Thoroughbred Makeover Diaries Presented By Excel Equine: Dressage As Relationship Counseling For An OTTB And Her Human

My wife gave me permission to cheat on her during the holidays.

In fact, she facilitated it.

You see, before Ashley became my wife on July 23, 2020, she was my trainer for learning to ride horses. I took my first lesson with Ashley on May 30, 2015, and immediately fell in love with eventing on OTTBs. A few years later, I fell in love with her.

Ashley has remained my trainer, and, in some ways, the trainer-student relationship can be trickier than husband-wife. For Christmas and Hanukkah, Ashley arranged for me to take dressage lessons with other trainers.

As I've started to move up the eventing levels, my Achilles' heel has been dressage. That's the first discipline in eventing based on the movement and rhythm of the horse on the flat that sets a rider's initial score. After dressage, penalties can be accumulated for jumping or time faults in the cross country and stadium jumping phases.

I've placed in the ribbons in three of my last four events, even while moving up from the Beginner Novice level where the jumps are at a maximum height of 2-feet-7 to the Novice level of 2-feet-11. I've always been at or near the bottom of the standings after dressage. 11th of 16, 11th of 18, and 10th of 11. However, after clean jumping rounds in cross country and stadium jumping, I've improved those placings to 7th of 16, 6th of 18, and 5th of 11.

“His jumping has progressed so much, and dressage is what's keeping him out of the top placings,” Ashley wrote when she reached out to four different trainers in the area. “He is finishing on his dressage score; it's just a bad dressage score.”

“Dressage is the ultimate expression of horse training and elegance,” the FEI, the international governing body for equestrian sports, describes on its website. “Often compared to ballet, the intense connection between both human and equine athletes is a thing of beauty to behold.”

How is this achieved?

 

What your riders are trying to remember as they enter the dressage court to compete? Is there anything you would add?

Posted by Dressage Instructors Network on Saturday, January 9, 2021

 

That's 23 things! And we haven't even gotten to the actual movements in a dressage test, like a 20-meter trot circle, a free walk across the diagonal, or a serpentine. How am I supposed to “just relax”?! Not cool, Dressage Instructors Network.

Dressage serves as a foundation for proper riding that can apply to any equestrian sport. Putting in the hard work to establish a foundation will pay dividends in the long run for building a relationship, whether it's with horses…or humans.

Simone Windeler, The Elegant Rider 

My first dressage lesson in this experiment Ashley arranged with other trainers was with Simone Windeler on Dec. 27.  Simone arrived at our farm promptly for our 2:15 p.m. lesson, walked into our arena as I was finishing warming up my chestnut OTTB mare Sorority Girl (Jockey Club name: Grand Moony), and zipped up her blue “The Elegant Rider” puffy jacket with the same confidence that Superman would have used to put on his blue suit, ready to save the world — or in this case, me.

The author with Simone Windeler

Windeler's credentials also happen to match the aura she exudes as a dressage superhero. Classical German training. Graduate studies at Heriot-Watt University in Scotland. Board member for the Rocky Mountain Dressage Society. Well-respected judge for dressage and western dressage. Windeler judged dressage tests of mine at the Mariah Farms schooling show series that represented my very first horse shows in 2016.

Windeler began our lesson by asking me to ride around the arena at the walk, trot, and canter to assess. After about five minutes of just observing, she called us into the middle of the arena. Her diagnosis: I ride with tension that inhibits my ability to communicate effective signals and cues for what I would like my horse to do. The tension affects my mare's ability to develop a proper frame and rhythm, and that ultimately will limit our ability to reach our full potential together.

Although Windeler was focusing on my dressage, her diagnosis applies my life in general.

So, Windeler went to work on me. We focused on breathing exercises and balance exercises. My hour lesson was ridden almost exclusively at the walk, with a few minutes of trot at the end. Nothing fancy, but instead focusing on how a solid foundation helps build a strong house and not a house of cards.

Windeler walked either next to or right behind Sorority Girl and me for most of our lesson. She helped me become less tense by having me follow a breathing technique of taking in multiple breaths through the nose and letting out that number of breaths plus one additional one through the mouth. She helped me become more balanced by having me imagine that the sensation of my two seat bones touching the saddle was like squeezing two pieces of whatever fruit I imagined. Then, based on my assessment of where those two pieces of fruit were positioned in relation to my body and the saddle, we adjusted my position.

