What Was Your Favorite Moment of 2023?: Charlie O’Connor

“The Breeders' Cup is always very special and to see a young sire like Justify get two Grade I-winning juveniles was fantastic but for me it had to be Auguste Rodin winning the Breeders' Cup Turf. He was in a hopeless position along the rail and had to be exceptional to get up for the victory. He's a colt that could stand anywhere in the world and physically he's quite similar to his grandsire Sunday Silence. It would be great to see him back at the Breeders' Cup this year and perhaps contesting the Classic as Aidan O'Brien and Ryan Moore both felt he handled the dirt while at Santa Anita.” —Charlie O'Connor, Director of Sales at Coolmore America

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P. Val Eyeing Comeback

He's 61, hasn't ridden since 2016 and recently had a knee replaced. For most, this would be the time to enjoy retirement and look back on a career that carried him to the heights of his profession. But Pat Valenzuela doesn't see it that way. He's been working horses at Del Mar and Santa Anita, says he feels good and is seriously contemplating making a comeback.

“I'm a little heavy now, so I don't know if I'll be able to do the weight,” he said. “But I'm sure going to try. I'll ride somewhere, whether it's in New Mexico, Louisiana, wherever. I'll give it my best shot.”

Valenzuela last rode on Dec. 8, 2016 at Fair Grounds. He then tore his anterior cruciate ligament (ACL) and after surgery he still didn't feel right.

“The surgery came out ok, but there was still a lot of pain and it kept bothering me over the last four, five years,” he said.

He would try to get back on horses but the pain kept resurfacing.

“Last year, I was getting on horses for Neil Drysdale and I couldn't take the pain anymore. I couldn't tolerate it,” he said.

Knowing that he had to try something different to combat the pain, he decided to have his knee replaced, which took place in May.

He returned to the track after the operation and worked as a hotwalker for trainer Antonio Saavedra. Each day, his knee started to feel a little better.

“It feels really good. I can't believe how good it feels,” he said. “There's no pain. Before it was painful to get on any horses. It's not like I have a brand-new knee, but it's a lot better than it was.”

He took the next step and started galloping horses at Santa Anita and Del Mar. In addition to Saavedra, he said he has been working horses for several trainers, including Peter Eurton and Peter Miller.

“I'm getting a good response,” Valenzuela said. “I'm just grateful to be able to get on any horses. Most everybody has been encouraging. I'm not hearing anything negative from anybody. I'm just trying to keep it simple and moving forward. As far as the physical fitness part of it, I think it'll will take me another month to 45 days to get ready. The weight is the most important thing. When you get older it's harder to lose weight. I weigh 128 now. I am working hard and eating light meals. Usually one meal a day. Just trying to stay away from fats and saturated fats.”

Valenzuela, whose career was repeatedly interrupted by substance abuse issues, said those problems are a thing of the past and have had nothing to do with his prolonged absence from the track.

Should he make it back, he'll have to answer a lot of questions, namely can a 61-year-old who hasn't ridden in more than seven years overcome all those obstacles and be successful?

“We'll have to see,” he said. “I will give it my best shot. I feel really good. I feel like I'm in a La-Z-Boy with a remote control when I'm on a horse. I feel like I'm at home. Who knows? I might be better. Gary Stevens came back after having a knee replacement and look how good he did. I don't think the age will matter that much. I think it will be more about physical fitness and the horses I get to ride.”

While eager to ride again, Valenzuela is not taking anything for granted. Considering his age, his lengthy absence and his checkered past, he understands that some racing commissions may have reservations about re-licensing him. He said his preference is to ride in California, but if that opportunity isn't available to him he will look elsewhere.

“I've ridden all over the country but I'd love to start back in my home state in California,” he said. “That would be the ultimate. But if I can't ride in California I'll ride anywhere I can. Maybe Louisiana or New Mexico. I know I can still get a horse to the wire.”

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Auguste in November as O’Brien Team Goes Sunny Side Up

ARCADIA, USA — In case you're wondering, Aidan O'Brien had scrambled eggs for breakfast. That was just after he had watched his squad of ten take a stronger turn around Santa Anita's dirt track and before he had a chance to consider a second course at the lavish buffet by politely stepping outside to answer questions from a few annoying hacks, this one included.

