This Side Up: How To Make The Crown Fit Again

Nostalgia, they say, isn't quite what it used to be. In times past, it was not so much a wistful state of mind as an outright medical condition. The Union Army in the first two years of the Civil War reported precisely 2,588 cases, no fewer than 13 of which proved fatal. And I must admit to some concern that this may in fact be the version to which I am destined to succumb, nailed into the same coffin as the five-week Triple Crown.

The whole premise of nostalgia is irretrievability: the yearning for a time or place that can't be revisited. (Very often, perhaps, because it never existed in the first place.) This morbidity is suggested in the Greek stems of the word: nostos, homecoming, and algos, pain or distress. Unfortunately, while the first of these is doomed to remain notional, the second can even be national. It spills over into the here and now, corroding the happiness not just of individuals but whole societies. All round the world, we see populists promising to renew some golden age by restoring lapsed imperial or demographic boundaries.

But that observation obliges me to ask myself whether I'm doing anything so very different, in stubbornly resisting the groundswell towards Triple Crown reform?

With a solitary Kentucky Derby runner deigning to line up for the second leg of the series, for the first time since the current schedule was adopted in 1969, many whose opinions I respect appear to be accepting that there is no longer any point trying to turn back the side. They look at the seven runners in the GI Preakness S. on Saturday, and say the time has come to yield principle to pragmatism.

Well, they may be right. But first, I have a couple of questions. One is exactly where we can find this putative engagement with a disaffected wider public? Is it from having more competitive Triple Crown races, or is it from the romance of the quest itself?

Mage, Pimlico Race Course | Horsephotos

For a long time, during the drought between Affirmed and American Pharoah, we were told (despite several extremely close misses) that the assignment lay beyond the modern Thoroughbred and that we were duly squandering our best chance of engaging fan attention. On that basis, however, the defection of so many rivals clearly only enhances the prospects of Mage (Good Magic) heading to Belmont with a Triple Crown within reach. If that is supposed the grail of publicity, pricelessly combining heritage and accessibility, then does anyone imagine that casual viewers will tune out because the Preakness field lacked triple-figure Beyers?

But maybe the whole premise is wrong anyhow. If the Triple Crown is the best way of stemming our sport's drift from mainstream affections, then how do we assess the impact of the two we have saluted as recently as 2015 and 2018? While unanswerably demonstrating that the current schedule remains perfectly within the competence of the 21st Century Thoroughbred, American Pharoah and Justify hardly reversed the slide. As should be painfully obvious by now, we must address far more serious and challenging deficiencies in the way we present ourselves to a changing world.

Not that we can afford complacency in the audience we already have: the people, that is, who know enough about our arcane world to be dismayed by the lack of both quality and quantity in the field awaiting Mage at Pimlico. When so many indices are spiraling down, retention must be a still bigger priority than expansion. But a Triple Crown extended into July–which, in itself, might well stretch the fickle attention of a casual sports fan–could prove disastrous for other cherished races of high summer, especially now that horses are supposed to need a break before regrouping for a Breeders' Cup prep.

It is, as we know, the trainers who are driving this whole agenda. They have either seen or for some reason decided that horses today cannot soak up the kind of campaign that once allowed breeders a reliable measure of the kind of genetic resources they could aspire to replicate. The incidental benefit of this approach, of course, was precisely the fan engagement we have forfeited in protecting horses not only from competition but also from visibility.

The trainers have given the industry a choice. Either we concede that commercial breeding must be producing a Thoroughbred lacking the physical resources of its predecessors; or we candidly take issue with the trainers, and employ people who will explore the capacity of their charges more thoroughly. In both cases, however, the solution is in our own hands. What we are seeing in the Triple Crown series is a symptom of the problem, not the cause.

If it's about the physical caliber of the horses we are producing, then that obviously ties into another and far more serious challenge. If modern horses can't race twice under the same moon, or even stand up to federal regulation, then surely, we need to address the crazy situation where breeding for the sales ring has somehow become different from breeding a runner.