It was all subtle, but so is riding a chestnut OTTB mare, where one slight shift in weight can make a big difference for the horse.

“You think you're leaning forward, but you're really just straight,” Windeler said during one of our better trot circles toward the end of the lesson.

Windeler helped build me up to a position that, while feeling different for me, was actually better for the partnership with my horse. My mare showed her appreciation for my ability to be a better partner.

Sara Storch, SS Equestrian

“That's a great wife; I wish my husband took dressage lessons,” Sara Storch said as our lesson on Jan. 12 at 2:30 p.m. began.

Now, I'm definitely a believer that these dressage lessons have more to them than just dressage.

Storch is a high-level dressage rider, recognized by her earning United States Dressage Federation bronze and silver medals. She trains at Happenstance Barn in Parker, Colo., and the four-mile drive there from our farm represented the first time I've ever driven Ashley's truck and trailer. Now that's some serious trust by my wife.

The lesson with Storch was about building a toolbox and pulling out certain tools to address situations that come up during our riding. What was educational and encouraging for me is that none of these tools force a result. Rather, they are actions that guide the horse toward the desired outcome.

Sorority Girl looks slightly skeptical of Horowitz's lesson from Sara Storch

For example, one was giving my reins, which encourages the horse to seek contact and round into a proper frame. I had been trying to force the contact and frame by pulling on the reins. Another was using the inside leg during a transition to guide the horse's body to steady contact on the outside rein.

My mare, whose name of Sorority Girl accurately represents her approach to being told what to do, responded positively to the signals I was giving. You can't actually force a 1,000-pound animal to do something they don't want to, such as when one of my favorite horses, the legendary Australian sprinter Chautauqua (hyperlink: ), ultimately refused to leave the starting gate in the final race of his career. So, what's more effective is figuring out how to build a relationship and take action together as a team.

Kim Wendel, Kim Wendel Eventing

Up until this point in my dressage lesson medley, my two lessons had been with dressage-specific trainers, meaning that their equine focus is dressage. However, dressage is just one piece of the eventing puzzle, and sometimes it's an overlooked one.

“When I was riding in the lower levels, I felt like [dressage] was something we had to do before we jumped, and it was a little bit of a burden,” Kim Wendel, my next trainer, said. “As time has gone on and I'm able to do some of the more interesting or technical moves, then I feel like I really start to enjoy dressage as its own discipline.”

Wendel has risen up the eventing ranks with her 2011 grey Thoroughbred gelding, Happily Twisted, whom I announced in his lone racing victory on Aug. 2, 2014, at Arapahoe Park in Colorado. Although she has more than three decades of riding experience, Wendel only began eventing in 2010. After buying Happily Twisted off the track in 2016, the pair has risen as high as the CCCI 3* level with goals of higher in 2021.

“For better or worse, he's my creation and I'm his,” Wendel said about how her relationship with “Happy” is more like family growing up together.

When Wendel came to our farm on the morning of Jan. 13, we spent about 10 minutes before our lesson engaged in a quasi “Dressage Anonymous” meeting where we shared about how we've come to appreciate dressage more through our struggles with it. On the other hand, non-horse people have an easier time appreciating what happens when a horse soars over a 3-foot jump than lengthens their stride at the trot, although the latter can actually be more difficult to achieve.

A lesson with Kim Wendel

“Dressage is kind of like the part everybody fast forwards when watching the [Kentucky Three-Day Event],” Wendel said. “When you splash through the water, wow, everyone likes the photo on Facebook, but then you put up a picture of you doing a nice half-pass, you get half the likes because it's not as dramatic.”

It's similar to how it's easier to define a couple's relationship by how they are at parties or on vacations around the world than how they are cleaning the house, or, in the case of Ashley and me, feeding horses and mucking stalls.

Wendel's lessons focus heavily on foundation.

“The beauty in it is knowing the details, but that's a hard sell,” she said. “For me, the biggest thing is we all want to be better riders. In order to be better riders, we have to affect our horses positively. In dressage, in learning how my riding affects the horse's balance is a really big one.”

During our lesson, Wendel's focus for me was on how I could impact my horse's balance — from front to back, back to front, side to side, going to the left, and going to the right. She showed me how subtle movements — like opening my hand to the inside, giving the inside rein, and more — can make a big difference.

“She's super because as soon as you pushed your hands forward, she relaxed,” Wendel said during one part of the lesson.

