Preakness Art Competition Announced

Edited Press Release

1/ST and the Maryland Jockey Club have partnered with the Maryland Institute College of Art (MICA) to launch The Art of Racing, a unique art competition to honor the second jewel of the Triple Crown Series and its impact on Baltimore. Established more than four decades ago, the relationship between the Maryland Jockey Club and MICA takes a step forward with this community-wide call for entries of original, two-dimensional visual art that depicts the unique elements of Thoroughbred horse racing and the GI Preakness S.

From now until the submission deadline of Mar. 1, 2022, artists may submit their entries here, after which all submissions will be available for public viewing. From Mar. 2 through Mar. 20, visitors to the The Art of Racing website can cast their vote for their favorite work of art. The top 10 vote-getters will then be entered into the finalist category, with the winning piece selected by an esteemed panel of judges representing the artistic, business, philanthropic and political communities that allow Park Heights to thrive as the home of Preakness 147.

The winning artist of the inaugural competition will receive a $4,000 stipend and two tickets to Preakness 147 on May 21, 2022. In addition, their work will be reproduced on Preakness 147 merchandise with the Park Heights Renaissance as the beneficiary of all sales proceeds, which will be used to support the activities of the non-profit organization as it pursues affordable housing for families and provides employment opportunities for members of the Park Heights community.

The Art of Racing is part of the ongoing partnership between 1/ST and the Park Heights Renaissance that included honoring the late community advocate George E. Mitchell through the George E. Mitchell Black-Eyed Susan S. and the George E. Mitchell Park Heights Community Fellowship Grant. The Art of Racing builds upon the legacy of these initiatives by recognizing and honoring individuals who, much like Mitchell himself, demonstrate an extraordinary commitment to the Park Heights community.

“The visual elements behind the Preakness Stakes captivate the imagination both on race day and year-round,” said David Wilson, Chief Marketing Officer, 1/ST. “The Art of Racing commemorates and celebrates one of the most iconic sporting events in Maryland, and nationwide. It also represents the opportunity for a modern visual interpretation of the Preakness Stakes as we redefine the sport to connect with a new generation of fans.”

“The Preakness is one of the most esteemed public events for Maryland and this inaugural competition celebrates its importance in a unique way,” said Dr. Leslie King-Hammond, the founding director of the Center for Race and Culture at MICA and a member of the judging panel for The Art of Racing.

There is a long history between MICA and the Preakness that began in the 1970s when then-MICA professor Raoul Middleman led his classes in painting murals of Pimlico Race Course. The seven murals Middleman created with his students, which live in perpetuity behind the course's grandstand, provide an intimate look at a tradition defined by history and character.

“Raoul Middleman enriched the lives of his students by giving them the hands-on opportunity to experience commercial artmaking,” said Dr. Tiffany Holmes, MICA's Interim Vice President for Academic Affairs and Provost. “The Art of Racing builds upon Professor Middleman's legacy by commissioning artists from MICA and across Maryland to provide their interpretations of Maryland's time-honored tradition of Thoroughbred racing.”

For more information on The Art of Racing, please visit www.preakness.com/the-art-of-racing or follow @PreaknessStakes and #Preakness on social media.

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Preakness Art Competition To Benefit Park Heights Renaissance

1/ST and the Maryland Jockey Club have partnered with the Maryland Institute College of Art (MICA) to launch The Art of Racing, a unique art competition to honor the second jewel of the Triple Crown Series and its impact on Baltimore. Established more than four decades ago, the relationship between the Maryland Jockey Club and MICA takes a step forward with this community-wide call for entries of original, two-dimensional visual art that depicts the unique elements of Thoroughbred horse racing and the legendary Preakness Stakes.

From today's launch until the submission deadline of March 1, 2022, artists may submit their entries to www.preakness.com/the-art-of-racing, after which all submissions will be available for public viewing. From March 2 through March 20, visitors to The Art of Racing website can cast their vote for their favorite work of art. The top 10 vote-getters will then be entered into the finalist category, with the winning piece selected by an esteemed panel of judges representing the artistic, business, philanthropic and political communities that allow Park Heights to thrive as the home of Preakness 147.

