‘He’ll Make A Good Trainer’: Cambra Lands Job Of A Lifetime As Assistant Trainer In Mandella Barn

Every adult, at one time or another, had a childhood dream. Maybe it was being an astronaut or a doctor or a baseball player. The dreams begin as young children and usually stem from a relationship or an experience that triggers a desire from within to pursue a certain path in life.

For some, through no fault of your own, that childhood dream becomes unattainable as they grow older. The dream is dashed before they reach adulthood. Some shrug it off and go on to prosperous lives doing something else, while others will take what they've learned and parlay it into a career in the same occupation, just a different job. It's sort of the old lesson, if someone gives you lemons…what do you do?

Taylor Cambra is 6'3” and weighs 205 pounds. As a kid he wanted to be a jockey. Already one can see the enormous obstacle that stood between Taylor and his childhood dream. He pushed it as far as he could, but in the end had to surrender to genetics. So what did he do? You could say, he made lemonade.

Cambra has just been named assistant trainer in the Richard Mandella barn. He's the one sporting the beige cowboy hat who is all of 26-years-old. While he never got to live out his childhood ambition, he'd be the first to tell you he's living a dream in the Hall of Fame trainer's barn.

Cambra's story began in Pleasanton, California where he grew up with a father who worked at the racetrack.

“My dad was an outrider,” Cambra said. “From the time I was a kid in first grade until I graduated high school, I went to the track every day before school. So, the racetrack is in my blood.

“I idolized my father,” Cambra continued. “He was my superhero growing up, watching him handle horses. I always wanted to get to his level. If ever I'm half the horseman he was, I'll feel like I accomplished something.”

Cambra was born in Pleasanton in 1997. He was raised in the Northern California community where mom was a bartender in town. She also worked at the various fairs around the region, so she worked at the tracks as well.

“They have pictures of me when I was a baby on horses,” Cambra said. “My first memory of riding horses was when my dad taught me how to ride. I rode bareback before I could ever ride in a saddle.”

While some little boys dream of hitting the game-winning home run in the World Series, Cambra had other childhood fantasies.

“I can remember sitting on horses as a 5- or 6-year old playing races in my head, riding around the arena pretending to be a jockey. I always had a whip in my hand, twirling it and walking around the house beating-up all of the couches.”

For years, everything Cambra did was geared toward being a jockey. And then he turned 15.

“I had my growth spurt,” Cambra said. “When I turned 15, I was 120 pounds and then I shot up like rocket.”

He didn't give in to his genetics without a fight.

“I starved myself to make it,” Cambra recalled. “But I was way too weak. I could hardly get out of bed. I was breezing horses and I was trying to get my license, but I knew I wasn't going to make it. At that point I was 16-years old and 5'11.”

Most of your professional jockeys are 5'5 or less and weigh 115 pounds at the most. So Cambra reluctantly gave up his dream of being a jockey, but held fast to his desire of making it as an exercise rider, helping out around the barn, still working with horses.

“You have to be 16 to get your jock's license so I never got to ride any races professionally,” Cambra said. “I rode some match races at bush tracks, so I did get to ride a few races as a kid.”

About this time in Taylor's life, another opportunity provided him with an outlet for his desire to still ride and work with horses…the rodeo.

“My dad always roped,” Cambra said. “He was actually a professional header (the person who ropes the front of the steer) and all of my cousins rode bulls. I always fancied the rough stock side of things a little more. A little bit more adrenaline and, of course, the girls like rough stock cowboys. I started riding bulls when I was 15 or 16. Then when I turned 17, I decided to get into riding bucking horses because I wasn't any good at riding bulls.

“I actually was pretty decent riding bucking horses,” Cambra continued. “So, I did that through high school and, when I turned 18, I got my pro card and a started bucking horses professionally. I did that for about a year and a half and I still dabble in it, get on a few when I can.”

Cambra recalled going on long road trips from Colorado to Texas and Texas to Utah.

“Going down the road with four guys in the car,” Cambra said. “We'd do 24-hour road trips. Get on at a rodeo and get back in the car and go on another 18-hour road trip. That was our life from Thursday through Sunday. We'd have a few days to sit around the campfire and recover. I'd have to say of all the cool things I've got to do in my life, rodeoing was probably the best. I was just good enough to get by. I was broke and broken.”

All the while Cambra had not given up on working at the racetrack. He had landed a job in the barn of Northern California trainer Ari Herbertson, working as an assistant and a gallop boy. One summer, the two decided to venture down the 5 Freeway to Del Mar.