Ryleigh Leavitt, RTL Eventing 

With my final lesson in this series of four with Ryleigh Leavitt on Jan. 22, I realized that all of the trainers were giving me similar advice but saying it in different ways.

“As a guy, I'm glad I'm hearing the same thing several different ways because now it will sink in about how important it is,” I joked, getting a laugh out of Leavitt, as well as my amused wife, who has appreciated the effect these lessons are having on me.

Leavitt is a native Coloradan now competing at the highest national eventing level, Advanced, aboard her 2007 bay Dutch Warmblood gelding MoonLight Crush.

“You want to look like you're sitting there looking pretty and making the horse do everything because that's the goal of dressage to show off the training,” Leavitt said. “You're doing a lot, but you're not showing it.”

Relationships with horses—and humans—are hard to build. When Ashley and I were married, our officiant joked, “You may now salute your bride,” and with that, I entered the dressage arena of marriage.

 

 

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Paulick Report’s Voss Sweeps Both 2020 Media Eclipse Award Writing Categories For Stories On Aftercare

The National Thoroughbred Racing Association, Daily Racing Form and the National Turf Writers and Broadcasters today announced the winners of the 2020 Media Eclipse Awards in six categories. This year's awards are highlighted by Natalie Voss, Editor-in-Chief of the Paulick Report, becoming the first individual to win two writing award categories in the same year since the late Bill Nack earned two awards in 1991.

The 2020 Media Eclipse Award winners are as follows:
Feature/Commentary Writing – Natalie Voss, Paulick Report “'An Angel On His Shoulder': This Thoroughbred's Fate Was Written In Ink,” May 13, 2020.

News/Enterprise Writing – Natalie Voss, Paulick Report – Multi-part Series: “A Decade In, How Are We Doing With Thoroughbred Aftercare?” Dec. 2, 2019; “Emptying The Ocean With A Teaspoon: The Challenges Of Aftercare,” Dec. 3, 2019; and “Aftercare Should Not Be An Afterthought: Solutions For The Future,” Dec. 4, 2019.

Television – Live Racing Programming – NBC Sports, “The Breeders' Cup World Championships,” Nov. 7, 2020; Billy Matthews and Lindsay Schanzer, producers.

Television – Features – NBC Sports “Riders Up: The World's First Sports Bubble,” Oct. 2, 2020 on NBCSN; Produced by the Hennegan Brothers.

Audio/Multi-Media Internet – Thoroughbred Daily News (TDN) “To Hell and Back: Belmont Marks A Deserved Triumph for New York City,” Joe Bianca, writer and narrator, Patty Wolfe, producer.

Photography – Alex Evers, Paulick Report “A Derby Without Fans,” Sept. 21, 2020.

Entries were accepted for 2020 Media Eclipse Awards consideration for works which appeared from Nov. 17, 2019 to Nov. 20, 2020.


Voss, from Georgetown, Kentucky, has now won three Eclipse Awards. In addition to the two honors this year, Voss won her first Media Eclipse Award in 2016 for News/Enterprise writing for her article on the lurking dangers of concussions for jockeys, which was also published in the Paulick Report.

“I never could have imagined this happening in my wildest dreams,” said Voss upon learning of her two Eclipse Awards in 2020. “It's a tremendous honor to just win one award, but to win two in one year is unfathomable.

“I'm so pleased to see aftercare stories win in both categories this year. I really believe there are just as many compelling stories in that world as there are on the racetrack, and that they are just as much a part of the Thoroughbred industry.”

In “Angel on His Shoulder,” Voss describes the journey and fate of a claiming horse named Inked, and how he touched the lives of his original owner Kirsten Fada, his breeder, Susan Young, and horse transporter Hannah Meier over a three-year period. Each of these women, with no connection to each other at first, helped assure that Inked would have a safe home after the track. Fada eventually adopted him for a second career after an improbable reunion at the Second Stride OTTB program at Moserwood Farm in Kentucky.

Voss capsulizes the anxieties of those following horses who have moved on from their care:

Unless you have an inroad with the horse's connections, you don't know whether he suffered an injury or is enjoying a well-deserved vacation in a grassy field; whether he has moved on to a second career, or if he's at the end of a long trailer ride in a forgotten pen somewhere. It feels wrong to assume the worst, but irresponsible not to consider it. Where the heart is concerned, the brain can run wild with worst-case scenarios you may be powerless to prevent.

