Kettle Brings Cheltenham To The Boil For De Bromhead

Henry de Bromhead's magical week continued at Cheltenham when Put The Kettle On (Ire) (Stowaway {Ire}) added victory in the G1 Betway Queen Mother Champion Chase to the success of Honeysuckle (GB) (Sulamani {Ire}) and Rachael Blackmore in Tuesday's G1 Champion Hurdle. 

Both winners created a piece of National Hunt history, with Put The Kettle On becoming the first mare to win the Champion Chase, while Blackmore was the first woman to ride the winner of the Champion Hurdle. Notably, both mares had triumphed at the previous year's Festival, in the G1 Arkle Novices' Chase and G1 Close Brother Mares' Hurdle respectively.

Aidan Coleman was in the saddle for Put The kettle On's battling win, but Blackmore further embellished her own and de Bromhead's Cheltenham record with victory in the opening race of the day, the G1 Ballymore Novices' Hurdle, on favourite Bob Olinger (Ire) (Sholokhov {Ire}). And in a dominant front-running ride which drew plenty of praise, she guided Sir Gerhard (Ire) (Jeremy) to victory in the G1 Weatherbys Champion Bumper at the close of play. Remarkably, Sir Gerhard, who recently moved from the stable of Gordon Elliott to Willie Mullins, was the third consecutive winner of the bumper for Cheveley Park Stud following Envoi Allen (Fr) (Muhtathir {GB}), who is odds-on favourite for Thursday's G1 Marsh Novices' Chase, and Ferny Hollow (Ire) (Westerner {GB}). What goes up usually comes down, however, and amid the glory of the day, Blackmore also took three falls from which she emerged thankfully unscathed.

Henry de Bromhead, who first won the Champion Chase a decade ago with Sizing Europe (Ire) and then again in 2017 with Special Tiara (GB), admitted that his latest winner of the race, who is owned by the One For Luck Racing Syndicate, has a touch of madness to match her tenacity.

He said, “She's an incredible mare. I'm delighted for the Dermodys and the syndicate. Mary Dermody is the matriarch of it and it's just brilliant. Stuff you dream about! She's so tough and Aidan was just brilliant on her. He really asked at the last three fences, and it was probably the winning of the race.”

De Bromhead added, “A couple of weeks ago she was a bit quiet and we freshened her up as much as we could, and she seemed much better, but she arrived here and was back to what we expected her to be doing; just crazy. She's mad. I have to say, everyone at home but especially Andrea, who looks after her and puts up with her antics every day, it will be very special for her. She's just a bit crackers the whole time, to be honest, she's just quite wild, but a real character.”

Now seven, Put The Kettle On, for all her high jinks, is also highly consistent. The winner of nine of her 16 races, and in the first three for another five, she has a particular liking for jump racing's HQ and has won on all four of her appearances at Cheltenham. 

In a performance that was as brave as it was bold, Put The Kettle On was prominent throughout the two-mile contest, with the only wobble coming at the third-last fence. Having lunged at it, she managed to stay on her feet and led a packed field turning into the straight, with the Willie Mullins-trained odds-on favourite Chacun Pour Soi (Fr) (Policy Maker {Ire}) edging up her inner on the rail to grab the lead towards the the last. His challenge was short-lived, however, as the mare fought back up the hill and Nube Negra (Spa) (Dink {Fr}), finally being able to get a clear run, battled home for an unlucky second as Chacun Pour Soi faded into third.

“How she improves for being here,” said de Bromhead. “[In] mid-February I was probably leaning towards the mares' chase, and then I spoke to the owners and we looked at the stats of the Arkle winners, which seemed ridiculous, and it's her trip and she loves the Old Course, so we thought we'd give it a lash and see.”

Aidan Coleman paid tribute to his mount, adding, “Her tenacity and attitude is something to behold. It is a privilege to be associated with her. I've ridden her in four races and when she came over in November I rode her out a couple of times.

“She doesn't give you anything easy but when you are on her side you couldn't have a more willing partner. I think if you put someone else on her, her guts would still be there and I think she would win without me but I'm going to stay on her.”