Ryan Moore has been aboard Friday's GI Breeders' Cup Juvenile Turf Sprint contender Cherry Blossom (Ire) (No Nay Never) these last two mornings. “Is that a tip?” we enquired. “No, someone asked me that already. I'll show you,” replied O'Brien, digging his phone from his pocket and flicking past his selfies (just kidding) to find a photo of said filly throwing shapes worthy of the rodeo.

“She's not for kids,” said the trainer with a grin. “You need a parachute to ride her.”

Moore, evoking thoughts of the Man from Snowy River, never shifted in his seat, his kid gloves deployed with aplomb to ensure that there were no repeat antics from Cherry Blossom. She whipped them in as the dependable Broome (Ire) (Australia {GB}) led them all around the cambered turn of the main track, pretty much in age-descending order. 

As ever, the Ballydoyle horses on tour have been one of the highlights of a morning at the track. No other visitors have as many to go out together, and horses trained at Santa Anita tend to appear for exercise solo or in pairs. It is an arresting sight then, with the sun fully up as if to light the group to full effect, to witness this spectacle of almost synchronised breezing.

“They might have got a bit of a shock this morning,” said O'Brien, referring to the kickback for those in behind Broome, which included his fellow Longines Breeders' Cup Turf runners Bolshoi Ballet (Ire) (Galileo {Ire}) and Auguste Rodin (Jpn) (Deep Impact {Jpn}). “We didn't want to go on the grass today as it's plenty quick and [the dirt] opens up their mind anyway.”

Five of the pack, the youngsters at the back, will face the starter on Friday; the other half take their chances come Saturday.

With Cherry Blossom finding what O'Brien believes could be her optimum conditions in the Turf Sprint, she reverts to five furlongs for the first time since her debut, and is the first of the team to jump into action, hopefully not literally.

“She's a fast filly and wasn't really getting six at home, and this flat track should suit her, as well as the ground,” he said.

Content (Ire) is out of a fast filly in Mecca's Angel (Ire) but as her sire is Galileo (Ire), the mile of the Juvenile Fillies Turf seems more her go.

“She'll definitely get the trip, the fast ground will suit her better and she has a nice draw,” the trainer added. Tick, tick, tick for the last-start winner of the G3 Staffordstown Stud S. “Ryan will probably take his time on her and ride her for a little bit of luck. She needs to relax a little bit early and then she should run well.”

Ballydoyle is mob-handed in the final race of Friday's card, the Juvenile Turf, with the first two favourites, both by Wootton Bassett (GB), being River Tiber (Ire) and Unquestionable (Fr), ridden by Moore and Frankie Dettori. They are joined by Mountain Bear (Ire) (No Nay Never), the imposing mount of Dylan Browne McMonagle.

Of River Tiber, O'Brien said, “We think he's come right since Newmarket and he's rated 3lbs below the other horse but he was always a very classy horse. He should get a mile around here; it's a nice draw and a flat track and I'm looking forward to seeing what he does.”

There's something for everyone in Saturday's team. The three-year-old Aesop's Fables (Ire) (No Nay Never), who was just a length off Highfield Princess (Fr) when third in the Prix de l'Abbaye, is perhaps a little overlooked in the Turf Sprint, especially since the defection of Bradsell on Wednesday evening. 

“Ryan felt in France that if he had challenged the winner a little earlier he might have been even closer but it was a huge run from him,” said his trainer. 

Before that there's the intriguing puzzle of Cheveley Park Stud's Inspiral (GB) (Frankel {GB}) stepping up in trip while O'Brien's Warm Heart (Ire) (Galileo {Ire}) comes back in distance for the Filly & Mare Turf after her victories in the Yorkshire Oaks and Prix Vermeille.

And it must be said, having been lucky to see her at close quarters over the last few days, it's hard not to fall in love with Warm Heart. Her demure demeanour clearly masks her warrior instincts, however, as O'Brien said of the three-year-old, “She doesn't lie down, she does fight. She has a nice draw and I imagine that Ryan will probably go forward on her. She has tactical speed and will get the trip very well.”

There's no doubting that the race most of the huge European contingent now camped out at Santa Anita is looking forward to the most is the Breeders' Cup Turf.

