Taking Stock: It’s High Time for This Stallion

The Classic season is over. A surface reading shows that Arrogate (Unbridled's Song), Keen Ice (Curlin), and Gun Runner (Candy Ride {Arg}) got the GI Kentucky Oaks, GI Kentucky Derby, and GI Preakness S. winners, respectively, from their first crops, and proven star sire Uncle Mo (Indian Charlie), who had a Derby winner from his first crop in 2016, sired the GI Belmont S. winner. Sometimes, however, what's between the lines is as important as what's on the page, and Taylor Made's Not This Time (Giant's Causeway), whose second-crop sons Epicenter and Simplification were major players in the run-up to the Classics and in the Derby and Preakness themselves, occupied that white space this season.

Epicenter, who won two Grade II Derby preps at Fair Grounds–the Risen Star S. and the Twinspires.com Louisiana Derby–was sent off as the Derby favorite and finished an admirable second. He returned in the Preakness as the race favorite and again finished second, this time with trouble and a ride that gave him way too much to do.

Simplification won the GII Fasig-Tipton Fountain of Youth S. at Gulfstream and was third in the GI Curlin Florida Derby. He was also in the Derby, finishing fourth, a neck ahead of subsequent Belmont S. winner Mo Donegal.

These two, both from Candy Ride mares, were joined by two other Not This Time 3-year-olds vying for spots in the Classics. In Due Time was second to Simplification in the Fountain of Youth, over Howling Time in ninth, who bounced back to finish second by a scant nose to Cyberknife (Gun Runner), the GI Arkansas Derby winner, in the GIII Matt Winn S. at Churchill a day after the Belmont S.

All told, Not This Time, with his oldest foals just four, is represented by 18 black-type winners, including two Grade I winners–the filly Just One Time won the GI Madison S. at Keeneland a month before the Derby, and Princess Noor was a top-level winner at two in 2020. Seven of the 18 are graded stakes winners.

This is an impressive haul for the half-brother to Lane's End's Liam's Map, more so because they were all conceived on a $15,000 stud fee. It's only the last two seasons that his stud fee has risen, to $40,000 (2021), $45,000 (the early part of this year), and $75,000 (later part of this year). The mares bred to him at higher fees will no doubt include some significantly better producers and racetrack performers than those covered his first four years, and they will include some mares Taylor Made has specifically handpicked for him by pedigree analysis. All of this is certain to elevate the stallion's stakes production in the coming years.

The broodmare sires of his seven graded winners are respectable enough, with dams by Candy Ride (two), Tapit, Speightstown, Smart Strike, Cape Town, and Wilko. However, the modest last sales prices of these mares tell the real story: stakes-placed Simply Confection (Candy Ride) sold for $80,000, in foal to Not This Time; Silent Candy (Candy Ride), a Grade III-placed stakes winner, made $130,000, in foal to Scat Daddy; non-winner Delightful Melody (Tapit) was a $65,000 RNA, in foal to Flameaway; Ida Clark (Speightstown), a winner of $25,580, sold for $60,000, in foal to Outwork; unraced Smart Jilly (Smart Strike) was a $70,000 2-year-old; unraced Running Creek (Cape Town) sold for $35,000, in foal to Latent Heat; and Grade III winner Sheza Smoke Show (Wilko) sold for $185,000, in foal to Not This Time.
The first graded winner for each of these mares was by Not This Time. In some cases, they were bred to high-class stallions before producing their graded winners.

Silent Candy, the dam of Epicenter, had an unraced colt by More Than Ready and a winner of $34,404 by Scat Daddy; Running Creek, the dam of Grade III winner Easy Time, had a Twirling Candy winner of $57,410 and a Pioneerof the Nile winner of $48,896; and Sheza Smoke Show, the dam of Princess Noor, had a Malibu Moon winner of $28,056, and an unraced Liam's Map.

Not This Time only raced at two, and he made just four starts, winning twice. However, he won the GIII Iroquois S. at Churchill by 8 3/4 lengths and next out was a neck second to Classic Empire in the GI Sentient Jet Breeders' Cup Juvenile at Santa Anita, 7 1/2 lengths ahead of third-place finisher Practical Joke. Classic Empire would go on to win the Arkansas Derby and Practical Joke the GI H. Allen Jerkens S. at Saratoga, so his form was obviously of the highest order and there's no telling what he might have accomplished had injury not ended his career. His half-brother Liam's Map was a multiple Grade I winner.