“We stayed just for the summer meet,” Cambra said. “I got to see what real racing is all about and I didn't want to go back. When Ari went back up north I told him I was going to stay here and see if I could make it. If it didn't work out, I'd go back up and work for (him).”

Taylor wandered around the stable area at Santa Anita for two or three weeks, riding a horse or two a day, but everybody told him he was too big to gallop even though he was only 150 pounds. He was ready to call it quits and go back up north. The only two trainers he had not talked to were Bob Baffert and Richard Mandella.

“I'm thinking, if these little trainers aren't going to hire me, certainly these bigger trainers aren't going to want me,” Cambra said. “I grew up watching racing and idolizing Richard. I really didn't figure he'd give me a job but I decided since I was heading back up north I'd stop in his barn at Santa Anita and give it a shot. When I walked into his office he asked if I could ride a bad colt. I said, 'I can ride anything'.”

Cambra wasn't stretching the truth. His rodeo days gave him the ability to handle the most ornery horses. It would prove to be the key that opened the door to a job in Mandella's barn. Mandella had a Godolphin horse named Loomis, who would rear up going to the track.

“The first horse I got on for Richard was Loomis and he flipped over on me,” Cambra said. “Reared up, fell over on top of me. I jumped back on him, took him down to the track, and galloped him. Richard kind of fancied that and so he invited me back the next day to get on a couple of horses. He put me on Loomis and two other tough fillies and I galloped them. The next day he had me on seven and that's where it took off.”

“He came in asking for a job exercising,” Mandella recalled. “I didn't know him and I didn't need anybody real bad and then I saw how tall he was and I thought he must be good or nobody would let him ride.”

Cambra loved being around the horses, so without being asked he would gallop horses and when he finished he would help feed and hang out around the barn without getting any extra pay or asking for anything extra. Mandella took notice and after some time he gave Taylor a little more responsibility, exercising some high-profile horses like United, runner-up in the 2019 Breeders' Cup Turf (G1) and winner of four G2 stakes in 2020. He also galloped Jolie Olimpica, a Brazilian-bred filly who set a Santa Anita track record of 1:01 for 5 1/2 furlongs in the 2020 Las Cienegas (G3).

But the biggest thrill of his riding career came in 2019 when he exercised Omaha Beach leading up to the 2019 Kentucky Derby (G1).

“That was a dream come true,” Cambra said. “In my whole career as an exercise rider I just wanted to be on one front cover of the (Daily Racing Form) and I made it. Honestly, the whole trip went by so fast I didn't get to soak it in as much as I should of.”

Despite winning the Arkansas Derby (G1) that year and being installed as the morning-line favorite, Omaha Beach never started in the Derby. Three days before the race, Mandella discovered his colt was suffering from an entrapped epiglottis and much to his, and many others', chagrin – he scratched him. But Cambra will never forget the feeling of Omaha Beach beneath him.

“I've never been on another horse like him,” Cambra noted. “I've been on some nice horses, some nice stakes horses, but none as smart, smooth and strong. He was the full package.”

Taylor returned to Southern California and continued working for the Hall of Fame trainer. But it was becoming more apparent that his days as an exercise rider were also numbered.

“When I quit galloping a year and a half ago, I was 150 pounds,” Cambra said. “I was way underweight. I was killing myself to continue to gallop horses. I was pushing weight probably more than most of the jockeys in the room were. But I was getting on Breeders' Cup horses, I was living my dream. It was worth it for the time being.”

Cambra's transition away from being an exercise rider was made easier when he graduated to barn foreman.

“He (Mandella) would test me and see what I knew,” Cambra said. “He realized that I'd been around enough and was capable of being a barn foreman.”

Cambra's climb up the ladder in the Mandella barn didn't stop there. His promotion to assistant trainer came just a few weeks ago.

“I put my work in, and he was gracious enough to let me be the assistant,” Cambra said.

“He has terrific hands on a horse,” Mandella said. “He's a natural horseman. He has a lot of potential. He'll make a good trainer. Probably have a good career.”

Being Mandella's assistant is no easy task. For one, it comes with early morning wake-up calls.

“On a normal morning I get to the barn at four o'clock,” Cambra said. “I make sure all the grooms are taking temperatures, seeing who ate, making sure everybody's well. I make sure the gallop boys are sending the right equipment to each horse. Then we pull out all of the horses that are working that day or that worked the day before, or horses that are having issues. We jog them down the shedrow to make sure they're moving well. The first set usually goes out at about 5:10.”

