Taking Stock: Dr. Settle’s Dream is a Winner

Was it divine intervention?

As the story goes, sometime in late 1923 or early 1924, a Kentucky pastor, Rev. Dr. Thomas Settle, convinced some state legislators in Frankfort not to end legalized gambling in Kentucky by repealing parimutuel wagering, much to the relief of the Kentucky Jockey Club and other concerned horsemen. Most ministers may have taken the opposite tack at the time, but not Dr. Settle, and this made him stand out. A well-travelled Englishman who'd found his way to a small congregation on Main St. and Bell Ct. in Lexington, Dr. Settle had loved horses from youth and worked at a track early in life, and he also had personal and practical experience with gambling (which he regretted). He argued that repealing the law that made wagering at the track legal would lead to the proliferation of unregulated and illegal gambling with bookmakers, which he considered a greater evil.

Apparently his Oscar-like performance swayed enough lawmakers to put the brakes on the Bennett Bill. Dr. Settle's delivery was compelling without being over the top, and it was characterized with such words as “voiced,” “spoken,” “tell it,” “preach,” and “narrate.” For his efforts, grateful horsemen in the state and from across the country who'd heard of his defense raised money to build him a new church in Lexington, and inscribed on a plaque within its tower walls is this poignant acknowledgement: “To the Glory of God This Church Is Given to Him by the Lovers of the Horse From All Over the Country As A Token of Appreciation of Their Father's Goodness to His Children – Man.” It's dated 1926.

Religion, politics, and money have long been historically intertwined in horse racing in Kentucky, and what's actually known nowadays as Historical Horse Racing (HHR), Kentucky's equivalent to the slots that has propped up racing and breeding in other states, is very much a part of the present landscape in a state that's the center of the breeding industry in the U.S. HHR games have fueled purse monies in Kentucky to such an extent that the recent Kentucky Downs meet, for example, featured $150,000 maiden races, $500,000 Listed races, and several $1 million Grade ll and Grade lll events. HHR, to understate it, has been a boon to Kentucky horsemen, but horsemen take nothing for granted now. They know winds can change path in a heartbeat, and they have organized groups like the Kentucky Equine Education Project (KEEP) to advocate for Kentucky's most famous industry. Several of the movers and shakers behind the scenes are the younger generation like Case Clay of Three Chimneys, the chairman of KEEP, and Price Bell of Mill Ridge, a board member.

Kentucky, let's face it, is a socially conservative state, and despite its starring role in the racing/breeding industry as the home of the Gl Kentucky Derby–the most famous race in the country–and of such outstanding stallions, among others, as Gainesway's Tapit, sire of the undefeated Flightline, widely considered the best horse in training on the planet at the moment; Spendthrift's Into Mischief, sire of Flightline's chief challenger, Life Is Good; and Three Chimneys's Gun Runner, who is represented so far by a jaw-dropping six Grade l winners from his first crop of 3-year-olds, including two Grade l winners and five overall stakes winners Saturday, there's still plenty of opposition to HHR from those who view it as nothing more than a game of chance that's a contributor to moral and societal decay.

This friction between anti-and pro-gambling forces in Kentucky has existed for more than a hundred years, and horsemen have walked a tightrope protecting their interests for just as long. They're just better organized now than during the time of Dr. Settle, but, ironically, a parimutuel issue was once again at the center of the most recent storm that could have had dire ramifications. In February of 2021, HHR, which has been around for a decade, had to be legally written into law as a parimutuel game by Kentucky legislators after the Kentucky Supreme Court said parts of it were not and were therefore potentially illegal. After heated debate, both the House and the Senate passed legislation that included HHR within the definition of parimutuel betting, and it was signed into law by Gov. Andy Beshear on Feb. 22, 2021.

But Case Clay said it “came down to the wire,” and the final score–the votes to pass in both chambers were comfortable enough on the surface–didn't represent the closeness of the game.

“The HHR vote underlined the relevance of KEEP,” said Clay. “Relationship building with legislators is an important function of KEEP, and it's something we work on to advocate for the industry.”