Not This Time entered stud at three and is an outstanding physical specimen, big and tall, and he made an impression with breeders right away by getting good-looking foals. Buyers responded in the sales ring, paying an average price of $76,833 for the 18 weanlings from his first crop that sold in 2018, with seven making $100,000 or more. From then on, he's been something of a sales sensation across the board vis a vis stud fee. Princess Noor, for example, made $1.35 million as a 2-year-old at OBS April in 2020.
In his case, looks translated to performance.

Black-type percentages

That Not This Time has already sired 18 black-type winners is impressive as it is on face value alone, but it's even more so as a percentage of named foals. These days, with popular stallions routinely covering more than 100 mares each year, a good stallion can be expected to get 5% black-type winners to foals, and for young horses with fewer crops racing, the percentages are even lower.

War Front leads all established Kentucky stallions with a ratio of 11.23%, followed by Tapit at 9.86%, Speightstown 9.77%, Into Mischief 8.56%, Medaglia d'Oro 8.36%, Curlin 8.29%, and Ghostzapper 7.89%.

Not This Time is next on the list behind Ghostzapper at 7.47%, ahead of Munnings at 7.15%, Quality Road 7.13%, Uncle Mo 6.95%, Constitution 6.80%, More Than Ready 6.73%, and Street Sense 6.67%.

You get the picture. Not This Time is right up there in the production of black-type winners with the best in the country, and he's the youngest of this group.

Among his own cohort, he's the leading third-crop sire, ahead of Laoban at 5.71%, Upstart at 4.07%, Hit It a Bomb 3.95%, Nyquist 3.18%, and Runhappy 3.04%.

Not This Time's first crop came to the races in the COVID year of 2020 when racing, as life, was disrupted, but there were clues then–at least by August, when I wrote here “Not This Time Leads Freshman Sires“–that he was going to be more than a flash in the pan. He was getting quality maiden special winners then and performing far above his stud-fee level, and that impression has turned into reality.

A stallion that can move up his mares to graded and listed levels–not to mention Classics contenders–at a $15,000 fee is one that can better withstand the drops in book quality from years two to four, and we're seeing this year that his second crop headed by Epicenter and the others noted is highly effective.

He is the real deal.

Sid Fernando is president and CEO of Werk Thoroughbred Consultants, Inc., originator of the Werk Nick Rating and eNicks.

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Taylor Made Pilot Program a Meaningful Answer to Labor Crisis?

One year ago, Taylor Made Farm launched the Taylor Made School of Horsemanship-a program created to work with people recovering from substance abuse and teach them a new vocation in the Thoroughbred business. The pilot year was such a grand success that plans are now in the works for how the program can grow from here.

The School of Horsemanship was designed by the farm's Vice President Frank Taylor, who now oversees the project along with the program's coordinator Josh Bryan.

“Frank started this because he wanted to help people and there is also a labor shortage in the horse industry, so we thought those kind of went hand in hand,” Bryan explained. “It's really about giving people a second opportunity at life. What we've figured out is that people who are battling alcohol and drug addiction have a great work ethic and they're grateful for the opportunities that they're given. They're very humble, determined and disciplined.”

Bryan said Taylor first got the idea for the project from DV8 Kitchen, a local restaurant in Lexington that created a highly-successful vocational training program for those in the early stages of substance abuse recovery.

The School of Horsemanship, which is paid for by the Kentucky Career Center, was initially created in partnership with the Shepherd's House, a transitional residential drug addiction treatment center in Lexington. During the three-month program, participants return to the Shepherd's House every evening after their work on the farm. In addition to food and housing, they also receive counseling services at the Shepherd's House.

Upon graduation of the program, participants can start a full-time position at Taylor Made or seek work elsewhere if they so choose.

“We've had 20 people go through so far,” Bryan said. “We have nine guys who stayed on at the farm and then we have other guys who have ventured out to other places still working with horses. We've had a few who didn't graduate just because they didn't like it, which is fine. It's not for everybody and you have to have a passion for it, but I've found that people in recovery really like it out here because you can get away from the outside world and horses can be very therapeutic for the soul and the mind. Most people have come to really like it once they get over their timidness of the horse.”