The winning artist of the inaugural competition will receive a $4,000 stipend and two tickets to Preakness 147 on May 21, 2022. In addition, their work will be reproduced on Preakness 147 merchandise with the Park Heights Renaissance as the beneficiary of all sales proceeds, which will be used to support the activities of the non-profit organization as it pursues affordable housing for families and provides employment opportunities for members of the Park Heights community.

The Art of Racing is part of the ongoing partnership between 1/ST and the Park Heights Renaissance that included honoring the late community advocate George E. Mitchell through the George E. Mitchell Black-Eyed Susan Stakes and the George E. Mitchell Park Heights Community Fellowship Grant. The Art of Racing builds upon the legacy of these initiatives by recognizing and honoring individuals who, much like Mitchell himself, demonstrate an extraordinary commitment to the Park Heights community.

“The visual elements behind the Preakness Stakes captivate the imagination both on race day and year-round,” said David Wilson, Chief Marketing Officer, 1/ST. “The Art of Racing commemorates and celebrates one of the most iconic sporting events in Maryland, and nationwide. It also represents the opportunity for a modern visual interpretation of the Preakness Stakes as we redefine the sport to connect with a new generation of fans.”

“The Preakness is one of the most esteemed public events for Maryland and this inaugural competition celebrates its importance in a unique way,” said Dr. Leslie King-Hammond, the founding director of the Center for Race and Culture at MICA and a member of the judging panel for The Art of Racing.

There is an illustrious history between MICA and the Preakness Stakes that began in the 1970s when then-MICA professor Raoul Middleman led his classes in painting murals of Pimlico Race Course. The seven murals Middleman created with his students, which live in perpetuity behind the course's grandstand, provide an intimate look at a tradition defined by history and character.

“Raoul Middleman enriched the lives of his students by giving them the hands-on opportunity to experience commercial artmaking,” said Dr. Tiffany Holmes, MICA's Interim Vice President for Academic Affairs and Provost. “The Art of Racing builds upon Professor Middleman's legacy by commissioning artists from MICA and across Maryland to provide their interpretations of Maryland's time-honored tradition of Thoroughbred racing.”

For more information on The Art of Racing, please visit www.preakness.com/the-art-of-racing or follow @PreaknessStakes and #Preakness on social media.

The post Preakness Art Competition To Benefit Park Heights Renaissance appeared first on Horse Racing News | Paulick Report.

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McCarthy in “a Nice Position” Ahead of Fall Blitz

If any ducks have been careless enough to stray at the Michael McCarthy barn at Santa Anita, they've been promptly herded back into row.

The McCarthy office has a new lick of bright white paint and a navy accent wall to compliment the trainer's coat of arms. There's the fancy new desk–one of those good-for-the-back ergonomic types that moves to fit the owner and not the other way around–and a blazing new flatscreen high in one corner.

Then there's the trainer himself, freshly shorn from an in-office trim–a precision 10-minute procedure between paperwork one recent morning. In the McCarthy school of time-management, West Point would be made to look like Police Academy.

All in all, barn 59 at Santa Anita right now projects a sense of consolidation, not as a corrective but as an assurance the course already charted continues full steam ahead.

“I hope people look at me and see me extremely capable of being able to produce the results,” said McCarthy, when asked whether Rombauer (Twirling Candy)'s bounding GI Preakness S. win has brought, in the months since, any new dimensions to his career.

“Like I said on the day, it meant a lot to me personally–it was very validating,” he said. “The horse showcased what I believed he was the whole time. And it was wonderful that a small commercial operation like the Fradkins [owner-breeders Diane and John] were able to achieve something like that. That's one of the things that's so good about our game.”