He continued, “These championship races are the ones you grow up watching. If you are lucky to ride in them it's fantastic and if you win one it's even better.”

Put The Kettle On's victory followed the extraordinary tape-to-post victory of 33/1 shot Heaven Help Us (Ire) (Yeats {Ire}) for trainer/breeder Paul Hennessy in the G3 Coral Cup. The two mares provided some respite for the bookmakers following the victories of odds-on favourites in the first races of the day.

While Bob Olinger got the better of the Willie Mullins trainee Gaillard Du Mesnil (Fr) (Saint Des Saints {Fr}) in the opener, Mullins gained his revenge in the G1 Brown Advisory Novices' Chase with the 1/4 favourite Monkfish (Ire). The giant chestnut gelding provided the first half of a Grade 1 double for his late sire Stowaway (Ire) and, though not as imperious in victory as his fans may have expected, he extended his winning streak to seven races stretching back to December 2019, including last year's G1 Albert Bartlett Novices' Hurdle. The 7-year-old Monkfish is now as short as 9/2 for next year's Cheltenham Gold Cup.

Tiger Provides The Missing Roar

In a normal year, Tiger Roll (Ire) (Authorized {Ire}) winning at the Cheltenham Festival for the fifth time should be the feelgood result of the week. On an equine level it is. Now 11, the little horse bred for the Flat first came to the Festival as a 4-year-old and won the G1 Triumph Hurdle for Gigginstown House Stud on only the third start of his life. In the intervening years he has also won the G2 National Hunt Chase as well as three Glefarclas Cross Country Chases in seven appearances at Cheltenham in March, not to mention clinching two Grand Nationals.

To widespread regret, two weeks ago his trainer Gordon Elliott was banned for six months for bringing the sport into disrepute when a photograph emerged on social media of him sitting astride the deceased horse Morgan (Ire), who won four races in the same colours as Tiger Roll.

Last year Tiger Roll was denied the chance to attempt to equal Red Rum's record of three Grand National wins when the Aintree meeting was lost in the Covid-enforced shutdown of racing in Britain for two months. In his three previous starts this season he has appeared lacklustre and, just days before Elliott's licence was suspended by the Irish Horseracing Regulatory Board, Tiger Roll's owner Michael O'Leary announced that he would be withdrawn from this year's Grand National citing an unfair weight burden allocated by the British handicapper.

Back at Cheltenham which, as a number of results so far this week underline is a track where the saying 'horses for courses' applies like no other, Tiger Roll was back to his old self in the quirkiest race of the week. Over three miles and six furlongs, skipping over banks, and hopping a variety of 32 obstacles on the twisting course, he showed every bit of his old zest to post an 18-length victory over last year's winner and the sole French-trained runner of the week, Easysland (Fr) (Gentlewave {Ire}). 

Keith Donoghue, who has been aboard Tiger Roll for all three of his cross-country wins at the Festival, said, “He really came alive. We said we'd change the tactics with him today—we'd jump him out, take a lead, sit him second or third and make up his mind today. He came alive and he jumped brilliantly. I was in control of the race after halfway; he was just in his comfort zone, and when Tiger comes alive like that, you don't take him back.”

He added, “He's a very, very good horse, but is it the cross-country jumps that make the best of him? I'm not sure he'd be as good over park fences or hurdles. We don't know, but we think there's something about the cross-country fences that sparks him up, and obviously the National fences do the same. When Tiger Roll is on a going day, it takes a very good horse to beat him.”

What should have been one of the happiest days of Elliott's career, bringing this hugely popular jumper back to peak form for his fifth Festival victory, instead comes during a period of deep shame for the trainer. Tiger Roll's latest win will go down in the name of Denise Foster, who has temporarily taken over the licence at Elliott's Cullentra House stable, as did Tuesday's victory of Black Tears (GB) (Jeremy) in the G1 Close Brothers Mares' Hurdle. 

Tiger Roll, however, remains a horse for the people, and truly one for the ages. 