For two years, Fada and Young, a thousand miles apart, were each intently tracking Inked's career. In October 2019, Young found Inked entered in a race at Grants Pass, Oregon and promptly drove four hours from her home to meet the trainer and let him know that she wanted to buy him. Young wanted to send him to his birthplace in Kentucky for a rest before moving him on to an accredited aftercare organization. A short time later, Meier, a part owner of Circle J Transportation, was contracted to pick up a horse at the base of trainer Gilbert Ecoffey in South Dakota. Upon her arrival, she noticed a stocky chestnut in the field that looked awfully familiar. Meier immediately recognized Inked, who had been one of the horses she had worked with under the care of Ecoffey at Grants Pass.

Meier drove Inked to Phoenix Hill Farm in Paris, Kentucky. Meier was hoping that Phoenix Hill owner Kim Dionne would one day call her to take Inked as her own, but she could not work out the logistics due to Covid-19 restrictions. Meier learned a few weeks later that Inked had been picked up and sent to Moserwood, where Fada would re-enter the picture and be reunited with Inked. Young was “floored” to get an email that her gelding had been rehomed in 24 hours. Fada posted a note about her reunion on Facebook and was subsequently connected to Meier.

“When you love a horse that's no longer yours, there is an incredible anxiety if you don't have a good way to find out where it is,” said Voss. “When you love racing, there will be one or two horses that will become special to you whether they are in your barn or not. Horses get lost in the ether and you may never see them again. I was struck by the improbability of it all. This is not an accomplished racehorse; he was not easily trackable like a well-known stakes horse might have been, and the stars really had to align so that Inked came back to Kirsten.”

The winning entry can be viewed here.

Honorable mention in the Feature/Commentary category went to 2008 Eclipse Award winner Vinnie Perrone for “The Autumn of King Leatherbury,” which was published in racingbiz.com on Nov. 17, 2020.

Judges in the Feature/Commentary category were Dan Liebman, former editor of The BloodHorse and The State-Journal in Frankfort, Kentucky; Bill Kolberg, former assistant director of publicity at Santa Anita and Del Mar and published author on Thoroughbred racing; and Lynne Snierson, national award-winning turf writer for daily publications in Boston, Miami and St. Louis, and veteran racetrack publicist.

News/Enterprise: Multi-Part Series

In her three-part series that won the News/Enterprise writing category, Voss explores the achievements and struggles of the Thoroughbred aftercare movement that has reached prominence in the past decade. What began as one article on the phenomenon expanded into a series through the encouragement of publisher Ray Paulick and former Editor-in-Chief, Scott Jagow.

“I had some sense before I began the research process that the volume of horses needing aftercare was greater than the current infrastructure could handle,” said Voss, who earned a degree in Equine Science and Management from the University of Kentucky and also worked at the Secretariat Center at the Kentucky Horse Park before launching a career in journalism. “But the disparity between the number of horses in need of a second career and the capacity of the various accredited organizations was greater than I'd imagined, and really shows that more needs to be done.”

In part one of the series, “A Decade In, How Are We Doing With Thoroughbred Aftercare?,” Voss traces the evolution of aftercare from increased awareness of the problem through the explosion of social media, to initial “check off” fundraising efforts establish by The Jockey Club and Thoroughbred Charities of America, to the great leap forward to the creation of the Thoroughbred Aftercare Alliance, which established high standards for accreditation and has overseen the distribution of $17.2 million to accredited organizations. The creation of second career incentive programs like Thoroughbred Makeover and The Jockey Club's Thoroughbred Incentive Program were also key.

Part two of the series, “Emptying The Ocean With A Teaspoon: The Challenges Of Aftercare,” raises questions about the cost of care for the high number of horses retired each year and the fate of horses that are never raced, and how retirement organizations can handle that load. It also raised questions about the slaughter pipeline and how the economics of that industry impact OTTBs.

Part three of the series “Aftercare Should Not Be An Afterthought: Solutions For The Future,” focused on the reliance on funding, continuing encouragement of horsemen to avoid “one final start” before retirement, and understanding that horses that retire healthy stand a far better chance of a second home that does who are not; and improved communication between racetracks and aftercare organizations on limiting the slaughter pipeline.

The winning submission can be viewed here: Part 1Part 2Part 3

Honorable Mention in the News/Enterprise category went to Richard Gross for “Authentic Proves He's Just That,” a race recap of Kentucky Derby which appeared on the Horse Network website on Sept. 6, 2020.

