Pastures New Maintain Old Standards at Mill Ridge

For a farm so steeped in heritage, and so properly respectful of it, there's no mistaking the vitality, the aversion to complacency, animating Mill Ridge with a sixth generation now at the reins.

Back in April the Bell family grieved farm founder Alice Headley Chandler, a revered matriarch not just around their own hearth but among the whole Bluegrass community. But their loss, while poignantly refreshing their gratitude and sense of privilege, could only reinforce an engrained determination that her legacy be honored by all the ambition that had characterised her own, pioneering tenure.

Her son Headley Bell, managing partner since 2008, had already promoted her grandson Price as general manager in August 2020. The previous year, meanwhile, they had welcomed Oscar Performance to revive a stallion station that had gathered dust since Gone West and Diesis gave it such international significance. And now, in a confident invitation to traffic from the impending breeding stock sales, they have just extended capacity with the acquisition–or retrieval, rather–of 288 acres from Calumet.

Retrieval, because this parcel of land was once part of the Beaumont Farm where Mrs. Chandler's father Hal Price Headley raised the likes of Menow and Alcibiades. On his death, in 1962, she inherited just a nook of the farm, around 1/16th of its extent; while this portion was left to her sister. Later on, it was actually leased by Mill Ridge for a few decades until the farm shared in the shocks absorbed by the industry after 2008, and it was sold to Calumet in 2015. Its return to the fold, then, is expressive of a striving for regeneration by the heirs to the breeder of the game-changing Sir Ivor.

“It's the type of land we all covet,” says Price. “Big, open spaces for horses to develop, 40-acre pastures with big slopes and big trees. But this is also about our team, our human capital. Our infrastructure was developed to handle 130, 140 mares. As our numbers declined with the foal crop, we didn't adjust our team. So we have talented people, blessed by incredible horsemanship and experience. To utilize that to the full, we need more volume; and to accommodate that, we needed more land. So that's how we hope to make this thing go. We're lucky to have people who are so passionate about the horse, and about the farm. Now we just need to make sure they have the stock to do what they do so well.”

This kind of calculation is as educated as you could find in our community, Price having returned to Mill Ridge not only bearing the laurels of an MBA from Vanderbilt's Owen School, but having already cut his teeth in the wider business world. Straight out of college–and it's easy to imagine his livewire interview–he was appointed CEO of a $40 million commercial real estate asset in Charlotte, North Carolina.

“That was a very service-minded framework, which I really enjoyed and have carried with me since,” he says. “Charlotte was booming, but after things went well there the company decided to move me to Nashville–at a time when there were then less than 1,000 people living downtown. Still in my mid-20s, I found myself with nearly half a million square feet of 30-year-old office space with a significant leasing problem.”

The point of this recollection, however, is not that the precocious salesman filled the vacant premises–though he duly did. What really told in Nashville was learning the organic connection between the commercial interests he happened to be serving, on the one hand, and improved viability for the city as a whole, on the other. Invited onto the board of a non-profit organisation devoted to downtown development, he embraced their agenda with a zeal that entitles him to a modest share of pride in Nashville's “meteoric” progress since.

That experience was not lost on Price after he accepted his father's offer to return to a world in which he had, naturally, been given a thorough grounding in his youth–initially by joining the Nicoma Bloodstock agency that can count Street Sense (Street Cry {Ire}), Barbaro (Dynaformer), Havre de Grace (Saint Liam) and Bricks and Mortar (Giant's Causeway) among counselled matings. In the 10 years since, Price and his father have been pivotal to the evolution of Horse Country, the open-our-gates tours that have transformed public engagement with Bluegrass farms. And Horse Country, of course, obeyed much the same principles that Price had seen validated in Nashville: namely, that businesses will always thrive if embracing and enhancing their social and cultural setting.

A few days ago, Mill Ridge hosted a six-term congressman from Georgia on a Horse Country tour. He was entranced, stuck around for a coffee, chatted. At one point he looked Price in the eye. “Don't you ever sell this place,” he said. The next day Price found himself driving another septuagenarian visitor round the farm: a woman from upstate Ohio who had been drawn to the sport by Zenyatta–not a fanbase, it must be granted, always received with patience by busy professionals.