Headley Bell, managing partner at Mill Ridge and Price Bell's father, understands relationship building. Mill Ridge threw a party on the Thursday evening after the first four days of selling at Keeneland, and guests included members of the Lexington community outside racing circles, as well as those within it. Linda Gorton, the mayor of Lexington, and Steve Kay, the vice-mayor, were also present, as were representatives of Horse Country Inc., a group of farms and businesses that provides educational tours “dedicated to sharing the stories of Kentucky's Horse Country.” Mill Ridge, with its storied history, is one of many destinations.

Dr. Settle's Dream

Oscar Performance (Kitten's Joy) stands at Mill Ridge and occupies the same one-stall stallion barn that once housed the excellent sire Diesis (GB) years ago. Oscar got his 10th first-crop winner Friday when first-time starter Dr. Settle's Dream won a New York-bred maiden special on turf at Belmont-at-Aqueduct for Byron Nimocks's Circle N Thoroughbreds. The win was particularly satisfying for Headley Bell, not only as another winner for the farm's sire, but also because he'd bought the colt for new friend and client Nimocks at OBS June for $30,000 through his Nicoma agency. And how about this? Bell is a longtime member of the Good Shepherd Episcopal Church on Main St. and Bell Ct. that Dr. Settle built, and Bell said that Nimocks's family “is very involved with the church” as well, hence the name of the colt.

Dr. Settle's Dream was bred by Scott Pierce in New York. His first two dams, Voiced, by War Front, and Spoken, by Unbridled's Song, respectively, haven't yet produced any stakes horses, but his Storm Cat third dam Tell It has a stakes winner to her credit, and his fourth dam is Preach, a Grade I winner by Mr. Prospector and the dam of the highly influential stallion Pulpit. The fifth dam is the Honest Pleasure mare Narrate. Not only that, the colt's first seven dams were bred by the Hancocks of Claiborne (the dam was bred by Claiborne in partnership with Adele B. Dilschneider), and Dr. Settle's Dream's seventh dam is Monarchy, a full-sister to Round Table. Bell was no doubt attracted to this long and deep line of Hancock mares, and perhaps their names elicited a smile when he'd zeroed in on the colt.

The gregarious Price Bell is general manager at Mill Ridge and runs the farm's day-to-day operations. I ran into him outside the Mill Ridge consignment on the Sunday before the Keeneland sale began, and we had a conversation about Mill Ridge's past. He reminded me that it was Bull Hancock who'd purchased Sir Ivor for Raymond Guest at the 1966 Keeneland summer sale, paying $42,000 for the future English Derby winner and European champion that Alice Chandler (as Mrs. Reynolds W. Bell), Headley's mother, had bred. Hal Price Headley, Alice Chandler's father, was one of the founders of Keeneland, and Bull Hancock's father, A. B. Hancock Sr., was one of its first trustees.

One thing led to another as we were discussing history and the relationships between the two families, and Price said he had an interesting article for me to read. From his phone he sent it to me right there. It was copy from the Indianapolis Sunday Star from Jan. 16, 1927, and it was about Rev. Dr. Thomas Settle and the church that he built after defending parimutuel wagering in Frankfort. Later that week when I spoke with  Headley and Price Bell at the Mill Ridge party, they convinced me to visit Dr. Settle's church the next day–on Friday, the dark day of selling. This was one week before the horse named after Dr. Settle won in New York.

The Church

Dr. Settle's dream was to build a magnificent church in the English Gothic style, and he realized that dream through the largesse of horsemen, who'd originally offered the minister $50,000 to put toward a house and car after his performance in Frankfort. As the story goes, Dr. Settle demurred and instead asked for donations to build a church for his community, and industry members from Kentucky and across the country responded heartily. One report states that the Thoroughbred Horse Association–Hal Price Headley was the organization's first president–alone raised more than $180,000. A.B. Hancock, Sr. was a big contributor, as were Col. E.R. Bradley of Idle Hour, J.E. Widener of Elmendorf, H.P. Whitney, Max Hirsch, and Charles Berryman (manager of Elmendorf), among many others.