Rombauer, Preakness winner-cum-fruity Napa Chardonnay, is currently nearing the end of a 90-day spa get-away at Peacefield Farm, a luxury all-inclusive in Temecula for pampered equines in need of a little me-time. Though Rombauer is hardly a delicate White Lotus.

“Eight different races at six different tracks,” said McCarthy, pointing to a resume that started with a win in a tidy maiden at Del Mar last July and culminated with a lionhearted third-place finish behind Essential Quality (Tapit) in the GI Belmont S. 11 months later.

Besides that, “We ran around like a chicken with its head cut off going here, there and everywhere,” said McCarthy, of Rombauer's spring itinerary which besides the Big Apple took in flights to San Francisco, Keeneland and Baltimore.

With all that in mind, it's good to hear that Rombauer's summer siesta sounds like he let his belt out a few notches and caught up on a bit of essential reading.

“He's just getting turned out, getting some R&R,” said McCarthy. “He's enjoyed his time off–put some weight on.”

With a return to training scheduled for the start of next month, McCarthy is understandably reticent about using indelible ink to mark Rombauer's 2022 racing calendar. That said, the road ahead is pretty well worn for a horse of Rombauer's peculiar gifts.

In the winter and spring, there are big pots in Florida and the Middle East, with McCarthy seemingly softer on the G1 Dubai World Cup than its Saudi precursor. At the same time, it would appear he's even softer on a domestic campaign, with the likes of the GI Santa Anita “Big Cap” H. an obvious early season target.

“It's always nice to be able to run out of your own stall,” he said. “He just didn't get the opportunity to do that much last year.”

Ultimately, though, “I'm looking at the entire year,” he said. “I'd like to culminate with a start in the GI Breeders' Cup Classic.”

It says a lot about the strength of McCarthy's relatively short training career–the current stint just eight years–that his standout performer to date probably isn't the winner of a Triple Crown middle leg.

“You always hope that they're as good as they are on the racetrack when they enter into the second stage of their careers,” said McCarthy, of City of Light (Quality Road), the four-time Grade I winner and now exciting young sire.

From his first crop, the McCarthy protege sired the highest-priced horses in two sessions at the freshly wrapped Keeneland September Yearling Sale, including the $1.7 million sale-topper and another colt that went for $1.05 million.

While McCarthy was the underbidder on the big-ticket maker, he made amends when signing $750,000 for a City of Light filly (hip 636) on behalf of the stallion's owners Mr. and Mrs. William K. Warren.

“He really does stamp them. Hopefully he'll pass along some of those traits that made him so good,” said McCarthy of City of Light, pointing to an “incredible amount of natural speed,” and a good mind that's “eager to please.” I saw a lot of him “in quite a few of them,” McCarthy added.

“You kind of just have to chuckle,” he said. “You look for them to get into the open market, and then it's awfully hard for you to get your hands on them. It can be a little bit frustrating. But they're going to the right people. That's the most important thing.”

In all, the recent Keeneland sales yielded a handful of new McCarthy-bound recruits, including a Bolt d'Oro colt (hip 713). When these fledglings take residence in Southern California, they'll join the ranks of more seasoned operatives besides just Rombauer.

“He's a strong horse–healthy horse,” said McCarthy of Smooth Like Strait (Midnight Lute), another McCarthy miler who, for two seasons, has shown himself a bruiser of a sparring partner whose vocabulary lacks not just the word quit, but all associated synonyms.

In May, he won a well-deserved Grade I at Santa Anita in the Shoemaker Mile S., and since then, has been denied a brace of Grade IIs by the toss of a baby's blanket.

Next up? The GII City of Hope Mile S. next Saturday. Beyond that, Smooth Like Strait will likely have another year to hold the nation's best to account.

“He's a horse who seems to thrive on his racing,” said the man who knows him best. “He made some noise at two. Definitely made some noise at three. Grade I winner at four. Hopefully, he stays healthy at five. He's arguably as good as anyone around here, as anyone around the country right now,” said McCarthy.

