‘Dream Come True’: Two-Time Pony Racing Champion Harry Davies Enjoys Flying Start To Professional Jockey Career

Berkshire-based Harry Davies has had a flying start to his career as a jockey, at just 17-years-old he took two wins from four rides in his first week of riding against the professionals.

No stranger to success, Davies previously achieved 28 wins on the Pony Racing circuit and was crowned winner of the Charles Owen Racecourse Series in 2018 and 2019. Now he has moved up into the horse racing ranks and has quickly proven his immense talent.

He had his first ride at Southwell on Jan. 11 and quickly bounced back from his sixth position finish to find a winner a Lingfield with Coolagh Magic in the same week. Not resting on his laurels of enjoying his maiden win, Davies secured another victory three days later at Wolverhampton.

Speaking on his first win, Davies said: “I thought on the day the horse had a chance of going close. My instructions were to come late and thought I had left it too late, but he did it. When I pulled up, I thought I'd won but I wasn't completely sure, I just had to get back in one piece and wait for the tannoy. It was a really great atmosphere on the day and it was nice to have my mum and step-dad there.”

The two-time Pony Racing champion appears destined for success, coming from strong racing roots combined with his own passion and determination. His father Stephen was Champion Apprentice jockey in 1994 while working for the great Sir Henry Cecil's yard and his mother Angie works as assistant trainer at Palmer's Newmarket stable.

The 17-year-old now rides at the famed Andrew Balding stable, Kingsclere, that has been integral in launching the career of racing stars such as Oisin Murphy, William Buick and David Probert, but none of these top flat jockeys can say they had their first win from only their second ride.

Davies continued: “Training is going really well, the whole team is so supportive, and Andrew [Balding] is very easy to work for. He understands my goals and what I want to achieve as well as what we want to achieve together. Even if I don't ride a winner that day, I'll come back and the other lads are there to lend a helping hand.

“I first started coming to Andrew's [Balding] at 12-years-old and try to show my face whenever I could, I would try to come down in the summer holiday and I really devoted all my time to being at Kingsclere. In my final year of pony racing I'd ridden out for Andrew a few times and I was ready to make the move [to horse racing].

Commenting on making the step up, Davies added: “One of the differences from pony racing is that the professionals are harder to race against. You have to race a lot tighter, have to be sharper and on your toes. You have to prepare by watching racing as much as can when you're not racing, really watch and pick it apart. Watch the top riders and think, why are they doing that? And try to learn. You can't overthink when you're in the [race] situation, you need to go with your gut and trust yourself.”

Davies will still ride with a 7lb allowance for his next 18 winners but has made an impressive start to his apprentice jockey career.

He returned to Lingfield on Saturday for the inaugural Winter Million where he raced against top jockeys such as Tom Marquand and Hollie Doyle.

Davies added: “They [Marquand and Doyle] are both obviously massive figures in the racing world. They both came from pony racing as well and they are where I want to be.

“Racing against them is great because you can learn so much. I saw Tom in the weighing room the other day and asked him to watch a race back with me and I learnt so much- it's a dream come true.”

Davies will look to continue his outstanding start to life against the pros, which equates to two wins from seven rides, on Wednesday at Kempton Park in the Unibet Extra Place Offers Every Day Fillies' Handicap (7pm), where he will ride the Archie Watson-trained Notoriously Risky.

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‘Too Black Too Fast’: Art Celebrating African American Jockeys Will Be On Display At Pegasus

As part of the 2022 Pegasus World Cup, Baccarat presents “Too Black Too Fast,” a curated art exhibition that celebrates the history and contribution of African American jockeys in Thoroughbred horse racing through visual art and portraiture. Leading up to the 2022 Pegasus World Cup and in advance of Black History Month, “Too Black Too Fast” debuted on Saturday, Jan. 22, and will run until mid-February 2022 at the Historic Ward Rooming House Gallery in the Overtown neighborhood of Miami, Fla. The exhibit will be available for public viewing every Thursday to Sunday from noon until 6:00 P.M. Admission is free.

In addition, pieces from the exhibit will also be on display at Gulfstream Park during the Pegasus World Cup on Jan. 29.

With multimedia pieces from sculptor George Nock and visual artist Michael J. McBride, the exhibit tells the story of Black jockeys, who played an integral role in the history of Thoroughbred horse racing. More than 200 years before Jackie Robinson took to the baseball field, Black jockeys dominated the “Sport of Kings.” As enslaved men, they were the ones who knew the horses best, so they were the original trainers and jockeys. Though slavery had been abolished by the time the Kentucky Derby first ran, 13 of the 15 jockeys in the inaugural race in 1875 were African American, and African Americans won 15 of the first 28 runnings (of the Kentucky Derby).

“In advance of the Pegasus World Cup and Black History Month, we are grateful for the opportunity to partner with Baccarat, the Historic Ward Rooming House in Overtown and “Too Black Too Fast” to commemorate, celebrate and share the important and often untold story of Black jockeys and their role in Thoroughbred horse racing,” said Jimmy Vargas, CEO, 1/ST EXPERIENCE. 