Dr. Settle's attention to detail is evident in the structure as it stands today. The stained glass windows, for instance, are intricate, ornate, and expensive, and the museum-grade wood carvings are from Oberammergau, Germany, which is noted for its highly skilled craftsmen. (The well-known Oberammergau Passion Play's star at the time was the potter Anton Lang, who played Christ in the 1922 production. Lang toured the U.S. in 1923–he was on the cover of Time magazine that year–and brought with him craftsmen from Oberammergau who exhibited their carvings. It's highly likely that Dr. Settle saw or read about this and commissioned expensive works for Good Shepherd subsequently.)

There's a cautionary aspect to the Dr. Settle story, too. In his quest to realize his dream, Dr. Settle spent more than he had, and by the time he left Good Shepherd in 1929, he left the church so heavily in debt that it took years for the congregation to get clear.

But his dream survives as a magnificent house of worship for newer generations of Lexingtonians, and that's what matters.

It matters, too, that horsemen played a role in realizing Dr. Settle's dream.

Sid Fernando is president and CEO of Werk Thoroughbred Consultants, Inc., originator of the Werk Nick Rating and eNicks.

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Depth Takes Market to Giddy Heights

The phrase is traced to Bob Hope, apparently when challenged by a heckler during one of his military morale-boosters to explain why he wasn't in uniform. “Don't you know there's a war on?” he replied. “A guy could get hurt!”

It would have been perfectly legitimate for one of the Keeneland auctioneers to respond in similar vein to the torrent of bidding that elevated the September Sale to unprecedented highwater marks. Somehow, the kind of factors that traditionally send markets into nauseous free fall have failed to stem a breathless bull run in international bloodstock. Don't these people have televisions, or newspapers?

The market's resilience through Covid was startling enough. Many of us sought to explain that by a pent-up thirst to make the most of life, after being so bleakly confined. There was also the sense that the most affluent tier of society, on which our industry so candidly depends, had been insulated from the kind of financial stress being experienced lower down the pyramid.

After all, the wealthy had benefited through the previous decade from the liquidity deployed (via cash-doping instruments such as quantitative easing) to put out the fires of the banking crisis; and those taps had never really been turned off, even after the flames abated. But now we have runaway inflation, we have the horrifying return of territorial invasion in Europe, we have ubiquitous forecasts of recession. And still the value of Thoroughbreds continues to soar.

The table below shows that the average cost of a North American yearling, in 2022, has breached $150,000 in a market that has passed another historic barrier, for this stage of the calendar, at $500 million. This is calculated from aggregate business at Fasig-Tipton's three summer auctions-the July Sale in Lexington, plus the elite and New York catalogues at Saratoga-combined with turnover at Keeneland over the past two weeks, where transactions spanned $2,000 to $2.5 million. Together, as such, these comprise a comprehensive snapshot of the marketplace at all levels.

Turnover at the September Sale advanced 14.9% on last year to exceed $400 million for the first time (missed by a few cents in 2006); while the Fasig-Tipton summer calendar advanced in step by 14.2% to achieve a record aggregate of its own at nearly $109 million. Collectively, an additional $66,236,200 has been spent on North American yearlings so far this year, an increase of 14.8% to $514,389,200. That represents an 86.6% gain on the equivalent stage in 2012!

These numbers translated to record averages of $209,411 for Fasig-Tipton, up a staggering 20% on 2021; and $142,429 for Keeneland, an increase of just under eight%. Blended, the average yearling is costing you $152,774 in 2022, up $13,510 or 9.7% on this time last year.

Now a lot of this has a very edifying impetus. A number of regions, not least Kentucky itself, have been developing a purse structure that threatens to introduce something resembling coherence-even, whisper it, viability-to investment in Thoroughbreds. Nor should we forget our collective debt to those who have heroically restored the sport in California from an existential brink, renewing geographical balance to opportunity. And of course the circuit there has meanwhile produced a racehorse that has made even a seven-figure tag look cheap.

