructive to the early diagnosis of injury–arguably the biggest culprit of sleepless nights among insomniac license-holders.

“Horses are very stoic, right? You don't have an obvious sense of what's bothering them in the beginning [of injury], before there's any heat or any inflammation or anything like that,” he explained. “But how he eats is a good indication of how he's feeling, not only emotionally but also physically.

“Even then, by the time you notice that something's going on, he's probably been dealing with pain for probably quite some time.”

Such close scrutiny of behavior feeds into what he terms the “bio-rhythm” of a horse–the idea that a racehorse can be brought to peak performance only when, like a maestro vigilant of each section of the orchestra, they're mentally, physically and emotionally in balance.

“You have to figure out how to get things flowing together,” Shirreffs explained. “So, when they're physically at their peak they might not be mentally at their peak because you've trained them really hard, but mentally they're tired or emotionally they're off–you know, upset about being pushed so hard.

He continued, “So, you're going to have to lose a little bit of conditioning maybe to bring them up mentally and emotionally, right? It's always: How close you can get everything?

“That's the one great thing about campaigning a horse, because when they're campaigning they're conditioning–they're physically staying at a pretty high level. And as they campaign, and as they get used to the rigors of racing and training, mentally they're getting stronger, too. And then, if there's some sort of pleasure involved–some sort of reward for the horse–then they're emotionally getting better.

“So, it's all a question of balancing these three different things.”

The real pleasure a trainer gets

In those early days at Loma Rica Horse Ranch, Freitas came down with a nasty bout of flu, giving Shirreffs an early glimpse into the peculiar juggling act that operating a barn necessitates. Though perhaps baptism of fire would be more apropos.

“I knew the routine, right? I knew how everything ran. So, I was fine for about two or three days because I knew exactly what Henry would do.

“But suddenly, after about three or four days, I had to make new decisions based on ones I made a couple of days ago. That's when I got into trouble because I didn't have Henry to ask.”

Now, many an analogy befits a well-run stable, all shaped around a certain triangular hierarchy–an ant colony, for example, of an aforementioned branch of the military.

It's instructive then to hear Shirreffs explain the roles he's carved out for him and staff.

“I don't really need to know veterinary medicine, right? I don't need to know the name of drugs, all that kind of stuff,” he said. “[Veterinarians], they go to school, they know that. But I can learn what the shoer does, right? I can watch what they do.

“I can feel legs, and the difference between one leg and another and study those things. I can watch the horse and see if he's acting colicky or a little upset because of something else going on. So, I thought in the beginning that was where I would best spend my time to become a better trainer.”

Part of that process of self-evaluation has involved holding a mirror to his own failings–his own Achilles heels-as typified, for example, in the way he has, at times, placed individuals in charge of identifying soft tissue injuries.

“As a trainer, you go in and you're checking behind the saddle, but I'm always thinking it doesn't feel too bad because I want to train that horse, right? I have to have somebody put the brakes on. I have to have my own sort of checks and balances.”

At the same time, “You can't put demands on people, right? Because I think a certain way, and I react a certain way, I can't demand that other person be like me and react the way I would react.

“Let's take the exercise rider or jockey or whatever, you have to understand where they are [ability wise], what are their strong points and how you can best use them to accomplish what you need to accomplish with the horse.”

In an industry that often calibrates professional achievement and pleasure through the narrow aperture of race-day honors, it's refreshing, then, to hear someone no stranger to laurel wreath and garland talk of their other important metrics of success.

“It's so difficult to win a race–in California, especially. So somewhere along the way, if you're going to be in this business, you have to derive some pleasure from somewhere else, right?
“So, the real pleasure a trainer gets is seeing the growth in the horse. Or having somebody, like a rider, start to develop and understand his relationship with the horse, see what impact that person can make on how that horse is going to handle the stresses of racing.

“It's really a pleasure when you suddenly see a guy realize that if he didn't pull on this horse so hard and just kind of released the reins a little bit, the horse starts to relax. He realizes, 'Oh, it's not all muscle, it's a little bit of a finesse.'

“I think those are really fun things.”

Part II of this story will run in next week's TDN.

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