Shadwell's stud plans for Mostahdaf (GB) (Frankel {GB}) were confirmed on Thursday morning, while we already know that Onesto (Ire), also by Frankel, is joining Haras d'Etreham and King Of Steel (Wootton Bassett {GB}) will remain in training next year. What then for Auguste Rodin? If he knows, O'Brien ain't telling, but it is a safe bet that plans are to an extent contingent on what happens this weekend. 

Would American breeders appreciate another chance at the sire-line of the Kentucky Derby and Breeders' Cup Classic winner who got away, Sunday Silence? Or is Ireland the natural home for a dual Derby and Irish Champion S. winner? Could we even see Auguste Rodin race on next year? Time will tell, maybe as soon as Saturday night, but in the meantime, there is the prospect of an almighty tussle between four of the best horses in Europe and some smart Japanese and American runners. 

“Obviously we'd love to have him but it will be whatever the boss decides,” said O'Brien, ever the diplomat, on the subject of Auguste Rodin's post-Breeders' Cup future.

Of the immediate matter in hand, he said, “Rachel [Richardson] rode him this morning and was very happy with him. He cruised around on the dirt; he's a lovely long-striding horse. The plan was always for him to go to Leopardstown and then to come here. This is what we've been looking forward to all year. He's won two Derbys and a Champion Stakes and he's only a three-year-old. He really has done well since Leopardstown.”

O'Brien added, “Did you see him on the dirt this morning? He looks like a dirt horse. If you look at Sunday Silence and look at him they are almost identical.”

It certainly was a sight to behold, as Auguste Rodin stretched out over the track where Sunday Silence was trained more than 30 years ago. The colt, who can appear on the small side in the company of burlier sprinters, looks an entirely different animal unleashed at full stretch. The image of him extending past King Of Steel down the hill at Epsom is still vivid in the mind but there have been good days and head-scratching days since then in the career of Auguste Rodin. 

With no disrespect to his stable-mates Bolshoi Ballet and Broome, he's the one on whose near-black shoulders the hopes are resting. Maybe we'll get the chance to see if Auguste Rodin really is a dirt horse in next year's Classic, but for now his sole aim is to emulate another Ballydoyle star, High Chaparral (Ire), in taking the Derby, Irish Derby and Breeders' Cup Turf in the same season. Game on.

 

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‘The Luckiest Moment In My Life’: Yoshida on Sunday Silence

HOKKAIDO, Japan–In the bloodstock world, the battle for succession does not come down to unseemly squabbles in the boardroom. What matters first is what happens on the track, and even when all goes right there, success in the breeding shed is far from guaranteed.

Smallish in stature but a Goliath in influence and reputation, the Kentucky Derby and Preakness winner Northern Dancer gave the European breeding industry many stars including, crucially, Sadler's Wells, whose line holds strong predominantly through Galileo (Ire) and his heir apparent, Frankel (GB). Northern Dancer also blessed Japan with an important influence in Northern Taste, bought as a yearling at Saratoga in 1972 by Zenya Yoshida before winning the G1 Prix de la Foret and then establishing a formidable stud career as the most successful stallion Japan had ever seen. Until Sunday Silence came along.

The latter, who inherited the feisty temperament of his sire Halo and was handed far-from-perfect conformation, had a storyline that was as chequered as it is fabled. Sunday Silence famously found little favour with American breeders when he retired from racing, despite having won the Kentucky Derby, Preakness S. and Breeders' Cup Classic, all the while engaging in a gripping two-season battle with Easy Goer. His part-owner Arthur Hancock III decided, wisely at the time, to quit while he was ahead with the near-black horse who had played a significant part in saving his Stone Farm from bankruptcy. With Sunday Silence already part-owned by Zenya Yoshida, who had bought into him at the end of his three-year-old season, the rest of the stallion was offered for sale to stand in Japan without ever covering a mare in Kentucky. It was very much America's loss.

Yoshida, whose sons Teruya, Katsumi and Haruya now dominate Japanese racing and breeding, died when members of Sunday Silence's first crop were still yearlings. Little could he have envisaged the influence the horse would have 30 years later, not just within the Shadai Stallion Station, where 14 of the 32 resident stallions are his male-line descendants, but across Japan and beyond. This year, on the Epsom Downs and the Curragh, his grandson Auguste Rodin (Ire) has given a mighty last shake of the rattle to Sunday Silence's most powerful son, Deep Impact (Jpn), who died woefully early at just 17, in 2019. Who now will pick up the baton for this line of succession?