“This woman had become our biggest 'virtual tour' fan,” Price explains, referring to the enterprising solution adopted when lockdown broadsided Horse Country. “As we drove around she kept stopping me to take in the view, kept saying, 'I just can't believe where I am right now…' It made me feel as close to John Lennon as I'm ever likely to feel! So here we had a woman who's been around the sun 75 times, speechless, within 24 hours of our visitor from Georgia. Two such different people, both entering our orbit for a very brief time–and it was interesting to me that not only did we have that impact on both of them, but they each had an impact on us, too.

“Because it's that kind of experience that reminds us how special this all is, how very lucky we are to do what we do–and the responsibility we all have, to share the horse, to share the land, to share Lexington. At the end of the day, this business is about humans and horses. And that is not something we can assign to associations, to NTRA or TOBA or the Jockey Club. It's the responsibility of all of us, as individuals.”

Happily, Price feels that horse evangelism is a little easier now than has previously been the case. Behind Mill Ridge's roll of the dice, in expanding capacity, is a conviction that the whole sport has a new spring in its step: that people are eager to go out and enjoy life, to put the economic and social trauma of the pandemic behind them.

“I feel there's a lot of good momentum,” he says. “In taking on this risk, this big investment, we feel there are great opportunities going forward for the industry, and for Mill Ridge as well. Finally it feels like we're rowing together a little more than we have been. We see great hope for our sport, for our community, and we're investing in ourselves and welcoming new clients. I guess it feels like the first time, really since the '08 crash, that everything is really growing again.

“Back then we all felt like we were battening hatches down, constantly baling out water: the foal crop adjustment, PETA, Santa Anita, aftercare. With no fan engagement, that could have knocked us out. Quite frankly, if we'd continued being complacent in our racetracks, our horses, our fans, we'd be shrivelling and wilting away. We still have some big issues, obviously. But the key tenets of what we do, and how we share those, have been restructured. And I'd say the foundation is now stronger than it has been in my lifetime. We're excited by that.”

Horse Country had an incidental benefit, too. With such a delicate margin between family and professional life, Price and Headley treated the enterprise as a useful “test drive” for how they might work together in their own business.

“In working so closely on a passion project, on something that wasn't our core business, Dad and I could develop a confidence in each other that has ultimately allowed this transition to take place,” Price says. “We saw that we could work as team-mates, as opposed to me coming in and saying, 'This is how you should be doing everything,' or him looking at me saying, 'You haven't proven you can do anything.' Mill Ridge is here today, and successful, because of my dad and my grandmother, because of my uncles, and because of our clients. And Mill Ridge tomorrow will be successful for the same reason.”

At this point Headley joins the call. A man of such courtesy and dignity was never going to cling resentfully to the authority of a parent, and he discusses the situation with candour and quiet pride.

“We're fortunate that in Price, and the team he's building, we have a lot of talent,” he says. “He happens to be our son, but he's always been visionary, always been willing to take a position and back it up, always been a team player. When he was president of his class in high school, that wasn't because he was some super jock. It was because he was inclusive of others, and elevated those around him. And he brings in people with similar strengths. So not only is Mill Ridge better off, but the industry will be, too.”

Headley likes the way the transition evolved almost of its own volition. There was no turning point, no formal deadline. It gradually became clear, during lockdown, that the time was right; but that realization had been reached by lifelong increments. They fortified the arrangements by involving Price's mother, sister and wife; and there was so much counsel and support at hand: from “Doc” Chandler, from Headley's brothers, from Duncan Macdonald who worked here for 38 years.

“Remember, there had never been any pressure for me to go on with this, and nor was there any pressure on Price,” Headley says. “It did not have to go on. What I've done with Nicoma for 45 years has been very fulfilling. Mill Ridge, I'd long been part of the team parallel to Nicoma but stepped in only in '07, when Mom was 82.

“And out of that evolution, when Gatewood [Bell, nephew] was going out on his own, I approached Price and said: 'If you're interested, here's where we're are.' And do you know what he said? 'Let me get back to you, Dad.' He's going to get back to me! But about three months later, he did come back. And he said: 'Three things, Dad. Number one: I would never want to do anything to jeopardize our relationship.' So that was, like, wow. 'Number two: I'm bringing what I believe to be my future wife into this environment. Is that fair to her? And number three: am I qualified to do it?'”

But just to ask those questions, in effect, was to answer them. It's not just the equine graduates of this regime that you can judge by the results.