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Rachael Blackmore First Female Jockey To Win Champion Hurdle At Cheltenham

The undefeated 7-year-old mare Honeysuckle carried Rachael Blackmore to a striking 6 1/2-length victory in Tuesday's G1 Champion Hurdle at the Cheltenham Festival, making her the first female jockey to win the race, reports racingpost.com.

“To me, this was never even a dream,” Blackmore told racingpost.com. “It was so far from what I ever thought could happen in my life. To be in Cheltenham, riding the winner of a Champion Hurdle, it's so far removed from anything I ever thought could be possible. Maybe there's a lesson in that for everyone out there.

“To young people out there, male, female or whatever, if you want to do something go and do it because to me standing here right now, literally anything can happen.”

Trainer Henry de Bromhead added: “Rachael was amazing on her, she was as cool as a breeze. The combination of them is deadly – they're the perfect storm.”

Read more at racingpost.com, and check out the race replay below:

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Blackmore Makes History At Cheltenham

Jump racing was lifted from the doldrums on the opening day of Cheltenham as Rachael Blackmore became the first woman to win a championship race at the Festival aboard Kenny Alexander's unbeaten Honeysuckle (GB) (Sulamani {Ire}).

Her 7-year-old mount in turn continued her flawless career to become the third mare in five years to win the G1 Unibet Champion Hurdle following Annie Power (Ire) (Shirocco {Ger}) and last year's winner Epatante (Fr) (No Risk At All {Fr}), who had to settle for third this year, the two mares being split by Sharjah (Fr) (Doctor Dino {Fr}).

With the Cheltenham Festival having been one of the last major sporting events to have taken place under normal circumstances before Britain was placed in lockdown 12 months ago, this time around jump racing's showcase meeting fell foul of the restrictions which have blighted so many sports events around the world. Where such a ground-breaking achievement from the Irish jockey would usually be met with a response bordering on the delirious from racegoers, Blackmore and Honeysuckle returned in front of an empty stand to a winner's enclosure devoid of atmosphere. 

That, however, removes nothing from the latest high in the upwardly mobile career of Blackmore, who admitted that this significant milestone was “never even a dream”. Her first Grade 1 win came in partnership with Honeysuckle at Fairyhouse almost two years ago. Since then, the Henry de Bromhead-trained mare has become the horse who not only defines the excellence of Blackmore but matches it stride for stride.

“She is just so incredible. I just can't believe we've won a Champion Hurdle,” said Blackmore. “Kenny Alexander, Peter Molony—they're both at home with their families watching; it's a pity they can't be here today, but I tell you, when I was crossing the line I didn't care.

“Honeysuckle was just incredible. She's done everything I've wanted her to do throughout the race. Henry produces her every day in that kind of form for me to steer around, and it's unbelievable. This is such a special race and I am just so thankful to be a part of her—it's all about her. She's unbeaten, and she's improving. Her last run was her career best until today; she's getting better all the time. It's just phenomenal.”

She added, “To me, this was never even a dream. It was so far from what I ever thought could happen in my life—to be in Cheltenham, riding a winner of a Champion Hurdle. It's just so far removed from anything I ever thought could be possible, so maybe there's a lesson in that for everyone out there.”

Honeysuckle had looked the model of composure on her way to post and it was an air which she maintained throughout the two-mile contest, as she coasted in the slipstream of the early leading duo of Silver Streak (Ire) (Dark Angel {Ire}) and Goshen (Fr) (Authorized {Ire}), travelling with ease throughout. Asked to go on by Blackmore after jumping the penultimate flight, the mare breezed past the leaders unextended as though they were standing still and swiftly opened up a seemingly unassailable lead. Meeting the last hurdle perfectly, her historic victory was sealed as she powered farther clear of the field to finish six and a half lengths ahead of Sharjah, who finished runner-up for the second year in a row.

De Bromhead, who was landing his tenth win at the Festival and first in the Champion Hurdle, said, “I couldn't have been more relaxed watching her as she always seemed happy. It's amazing. Rachael is as good as any of them—male, female, she is as good as any of the guys. I'm ecstatic with the result but I'm delighted for them. She never ceases to amaze me. I'm not saying I would have predicted that but she is an incredible mare. She has just gone into a different zone the last year, she really has.”