“I don't think I've seen a horse in his class that's put together a resume like he has the last two years,” McCarthy added. “Multiple big days. Multiple big performances.”

The day after the City of Hope is the GIII Chillingsworth S., the intended next stop for Ce Ce (Elusive Quality), the dual Grade I- winner last year and GII Princess Rooney Invitational S. victor at Gulfstream Park in July.

All being well, the Chillingsworth will set her up for a start in the GI Breeders' Cup Filly and Mare Sprint, and a potential rematch against the Bob Baffert-trained Gamine, Ce Ce's recent nemesis in the GI Ballerina H. at Saratoga.

“It's out of my control. I can only worry about what's in front of me,” McCarthy said, of the Filly and Mare Sprint. “There'll also be 10 others.”

Next weekend looks like a busy one indeed for the barn.

In terms of Santa Anita's opening weekend, the likes of Friar's Road (Quality Road) and Chilean import Master Piece (Chi) (Mastercraftsman {Ire}) are nominated for the GII John Henry Turf Championship, Fast Jet Court (Brz) (Courtier) and Rideforthecause (Candy Ride {Arg}) are being aimed at the GI Rodeo Drive S., while Stellar Sound (Tapit) is a possible for the GII Zenyatta S., if she doesn't join Ce Ce in the Chillingsworth.

Over at Churchill Downs next Saturday, Independence Hall (Constitution) is being primed for the GIII Lukas Classic S., and Rushie (Liam's Map) for the GIII Ack Ack S.

McCarthy wouldn't have it any other way.

“It's a nice position to be in,” he said. “It's the sort of position you're always aiming to be in, getting to be in all the big ones.”

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Swiss Skydiver Gets Final Work For Whitney

Peter Callahan's three-time Grade 1 winner Swiss Skydiver put in her final piece of serious preparation for Saturday's Grade 1, $1 million Whitney at Saratoga Race Course in Saratoga Springs, N.Y.

With Irad Ortiz, Jr. aboard, the Kenny McPeek-trained 4-year-old daughter of Daredevil went five-eighths in 1:01.21 Sunday over a Saratoga main track rated fast.

A winner over six different ovals, including Saratoga when capturing last year's Grade 1 Alabama, Swiss Skydiver has won with five different jockeys aboard.

Ortiz, Jr. will look to increase that number when he pilots the chestnut filly in the Whitney.

“He loved her and said she felt great,” McPeek said. “We're excited, we should be ready. She's adaptable to racetracks and jockeys, it doesn't really matter.”

Swiss Skydiver has posted six graded stakes wins over five different ovals with her biggest claim to fame taking place against males in last year's Grade 1 Preakness Stakes. The last female to capture the Whitney was undefeated Hall of Famer Personal Ensign in 1988.

McPeek breezed graded stakes winner King Fury over the Oklahoma training turf Sunday in preparation for Saturday's $1 million Grade 1 Saratoga Derby Invitational going 1 3/16 miles over the Mellon turf course.

The son of Curlin, out of Grade 1-winner Taris, worked with Jose Ortiz aboard in company with Fighting Seabee, winner of the 2019 Grade 3 With Anticipation, and finished off his five-furlong move in 1:01.25.

Owned by Fern Circle Stables and Three Chimneys Farm, King Fury scored in the Grade 3 Lexington on April 10 over a sloppy and sealed track at Keeneland two starts back. He arrives at his turf debut off a close second to Masqueparade in the Grade 3 Ohio Derby on June 26 at Thistledown.

McPeek said he would like to run King Fury in the $1.25 million Grade 1 Runhappy Travers.

“Jose seemed to think that he can handle the turf,” McPeek said. “We'll learn a little something about him and it's a big purse. That's been our goal all summer is to get him to the Travers. The turf race is looking deep but it shouldn't hurt him.

“It's a very good group of 3-year-olds and Essential Quality had another workmanlike win yesterday, but it's hard to separate the 3-year-olds until the Breeders' Cup,” McPeek continued. “That's the race that really separates everybody.”

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