“I've been very fortunate through my time, to be successful enough to have the liquidity to navigate the water,” reflected Headley. “That's positioned us to build for the next generation, without, say, needing someone to come in and partner. There's nothing more enriching than being able to include your children in whatever you're doing, especially something like this. And that's something we feel every day, with these Horse Country tours. People say, first off: 'Thank you very much for sharing.' But then also: 'Wow, do you know how lucky you are to do what you do?!' So all we ever have to do is step out the door and look. We don't take anything for granted.”

That can seldom have been so true as when the family shared its memories of Headley's mother this spring.

“Really, she stays alive through this effort,” remarks Headley. “I say that to people often. We feel her presence here, in our efforts. Dr. Chandler has always been such a great team-mate. It's been difficult for him, of course, but he really embraces Price and his energy.”

Price, for his part, will always view his grandmother as a model of how to be a good citizen of the Turf. “Reflecting on her life, I think the great inspiration is that she didn't ever back down from any challenge,” he says. “Not just at the farm, but in the industry too. KTA, KTOB, Gluck Center, dozens of causes. She was a very thoughtful person and passionate too: when she had a conviction, she worked tirelessly with many like-minded people to make things better.”

And, with that inherited sense of the bigger picture, Price is adamant that connecting fans with the horse is not just good public relations, but good business.

“Our personal experience is that the magic we really need to push comes from bringing people to the farm, bringing them to the races, introducing people to horses,” he says. “That's not to diminish everything else that's being done: the TAA, the improved screenings and accountability at the racetrack. But that's where we felt we could contribute: connecting people to horses. There's great curiosity out there as to how you breed a horse, raise a horse, choose a horse to get to the finish line first. That's the elixir we have, and I guess sharing that with more people has always inspired me.”

Of course, you can only engage people with horses if you know how to engage with people. And that's what really augurs so well for the new era at Mill Ridge–though that MBA presumably won't do any harm, either.

“In the end I guess I'm curious by nature,” Price says. “Maybe that additional schooling gave me the confidence to be inquisitive, and to learn from the type of people who are now our customers. But more importantly it also gave me even greater confidence that what we have is very special; and that we're very lucky. It's just that sometimes we don't recognize that, or don't package it quite right.”

Its pastures new contain an apt analogy for what is happening at Mill Ridge. Because if the horse-lore handed down between generations represents deep soil, dense roots, then you don't just leave turf to grow rank or parched. It's by keeping active, by mowing or grazing, that you foster its healthy renewal.

“While we're in transition, the industry is also in transition,” notes Headley. “You see it on the racetrack, you see it in these partnerships, you see it with NYRA. There's an evolution. All you had to do is look at Keeneland recently, when Gatewood filled up the winner's circle with family and friends, maybe 60 strong–and probably 30 of them under the age of eight! It's certainly not just Price, there's a lot of talent in his generation. So this feels very natural, fitting well with what's happening in the industry as a whole. This is a really exciting time.”

The post Pastures New Maintain Old Standards at Mill Ridge appeared first on TDN | Thoroughbred Daily News | Horse Racing News, Results and Video | Thoroughbred Breeding and Auctions.

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Oscar Performance Yearlings Exhibit Sire’s Best Qualities

With the Keeneland September Sale fast approaching, Gray Lyster of Ashview Farm is looking forward to showcasing his colt by Oscar Performance (Kitten's Joy-Devine Actress, by Theatrical {Ire}). Bred by Colts Neck Stables, the bay catalogued as Hip 892 is a half-brother to the talented MGSW Venetian Harbor (Munnings). The sibling duo is out of the stakes-placed mare Sounds of the City (Street Cry {Ire}), who hails from the family of champion sprinter Safely Kept (Horatius).

“He's actually the fifth generation of the family that we've raised here at Ashview,” Lyster said. “He's a really nice medium size and an unbelievable mover. You can see the Oscar Performance in him, but you can also see the mare and the half-sister Venetian Harbor. They all kind of come together. He looks really racey and his walk is smooth and powerful at the same time.”

But Lyster continued in saying that the yearling's best characteristic is his eye-catching balance, a factor Lyster puts heavy weight upon when determining a yearling's probability of future success.

“His whole body moves together and he's fluid,” he explained. “Everything matches. His hip matches his shoulder, which matches his neck. It's all tied in well together. For me, balance is the most important thing. I think that's what you see in the paddock of these big races. You see all different shapes and sizes, but you always see a balance of the whole horse tied together in front of you.”