But perennial growth, in a market like this, is impossible. Capitalism has always depended on cycles, requiring troughs to generate the conditions for the next peak. Just conceivably, globalization may have so skewed the system that the elite can remain blithely immune to street-level difficulties. But if recession does end up penetrating the entire economic organ, the way it always has in the past, then we must give Cassandra her say. Because the bloodstock market has tended to absorb trends from the wider economy slowly, whether in recession or recovery.

The Dow Jones, having plunged 33.8% in 2008, recovered 18.8% as soon as the following year and maintained solid gains annually until 2015. The overall North American bloodstock market, in contrast, lost 21.2% in 2008; 32.2% in 2009; and another 6.5%, even on those compound losses, in 2010. It was not until 2011 (up 18.2%) and especially 2013 (up 27.9%, in tandem with the biggest spike in the Dow Jones) that its own recession leveled out.

For the time being, however, we must acknowledge a wholesome depth to the current market. Vendors always complain about polarization, about a soft center and all-or-nothing engagement (often contingent on vetting). But this feels different. Among the many records set at Keeneland, perhaps the most significant was one of 82% clearance.

While 30 seven-figure sales headlined the feel-good stories at that auction, the fact is that they only narrowly surpassed the 27 recorded in 2018. In each case, moreover, their collective cost represented a very similar portion of overall turnover: nine% this year, against 9.7 per cent in 2018. (The spike to 11.4% in 2019, by the way, was largely the work of the ill-fated $8.2 million daughter of Leslie's Lady and American Pharoah). As the table below demonstrates, however, the median across the two weeks was wildly higher this year, at a record $70,000 against $50,000 in 2018.

 

This depth is reciprocated by the sheer breadth of investment, with no fewer than 88 different signatories to dockets together worth $1 million or more.

For years, people asked queasily what would happen to the market if deprived of support from a family that had, globally, done so much to assist the evolution of a commercial breeding industry. As recently as 2019, Godolphin and Shadwell topped the September action with an outlay of $16 million and $11.07 million respectively for a total of 28 yearlings. Since then, we have mourned the passing of Shadwell's founder Sheikh Hamdan, albeit that firm did acquire four yearlings for a total $2.5 million this year. And Sheikh Mohammed, meanwhile, has become conspicuous by his absence at this sale.

In the event, however, the defection of spenders apparently able to bid indefinitely has only cleared the field for competition. The best prospects have not become more affordable, in themselves. But they have become more accessible. As a result, competition has been intensified, not diluted, even as powerful domestic interests have increasingly collaborated in pursuit of common targets.

This September it was only by a single nod to the rostrum that the charismatic duo behind Repole Stable and St. Elias Stables edged out another powerful partnership to finish the auction once again as leading buyer: their $12,840,000 outlay (for 31 yearlings) shading Donato Lanni's $12,825,000 on behalf of SF/Starlight/Madaket. But that was barely half the story, as West Bloodstock signed as agent for Repole Stable for 27 additional head at $7,940,000; while Michael Wallace corralled 15 at $4,475,000 for St. Elias Stables. These extra investments weighed in respectively as the fourth and eighth highest of the sale; and that's besides a series of individual plays with other partners.

The latter included M.V. Magnier, whose $1.1-million Curlin colt with Repole Stable was one of a handful such investments made with partners. Magnier, representing the Maktoums' traditional antagonists at Coolmore, actually signed for only a couple of colts outright. With the strength of the dollar steepening the gradient against overseas currency, Hideyuki Mori had to settle for five head at $2,545,000, compared with a dozen at $4,415,000 in 2021. That left agent Richard Knight's dazing spree in the second session as the only really striking external contribution to the top end of the market, his total spend (#7 for the sale) comprising $4,875,000 across half a dozen hips.

So much for the joys of being able to travel freely again! In the longer view, however, what we saw is consistent with ongoing European mistrust of Kentucky sires, and the lamentable transatlantic schism between perceived dirt and turf bloodlines.