He continued, “In the situation we are in we are lucky to be here. Fair play to the BHA, IHRB, Cheltenham and everybody to set up brilliant protocols and allow us to continue the sport.”

Now unbeaten in 11 races, Honeysuckle, bred at Dorset's The Glanvilles Stud by Geoffrey Guy, has played an important role over the last three seasons in waving the flag for a dwindling National Hunt breeding programme in Britain. She may yet bolster it further in years to come as she will become the crown jewel at her owner Kenny Alexander's burgeoning National Hunt stud in Scotland. New Hall Stud in Ayrshire, which he bought from Gordon Thom in 2016, has already produced Group 1 winners on the Flat, including Donna Blini (GB) (Bertolini), later the dam of Japan's Horse of the Year Gentildonna (Jpn) (Deep Impact {Jpn}). It is now home to an elite band of jumps mares assembled by Peter Molony for Alexander, one of the few major owners in the National Hunt world to place a specific emphasis on racing fillies and mares.

Racing reprieve

To a degree, the jumping brigade has been holding its breath going into this year's Cheltenham Festival following the negative publicity surrounding the controversial photograph of Gordon Elliott which surfaced on social media a fortnight ago. The leading Irish trainer has just started a six-month ban but his Cullentra House stable celebrated victory in the race immediately following the Champion Hurdle, the G1 Close Brothers Mares' Hurdle. Denise Foster is the interim licence-holder at the Elliott yard and her name thus enters the Cheltenham record books as the trainer of Black Tears (GB) (Jeremy), the second British-bred winner of the day who  ousted hot favourite Concertista (Fr) (Nathaniel {Ire}) on the line. 

The 7-year-old mare was also the second Grade 1 winner for the late Garryrichard Stud stallion Jeremy during the opening day following the emphatic victory of the imposing Appreciate It (Ire) in the G1 Sky Bet Supreme Novices' Hurdle, a seventh winner of that particular race for the Festival's leading trainer Willie Mullins.

A number of horses have been removed from Elliott's stable over the last fortnight, including Envoi Allen (Fr) (Muhtathir {GB}), who is considered one of the bankers of the meeting and who runs in Thursday's G1 Marsh Novices' Chase. 

The former Elliott-trained Galvin (Ire) (Gold Well {Ire}), the winner of all four of his starts this season coming into the Festival, provided a first Cheltenham victory for his new trainer Iain Ferguson, who had been responsible for breaking in the 7-year-old. Unfazed by his recent change of scene, Galvin continued his winning run with victory in the Sam Vestey National Hunt Chase under Jack Kennedy, who had earlier also partnered Black Tears.

The winners continued to be spread across a range of Irish stables, with 80/1 shot Jeff Kidder (Ire) (Hallowed Crown {Aus}) springing a surprise in the G3 Boodles Juvenile Handicap Hurdle for Noel Meade and owners Albert Dravins and Eamonn Scanlon. But it wasn't all Ireland's day. The facile success of Appreciate It in the opener was almost mirrored by another odds-on favourite in the G1 Sporting Life Arkle Novices' Chase when Shishkin (Ire) (Sholokov {Ire}) continued his dominant run through that division with a 12-length win over the running-on Eldorado Allen (Fr) (Khalkevi {Ire}). 

That success, the seventh in a row for Shishkin, including his win in last year's Supreme Novices' Hurdle, put Nicky Henderson and Lambourn on the scoresheet, while one of the most heartening results of the day came immediately afterwards in the G3 Ultima Handicap Chase for Yorkshire-based trainer Sue Smith. Running in the race for the fifth time, the 11-year-old grey Vintage Clouds (Ire) (Cloudings {Ire}) summoned up a front-running performance replete with grit and courage to claim a first Festival win for himself and for his jockey Ryan Mania. The Scottish-born rider is best known for teaming up with Smith to win the 2013 Grand National aboard Auroras Encore (Ire). He retired from race-riding the following year at the age of just 25 before making a comeback in 2019.