Champion Oscar Performance is represented by his first crop at this year's yearling sales. When Price Bell of Mill Ridge Farm was asked to explain some of the qualities he has noticed in the multi-millionaire's first few crops, their consistent balance was the first factor he noted.

“The yearlings and foals that we have on the farm have all had great balance,” he said. “They're nice movers and they really get their hind leg under them well. The way their neck ties into their shoulders, they look like really good racehorses. Time will tell until they get into the gate, but at this stage they certainly exhibit the qualities that we really hoped for.”

Oscar Performance colt out of Sounds of the City will sell as Hip 892 with the Ashview Farm consignment. | Katie Ritz

Bred and owned by Mr. and Mrs. Jerry Amerman, Oscar Performance was foaled and raised at Mill Ridge Farm. Bell said the son of Kitten's Joy was  well-regarded physically as a youngster and that those traits came to fruition when Oscar Performance went on to prove himself on the racetrack.

“Physically, he's a very imposing horse, especially for a turf horse,” he said. “Oftentimes we don't think of [turf horses] to be very physical, but to stand into him, he's over 16.1 hands. Because he's so well proportioned, you have to really stand into him to see just how big he is. He has a very straight hind leg, which I think helped him accelerate quickly and I think that's a little atypical of some turf horses.”

Campaigned by Amerman Racing, Oscar Performance broke his maiden at second asking as a juvenile. That 10 1/4-length win at Saratoga gave him the 'TDN Rising Star' nod. From there, the Brian Lynch trainee took the GIII Pilgrim S. by six lengths followed by a winning, front-running effort in the 2016 GI Breeders' Cup Juvenile Turf.

“His win in the Breeders' Cup was really something to marvel,” Bell said. “He broke from the 13 hole, beat everyone to the turn, dictated a quick pace and then accelerated down the stretch to really put a good group of horses away. In fact, Channel Maker (English Channel) was in that field and could now be one of the best turf horses in the division today.”

At three, Oscar Performance reeled off consecutive victories in the GIII Pennine Ridge S., GI Belmont Derby Invitational S. and GI Secretariat S. while also placing in the GI Joe Hirsch Turf Classic S. The following year, he shortened back to a mile in the GIII Poker S. and broke a 20-year-old track record to win by 1 ½ lengths in a final time of 1:31.23. He made it to the winner's circle again at four in the GI Ricoh Woodbine Mile S. and retired later that year with earnings of over $2.3 million.

“Oscar Performance was a brilliant racehorse–arguably Kitten's Joy's most brilliant racehorse,” Bell said. “He happened to also be running when Roaring Lion was running and I think the two of them would compete for that title. He competed in all of his races without Lasix or race-day medication and as the standards of racing adjust to medication-free on race day, it will be interesting to see if that has an effect on his offspring.”

Oscar Performance began his career at stud in 2019 with a $20,000 initial fee. He held the same fee the following year and bred 234 mares in his first two seasons.

Bell said the Mill Ridge team did not shy away from the fact that Oscar Performance was a top performer on the grass when promoting their new stallion to breeders, noting that he believes the buying market is finally beginning to seek out turf runners.

“I think the investment that America is making in turf racing attracts buyers to him,” Bell explained. “You no longer have to make excuses for turf horses. If nearly 50% of races are run on turf and the current turf stallions in America are aging, Oscar Performance is a great opportunity to take advantage of the shift into turf racing.”

With eight youngsters sold from 12 offered at last year's weanling sales, Oscar Performance's first crop  averaged $52,000 and placed their sire among the top 10 first-crop weanlings sires by average. His top lot, a closely-related half-sister to MGSW Kitten's Point (Kitten's Joy), brought $140,000 at the Keeneland November Sale.

Hip 801, a filly out of Maya Princess, sells with the Mill Ridge consignment at the Keeneland September Sale. | Katie Ritz

This summer, Mill Ridge consigned a filly at the Fasig-Tipton Saratoga Sale that sold for $180,000 to agent Bo Bromagen. The yearling is out of the Street Sense mare Wild Silk, who hails from the family of GISW Joking (Distorted Humor) and MGSW Fed Biz (Giant's Causeway), as well as blue hen mare Yarn (Mr. Prospector).