As the program coordinator, Bryan is tasked with instructing all of the trainees–most of whom have never touched a horse before they stepped onto the farm.

“It's a good environment for them to stay relaxed because we usually have them working with maiden and barren mares,” he said. “I'm teaching from the ground up, from picking feet to showing a horse and everything in between. It's about getting them into the routine of working on a farm because it's a lot of hard work. It's very tiring and demanding, and they also have things they've got to do at their sober living house. I'm always making sure everybody's in a good place mentally and physically where they can handle the house and the farm.”

Bryan, who first started working at Taylor Made when he was 18, said he too has battled alcoholism and once lived at the Shepherd's House himself, but he has been clean for almost two years. One year ago Frank Taylor called him to share his idea for the School of Horsemanship and ask if he would be interested in helping get the program off its feet.

“I was a little nervous, but it's been great so far,” Bryan said. “I like that I have the opportunity to help other people who are in the same situation I was once in. It keeps me going on the right path and shows me that from where I started to where I am now, I've come a long way. I'm able to help someone else that is struggling when they can see that I came from that situation and know that you can get over it and you can have a life without drugs and alcohol.”

As the program now looks to expand, Bryan said they have been networking with other local treatment facilities and rehabilitation programs to bring in more participants.

One of many successful School of Horsemanship graduation ceremonies | photo courtesy Taylor Made

“We want it to get big enough to where we can start sending groups of guys to other farms and I'll go out and check on them,” he explained. “We've talked to other big farms and they're on board. We really want to have our own housing out here for everybody, but that's way in the future. Our short-term goal right now is to still work with the Shepherd's House, but also start to branch out a little more.”

While the School of Horsemanship is a definite 'win' for Taylor Made, the program has been a life-changing opportunity for many of its participants.

After completing the three-month program, several participants were asked the following questions: How would you describe yourself and your situation when you were at your worst? How has recovery changed your plans and hopes for the future? What do you feel Taylor Made has done for your recovery? The following is a small excerpt of their written responses.

Will Walden:

“To surmise the week leading up to the Shepherd's House I'll say this: [the words] hopeless and defeated don't begin to explain the state of mind and body that I was in. My daily life was a collage of overdoses…All I wanted to do at that point was overdose and not wake up.

Recovery has actually given me the ability to even consider hope for the future. For the longest time, a drug-induced groundhog day was the only future that seemed possible. Due to this new way of life, which consists of a program of action and an irreplaceable relationship with God, plans and hopes for a future are a series of endless possibilities.

This opportunity with Taylor Made has given me a purpose, which is all I've ever wanted in this life. I am eternally grateful.”

Tyler Maxwell:

“I separated myself from my family, my friends, and most importantly myself. I didn't care about you, I didn't care about me, I didn't care about anything. I was content with wasting my life away.

My recovery has given me a new-found love for not only my life, but the lives of others. It has opened my eyes to a new world filled with joy and peace. I went from being content with living the way I was living to earning an opportunity to pursue a career that I live in the hopes that I can pave the way for others just like me to follow.

I will forever be grateful to Taylor Made. I owe a big part of me being sober for over a year to the farm and the Taylor family. That farm has God all over it and thankfully, I spent eight months of my early sobriety witnessing it on a daily basis. Through hard work and having a sense of accomplishment, at the end of the day Taylor Made paved the way into the man I am today. Those horses and the family environment led me to finding who I truly was. I'll never forget Frank Taylor telling me that Winston Churchill once said, 'There is something about the outside of a horse that is good for the inside of a man.' Taylor Made will forever hold a place in my heart.”

Mike Lowery:

“Being homeless at Woodland Park last September until early November, I went through things that I never imagined I would ever go through. I came to the reality that if I kept living the way I was living, I would not be living very long.

Recovery has given me the chance to clear my mind and realize that anything is possible if I set my mind to it. For many years my drug addiction kept me from being the worker that I am today. I am blessed with the opportunity to be a part of the first class of the Taylor Made School of Horsemanship. Not gonna lie, I was really nervous about working with such a large and powerful animal. About two months into the program, I realized how much passion I had for not only these beautiful Thoroughbreds but the horse industry as well.