“It's an unbelievable thrill. It's a shame that my first Festival winner comes under these circumstances, but it truly doesn't matter. It will be a very memorable day. Never in my wildest dreams did I think I would come and ride a Cheltenham winner, especially so soon after coming out of retirement. I couldn't be happier.”

Mania will spend the rest of the week travelling between the more regular beat of Huntingdon and Hexham. Rachael Blackmore, however, second only to reigning champion Paul Townend in the Irish jockeys' table, has a near-full book of rides at Cheltenham this week, including the favourites in the first and last races on Wednesday's card.

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Op/Ed: The Trajectory Of Female Jockeys

As we settle into 2021, formerly male-dominated jockeys' tables from around the world tell us how well the process of gender equality is advancing. Jamie Kah currently holds a clear lead in the premiership in Melbourne; Rachael Blackmore is vying for first place in the Irish jumps table with Paul Townend, the pair well clear of third-placed Sean Flanagan; reigning Sunday Times Sportswoman of the Year Hollie Doyle, who finished second in the British jockeys' table in 2020, looks to have a realistic chance this year of becoming Britain's first female champion jockey.

Even a handful of years ago, none of these situations would have been imaginable. I was, though, only truly reminded of just how far we have come in a short period when reading the first paragraph of the explanatory blurb inside the front cover of the dust-jacket of Caroline Ramsden's book Ladies in Racing, published by Stanley Paul & Co Ltd in 1973: “In 1972, racing saw a woman as Champion Jockey for the first time in history–albeit a champion after a season of races limited to her own sex–but nevertheless yet another milestone signifying women's increasing role in the so-called 'sport of kings.'”

That season, 1972, was the first in which women were permitted by the Jockey Club to ride in races in Great Britain.  The extent to which they were allowed to compete, however, was extremely limited: there were only 12 so-called 'ladies' races,' restricted to female amateurs. The idea of women riding against men or riding as professionals was not at this stage even on the horizon.  The floodgates, though, had been opened, and the popularity of these contests should have made the direction of travel clear: the races attracted a total of 223 runners (ie an average of 18.6 per race) and 90 different riders took part.  The first champion jockey referred to on the dust-jacket was Meriel Tufnell, who won three of the races, including the first two at Kempton and Folkestone, both on Scorched Earth (GB) (Indian Ruler {GB}), owned by her mother and trained at Sparsholt in Oxfordshire by Peter Bailey.

It should be noted that, although these 90 ladies were the first to ride under Jockey Club rules, it had been common for many years for point-to-points to include a ladies' race; while the Pony Turf Club, which had held meetings at Hawthorn Hill in Berkshire for horses no higher than 15hh intermittently between 1928 and 1964, had included a race for lady riders on its cards during the final years of its existence.

Furthermore, the Newmarket Town Plate (which is run at Newmarket under its own, rather than Jockey Club, rules as its inauguration in the 1660s pre-dates the founding of the Jockey Club by over half a century) has always been restricted to amateurs but with no specification of the amateurs' gender, presumably because at the outset it never crossed anyone's mind that ladies might want to ride in it. Consequently, in 1923 Miss Betty Tanner, on studying the parchment on which the rules are written, noticed the omission, entered her horse and rode him. From then on, female competitors (and winners) became commonplace.

Going farther back, it is likely that the first lady to ride competitively on a British racecourse was Alicia Thornton. She started off by riding her husband's horse Vinagrillio on a friendly match against her brother-in-law Captain Flint in Thornville Park, near Knaresborough in Yorkshire. She won easily. This informal contest emboldened the competitors to race each other in a formal match on the Knavesmire (ie. York racecourse) over four miles on Aug. 25 1804, each to pay a stake of £500. Sadly, Mrs Thornton had to pull her horse up a mile from home (when leading) as he went lame.