“She was an outstanding physical,” Bell noted. “She wasn't the biggest filly, but she had such a presence and such an athletic move to her that she really picked up momentum the longer people had to look at her.”

Oscar Performance will be represented by 33 yearlings at the upcoming Keeneland September Sale. Bell said he is especially looking forward to presenting Hip 801, a filly bred on the same cross as their aforementioned star Saratoga yearling. This September-bound youngster is a daughter of Maya Princess (Street Sense), who has already produced the stakes-placed filly Mariah's Princess (Ghostzapper).

“This filly has always had a nice presence about her,” Bell explained. “Physically, she's very smooth and she's a really flashy kind of filly. She's correct and moves with an athletic, cat-like walk. She's light on her feet and she's always willing to do something new. If she's getting on a van or going into a new barn, she is willing to just drop her head and take it in.”

Bell continued in saying that many of the Oscar Performance yearlings at their farm have that same easygoing temperament.

“They all have really great presence of mind and they're confident horses,” he said. “They kind of take a deep breath, take it all in and then go to the task at hand. They have a very nice, laid-back temperament that oozes confidence and class.”

Bell said he has high hopes for Oscar Performance and his yearlings heading into the Keeneland September Sale and is confident that the strong support from breeders in the early days of the Mill Ridge stallion's career will lead to his offspring's success in the auction ring.

“It's an outstanding group [going to Keeneland September] representing a lot of top breeders,” he said. “Two of the last three Eclipse award-winning breeders are shareholders in Oscar Performance in George Strawbridge and John and Tanya Gunther. It's a diverse group of breeders and they've been raised at great farms, so they should be given every chance.”

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Miss Chapin Delivers Oscar Performance Colt At Mill Ridge Farm As Part Of National Museum Of Racing’s Foal Patrol Season 4

Miss Chapin, a 20-year-old mare owned by Mrs. Jerry Amerman, delivered a colt by stallion Oscar Performance at 2:23 a.m. on Feb. 26 at Mill Ridge Farm as part of the National Museum of Racing and Hall of Fame's Foal Patrol Season 4.

This is the first foal of the season delivered on Foal Patrol. Both the mare and foal are healthy and doing well.

Miss Chapin, a daughter of Royal Academy, delivered her Oscar Performance colt eight days after her expected foaling date of Feb. 18. There are four mares participating in Foal Patrol Season 4, as well as the stallion Tapit at Gainesway Farm. The next mare scheduled to deliver is Miss Always Ready at Three Chimneys Farm in Versailles, Ky. Both Janae (Safari North, Versailles, Ky.) and To the Moon Alice (Old Tavern Farm, Saratoga Springs, N.Y.) are scheduled to deliver in April.

Foal Patrol is a one-of-a-kind interactive web project. Season 4 features a collection of live cameras where people can view real-time streams of several mares and their foals and the stallion Tapit. The live camera feeds will be available according to each horse's daily schedule, set by the farm. For more information, please visit www.foalpatrol.com.

The post Miss Chapin Delivers Oscar Performance Colt At Mill Ridge Farm As Part Of National Museum Of Racing’s Foal Patrol Season 4 appeared first on Horse Racing News | Paulick Report.

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Kentucky Sires for 2021, First Yearlings: Part II

Thursday, Chris McGrath covered the first half of the Kentucky stallions with first yearlings. Click here to read about Justify, City of Light, West Coast, Mendelssohn, Good Magic, Bolt d’Oro, and Always Dreaming. The second part appears below.

ACCELERATE (Lookin At Lucky–Issues, by Awesome Again) has also been trimmed to $17,500, at Lane’s End, having already been our “gold” value pick of the intake at an opening $20,000. Whatever made him attractive then has scarcely diminished in the meantime, given that he was never going to appeal to those fast-buck cynics who breed for the ring rather than the track. As it was, he actually made an auspicious start with his weanlings: the 13 sold (of 21) averaged $68,307, better than a couple already examined at higher fees and duly a more fertile yield.

A fee that so generously acknowledged the possibility of commercial wariness–this, after all, was a horse that only reached his true prime at five–certainly paid dividends in books of 167 and 137 to get Accelerate started. These breeders will get a ton of horse for the money: his Breeders’ Cup Classic success was his fifth at Grade I level in a year when his solitary reverse was by a neck to the brilliant City of Light over nine furlongs. His GI Pacific Classic romp, by a record 12 1/2 lengths, was underwritten by a 115 Beyer and it took an unbeaten Triple Crown winner to deny him Horse of the Year.