As for the corresponding local neglect of grass stallions, there was at least some belated respect for two outstanding turf stallions recently lost to the Bluegrass: English Channel tipped six figures for the second year running, after averaging no more than $33,167 only in 2020, while Kitten's Joy averaged $138,632 for 19 yearlings (up from $103,457 last year).

As anticipated from the conspicuous distribution of his stock towards the front of the catalogue, this sale proved another major landmark in the career of Quality Road. With several proven titans approaching the evening of their careers, the 16-year-old Lane's End stallion sealed his accession to that level by again keeping even champion Into Mischief (58 sold at $525,776) from the top of the averages, processing 37 at $533,514. That was a further advance on the $472,794 by which Quality Road shaded Curlin and Into Mischief in 2021, having the previous year slipstreamed Medaglia d'Oro, Into Mischief, Tapit and Curlin at $339,939.

The much younger Gun Runner meanwhile maintained his stratospheric rise, processing 40 hips at $461,875, good enough for third with yearlings still conceived off his $70,000 opening fee. (And remember that his current weanlings came into the world at $50,000! What kind of fee, you wonder, will register the upgrade in his mares guaranteed in 2023?)

As always, however, most curiosity was reserved for those newcomers who nowadays comprise the bedrock of the commercial market. Their window of opportunity is so fleeting as to make it seem almost cruel to examine their performance too closely, when really they should not be judged at all until their stock reaches the racetrack. But if that's how the market will insist on behaving, then that's how we must assess their debuts to this point.

Obviously there are several auctions still to come, but the pyramid of business to date plainly provides a valid sampling. The table below charts those sires whose debut crops have so far mustered at least 10 sales.

Now some people feel it's a little strange that sires are given a pass on stock they can't sell. The difficulty is that a yearling that fails to reach its reserve will sometimes be among the very best of a sire's crop, its vendor only receptive to the kind of offer that can't be refused. Equally, however, an RNA can often reflect a simple failure of traction. Arguably data should give some credit to the sire who processes a high percentage of his stock. For the little it may be worth, then, our table also includes average revenue per hip into the ring, as an extra snapshot of how he might be working out, overall, an investment vehicle.

Because while the table is sorted according to average sales, we do know that the market tends to be pretty obedient in that respect. Year after year, first crops tend to end up being valued more or less in line with the pecking order invited by opening stud fees.

Just as well, then, that Omaha Beach has done exactly what he was priced to do, averaging five times his opening fee at $222,548. He has looked value throughout, to be fair, and has certainly been kept in the game with consecutive fee cuts since siring these yearlings. Having retained his opening fee, equally, Audible has arguably done no less than required in averaging a whopping 6.5 yield.

If these two haven't put a foot wrong, others who have not done quite so well-in what remain, after all, extremely early skirmishes-have tended to have their fees trimmed as an incentive to keep the faith. But I think one or two sires deserve a little extra attention, at this stage, if we put on the pinhooker's hat.

Again, this is an inexact exercise. Different horses are different projects. But let's take a look at the advances made by these stallions between their weanling and yearling averages, as a possible gauge of the kind of physical progress their stock can make.

Omaha Beach has excelled in this respect, certainly, essentially doubling his weanling average. But let's shine a torch at the other end of the spectrum. While cheaper stallions are obviously obliged to make pretty brisk gains just to cover keep, smaller breeders are grateful even for modest margins.

Flameaway owes his vivid climb on these indices partly to a single $425,000 colt at Saratoga, but his weanling median of $17,500 has also been hoisted at a comparable rate, to $50,000. Overall, his revenues, for sales achieved and per hip into the ring, respectively represent almost nine and seven times his fee. Darby Dan knows how to put numbers behind a cheap young stallion and perhaps Flameaway, who beat Catholic Boy and Vino Rosso on the Derby trail, will take his chance after the fashion of Dialed In. Apart from anything else, his third dam is a turf matriarch and, with his flexible sire-line, the son of Scat Daddy merits close attention from European breeze-up pinhookers seeking an export bargain.