“As a proud sponsor of the Pegasus World Cup, Baccarat is honored to partner with the Historic Ward Rooming House to present “Too Black Too Fast”.  The exhibit is just one retrospective of the many untold stories of black excellence in America. The hardship and the courage of these black jockeys is unmeasurable.  Even today, these jockeys hold records and set the standard for all jockeys in the industry, yet we don't hear of their accomplishments.  Baccarat is grateful to have the opportunity to help tell their story, as these athletes played an integral part in our history,” said Jim Shreve, Baccarat President and CEO of North America.

“American Sport has transformed the world in many ways, so it's an honor to present an art exhibition that tells the story of the legacy of early American jockeys. It's an honor to showcase amazing stories of unsung heroes, America's first professional athletes. McBride's, and Nock's art is not just insightful aesthetically, but the research they performed to create these images must have been a labor of love,” said Chris Norwood of Hampton Art Lovers at the Historic Ward Rooming House Gallery.

“I am very honored to have my work featured as part of the Pegasus World Cup. Having an opportunity to present African American achievements in Thoroughbred horse racing is very important to me. This is an opportunity for the world to see via artistic visuals of the accomplishments of these individuals,” said “Too Black Too Fast” artist Michael McBride.

“The ability to use art as canvas for telling great unknown stories of Americans of color for the last fifteen years has been the most rewarding experience of my life. I hope South Florida truly enjoys what we plan to present in celebrating the 2022 Pegasus World Cup,” said “Too Black Too Fast” Executive Producer, Derell Stinson. 

The “Too Black Too Fast” exhibit is currently touring with 40 paintings and 25 bronze sculptures. The Historic Ward Rooming House Gallery is located at 249 NW 9th St. in Overtown.

For more information visit www.pegasusworldcup.com or follow Pegasus World Cup on socials @PegasusWorldCup.

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Maureen Mahoney Named Development Director At National Museum Of Racing And Hall Of Fame

Maureen Mahoney, who has worked in a variety of capacities at the National Museum of Racing and Hall of Fame since joining the institution in 2015, has been named the Museum's Development Director.

A native of Glens Falls, N.Y., and a graduate of Skidmore College, Mahoney will lead the Museum's development and sponsorship initiatives and assume a prominent role in special events, marketing, and outreach.

“Maureen will do an excellent job as the Development Director,” said Cate Masterson, the Museum's Director. “In her time here she has updated the donor management system and brought the Museum's databases into modern times. She is extremely detailed oriented and enthusiastic about fundraising. Maureen's responsibilities will include grant writing as well. This transition is a natural fit and very well deserved.”

Prior to being named to her new role, Mahoney served the Museum as Development and Membership Officer and played key roles in social media and special events, including the Museum Ball.

After graduating from Skidmore in 2013 with a B.A. in Art History and a minor in Studio Art, Mahoney worked as an educator at the World Awareness Children's Museum in Glens Falls prior to joining the National Museum of Racing and Hall of Fame.

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Woodbine’s Five Furlongs With Katerina Vassilieva: The Truth Is Out There

Each week until opening day of the 2022 Woodbine Thoroughbred meet, a familiar name in the sport will be in the spotlight, answering some fun, offbeat questions, giving readers a unique perspective into their personality.

Katerina Vassilieva's connection with horses began at the age of 11. After finishing her Master's degree in genetics, she made the decision to pursue a career in Thoroughbred racing. Vassilieva, who worked as a hotwalker, groom, exercise rider and assistant trainer, earned her trainer's license since 2011. Her home base is Woodbine, but she has campaigned successfully at several racetracks throughout the United States, including Gulfstream Park, Keeneland and Belmont Park. Her biggest star to date is Big Bazinga, who followed the Kentucky Derby trail in 2014 and gave Vassilieva the opportunity to compete in some of North America's most prestigious graded races. The multiple stakes winning trainer posted a 20 per cent win average in 2016 and a 25 per cent strike rate in 2020.

You get to the chance to be on a TV show, past or present. Which one is it and why?

“The X-Files was my favorite show growing up as a kid. Before becoming a horse trainer, I wanted to be a forensic scientist, so I really enjoyed that show because it was all about forensics, detectives and solving mysteries. That's the show I would definitely want to be on.”

What music genre gets you on the dance floor?

“I like to listen to electronic dance music, club music, essentially. I think people might be surprised that I listen to that, but I find it's very upbeat and brings my mood up. I've enjoyed that type of music since I was young. I haven't been on the dance floor lately, but I think my moves are pretty good.”

What is your food weakness?

“That's easy… cakes and pastries. Anything sweet, really. I have a huge sweet tooth. Cakes or pastries, I'll never say no. Same with donuts. Just to be humble, I might turn them down, but secretly, I would eat them.”

Other than the Queen's Plate, what's your must-see race on the Woodbine racing calendar?

“Personally speaking, I always look forward to the Grey Stakes because I had that horse Big Bazinga and he ran second in that race (in 2013). It gave us 10 points and it kickstarted our hope of running in the Kentucky Derby. That's a really exciting race for me because those are the horses that may end up running in the Derby down the line.”

Would you rather call a race or guest host as a racing analyst?

“I would definitely choose racing analyst over race caller. I don't know how race callers do what they do. Thinking on the fly like that and doing it so quickly, it's just amazing. It really is incredible how race callers are able to remember all those names and talk about their order in the race. So, I'd opt for racing analyst because I'd have more time to think about what I'd say and more time to do research so that it would sound like I knew what I was talking about.”

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