And what's it like working for Richard Mandella?

“He's extremely tough and for good reason,” Cambra said. “It's our job to make sure these horses are taken care of and he doesn't take that lightly. He's very strict, but at the same time he's fair. My maturity in the past five years is thanks to him. I can't imagine working for anybody else.”

But Taylor Cambra hasn't stopped dreaming. Like any 20-something, he's setting his sights toward bigger and better things.

“I would love to have my own barn,” Cambra said. “Get to wake up in the morning and see my name on the webbings. Hopefully have half the career Richard has had. I grew up in horse racing. It's all I know and it's all I want to do.”

Oh, and he makes a mean batch of lemonade, too.

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Where They’re Headed: Churchill Jockeys, Trainers Ready For Winter Racing

As Churchill Downs' Fall Meet enters the final four days of the Fall Meet, which concludes Sunday, jockeys and trainers will begin their winter moving plans for the next five months until racing returns to the Louisville oval.

Following are the tracks where jockeys and trainers are scheduled to spend their winter:

Jockeys:

Francisco Arrieta: Oaklawn
Rafael Bejarano: Oaklawn
Adam Beschizza: Turfway Park
Declan Cannon: Turfway Park
Martin Chuan: Oaklawn
Gerardo Corrales: Turfway Park
Tyler Gaffalione: Gulfstream Park
Martin Garcia: Turfway Park
Florent Geroux: Fair Grounds
James Graham: Fair Grounds
Rey Gutierrez: Fair Grounds
Brian Hernandez Jr.: Fair Grounds
Chris Landeros: Oaklawn
Corey Lanerie: Fair Grounds
Julien Leparoux: Oaklawn
Jareth Loveberry: Fair Grounds
Luan Machado: Turfway Park
Edgar Morales: Fair Grounds
Mitchell Murrill: Fair Grounds
Luis Saez: Gulfstream Park
Ricardo Santana Jr.: Oaklawn
Joe Talamo: Turfway Park
Cristian Torres: Oaklawn

Trainers: (minimum five wins and based at Churchill Downs)

Tom Amoss: Fair Grounds, Turfway Park
Rusty Arnold: Gulfstream Park
Steve Asmussen: Fair Grounds, Oaklawn, Turfway Park
Phil Bauer: Fair Grounds, Turfway Park
Bret Calhoun: Fair Grounds
Juan Cano: Turfway Park
Mark Casse: Fair Grounds, Gulfstream Park, Turfway Park
Norm Casse: Fair Grounds, Oaklawn
Brad Cox: Fair Grounds, Oaklawn, Turfway Park
Robertino Diodoro: Oaklawn
Tommy Drury Jr.: Turfway Park
Greg Foley: Fair Grounds, Turfway Park
Chris Hartman: Fair Grounds, Oaklawn
Eddie Kenneally: Fair Grounds, Gulfstream Park
Michelle Lovell: Fair Grounds
Brian Lynch: Gulfstream Park
Mike Maker: Fair Grounds, Gulfstream Park, Turfway Park
Kenny McPeek: Fair Grounds
Bill Mott: Gulfstream Park
Todd Pletcher: Aqueduct, Gulfstream Park
Dale Romans: Gulfstream Park, Turfway Park
Joe Sharp: Fair Grounds, Oaklawn, Turfway Park
Al Stall Jr.: Fair Grounds
Mike Tomlinson: Turfway Park
Brendan Walsh: Fair Grounds, Gulfstream Park, Turfway Park
Ian Wilkes: Gulfstream Park, Turfway Park

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Hall Of Fame Jockey Bobby Ussery Dies At Age 88

Hall of Fame and Kentucky Derby (G1) winning jockey Bobby Ussery, ranked fifth all-time in earnings when he retired in 1974, has passed away in South Florida.

Ussery, a native of Vian, Oklahoma, was 88.

Ussery won the 1967 Kentucky Derby aboard 30-1 longshot Proud Clarion. It was a mount Ussery picked up after his original Derby mount, Reflected Glory, couldn't make the race due to sore shins. He won the 1960 Preakness (G1) with Florida Derby (G1) winner Bally Ache.

Sports Illustrated called Ussery's ride aboard Proud Clarion “one of the best in Derby history.” Ussery thought he might have a good weekend in Louisville.