Another who started with a very big book on the same basement fee, Maximus Mischief, achieves the highest ratio of all per hip into the ring (7.5 times his fee; also nearly nine times his fee on sales completed) after finding homes for 57 of 66 yearlings offered to date. He has added 53% to his weanling average and, with his profile, looks a blatant vehicle for the next pinhooking cycle, too.

Preservationist was unfortunate that the colt he got into Book I-a rare achievement for a $10,000 sire-had to be scratched from the September Sale. Even without his star turn, however, he achieved some outstanding dividends, including colts at $280,000, $260,000 and $250,000 deeper in the catalogue. Overall he has put two-thirds onto the average value of his weanlings, and his yearling sales are averaging 5.5 his fee. This guy offers exemplary genetic depth, remember, and don't be deceived by the hold-ups that delayed his bloom on the racetrack. He got a 31/2 Ragozin breaking his maiden over six furlongs, and the platform he has already built for himself suggests that there will be precocity to match that speed.

All these are just straws in the wind, of course, and far-sighted supporters of some that have failed to achieve gaudy overnight dividends will be wisely content to wait until actually able to test the water on the racetrack. Because there's one big problem with a market like this one: it fosters the perilous fallacy that a Thoroughbred foal is brought into the world to stand on a dais for a minute or two. For the good of the breed, ultimately we must reinforce the connection between commercial value and racetrack performance.

In the meantime, however, let's toast those hard-working and skilful people who have celebrated a bumper harvest. While the factory operations naturally headed the consignors' table by gross, the averages were again dominated by smaller outfits. All of us, scrolling down that list, will recognize names that warm the heart: friends, maybe kinsmen, lots of small farms that we admire.

Hats off to them, and also to those energetic and ambitious rivals, Keeneland and Fasig-Tipton, who have provided a trading environment equal to the current boom. Even if the cold winds out there soon come blasting through their pavilions, perhaps the next Flightline will meanwhile be getting to know the feel of a saddle on some dreamer's farm. Because we started with a person named Hope-and really that's every single one of us.

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Foal Adventure Providing Racing Fans With the Full Experience

Edited Press Release

With the growth of companies that offer racing fans an affordable way to experience racehorse ownership, Foal Adventure is on a mission to welcome them to the exciting world of breeding. Focused on ensuring members experience the excitement of breeding and raising a foal, Foal Adventure provides regular updates to the members, including photos, a monthly webinar, farm tours, and the opportunity to connect at the sales. Ultimately the members will get the thrill of a lifetime watching the foals turn into racehorses and compete at racetracks across the country.

“Last year, I was very excited to share pictures of my foal, and I sent the photos to my friends and family. Soon the requests for updates started rolling in, and before long, I was producing a regular newsletter to an ever-growing audience,” said Iain Holmes, the Co-Founder of Foal Patrol. “When I learned Foal Patrol was sunsetting, I knew I had to expand on what I had been doing and make it available to everyone. I approached industry veteran Sean Feld, knowing that together we will be able to provide our members with a unique experience–producing high quality horses the members will be able to watch grow up, go through the sales ring and ultimately compete at the track.”

Feld explained, “When Iain pitched the idea to me, I could not say yes quick enough. With foal crops shrinking at an alarming rate, we can't just focus on introducing fans to racing. We need to introduce them to breeding too. With the regional awards, a strong market, and the cost of keeping a broodmare and raising a foal considerably lower than having a horse in training, we are confident some of our members will go out on their own and help grow the industry.”

Foal Adventure currently has two mares available: Magic Happens, whose female family includes broodmare of the year Levee, dam of Hall of Famer Shuvee; and Lulu's Partner, a half-sister to Disco Partner. More information is available at: www.FoalAdventure.com.

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Racing Industry Participants Shine in Common Wealth of Kentucky Project

What do an award-winning chef, a rising young country music star and a reigning champion trainer have in common?