Kizuna (Jpn), the second of Deep Impact's seven winners of the Tokyo Yushun (Japanese Derby), started well by becoming the champion first-season sire of 2019, and he is currently sitting in third place in the Japanese sires' table behind Lord Kanaloa (Jpn) and the late Duramente (Jpn), both of whom are sons of King Kamehameha (Jpn), who himself died just a fortnight after Deep Impact. It is quite clear, however, which horse Teruya Yoshida, head of Shadai Farm, wishes to see take up the mantle. 

“Contrail (Jpn) is coming this year and my first impression is that he could be a very good stallion–maybe Coolmore will start to send their mares again,” he says of the horse who emulated Deep Impact when winning the Japanese Triple Crown in 2020 and was a champion in each of his three seasons on the track, culminating in victory in the Japan Cup. Contrail's first foals will be on display this Tuesday during the JRHA Select Sale in Hokkaido's Northern Horse Park. 

His 21 youngsters catalogued include a son of the Argentinean Grade I winner Conviction (Arg) (City Banker {Arg}). The February-born colt, who is lot 360 in the Northern Farm draft, has been issued a reserve price of ¥50,000,000 (approximately £274,000 or €320,000) in a system which is unique to Japan, and which would knock hours off sales in other jurisdictions, whereby the auctioneer opens the bidding at the published reserve. 

Much is made of the turf/dirt debate, but the divide can be slim when it comes to horses acting on the respective surfaces. The 'dirt horse' Sunday Silence begat Deep Impact, who raced solely on turf, but rarely on anything easier than firm, and whose dam was the Irish-bred Wind In Her Hair (Alzao), herself only three generations down from Northern Dancer. American influences have long been strong in Japan, and the current flavour of the month, maybe more, is the dirt sprinter Mind Your Biscuits (Posse), who waltzed off with leading freshman honours last year. He is the sire of the wide-margin winner of the G2 UAE Derby, Derma Sotogake (Jpn), who went on to finish sixth in the Kentucky Derby.

“Mind Your Biscuits covered more than 200 mares this year,” says Yoshida. “The really good mares are still going to turf stallions but most of the breeders in Japan with more ordinary mares have a tendency to go to stallions who run on dirt. Most of the races in Japan are performed on dirt, so that's what the buyers want, and they have a dream to go to Dubai or to the Kentucky Derby.”

He adds, “We keep trying to buy good stallion prospects, not only from America, and sometimes they turn out to be good, but not every time. It's the same with yearlings.”

A slower burner among the younger stallion brigade in Japan has been Kitasan Black (Jpn). The winner of seven Grade 1 races, from 10 furlongs to two miles, he is a son of Deep Impact's brother Black Tide (Jpn), who plies his trade at the Breeders Stallion Station. Kitasan Black moved in to the Shadai Stallion Station on his retirement in 2018 and, though not under-subscribed, he wouldn't have been among the busiest on the roster. However, from his first batch of 84 foals emerged the horse now being ascribed superstar status, Equinox (Jpn), while his second crop contained this year's Japanese 2,000 Guineas winner and Derby second Sol Oriens (Jpn). His numbers, unsurprisingly, are on the up.

“People are very keen on Kitasan Black,” says Yoshida. “He produces very tough horses, but he wasn't so popular at the start. Now, from this year, people have started to breed their best mares to him, and he's a very fertile horse.”

While we already knew that Equinox, currently the top-rated horse in the world, would not be appearing in Europe this season, it is now almost certain that he won't leave his home nation again, even for the Breeders' Cup, with the Japan Cup on November 26 his key target before retirement.

Equinox is not alone in avoiding Britain this season. There were no Japanese runners at Royal Ascot, and nor will there be at York and Goodwood. And it's not just the lower level of prize-money in the UK that is an issue.

European classification of the racing is very correct. If we buy Group 2 or Group 3 mares in Europe, that is their true level.

Yoshida says, “English racing is not easy for us. If Japanese horses go to Europe during the summer when it's dry then maybe we have a better chance of success, but we have many races in Japan too, so it is not easy to send a horse to Europe to race.”