“I might have won it with Bally Ache in 1960, but we finished second,” he said. “Then I thought I'd win it this year with Reflected Glory. When that didn't work out, I still figured – just a hunch, I guess – that it was my year, no matter what horse I rode. I had a real hunch.”

Ussery's riding career started with a win aboard his first mount, Reticule, in the 1951 Thanksgiving Day Handicap at Fair Grounds. In 1959 he rode a record 215 winners. In 1960 he rode juvenile champion Hail to Reason and won the Preakness, Flamingo and Florida Derby on Bally Ache. He also crossed the finish line first in the 1968 Derby, but his mount, Dancer's Image, was later disqualified.

Other notable wins for Ussery came in the Whitney, Alabama, Travers, Hopeful, Mother Goose, Canadian International and Queen's Plate, and the Wood Memorial twice.

Arrangements are pending.

Expressions of sympathy may be made in Ussery's memory to the Permanently Disabled Jockeys Fund at pdjf.org.

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Breeders’ Cup Presents Connections: Goodnight Olive Gave Owners Much More Than A Ghost Story

There's an old black-and-white photo of an early 1900's actress hanging on the wall of a theater in New Amsterdam, N.Y., with which half the members of the Thoroughbred ownership group First Row Partners have taken a “selfie.”

Following the back-to-back success of First Row-owned racemare Goodnight Olive in the Grade 1 Breeders' Cup Filly & Mare Sprint, and her subsequent sale for $6 million at auction, several others in the ownership group are now making plans to head to the theater for their own “selfie” memories.

The photograph depicts Olive Thomas, a Ziegfeld girl, flapper, and silent film actress whose ghost is said to haunt the New Amsterdam Theatre. Thomas often performed at the venue before her untimely death in Paris in 1920.

So prevalent is the legend of Thomas' spirit that stagehands and security guards regularly end their shifts by saying, “Goodnight, Olive!”

Steve Laymon, managing partner of First Row Partners, acquired a Ghostzapper filly out of the Smart Strike mare Salty Ghost at the Fasig-Tipton Kentucky Fall Yearling sale in 2019. When he took to Google searching for name ideas, Laymon's first query, “salty ghost,” led to a link about the Olive Thomas legend.

The story, published at boroughsofthedead.com, ends with the phrase, “Goodnight, Olive!”

“I remember thinking, 'What a great name for a racehorse,'” Laymon said. “At first, when we had partners going up to take selfies with Olive's picture, the theater employees asked them not to do so. Then my partners explained the story, and the employees started following Goodnight Olive's career. Well, when my son Tyler made it up there to take his selfie, the employees stepped up and wanted to help him get it just right!”

They wouldn't want to disappoint Olive – it's probably best to stay on a ghost's good side. 

It was First Row member Will Robbins who came up with the idea of honoring Olive while in New York. 

Will Robbins, of First Row Parnters, with the image of Goodnight Olive's namesake, Olive Thomas, at the New Amsterdam Theatre (photo provided)

Now, Laymon plans to get his own selfie with the Olive Thomas photograph when he takes a trip up North in a few weeks' time; first, he's taking a breather to reflect on the joy the last few weeks have brought to his team.

“All the excitement this year happened so close together,” he said. “She won the race on Saturday, and the sale was on Tuesday; it was a big few days for all of us. For a guy who purchases three to five horses a year, I have just been so blessed. My son came up to me after she won, and said, 'Do you know we've had six starters in the Breeders' Cup, and you've won three and had a third?' I'll be honest, I didn't know the numbers, but that is just so special.”

Dayatthespa was Laymon's first Breeders' Cup winner, capturing the G1 Filly & Mare Turf in 2014, and Goodnight Olive is responsible for the other two victories, capturing back-to-back editions of the Filly & Mare Sprint in 2022 and 2023.

That success is partially attributable to luck, Laymon believes, but it's primarily a result of the team he's surrounded himself with.

“I heard Arthur Hancock once say: 'Line yourself up with good people, and hope good luck runs over you,'” Laymon recalled. “I knew (bloodstock agent) Liz (Crow) and (trainer) Chad (Brown) when they started out, working for Pete Bradley and Bobby Frankel, and I just felt that they were two young people that had a lot of talent, and I felt like they were gonna be successful in their careers. When they went out on their own, I knew them anyway, but it felt like supporting the next generation.”