Judges in the New Enterprise category were: Bob Kieckhefer, racing writer for United Press International; Rob Longley, sports columnist, who first covered the Triple Crown in both Canada and the U.S. in 1996 and is currently baseball columnist for the Toronto Sun; and David Papadopoulos, a senior editor at Bloomberg News.

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Prats Keep Now-Retired Crosscheck Carlos All In The Family, Even In Retirement

Stakes winner Crosscheck Carlos may be retired from the racetrack, but I Am Horse Racing points out he's still seeing some familiar faces in his new career. The 7-year-old was piloted by jockey Flavien Prat during his maiden victory in 2016 at Santa Anita, and after his retirement the following year, he was adopted by Prat's wife Manon.

Manon Prat retired from her work as an exercise rider and said that he work with Crosscheck Carlos gives her a way to remain involved with horses beyond watching her husband's career.

Prat and Crosscheck Carlos went to their first jumper show and have a good base to build their new skills together.

Crosscheck Carlos retired the winner of the D.S. Shine Young Futurity and runner-up in the Barretts Juvenile Stakes and Gold Rush Futurity.

See the full video feature, courtesy of TVG:

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Thoroughbred Makeover Diaries Presented By Excel Equine: Riding An OTTB Isn’t So Different From Playing Poker

Buying a recently-retired racehorse to retrain to be a sport horse or pleasure horse is like anteing up to play Texas hold 'em poker. The initial cost to see your hand — the antes and blinds for poker or the cost of horses at the end of their racing careers — is relatively low. The possibilities and dreams when you're first holding those two cards or starting to retrain an OTTB are always high.

“As long as I have a chip and a chair, I'm still alive in this event,” said Jack “Treetop” Straus, who discovered one chip hidden under a napkin to remain in the main event at the 1982 World Series of Poker, eventually won poker's most prestigious tournament, and inspired a motto for all players' dreams.

Like that one chip, an OTTB offers the dreams that one of the most affordable investments in the equine world can lead to future ribbons, special moments, and a potential lifelong bond between horse and human. On the path to achieving those goals, the big financial and emotional investment comes later, like in poker, after seeing your hand's value once more cards are revealed on the flop, turn, and river.

What's the best way to play an OTTB poker hand? Cue the late, great Kenny Rogers in “The Gambler”

You got to know when to hold 'em,

Know when to fold 'em,

Know when to walk away,

Know when to run.

You never count your money

When you're sittin' at the table.

There'll be time enough for countin'

When the dealin's done.

I'm relatively new to riding OTTBs, but they're the only horses I've ridden since I began my journey from broadcasting to riding in 2015. The three horses I've owned have each taught me different lessons about how Rogers' wisdom applies to training retired racehorses—and to life in general. 

You got to know when to hold 'em

“Are you sure this is the right horse for me?” I asked over and over and over again.

In 2018, I bought my first horse, a 5-year-old chestnut Thoroughbred mare who I announced when she raced at Arapahoe Park in Colorado in 2015 and 2016 and when she competed in Show Jumping and Freestyle at the Retired Racehorse Project Thoroughbred Makeover in Kentucky in 2017.

The fact that I gave Grand Moony the show name of Sorority Girl should tell you everything you need to know about what she was like to handle and ride. Or, if you're an equestrian, the fact that she's a chestnut mare already told you that.

My trainer, Ashley Horowitz, picked Grand Moony for me. She was the first to train “Moo” when she came into CANTER's retraining program right after retiring from racing. She competed with the talented and precocious filly at the Makeover. Ashley knows how to scout talent. If you need any proof of that, she married me two years later.

Ashley didn't recommend Moo as my first horse because she'd be easy. Although, I admittedly had what I later realized were unrealistic dreams of winning horse shows right away. That would be like expecting to make the final table at my first poker tournaments.

Ashley recommended Moo as my first horse because she'd make me better. Moo was tough. We had runouts at jumps when I didn't ride confidently. We had bucks when I became unbalanced.

That's why I kept asking Ashley, “Are you sure this is the right horse for me?”

Ashley always patiently said yes and that I just didn't see it yet.

Sorority Girl steals the show at Horowitz's wedding

 

Like inexperienced poker players, I didn't know how to assess the chances of winning with my cards. Ashley knew my first hand would get better as the metaphorical equine community cards were dealt.

Sorority Girl and I have competed together for three years. We're developing a partnership as we move up the levels in eventing, but more importantly, we're developing a special relationship. Sorority Girl even made herself the center of attention at our wedding in July. Winning our first ribbon at a recognized event was even more rewarding when it came at the same event where we suffered our first elimination one year earlier.