Greater glory was to follow the next year. Mrs Thornton rode her husband's mare Louisa in a match on the Knavesmire over two miles against Mr Bloomfield's Allegro, with the prize being a gold cup worth 700 guineas. The most remarkable aspect of this was that Allegro was ridden by the leading professional (and male, obviously) jockey Frank Buckle, rider of five Derby winners. A huge crowd, estimated to be in the region of 100,000, turned out to watch this event, which Mrs Thornton, riding side-saddle, won by half a neck. A newspaper report of the contest endures: “Mrs Thornton's riding is of the first description. Her close seat, perfect management of her horse, bold jockeyship on one of the most crowded courses ever seen, elicited the highest admiration. On winning she was greeted with deafening cheers.”

It is telling that, in her book, Caroline Ramsden ends her review of the first season of female participation in races with the following observation: “So it looks as if ladies' races have come to stay. In a few years' time, when the novelty has worn off and some gimmick is required to resuscitate interest in this type of contest, it might be an idea to stage a Mrs Thornton Handicap, to be run at York, with an equal number of male and female jockeys. The ladies–of course–to ride side-saddle.”

(It is probably fortunate, given current sensitivities, that those sentences were written by a woman!)

The novelty of those early ladies' races has indeed worn off.  Happily, the result has not been a loss of interest in female competition, as Caroline Ramsden seemingly feared, but the reverse: it has become so normal for women to race-ride that their participation and success is an integral and major part of the mainstream sport. The highlights have not been gimmicks, but milestones on an ever-increasing list of female achievement in a torrent of progress which has not finished yet.

Notable achievements along the way in Great Britain have included Gay Kelleway winning the Queen Alexandra S. at Royal Ascot in 1987 on Sprowston Boy (GB) (Dominion {GB}); Alex Greaves dead-heating (with subsequent champion jockey Kevin Darley on Coastal Bluff) for the G1 Nunthorpe S. at York in 1997 on Ya Malak (GB) (Fairy King); Hayley Turner tying for the apprentices' championship (with Saleem Golam) in 2005 and then winning the G1 July Cup in 2011 on Dream Ahead (Diktat {GB}); Amy Ryan and Josephine Gordon winning the apprentices' championship in 2012 and '16 respectively. Both Hayley Turner and Hollie Doyle scored at Royal Ascot last summer, and Doyle's double on QIPCO British Champions' Day at Ascot in the autumn (in the G1 QIPCO British Champions' Sprint S. and the G2 QIPCO British Champions' Long Distance Cup) were further boosts which helped her to end the year in second place in the jockeys' table.

One of the most special and unforgettable days enjoyed by a female jockey in Great Britain was July 8, 1992, when the great American rider Julie Krone (who subsequently became the first female jockey to win a U.S. Triple Crown race and the first to win at the Breeders' Cup) made a flying visit to England to ride a treble at Redcar. Other overseas riders who have made history in their own countries to have ridden in England include Clare Lindop, the first female jockey to be champion in a mainland state of Australia, and Michelle Payne, whose victory at Flemington in 2015 on Prince Of Penzance (NZ) (Pentire {GB}) made her the first to win Australia's greatest race, the G1 Melbourne Cup.

Over jumps, in the late 1970s Lorna Vincent became the first female professional jumps jockey to achieve notable success, while the amateurs Charlotte Brew (on Barony Fort in 1977) and Geraldine Rees (on Cheers in 1982) became the first female riders respectively to compete in and then get round in the Grand National. Irish-based amateur Caroline Beasley became the first woman to ride a winner at the Cheltenham Festival (when taking the Foxhunters' Steeplechase on Eliogarty in 1983) while Gee Armytage (who was still an amateur at the time but subsequently became a successful professional) became the first to ride a double there (in 1987). She and the reigning champion jockey Peter Scudamore were the only two riders to win twice at the Festival that year, but the latter was hailed as the meeting's leading jockey as he rode more minor place-getters.

This year's Cheltenham Festival featured Grade 1 triumph for both Rachael Blackmore and Bryony Frost. The former's tally of Grade 1 victories now stands in double figures and the latter recently rode Frodon (Fr) Nickname {Fr}) to win the biggest race of the British winter, the G1 King George VI Steeplechase at Kempton on Boxing Day. One suspects that the current extent of female success might have exceeded Caroline Ramsden's wildest dreams, but we can assume that Alicia Thornton and Betty Turner are looking down and smiling.

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