Crow was the one to call Laymon about Goodnight Olive as a yearling. Though Laymon typically works the sales alongside his agents, he was forced to miss the Fasig-Tipton sale in 2019.

“Liz had called me and said, 'I found a Ghostzapper filly I like,'” said Laymon. “I said, 'Gosh, Liz, you know I'd love to have a Ghostzapper.' I'm a Ragozin sheet guy, and he was the fastest horse on Rag sheets ever. Then she called me back, and said that Jay Hanley had an interest in the horse as well, so I said, 'I've known Jay for 10 years; 'I'm sure we can work something out.'”

Thus, First Row Partners and Team Hanley purchased a yearling daughter of Ghostzapper for $170,000. By the time Goodnight Olive returned to Fasig-Tipton four years later, her record stood at nine wins in 12 starts for earnings of $2,196,200.

It's a long way from where Laymon started, an optometrist from North Carolina with no experience in horse racing whatsoever. The passion was launched at age 28, when Laymon was invited to attend the 1989 Preakness Stakes with a group of friends.

“That was the year of Sunday Silence and Easy Goer,” Laymon said, then paused to remember the epic stretch drive. “Well, it caught my attention.”

Laymon later read an article in USA Today about Cot Campbell and his Dogwood Stables, and decided he'd like to learn about becoming an owner. 

“He probably brought more individuals into racing than any single person that's been in the sport,” Laymon said. “So I started with Dogwood and kind of grew from there. 

“My wife's cousin, John Eaton, was kind of dabbling in the breeding business, so we decided to put our energies together. Now he's one of the six in First Row Partners; we sit on the first row together in Saratoga, and we started buying horses with Liz (Crow) six years ago.”

Crow was instrumental in the filly's purchase at the sale, but it was Brown and his insistence that the owners be patient that helped develop Goodnight Olive into a champion.

Goodnight Olive didn't debut until March of her 3-year-old season, running a good second at Gulfstream Park but then immediately requiring time off to remove a chip from her ankle.

The filly returned to the races in October, winning a Keeneland maiden special weight by 8 ½ lengths, and then an Aqueduct allowance race by nine lengths, but then she required a second chip removal surgery.

“(Surgeon) Dr. (Larry) Bramlage, he called after that second surgery and explained to me what he had done,” said Laymon. “He said her anatomy was a little bit atypical, so he felt like he had made some corrective changes and she would be fine.

“Well, after that was when she started on that really good roll.”

Brown ran the filly in two more allowance races in summer of 2022, then stepped her up to Grade 1 company. Goodnight Olive responded with a 2 ¾-length victory in the G1 Ballerina at Saratoga, then won the Breeders' Cup Filly & Mare Sprint for the first time.

She started her 2023 campaign with a win in the Grade 1 Madison Stakes, and after her winning streak was snapped with a third in the G1 Derby City Distaff Stakes, she came back to win the G2 Bed o' Roses Stakes before finishing second in her defense of the Ballerina and winning her second Breeders' Cup race.

She is now in prime position to secure her second Eclipse Award as champion female sprinter. 

Racing newcomer John Stewart made the final bid on the mare for $6 million, then announced that she would stay in training for a 2024 campaign with Brown.

“Chad looks to be following the same pattern as last year, sending her to Florida for some rest and relaxation,” Laymon said. “I didn't think someone would buy her to race her, but I know Chad will make the right decision for her and I think John will make the right decision based on Chad's experience.”

Goodnight Olive is, of course, Laymon's stable star, but the mare means so much more than the numbers she put on her resume through the years.

“She is such a special animal to have,” Laymon said. “There's something about a horse like this that brings people so much joy.”

Perhaps the most important thing Goodnight Olive has done for Laymon, personally, is the impact she has had on his relationship with his son. Though Tyler Laymon rode pleasure horses growing up, he had moved away from the animals until he went off to college and Goodnight Olive stepped into the picture.

“He spends so much time with her,” Laymon said. “He'd been around horses a lot, and actually worked for Chad walking hots one summer. He would call me and tell me that she was the smartest horse in the barn, that they'd show her something one time, and she'd have it. Tyler said she may be the best horse we've ever owned, way before she won her first Grade 1.

“She was a little closed off when she was younger, but as she's gotten older, she became very, very kind, and she just loves the attention. She leaned right into me after her Breeders' Cup win, when I went to lead her into the winner's circle. She just knew.”

Irad Ortiz shows his appreciation for Goodnight Olive' after capturing the Breeders' Cup Filly & Mare Sprint

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