Art Collector’s Foot Healing Well, Drury Says ‘All Systems Go’ For Preakness Stakes

Bruce Lunsford's Art Collector remains on track for the Oct. 3 Preakness Stakes (G1) after missing the Kentucky Derby (G1) with a minor foot issue.

Art Collector worked a half-mile in 48.10 seconds on Saturday at trainer Tommy Drury's Skylight Training Center base under jockey Brian Hernandez Jr. Drury said the son of 2006 Preakness winner Bernardini likely will ship into Churchill Downs within the next few days and work over that track this weekend.

“He seems good,” Drury said. “He breezed over the weekend, just kind of a maintenance half-mile. Brian felt he was as good as he's ever been. As long as everything is going right, we're going to shoot for Baltimore. But as always, we're going to let him take us along. We're going to get him settled in here (Churchill Downs) and make sure everything is OK, and at some point over the weekend I'd guess he'll go five-eighths. I'd say if everything goes well there, we're on target for the Preakness.”

Art Collector, who would have been the co-second choice behind Tiz the Law, was not entered in the Kentucky Derby after nicking a piece of flesh off his left front heel in training.

“He just grabbed the back of his quarter,” Drury said. “The thing was sensitive and sore to the touch. There was a little flap there that needed to be trimmed away. We knew when we trimmed it away, it was going to be even more sensitive, and the right thing to do was sit that one out and put it behind us.”

Drury said Art Collector missed three days of training.

“We were able to get him right back to the track,” he said. “I jogged him the first day and he was back to galloping. It wasn't that he had some major issue, it was just bad timing. There wasn't much we could do for it Derby Week with the medication rules. To run, it would have just been for ego. If you don't win the Kentucky Derby, then it doesn't matter. Nobody wants to talk to the guy who finishes fifth.

“At least for me, I don't want to just lead one over there just to be leading them over there. I want to take my best shot. Had he been a $10,000 claimer could we have patched him up? Sure we could have. But is that the right thing to do for the horse? Absolutely not. Now we're going to go into the Preakness and we're going to take our best shot. I'm not thinking about a race. I'm thinking about a career. Bruce has already said he's more than willing to run this horse next year. So why would we do something stupid at this stage of the game?”

The lifelong Louisvillian might have missed out on what would have been his first Kentucky Derby starter, but he said trainers make such decisions all the time outside the spotlight.

“Have I thought, 'What if?' Sure I have,” Drury said. “That being said, I slept better that night than I did the entire two weeks leading up to the race. I was very comfortable with the decision I made, and I'm very comfortable where the horse is. We want him to be good for the long haul and not just one race.”

Now the trainer is looking forward to his possible Triple Crown debut in the Preakness.

“The timing of it is good,” he said. “The thing I like is that he doesn't have to take his racetrack with him. I would expect him to do that in Baltimore as well. I'm just looking forward to giving him the opportunity to run against those horses. He may or may not have run well in the Derby had he been there. We're certainly not going to take anything away from the winner. He ran a huge race. But we're looking forward for our opportunity to go after him.”

Drury said he's really glad now that Art Collector ran back in the Aug. 9 Ellis Park Derby at 1 1/8 miles instead of training up to the Derby off of the July 8 Blue Grass.

“Absolutely,” he said. “This didn't really interfere with our schedule a whole lot. We missed a couple of days and we were right back at the track. He's been training very forwardly. He worked good Saturday, so it seems like at this point, it's all systems go.”

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Breeders’ Cup Presents Connections: Derby Roses For ‘Miss Syl’

Horse racing has long been an integral part of daily life for the neighborhoods near Churchill Downs. Homes full of large, close-knit families surrounded one another, and it seemed everyone knew at least a few people who worked at the track, or later, a few others who owned a couple racehorses. Any time someone got a hot tip on a horse one afternoon, the news spreads like wildfire as the die-hard racing fans gather would beneath the grandstand in an area they called the “snake pit.”

There was camaraderie, a fair bit of rivalry, stories about wagers won (and more stories about those almost won), and if one of the owners' horses was racing that day, there'd be the chance to stand in the paddock and hopefully then in the winner's circle. It was a community beyond that of the racetrack itself, and it had been that way since before 84-year-old Sylvia Arnett can remember.

So, even though spectators were not allowed at this year's Kentucky Derby, the long-time racing fan found a way to use pen and paper to share that community connection with one of the contenders. Much to Arnett's surprise, her sentiment was returned a thousand-fold with a bouquet of red roses even more precious than those on the winner's garland.

Arnett grew up in a house just two blocks from Churchill, which her family still owns today. The youngest of 11 children, she has been watching (and wagering) on races since her earliest Derby day, when Arnett remembers parking cars for a quarter and racing over to the track to get someone to place a bet for her (at six years old, she was too young to do it herself).

Arnett even owned a few racehorses with her late husband, which she recalls was quite a feat for an African-American in the early 1970s, and several members of her family are still involved in the racing business.

For the past 30 years, however, “Miss Syl” has served her community as the owner and operator of the popular Syl's Lounge in West Louisville.