Know when to fold 'em

The most promising hold 'em hand can be beaten by a lesser starting hand depending on how the community cards fall and how each player chooses to play their hand.

I was really encouraged by the next equine poker hand I was dealt in OTTB Cubbie Girl North. The 2016 bay filly that I found in a CANTER listing after she retired from an unremarkable four-race career in her home state of Illinois has been the protagonist of this “Thoroughbred Makeover Diaries” series.

But Cubbie has also been an antagonist. The extreme highs and lows have come on top of each other, like when Cubbie busted my chin open and gave me seven stitches three days before we would go on to surpass Ashley's and my expectations by completing our first recognized event.

Cubbie has zero patience for gray areas when she's being ridden, but I'm still learning. I'm not a professional like Ashley and don't have the same tact and skill set for dealing with a horse that wants to become dangerous when things don't go her way. After a disagreement in dressage warm-up for our last event in October, my goal went from success to simply survival. We did survive dressage — with the second-worst score across all levels and all divisions at a show with 195 riders — and even managed to go double clear with no jumping or time faults in cross country and in stadium jumping. But our communication has broken down.

Despite my emotional connection to Cubbie, I'm open to the reality that we may not be a good match.

Ashley and a good friend, Rageena Price, are now riding Cubbie. She's becoming more agreeable, and maybe they can exorcise the darkness that has sent Cubbie into dangerous rages. Or maybe not.

Ultimately, it's important and valuable to realize that reaching our goals with our dream horse may not be in the cards. And, we have to be OK with the part of “The Gambler” that isn't so fun.

I haven't given up on Cubbie, but I'm lucky enough to be married to a trainer who I can literally hand the reins to. The mare still holds a special place in my life, and I hope our stories reconnect and our hand improves when the dealer turns over the next cards.

There'll be time enough for countin'/When the dealin's done.

I'm now at the end of my first year of retraining Cubbie, the first horse I've worked with where I've been the first person to ride her off the track. The roller coaster of our journey has provided valuable learning experiences, and I'm proud of the rider I've become.

That said, I wanted to take a break from working on project horses. Essentially, I wanted to count my money…but the dealin' wasn't done.

“You have to look at this horse,” Ashley said as she showed me a sales video for The Gray Man, a 2017 16.3 hh gray Thoroughbred.

I looked at the video. Impressive movement by a horse with an impressive story I was already familiar with. The Gray Man has the barn name of Uno because he has one eye. He lost the eye after he became tangled with some fencing when he was eight days old.

 

“Sometimes the best opportunities come when you don't expect them,” Ashley said.

Uno came to our farm on Dec. 13 for a test ride. I've never seen a cooler OTTB. Kim Wendel, an upper-level eventer, was selling Uno because she had just imported another horse from Ireland. She said Uno had been ridden six times since retiring in July following a two-race career in his home state of Indiana.

He hadn't been ridden or turned out in a week and a half before he came to our farm. The inactivity, combined with trailering to a new location, combined with being in an indoor arena for the first time in his life, made Uno justifiably nervous. Did I mention he has one eye?

Seeing how he processed his new surroundings looking in both direction with his right eye and seeking human connection for guidance made this a hand not only worth playing but one that I would kick myself if I didn't try to play.

Ashley rode Uno. I rode Uno. Rageena rode Uno. The three of us loved him. It was one ride, but we each experienced gorgeous movement and a brain that is full of curiosity, is eager to learn, and desires to please.

This is my last “Thoroughbred Makeover Diaries” in 2020, and I've truly enjoyed writing this series. Writing each article is like a therapy session where I get to process the lessons I've learned from the Thoroughbreds in my life. From my first article in January to this article in December, I couldn't have predicted what the journey would be. Of course, nothing between January and December 2020 was predictable.

Writing these articles has been personal, and I appreciate the support I've received from the many readers and subjects of these articles that have witnessed my journey. I know there are other paths in the equine world, but as I listened to Kenny Rogers sing about “the ace that [he] could keep,” I realize I've found mine.

I have a chip (well, a horse) and a chair (well, a saddle), and I'm excited for whatever cards are dealt in 2021. Happy Holidays and Happy New Year.

Horowitz will continue his Thoroughbred Makeover Diaries series through the 2021 Makeover event, thanks to ongoing support from our sponsor, Excel Equine Feeds.

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