All three are featured in the Common Wealth of Kentucky Project, an exhibit going on now through Oct. 1 at LexArts Gallery in Lexington, Kentucky. Along with chef Ouita Michel and singer Walker Montgomery, trainer Brad Cox is one of 70 Kentuckians who shared their life story for the collection, which is the culmination of a year-long project for impressionist painter Kelly Brewer and partner Beth Pride, a writer and digital storyteller.

Visitors can explore the gallery and connect with each Kentuckian on a multi-sensory level as they observe the portrait of the participants, read a short summary of their lives, and even scan a QR code with a smart-phone camera to listen to the participant's voice as they share portions of their own story.

The project was inspired by Brewer's mother, Jo B. Robertson, who passed away in 2020. Brewer decided that she wanted to paint portraits to honor her mother and raise money for the Jo B. Robertson Charitable Foundation, which was established to continue Robertson's legacy of helping to educate, house, clothe and feed the less fortunate. Brewer turned to Pride, the wife of Godolphin's Dan Pride, for assistance.

“We decided that we would call it the Common Wealth of Kentucky and that it would reveal the richness that the people who comprise this state are made of and the commonalities that we all have,” said Pride. “We hoped to do our best to break down these artificial barriers that really, at the end of the day, are not real.”

 

Together Pride and Brewer, along with advocate Jill Johnson, spent the next year traveling throughout the Commonwealth as Brewer painted Kentuckians from all walks of life while Pride collected their stories.

They met with Jeff Broadwater, a United States Army major general who served in Kuwait during Desert Storm and was deployed to Iraq twice, and Lou Anna Red Corn, the first Native American Commonwealth Attorney in Kentucky. They talked to Pedo Mann, a coal foreman in Eastern Kentucky, and Gentille Ntakarutimana, who was a Burundian refugee as a child and is now a legal assistant for Morgan and Morgan.

Louisville native Brad Cox is not the only racing industry member to appear in the collection. The sport is a common theme throughout the exhibit. Keeneland is represented by President and CEO Shannon Arvin along with well-known ringman Cordell Anderson. Other members of the sport who are featured include Lane End Farm's Bill Farish, Airdrie Stud's Bret Jones, Phipps Family Stable racing manager Daisy Phipps Pulito and Hall of Fame jockey Steve Cauthen.

“What we really tried to do is build a unique impression of who these people are and find something that maybe everyone doesn't know about them,” explained Pride. “Daisy was in the sports television industry for years and Bill was a personal aide to President George H.W. Bush. Everyone has something unique that really differentiates them, but we also found that we have so many things in common as human beings and we're all connected through our humanity no matter our background or where we're going.”

Participants also included political figures like Lexington mayor Linda Gorton as well as Kelly Craft, the former United Nations Ambassador who recently launched her campaign for Kentucky governor. Lexington locals will recognize names like Kentucky Sports Radio's Matt Jones and Bluegrass Hospitality Group founders Brian McCarty and Bruce Drake.

Each of the portraits on display are available for purchase through a super silent auction format where the bid amount is hidden from the public and managed confidentially. The auction will continue through Friday, Oct. 1.

“We're very grateful for the response,” Pride said. “We had about 400 people there on opening night and LexArts has told us that the traffic for the exhibit has been triple what they are accustomed to.”

The exhibit has also been encapsulated in the form of a book, which was written and sound-produced by Pride and features the original artwork by Brewer (the book is available in the gallery, at the Keeneland Mercantile in Lexington or can be purchased here).

As Pride reflected on the project, she said that in many ways, Kentucky horse racing represents a microcosm of the Commonwealth as a whole.

“The horse business is one of those industries where there is a lot of competition within the industry, but it's also an industry that has external criticism,” Pride said. “It's the same with bourbon, parimutual betting and coal mining. What happens is that the people in the industry are friendly competitors because they know they need to be bonded in a singular purpose of promoting and advocating for the horse and for the industry. That spirit where everyone is in it together is reflected all throughout Kentucky.”

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