There’s an old-school grandeur to his page: his first two dams are granddaughters of Deputy Minister and Damascus; the second is also a half-sister to a GI Jockey Club Gold Cup winner; and he’s inbred to a Broodmare of the Year in fifth dam Smartaire, whose son Smarten is damsire of Lookin At Lucky’s father Smart Strike. But remember also that his stakes-placed mother has produced a Grade I-placed juvenile, and that even as a son of such a scandalously underrated sire he realized $380,000 from a terrific judge as a yearling. So there may be rather more commercial traction than some might anticipate, besides all those priceless assets of soundness, constitution and progression that any sane breeder should wish to impart to a family.

Collected | Sarah Andrew

Another GI Pacific Classic winner, COLLECTED (City Zip–Helena Bay {GB}, by Johannesburg), has proved very popular at Airdrie, duly holding a $17,500 fee after covering 156 and 155 mares in his first two seasons. Around half his weanlings into the ring were retained for another go–nine sold of 21 at an average $58,777–and it’s true that Collected himself thrived with maturity, splitting Gun Runner (Candy Ride {Arg}) and West Coast in the GI Breeders’ Cup Classic at four after shocking Arrogate (Unbridled’s Song) at Del Mar in high summer. That season he accumulated triple-digit Beyers in all six starts, a rare accomplishment indeed. But don’t forget that Collected was also a debut winner and graded stakes-placed at two.

The legacy of City Zip has come to seem ever more precious, and Collected has a cosmopolitan and classy pedigree held together by fifth dam Runaway Bride, whose son Blushing Groom (Fr) is responsible for the dam of Collected’s grandsire Carson City. European shoppers of sufficient imagination (admittedly a rather pathetic minority, nowadays) should definitely be interested in a dirt performer who carried dirt speed so well when his first four dams are by Johannesburg, Danehill, Lyphard and Alleged; his mother, meanwhile, is half-sister to a couple of group performers in Japan.

Collected was one of those who lost momentum when kept in training for an extra season but certainly looked value compared with those who finished either side of him at the Breeders’ Cup, who started at $70,000 and $35,000, respectively. Sure enough, he’s the one who has managed to hold his fee and, from such an exemplary farm, he will surely get the track performers to show why.

Oscar Performance | Sarah Andrew

It’s been great to see a stallion back at Mill Ridge, where they are also doing a fine job in the promotion of OSCAR PERFORMANCE (Kitten’s Joy–Devine Actress, by Theatrical {Ire}). We all know how breeders talk the talk about the imperatives of the expanding turf program, without always walking the walk. But Oscar has welcomed strong three-figure books in both seasons to date, and the seven sold of 10 weanlings into the ring put him just where he needed to be at $57,285.

A clip from $20,000 to $15,000 should keep him right in the game, and there’s no doubting his eligibility to catch a rising tide with the proliferation of grass and synthetic opportunities; not to mention the industry’s increasing vigilance over medication. Racing without Lasix, Oscar Performance won Grade Is at two, three and four, and blew the dust off a 20-year-old record for a mile at Belmont at 1:31.23.

Really it’s some package: the constitution to bank $2.3 million through three seasons, having won a Saratoga maiden by over 10 lengths on his way to winning at the Breeders’ Cup at two; and a pedigree saturated with Classic influences on both sides of the ocean. Being out of a Theatrical mare, Oscar Performance entwines the twin lines of Northern Dancer instituted by Special and her daughter Fairy Bridge, respectively via Nureyev and Sadler’s Wells.

Good Samaritan | Sarah Andrew

It was constantly bumping into Oscar Performance that helped to drive GOOD SAMARITAN (Harlan’s Holiday–Pull Dancer, by Pulpit) into what turned into a fertile experiment on dirt instead, starting with success in the GII Jim Dandy S. and only beaten a half in the GI Clark H. Launched at $12,500 by WinStar, he mustered as many as 162 mares in his first book and another 104 last spring. Having processed 15 of 18 weanlings into the ring at $30,100, he gets a bit of help with his fee, down to $7,500.