The expanding racing programme and huge sums of money on offer in the Gulf nations through the winter are already having an effect on the horse population in Europe, and it may well mean that we will see fewer Japanese horses contesting races on the more irregular and often undulating tracks of Britain, Ireland and France. 

“We are racing [on the Flat] all year round, so it is easier for us to send horses to race in the Middle East in February and March,” Yoshida explains. “For European horses it is not so easy as there are not the big races through the winter. Japanese horses like fast ground and level ground. In England, the courses are more natural and it's not so easy for Japanese horses. In Dubai or Saudi it is more similar to racing in Japan. If we go to Europe we can encounter soft ground or a different way of running.”

One thing that is unlikely to change is the frequency with which Japanese buyers appear at the European sales.

“We are looking for good horses from anywhere in the world and buying the good-quality mares from Europe is very important,” says Yoshida. “European classification of the racing is very correct. If we buy Group 2 or Group 3 mares in Europe, that is their true level. In some other countries we can't believe in it, but if we buy them in Europe we know that they are good-class horses.”

And it is not only in America that the Yoshida family goes shopping for stallions. Jim and Jackie Bolger's 2,000 Guineas winner Poetic Flare (Ire) joined the Shadai roster last year and is another with first foals at the forthcoming JRHA Sale. While Harbinger (GB) remains at Shadai, his fellow King George winner Novellist (Ger) has moved to Lex Stud.

Yoshida says, “We had very good success with Tony Bin (Ire), an Italian winner of the Prix de l'Arc de Triomphe. Everybody said at the start that he was so-so but he became a very good stallion. We don't know until we try. That happens with horses. Nobody knows what will happen. Like Wootton Bassett (GB), at the start people didn't care so much but now that has changed.”

He continues, “Sunday Silence became so good and now he is grandsire of the English Derby winner. It was great for Coolmore to send their best mare to breed to Deep Impact, and then for [Auguste Rodin] to turn out to be so good, and now a stallion prospect.

“I was a bit apprehensive when I saw him walking from the parade ring to the starting gate because he was dancing, and you want mile-and-a-half horses to be relaxed, but he always does it and still he runs well.”

If my father hadn't bought the farm in Kentucky, this wouldn't have happened. Economy-wise, it was a big mistake because we lost a lot of money in having that farm, but in the end we got the best investment ever.

Sunday Silence himself did a little more than just dance when he was in training but, still, he ran well. So too did many of his offspring.

“Most of our good runners in Japan now have Sunday Silence blood somewhere,” Yoshida says, and casts his mind back to his own days in the Bluegrass.

“My father bought a farm in Kentucky, and it was very near to Arthur Hancock's farm. I was there for four or five years and during that time I became a good friend of Arthur. When Sunday Silence appeared I congratulated Arthur and he suggested to me that we should own some of the horse. 

“After that he found that not many people were interested in him as a stallion in America and he asked me to buy the horse. I bought the horse without any hesitation. At the time, $11 million was very expensive, but the Japanese economy was very good and we were able to say yes. It was the luckiest moment in my life.”

He adds, “If my father hadn't bought the farm in Kentucky, this wouldn't have happened. Economy-wise, it was a big mistake because we lost a lot of money in having that farm, but in the end we got the best investment ever. Sunday Silence changed Japanese racing.”

And let's not forget, he arrived just before the end of Northern Taste's reign in the sires' championship in Japan, that ran from 1982 to 1992.

“If you look at the history of Kentucky Derby winners, not that many become really good stallions, so I understand why American breeders were cautious,” Yoshida notes. “But at that time we were very innocent in American racing so when they asked us if we wanted to buy the horse, we did it without hesitation. Lucky! Knowing too much is not always good.”

In the quest to continue a line that has become so dominant, Yoshida knows that despite having a number of sons of Deep Impact in the pipeline, not all will light the spark that could ignite a successful second career. 

“Look at Northern Dancer: as stallions, not all of his good sons became successful,” he says. “When I went to Saratoga to buy Northern Taste I didn't know he would become a Group 1 winner in Europe and that he would become the leading sire in Japan 11 years straight. He was a very inbred horse and I was a little bit worried about that. But he lived a long time, he died when he was almost 30 years old, and he was always a very healthy horse.”

Yoshida adds, “It was just lucky, and that happened in the beginning. Then Sunday Silence came. Then Deep Impact. Maybe Contrail will come next.”

 

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