There is something so spiritual and peaceful about seeing the sunrise while bringing a horse up to the barn. I feel like a good day of hard work is great for people in recovery. For me personally, it gives me a sense of accomplishment. At the end of the day when the barn is all blown out, the stalls are all clean and the horses are looking the best they can look, I can say with pride that I did that.”

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Duncan Taylor: With Him, You’ve Been Family

He always says that had he been born in Detroit, he would have gone into the automobile trade. In other words, whatever kind of horseman he might allow us to credit him, first and foremost he came into the world a businessman. Now that Duncan Taylor is stepping down from the helm of one of its most remarkable family concerns, then, the Bluegrass can count itself fortunate that fate instead applied his flair to a more literal type of horsepower.

True, the old school can't have been enamored by his every flourish. There was the famous occasion at the Keeneland November Sale, for instance, when a mare had been prematurely scratched by the veterinarians. Taylor, thinking fast as always, got onto the airfield across the street to see if anyone could trail a banner announcing that she had been reinstated in the sale. But he had tried a similar stunt a few years previously, at the Woodbine Breeders' Cup, when he was repatriating A. P Jet from Japan.

“That horse didn't run well on the grass but he ran, like, 1:08 for six furlongs on dirt,” Taylor recalls. “So I hired this plane to fly a banner saying 'A. P Jet 1:08-and-change' over the crowd. Well, the guy flew so high you could hardly see it. I paid him his money, but I'd learned my lesson. So this time I sat down with this pilot and said: 'Now I don't want you flying up there where nobody can read it, you need people to be able to see what the hell all this is about.' Well, I don't know what kind of plane he had, but it sounded like a 1955 tractor. It was popping and spewing and sputtering, and he was swooping over the barns, back and forth, and everybody's horses were going crazy. And Mike Cline from Lane's End ran over and said: 'Duncan take that damned plane down! I'll buy your damned horse from you before you kill all mine!'”

Nor was that the only time Taylor reached for the stars in his publicity. With an important dispersal going through his barn, another November, he rented a plane to get the big spenders back from the Breeders' Cup at Gulfstream, dressing up in a pilot's uniform to record a video wishing everyone a comfortable flight.

Mark, Ben, Frank and Duncan Taylor | Jon Siegel photo

It's not as though such literal flights of fancy directly account for the giddy evolution of Taylor Made, from its unobtrusive foundation in 1976 when Taylor was still only 19, into so dominant a force that its consignment has ranked No 1 in a staggering 26 years of the past 28, while processing $2.7 billion of bloodstock. But his receptivity to innovation and experiment–undiminished even as he hands over to his brother Mark, as CEO, and embraces a new role as Senior Thoroughbred Consultant–has pioneered many of the services nowadays taken for granted on the sales ground.

“You know, one of the things I've found in business–and in life–is that if you don't start on the course of trying to do something better, then you never get the benefit of other opportunities that emerge along the way,” he reflects. “Opportunities that are often better than the things you originally set out trying to do. And that's about the force of human passion. When people start driving towards something, good things start to happen.”

As is often true of Taylor's perspectives, this one dovetails with his Catholic faith. “Because it's about hope,” he says. “When I was young I understood faith, and I understood charity. But hope? Where did that fit in? It was only as I got older that I understood how hope is really the greatest of the three. Because it's a real blessing if you can get up every morning and think, I need to get this done, that done, because you're always chasing that brighter future.”

Taylor Made has met two extremely delicate challenges during its perennial expansion. One was to maintain due intimacy with customers, even as the scale became ever more industrial, so that their slogan can still credibly remain: “With us, you're family.” The other was to maintain a vital equilibrium between fraternal affection, among Taylor and his brothers Mark, Frank, Ben, and their partner Pat Payne, and the hard-headed administration of what has become such a huge business.

Taylor and Pat Payne | Keeneland photo

Taylor stresses that he has “the best hard-working brothers and a tremendous business partner in Pat Payne.” But to have somehow always made it all work tells you much about their upbringing. Their mother Mary was a woman of iron faith; and “Daddy” Joe commanded respect across the Bluegrass not just for the horsemanship that sustained 40 years as farm manager at Gainesway—on which vocation he literally wrote the book—but also for the probity he demanded of his children. “Don't ever do anything you wouldn't want to read about in the Herald-Leader,” he reproved them.