If a grade below his old rival Oscar, he also maintained his form through three seasons and he’s a nice looker with aristocratic antecedents: his branch of the La Troienne dynasty, stretching through fourth dam La Affirmed (Affirmed), has already produced productive stallions in Sky Mesa and Bernstein.

Down to $10,000 from an opening $12,500, TAPWRIT (Tapit–Appealing Zophie, by Successful Appeal) is a lovely creature who earned a place alongside his sire at Gainesway with a GI Belmont S. success and a stakes record in the GII Tampa Bay Derby. His second book dropped from 154 to 95, but he made a most respectable start at the sales, selling 14 of 18 at $46,214. He should certainly breed a pretty horse, as a $1.2 million Saratoga yearling himself; and he’s entitled to be quicker out of the blocks than might be expected, his dam being a Grade I winner at two. (Incidentally, she has also produced a Grade II winner on turf.)

Mo Town | Sarah Andrew

MO TOWN (Uncle Mo–Grazie Mille, by Bernardini) has taken a second consecutive cut at Ashford, now $7,500 having opened at $12,500, after covering 144 and 108 mares in his first two books and moving on a dozen of 18 weanlings at $36,750.

Actually I like this horse quite a bit and hope he is given time. He was one of those who had somewhat faded from view by the time he arrived at stud, having been confined to a single unproductive start when kept in training at four. But he had shown versatility and class in winning the GII Remsen as a juvenile and then switching onto ‘the weeds’ to win the GI Hollywood Derby.

Obviously Uncle Mo is on a roll as a sire of sires, looking at the freshman championship; and likewise Mo Town’s damsire, as a broodmare sire; plus I love Carson City, Danzig and Sir Ivor seeding the next three generations. The acquisition of the Grade I-placed granddam was another insight into the thoughtful strategies of the Gunthers, as her great-grandsire Raise a Native was full-brother to her third dam.

Mo Town resembles his soaring sire rather more closely in appearance than in fee, and flexibility in terms of surfaces is nowadays supposed to be at an increasing premium. If he appears to be cooling off a little, commercially, then remember that these remain very early days indeed. If anything, this could prove an opportune moment to get ahead of the curve.

Army Mule | Sarah Andrew

Another who slips to $7,500 despite having looked pretty fair value at $10,000 is ARMY MULE (Friesan Fire–Crafty Toast, by Crafty Prospector) at Hill ‘n’ Dale. That’s not hard to explain when you consider that his opening book of 140 slumped to just 47 this time round, but he actually made an excellent start in the ring: the 12 weanlings sold of 14 offered achieved an average of $49,083. That’s a yield matched only by City of Light in the whole intake.

If Army Mule was one of those that are just “too fast to last,” there’s no doubt that he had freakish ability. Though confined to just three starts, he won them by an aggregate 22 lengths in some smouldering times: romping in the GI Carter H. on his stakes debut, for instance, in 1:20.94. He had already flashed his physical charisma and speed when making $825,000 as a Fasig-Tipton Midlantic 2-year-old, and would hardly be the first influential stallion to have advertised his prowess in a window as narrow as four minutes’ racing in anger.

It’s sometimes hard to explain where talent like this comes from. But his first three dams respectively won at stakes, Grade III and Grade II level; and, if the sire may not be as respected in Kentucky as in Maryland, he is a wonderful conduit of Secretariat’s distaff influence. If I were a pinhooker for the 2-year-old sales, I would have this guy pretty near the top of my list among this lot.

Cloud Computing | Sarah Andrew

The same farm’s gamble on another brief candle, of course, produced an immediate Classic winner in CLOUD COMPUTING (Maclean’s Music–Quick Temper, by A.P. Indy). He started out at Spendthrift off $7,500, herding 171 and 122 mares before sending a dozen weanlings into the ring, 10 selling at $29,550.

Cloud Computing’s form soon tapered off after he won the GI Preakness S. barely three months after his debut. Nonetheless, it speaks to his physique that Mike Ryan gave $200,000 for a Maclean’s Music colt way down the September catalog as Hip 1831, and the pedigree is seeded throughout by wonderful old-school influences. (With the uncommon exception of Waquoit, a 15-length Jockey Club Gold Cup winner whose best daughter, the hard-knocking Grade I winner Halo America, is Cloud Computing’s second dam.) Overall there’s a lot of good blood here for a fee down to $5,000.