“It's like a 'Cheers' bar, everybody knows everyone, and it's like the 40 and over crowd,” Arnett explained. “They come religiously, and I had gone down to just three days a week, Monday, Wednesday, and Friday, and they'd stay late into the night singing and listening to music.”

The bar has drawn figures like champion boxer Muhammad Ali, former Washington, D.C. Mayor Marion Barry, the first prominent civil rights activist to become chief executive of a major American city, and multiple Grammy Award-winning musical group The 5th Dimension, among many others.

It is simultaneously the kind of place where the community would gather to unwind and where they would go for important local events, including the Kentucky Derby. “Miss Syl” runs it all with the kind of old-school charm and iron wit that makes you feel immediately like part of the family.

This year has been an exception. The coronavirus pandemic has forced the bar to stay shut down since March, so Arnett has found herself with a lot of free time on her hands.

No matter. Tracing back to her roots, she followed this year's delayed Kentucky Derby with even more zealous scrutiny than usual and found herself especially touched by the story of trainer Tommy Drury and his first Derby contender, Art Collector.

“I saw this article in the local newspaper, and it mentioned that he had been working with the horses since he was 18 years of age,” said Arnett. “So, I thought, 'Wow, all that hard work has paid off and he finally made it to the big one. I'm gonna write him a letter and congratulate him.'

“It was something about him, he just worked hard for it and I know what that feels like.”

Her hand-written letter, the first Arnett had ever written to a Derby hopeful, took a slightly convoluted journey across town to get to Drury's barn at Churchill Downs.

As it turns out, Art Collector's groom Jerry Dixon was staying in the same hotel at which Arnett's son is employed. Dixon, a lifetime racetracker, happened to mention to Arnett's son that the colt was going to win the Ellis Park Derby, and after that, hopefully the Kentucky Derby.

“We bet the Ellis Park Derby, bet it good, and won good,” Arnett said, smiling big. “We was ready for the Kentucky Derby, we were gonna put money on the Kentucky Derby!”

Arnett gave the letter to her son, her son gave it to Dixon, and Dixon finally dropped it off at Drury's office at the track.

Unfortunately, Art Collector's eleventh-hour scratch from the Run for the Roses ended the dream prematurely. Though she couldn't have known about the scratch when she penned her letter, Arnett had made the fortuitous decision to include the story of her brother-in-law and his horse that almost ran in the Derby; it became a balm for Drury's disappointment in more ways than one.

Jacob Bachelor was an African-American Thoroughbred trainer by passion, but with a wife and five kids, he worked a day job at International Harvester in Louisville. In 1975, he had a horse named Naughty Jake who won the Spiral Stakes at what was then Latonia (now Turfway Park), and then ran third in the Derby Trial at Churchill Downs.

Arnett, the youngest of 11 children, remembers that most of her family, along with the rest of the neighborhood, wanted Bachelor to enter the horse in the Kentucky Derby, but he didn't have the money for the nomination and entry fees.

“If we had gone around the neighborhood and taken up a collection, I think we would have come close to getting whatever he needed to get that horse in the race, because it was such an exception and such an opportunity for an African-American,” Arnett said. “I just think my brother-in-law should have taken the chance and run that horse. Just think, he would have been the owner and trainer. That would have been something.”

Bachelor had other successes, like winning the 1972 Debutante at Churchill with the filly “Sylva Mill,” named after Arnett and her sister, Mildred. That day, nearly the entire neighborhood gathered in the winner's circle to celebrate the win; it felt like the filly belonged to all of them.

The horses Arnett and her husband owned were never major stakes contenders, but she clearly remembers the feeling of walking into the paddock on race day.

“You would hear people say, 'Those African American people over there, they own that horse!'” Arnett said, closing her eyes and reliving the moment. “Man, we thought we were celebrities. We may not have had much, but those were big days.”

The neighborhood has changed over the ensuing years. Most of the big manufacturing companies have shuttered their doors, homes are now boarded up and in disrepair, and the community has lost a lot of the institutions that used to make it unique. Civil rights movements have grabbed hold of west Louisville, and the entire country, once again.

Nonetheless, Syl's Lounge has persevered.

“Those of us who remember west Louisville when there were movie theaters, restaurants and more strong, stable families” view Syl's as “a throwback to what we used to have,” Rev. Kevin Cosby told the Louisville Magazine in 2018. “And I think maybe psychologically people see in her institution the hope of what is yet possible.”

Arnett has continued to carry out her role as a pillar of her community, even without the physical space of the bar. She calls the regular patrons on a weekly basis, just checking in, and looks forward to a time they can be together in person once again.

When Drury read Arnett's letter, the community sentiment really hit home. He was reminded just how lucky he was to have the horse and the ownership to make it as far as they had, and that Art Collector would go on to fight another day.

Drury, his teenage daughter Emma and her friend Molly Andrews, decided to take a trip to the florist. They picked out a bouquet of red “Derby” roses for Arnett, and sent them over to the extraordinary woman who'd been able to share both Drury's excitement and his disappointment, without ever having met in person.

