Edited Press Release
Keeneland Library received a history-making gift from six-time Eclipse Award-winning photographer Barbara Livingston, who has donated an estimated two million photographic negatives from the collection of famed Turf photographer Jim Raftery.
Raftery's Turfotos Collection is the most comprehensive photographic collection of Thoroughbred racing in 20th century North America, chronicling the sport's human and equine legends for nearly 60 years, from the late 1930s through the early 1990s.
“We are incredibly grateful to Barbara for placing this incomparable historic industry asset in our care,” Keeneland Library Director Roda Ferraro said. “The Raftery Turfotos Collection is the largest gifted still image acquisition in Keeneland Library history, and we are honored to preserve Jim Raftery's legacy for future generations of researchers, writers and racing fans.”
Barbara Livingston | Horsephotos
Livingston, the longtime chief photographer for Daily Racing Form, acquired the Turfotos collection from Raftery's family in 2020 as part of her personal quest to preserve racing's photographic history.
“Jim Raftery was among the all-time great racing photographers; he was stunningly prolific and a character to boot,” Livingston said. “I gave the majority of negatives and slides from the Raftery Collection to Keeneland Library because they will provide the collection a safe haven.
“I grew up inspired by so many photographs from the collections of Skeets Meadors, C.C. Cook, and more, that Keeneland Library provided to others for their use,” she said. “I saw how the Library preserved these collections, as well as the respect they have for history and photographers. The Library was clearly the right choice for me and, more importantly, it was the right choice for Jim Raftery and his family. Jim Raftery's name will now continue to be seen and, with Keeneland's help, his photographs will no doubt inspire future photographers, racing historians and racing fans.”
In December, Ferraro traveled to Livingston's home in upstate New York to coordinate the four-day move of 3,300 pounds of negatives via truck to a climate-controlled off-site storage facility in Lexington.
The Library began processing the collection in January, an undertaking that given its size and scope will span decades. Bin by bin, the negatives will be rehoused in archival enclosures and stored in the Library's 24/7 temperature- and humidity-controlled vault.
Kelso with trainer Carl Hanford | Keeneland Library Raftery Turfotos Collection
Each negative will be indexed and triaged for digitization. An internal indexing system, custom-built by the Library for this project, will render each negative searchable by place, horse, race, person and date, among other metadata fields.
“Without an intake, archival rehousing, processing and indexing workflow customized to this uniquely rich and sizable collection, we would have two million inaccessible negatives,” Ferraro said. “We created a system centered on access and preservation of the negatives in their original form and, when warranted by condition or a high likelihood for potential future use, a digital form.”
The most imperiled negatives will be digitized during processing. Select others will be digitized to respond to patron image requests after each respective negative is indexed and searchable.
“This is a painstaking, slow-moving process, particularly when we encounter negatives that require research to build our collection index with as much identifying information as possible,” Ferraro said. “It can be daunting to look ahead to the roughly two million negatives, but as with all our photograph collections, this is a critical preservation effort that will enhance our capacity to serve our global user base and tomorrow's public and industry stakeholders.”
Keeneland Library works with the entire industry daily to connect journalists, writers, filmmakers, educators and publicists to its photography holdings for use in articles, books, documentaries and exhibits along with race track and farm promotional materials.
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