If it's simply the trainers that are wrong, however, then there are also things we can do about it. And that's not just because D. Wayne Lukas is still doing his thing at 87. I've regularly cited the example of another old master, Jim Bolger, just a couple of years ago running Poetic Flare (Ire) (Dawn Approach {Ire}) in three Classics in 22 days, before winning at Royal Ascot barely three weeks later; and, as often, deplored how only the Japanese could find a place for this horse at stud. But Bolger was also the mentor of Aidan O'Brien, who has himself frequently taken a similar approach. (One of my favorite instances was Peeping Fawn (Danehill). She was placed in a Classic 11 days after breaking her maiden at the fourth attempt; and then ran second in another, over an extra half-mile, five days after that. That experience so damaged her that she proceeded to four Group 1 wins inside eight weeks.)

Good Magic | Sarah Andrew

To me, it looks as though Bolger and O'Brien both believe that a thriving horse has a window of opportunity. And, on that basis, it may actually prove harder to maintain a Derby winner at the same peak for a Belmont in July than with the present calendar.

Most American trainers today evidently disagree. And look, I accept that times change. Mage himself, a horse we hadn't heard of 10 minutes ago, is a Derby winner for our times. He has a different scenario to tackle this time, and shouldn't give a start to one working as briskly as National Treasure (Quality Road). Even in this small field there are some pretty legitimate horses, and it's certainly an incredible achievement for Good Magic's first crop to yield three of seven starters in a Classic.

According to the behavior of trainers, it should be nearly inevitable that a raw colt like Mage regresses from his effort two weeks ago. If he happened to do that, however, it's a fair bet that whichever “mediocre” horse (not my view, I stress) took advantage could still be rewarded with 200 mares at stud next spring. Suffice to say that we have a lot of other stuff to sort out before we start scapegoating an anachronistic Triple Crown.

Good luck to Mage. He has a ton of talent. Who knows? Maybe he will prove the last Triple Crown winner over five weeks–and the last, therefore, who can validly claim parity with the previous 13. And then, when these elusive young fans become as old and grumpy as me, he may even be the stuff of nostalgia.

 

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Epiphaneia Leads Shadai 2022 Roster

Following more Classic success, this time with his son Efforia (Jpn) in 2021, Epiphaneia (Jpn) (Symboli Kris S)'s fee has increased to ¥18,000,000 (£117,174/€139,172/$156,021), tops of the Shadai Stallion Station 2022 roster. The 11-year-old also celebrated group winners Aristoteles (Jpn) and Circle of Life (Jpn). Lord Kanaloa (Jpn) (King Kamehameha {Jpn}), the sire of Japanese Horse of the Year Almond Eye (Jpn), remains at ¥15,000,000. Kizuna (Jpn) (Deep Impact {Jpn})'s fee has been raised to ¥12,000,000 on the back of 11 2021 black-type winners including G1 Queen Elizabeth II Cup heroine Akai Ito (Jpn). Another Shadai stallion to see his fee increase is Drefong (Gio Ponti), who will stand for ¥7,000,000, after his Geoglyph (Jpn) won the G3 Sapporo Nisai S. and he had another pair of runners gain black-type placings.

A trio of exciting newcomers will cover their first mares at Shadai in 2022–2020 Japanese Triple Crown winner Contrail (Jpn) (Deep Impact {Jpn}), G1 2000 Guineas hero Poetic Flare (Ire) (Dawn Approach {Ire}), and 2019 Japanese Champion Dirt Horse and G1 Champions Cup winner Chrysoberyl (Jpn) (Gold Allure {Jpn}). Fees for Poetic Flare and Chrysoberyl have been set at ¥6,000,000 and ¥3,000,000, respectively. Contrail's fee will be announced after his run in Sunday's G1 Japan Cup.

Responsible for the G1 Victoria Derby victor Hitotsu (Aus), Maurice (Jpn) (Screen Hero {Jpn})'s fee has been reduced to ¥7,000,000. That is the same price that Japanese Classic winners Rey de Oro (Jpn) (King Kamehameha {Jpn}) and Saturnalia (Jpn) (Lord Kanaloa {Jpn}) will command, with the former having first yearlings in 2022 and the latter welcomes his first foals next year. 2019 U.S. Horse of the Year Bricks and Mortar (Giant's Causeway), whose first foals are yearlings in 2022, will hold court for ¥6,000,000. The last son of Sunday Silence on the Shadai roster, Daiwa Major (Jpn), will stand for a private fee.

For the complete Shadai 2022 roster, please see below.