“He would always try and help the underdog,” Taylor says. “In his early life he experienced the Depression. A lot of those people in that generation, they had really tasted poverty, and they were geared to make work central to their lives. Mom let my dad work as long hours as he needed, and always had a hot meal for him when he came home. And from the time we were just young boys, he was taking us with him and teaching us.

“Like any young kid, we weren't a lot of help at first. But by the time we were 10 years old most of us could drive a tractor; and by the time I was 14 or 15, I was about half a veterinarian for the cattle, I knew how to plow, if the tractor got dirt in the lines I knew how to bleed the lines. I thought, 'Man, I have to work all the time while my buddies are playing ball.' But that was just the way that my father operated.”

Taylor was already the fourth of what became eight children in what he humorously likes to describe as “the Catholic business plan.” But he would lose two of his brothers, in 1968 and 1981.

“And I think that also had something to do with how you can stick together, as a family, even when you have all the pressures of being in business together,” Taylor muses. “Yes, you can still fall out over little piddling stuff, that might not seem piddling at the time when everybody's emotions get high. But if you did get mad, you'd be over it the next day, didn't harbor any grudge.

Joe Taylor at Gainesway | courtesy Taylor Made

“I was 12 years old when my older brother got killed in a car crash. My mother's faith kept her strong, but my dad was just all torn to pieces. I remember going out there with him, where the wreck had been, seeing him walk around saying: 'Oh man, why? Why did it have to happen?' And finally, he realised that he couldn't get it off his mind, so he went out to some old country roads in Jessamine County and bought 170 acres at $600 an acre. From then onwards, my sisters Emily or Mary Joe would haul us out there to work. They helped us greatly, by being the younger boys' transportation. If they didn't take us, then whatever time Daddy Joe clocked off at Gainesway, he came through and picked us up.”

They were set to work on the tangled wire fences, the fallen trees, the dilapidated barn. And that site eventually became the cornerstone of the little operation started by Taylor with his buddy Mike Shannon, a Texas schoolteacher working at Gainesway who had resolved to start a boarding farm.

“At that time of my life, I was just a kid with long hair. I was a hard worker, but if you saw me you'd think me a hippie,” Taylor recalls. “I was in U.K. and majoring in trying to get out. I had nine hours left and I quit. I'd saved up some money. When you worked for other farmers, you got paid! Cutting tobacco and baling hay, stuff like that. Mike and I both had a pick-up truck, and we put in our $10,000 apiece, and we started the farm.”

With Gainesway servicing its world-class stallion roster, Daddy Joe was sending mares to maybe a dozen different farms. The new venture received a couple mares and, between the oversight of the old man and the good work of the kids, gradually more followed. Mike also had a group of southwestern contacts sending us horses that helped us greatly in our early years.

Taylor Made at sunset | Taylor Gilkey photo

“Mike taught me a lot,” stresses Taylor. “I was a shy kid, I'd never talked on the phone to an owner, but he just got me in there to finally get used to that. And he was a risk-taker, too: we bought some mares from John Nerud, spent about $125,000 when we didn't have any money. Breaking up that group and selling them gave us a bit more of a nest egg. And meanwhile we basically built up the farm one customer at a time. You know, I don't want to knock any other farm. But being broke and hungry, when I boarded a horse, that customer meant a lot more to me than if Leslie Combs boarded a horse. I didn't have Caro!”

Having initially rented a number of different tracts, they expanded a core for what has become a 1,600-acre footprint around the new land in Jessamine: if Taylor Made had to lease stalls, then they might as well pay their own family. The game-changer, however, was a game-changer for the whole industry.

Tomorrow: Part II: Ideas, and more ideas

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Titans Square off in Pegasus World Cup

When a racetrack musters a $3-million purse for a featured event, the hope is that racing's stars will attend the big dance. And this year's GI Pegasus World Cup Invitational S. certainly succeeded in attracting two of the biggest names–Knicks Go (Paynter) and Life Is Good (Into Mischief)–in the American handicap division.