“I couldn't have been more happy had it been the whole garland of roses,” Arnett said, a sparkle in her eye as she showed off a photograph of her with her bouquet just after it arrived. “As for Mr. Drury, I'm going to write him another letter and tell him it's okay he had to scratch, we'll just have to settle for Black-Eyed Susans on Preakness day!”

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Art Collector Out Of Derby Consideration After Minor Foot Injury

Bruce Lunsford's Art Collector, winner of Keeneland's Grade 2 Toyota Blue Grass Stakes and the $200,000 RUNHAPPY Ellis Park Derby in his last two starts, is out of Saturday's $3 million Kentucky Derby presented by Woodford Reserve (G1) with a minor foot issue, trainer Tommy Drury said.

Drury told Jennie Rees of the Kentucky HBPA that Art Collector would not be entered when the field is set Tuesday morning. He said the colt nicked the bulb of his left front heel with a hind hoof while galloping Monday at Churchill Downs. Because of horse racing strict medication rules, the horse could not be treated with an anti-inflammatory this close to the race.

 Drury said that Art Collector now will point for the Oct. 3 Preakness Stakes in Baltimore.

Art Collector returned to Drury's Skylight training base in Oldham County yesterday morning, arriving about 8:20.

“He grabbed himself yesterday morning training,” Drury told Rees. “It was still very sensitive this morning. When I took my thumbs to palpate the bulbs of his heels, you could still tell it was pinching him. I had to make a choice. Your horse has to always come first. To run in a race of this caliber and trying to compete against the best 3-year-olds in this country, you've got to be 110 percent. To me, it wouldn't have been fair to Art Collector, even though it's slight, knowing that there's an issue of any kind. I had a meeting yesterday afternoon with my veterinarians, Foster Northrup, Rick Costelle, had my blacksmith there. We discussed some different scenarios. We maybe could have put a bar shoe on it and stabilized it and he would have been fine. But you're going to the Kentucky Derby. First and foremost, as the trainer, it's my responsibility to be the voice for the horse. That's just not fair to him (to run). He's been too good to us, and we're going to make sure he's taken care of first.”

Art Collector came off the van and grazed briefly with Drury on the shank. “I knew after we gave him a little anti-inflammatory this morning that he'd be perfectly sound,” he said. “That's not surprising at all. And that's what we wanted to see. We wanted to see him respond well to it, and it looks like that's what happened. On to Baltimore.”

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Jockeying Around With Art Collector: Hernandez Filling In For Exercise Rider Aboard Derby-Bound Colt

Jockey Brian Hernandez, Jr. has been filling a rather unusual role for the past several days at Churchill Downs. During the special training hours set aside for Kentucky Derby contenders, Hernandez has been out on the track as his mount Art Collector's exercise rider rather than watching him from the rail.

Jockeys for big races will often be aboard their mounts for major workouts, but day-to-day exercise riders are usually tasked with galloping and jogging.

Trainer Tommy Drury indicated that the colt's regular exercise rider, James Lopez, has been undergoing quarantine due to the COVID-19 protocols at Churchill Downs.

“Tommy asked me a few days ago if minded just coming out and getting on him,” Hernandez explained. “I said 'of course I don't, I'm here every morning anyway.' It's like being back at Evangeline Downs again. When I first started riding, I had to gallop everything I rode.”

When Art Collector shipped in to Churchill from the Skylight Training Center on Wednesday last week, Hernandez got a leg up on the colt for Thursday morning's training session, a scheduled gallop.

Art Collector was a bit of a handful during a gallop under jockey Brian Hernandez on Aug. 27 at Churchill Downs

“The first morning after he came back from Skylight he was out here at Churchill and I galloped him,” Hernandez said. “He's normally a pretty laid-back horse, but that morning there it was a little later and we had a lot of traffic, he got a little aggressive and wanted to jump up and go. A couple times I had to reach up and slow him down. My wife, she was making fun of me later that night. She said if I was her gallop boy, she'd have fired me!”

Art Collector and Hernadez went through a five-furlong workout together on Friday, covering the distance in 1:00.80, before jogging one mile on Saturday and two miles on Sunday.

“With these good horses like that, you want to get on them every day if possible,” Hernandez said. “Getting on him the last couple mornings and jogging him, you know where you're at with him. He's jogging off great right now, and seems to be really happy with himself… He's a happy horse and he seems to be going the right way right now.”

The colt's regular exercise rider Lopez was able to return on Monday for a scheduled gallop.

“The good news is that Brian's been on this horse so much in the mornings, and he knows him well,” said trainer Drury, for whom Art Collector is a first Derby starter. “He's a very kind horse. The first day we galloped him here, that's probably the most animated I've ever seen him on the racetrack, so I was glad that Brian was able to get along with him.

“At this point, you're not so much thinking about training, you're just keeping him happy. He's fit and ready to roll.”

Thanks to the National Turfwriters and Broadcasters Association (NTWAB), which has assembled a group of pool reporters providing independent reporting to members unable to be on the Churchill Downs grounds this year due to COVID-19 restrictions.

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