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Four For Irish Champion, Ten In The Leger

Ballydoyle's St Mark's Basilica (Fr) (Siyouni {Fr}) will take on The Aga Khan's Tarnawa (Ire) (Shamardal) and Jim Bolger's Poetic Flare (Ire) (Dawn Approach {Ire}) and just one other in what is certain to be a tactical renewal of Saturday's G1 Irish Champion S. at Leopardstown. As he suggested earlier this month, Aidan O'Brien has taken out all other entries for the 10-furlong contest, which is made up by last year's G3 Meld S. winner Patrick Sarsfield (Fr) (Australia {GB}).

At Doncaster the same afternoon, the G1 Cazoo St Leger will see Godolphin's G1 Irish Derby and G1 Grand Prix de Paris hero Hurricane Lane (Ire) (Frankel {GB}) face nine rivals including Amo Racing's G1 Epsom Derby runner-up Mojo Star (Ire) (Sea the Stars {Ire}). Aidan O'Brien has confirmed a quartet including TDN Rising Star High Definition (Ire) (Galileo {Ire}) and the unexposed Interpretation (Ire) (Galileo {Ire}) who will sport the Peter Brant silks.

Frankie Dettori is on the supplemented High Definition, with Wayne Lordan partnering the G2 Great Voltigeur S. runner-up The Mediterranean (Ire) (Galileo {Ire}), James Doyle on that race's fourth Sir Lucan (Ire) (Camelot {GB}) and Hollie Doyle aboard the Aug. 12 Listed Vinnie Roe S. winner Interpretation. Having impressed with two prior front-running rides for Ballydoyle including a third in the G1 Yorkshire Oaks on the 150-1 outsider La Joconde (Ire) (Frankel {GB}), it was no surprise to see Hollie Doyle booked for one of the team's contenders here. “It's a great ride to pick up. He looks highly progressive and is unbeaten this year,” she said. “He's certain to stay and it's my first ride in the Leger and I'm really looking forward to it.”

They help to make up a six-strong Irish representation in the extended 14-furlong Classic, with Johnny Murtagh looking for a breakthrough English Classic success with the G3 Gordon S. winner Ottoman Emperor (Ire) (Excelebration {Ire}).

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Poetic Flare Out of Moulin and Will Line Up in Irish Champion

Classic winner Poetic Flare (Ire) (Dawn Approach {Ire}) will skip an intended start in Sunday's G1 Prix du Moulin and instead line up in the G1 Irish Champion S. at Leopardstown on Sept. 11, trainer Jim Bolger revealed on the Nick Luck Daily Podcast. It will mark the first time the G1 QIPCO 2000 Guineas and G1 St James's Palace S. hero will try a distance beyond a mile. Since his Royal Ascot win in the St James's Palace S., the Bolger homebred was runner-up in the G1 Qatar Sussex S. on July 28 and filled that spot again behind Palace Pier (GB) (Kingman {GB}) in the Prix Jacques le Marois at Deauville on Aug. 15. Bolger opted for the longer race due to the expected ground conditions.

“I've got the weather forecast for the week, [and] while it's going to rain, I don't think it will be enough to produce soft ground, so I'm taking a chance and at this stage we're saying we're going to Leopardstown,” he told Nick Luck's podcast. “[I was tempted to run in France] because I thought Leopardstown might get more rain, but I'm reasonably satisfied now that the going will be ok at Leopardstown.

“I'm not thinking about which is tough, I'm just going for which race I think suits best on the day. I'm not concerned about who goes where–I'm only concerned about the going.”

Poetic Flare would have clashed with Shadwell's unbeaten Baaeed (GB) (Sea The Stars {Ire}) in the Moulin, who is trying Group 1 company for the first time at ParisLongchamp for William Haggas.

“I can't be sure [10 furlongs will suit better than a mile], but weighing up all the considerations, it's been fairly easy for me to opt for Leopardstown,” the trainer added.

“If you want to look at the financial side, the winner in Longchamp would take home about €250,000, which is not inconsiderable, and at Leopardstown it will be almost €700,000 I reckon. As someone who has to run the sport come business in a reasonably financial manner, Leopardstown makes more appeal.

“Leopardstown is home as well and we don't have to spend €80,000 on an aeroplane so for that reason, Leopardstown was a no-brainer but then I had to consider the going. They are the only considerations, I'm not concerned about who else is going there as long as there's room for us.”

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