Knicks Go, a 2 3/4-length winner in last year's Pegasus World Cup, finished fourth in the G1 Saudi Cup and GI Hill 'n' Dale Metropolitan H. before reeling off four-straight wins, including the GI Whitney S. and in his latest race, the GI Breeders' Cup Classic at Del Mar Nov. 6. Knicks Go was named the 2021 Longines World' Best Racehorse during a virtual ceremony at the National Horse Racing Museum in Newmarket, England Tuesday.

“The Breeders' Cup Classic was his biggest race he's had to date,” said trainer Brad Cox. “He's going to go to Taylor Made after the Pegasus to become a stallion. After the Classic, we had decided if he came out of the race in good order, which he did, we would pursue the Pegasus. He has trained as well as he did going into the Classic.”

He continued, “After the [Saudi Cup] last year, he was fresh and came back and didn't run as well as we had hoped in the Met Mile. Personally, I think that had a lot to do with that race being around one turn. He has not had a lot of time off, and that's very similar to what we did with the [2020 GI Breeders' Cup] Dirt Mile and last year's Pegasus. So, we have pretty much kept him on the same routine. He went over to Taylor Made for three to four days to be shown to potential breeders and was shown on a shank. Aside from that, he's been training the whole time. He's been doing well, his weight is great and his attitude is good. And he's been training great and his works have been phenomenal.”

The striking grey was installed as the 6-5 morning-line favorite in a field of nine older horses after drawing the one hole Tuesday. Joel Rosario has the call.

“We're not really going to deviate from what we've done in the past,” affirmed Cox. “[Life Is Good] is a very fast, brilliant horse. We're not going to let him have his own way, and I think he's probably not going to let us have our own way. We're going to break running, hopefully, get to the lead. We're going to be very aggressive to get him there.”

He added, “It's the same approach we took in the Breeders' Cup. We'll see how it goes. He's proven at a mile and an eighth and he does like the surface there. He likes the configuration of the racetrack there at Gulfstream–he proved that last year. We're just going to come out of there running and see what happens.”

China Horse Club and WinStar Farm are represented by Life Is Good, who has done very little wrong in his career, winning four of five graded attempts, including a tour-de-force victory in the GI Breeders' Cup Dirt Mile at Del Mar last November. Under the guidance of Bob Baffert, the powerful bay became a 'TDN Rising Star' with a 9 1/2-length score at Del Mar in the fall of 2020 before returning the following spring to annex the GIII Sham S. and GII San Felipe S.–defeating subsequent GI Kentucky Derby winner Medina Spirit (Protanico) on both of those occasions.

“He came to us with high expectations, and he had a great resume,” said trainer Todd Pletcher of Life Is Good's arrival. “Initially, we were just getting to know him and see how he trains. He trained exceptionally well, so we had high hopes for him.”

After joining the Pletcher string, the $525,000 KEESEP yearling graduate came up a neck short to Jackie's Warrior (Maclean's Music) in the GI H. Allen Jerkens Memorial at Saratoga. With Irad Ortiz Jr. taking over riding duties for the Sept. 25 GII Kelso H. at Belmont, the sophomore drubbed older rivals for the first time to win by 5 1/2 lengths and came back with an even more sparkling performance when winning for fun on Breeders' Cup Day.

“We were unlucky in the Allen Jerkens to be beaten that day, but we mapped out a course at that point and we felt like the Dirt Mile was the correct race for him,” explained Pletcher. “The Kelso seemed like a good race to bridge the gap between the Jerkens and the Dirt Mile and I worked out well for him. Since that, we've been focused on this race. And we're going great.

“Knicks Go is a very fast horse. We know that. But we're not going to alter our style of running. And we're not going to take away his strength, which is his high-cruising speed. I honestly don't know for sure what's going to happen, at least in the first quarter or half, because you are going to have two horses that are looking for the same kind of trip.”

Hoping to pick up the pieces should a speed duel develop up front, 2019 GI Belmont S. victor Sir Winston (Awesome Again) enters the fray off a win in Woodbine's 12-furlong GIII Valedictory S. Dec. 5. Edwin Gonzalez gets the mount for trainer Mark Casse. Also likely to settle just off the pace and hope for a meltdown up front, Stilleto Boy (Shackleford) has hit the board in five of seven stakes races in 2021, including a win in the Iowa Derby and a second in the GI Awesome Again S. He was last seen finishing third in the seven-furlong GI Malibu S. Dec. 26.

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