Of the rest, a toe in the water at the weanling sales generally proved a chilling experience, but that’s pretty standard at this end of the market and wouldn’t remotely disqualify any of them from earning a way back into fashion.

Ransom the Moon | Sarah Andrew

RANSOM THE MOON (Malibu Moon–Count to Three, by Red Ransom) retains a fee of $7,500 at Calumet despite his three-figure debut book dwindling to 44 mares this time round. Beating Roy H (More Than Ready) in consecutive runnings of the GI Bing Crosby S., however, is no mean distinction and one underpinned by the soundness to race five seasons. His historic farm has a somewhat quirky roster nowadays, with its stallions seldom undervalued. But there are still one or two nuggets we’ll be highlighting later in this series.

While SHARP AZTECA (Freud–So Sharp, by Saint Liam) is down to $6,500 from an opening $10,000 at Three Chimneys, he has numbers behind him after mustering 101 mares to follow a monster opening book of 195.

And he remains a very legitimate prospect, his splendid track career–earnings of $2.4 million, on the board in 14 of 17 starts, crowned with a five-length romp in the GI Cigar Mile (115 Beyer)–being rooted in a really interesting page, pairing up siblings Saint Ballado and Glorious Song 3×4. He’s another whose pedigree has been nurtured through several generations only with the best stallions and, with a bottom line tracing to champion and matriarch Kamar (Key to the Mint), he is perfectly entitled to pull a champion out of his hat. Definitely, definitely worth a roll of the dice at this money.

The horse who beat Sharp Azteca in the GI Met Mile, clocking a knockout 117 Beyer, was consolidating the Grade I status he had established at two in the Los Alamitos Futurity. MOR SPIRIT (Eskendereya–Im a Dixie Girl, by Dixie Union) duly vindicated a $650,000 2-year-old tag and his graded stakes-placed dam is out of a half-sister to the dam of Stellar Wind (Curlin). Any reservations about his sire should have been cleared up by Mitole’s success in the same stallion-making race last year, and Spendthrift dependably assembled 176 and then 136 mares in his first two seasons. He has plenty of ballast, then, for one taking consecutive fee cuts, now down to $5,000 from an opening $10,000.

Another Met Mile winner, BEE JERSEY (Jersey Town–Bees, by Rahy), was always good value at $5,000 and advanced his second book at Darby Dan from 61 to 73. None has sampled the ring as yet, but he’s a fine-looking horse with a fantastic pedigree (fourth dam Lassie Dear, no less), so long as you are prepared to take a chance on his own sire. In fairness to that hard-knocking son of Speightstown, this was some advertisement from his first crop–he ran a 109 Beyer in wiring the Met–and I wouldn’t be at all surprised to see the unorthodoxy and imagination of Charles Fipke pay off by breeding another good one from Bee Jersey.

Nor, equally, if he does the same with TALE OF VERVE (Tale of Ekati–Verve, by Unbridled), whose marginal track qualifications are reflected in a fee of just $2,000 at the same farm, but whose family is also aristocratic: dam a half-sister to Grade I winner/multiple Grade I producer Zoftig (Cozzene) from the clan of Swale (Seattle Slew) and Forty Niner (Mr. Prospector).

Funtastic | Sarah Andrew

FREE DROP BILLY (Union Rags–Trensa, by Giant’s Causeway) has been sensibly reduced to $5,000 from an opening $10,000 after assembling pretty conservative books (82 and 91) by Spendthrift standards. He’s a juvenile Grade I winner out of a terrific mare, also responsible for Group 1 winner Hawkbill (Kitten’s Joy); and the next dam is a Grade I winner out of a half-sister to that very wholesome influence Cozzene.

MCCRAKEN (Ghostzapper–Ivory Empress, by Seeking the Gold) was another smart juvenile, his GII Kentucky Jockey Club S. qualifying him as the most precocious son of his sire, and he’s out of a graded stakes-placed half-sister to a Grade I winner. Though only denied his Grade I in the final stride of the Haskell, speed was his true forte–virtually invincible, in fact, up to a mile and sixteenth–and he confirmed his powers of acceleration when breaking the track record in the GIII Tampa Bay Derby. McCraken struggled for numbers last spring, but he has the graduates of a three-figure debut book going out to bat for him; and a clip to $6,000 at Airdrie (opened at $10,000) should also help.

 FUNTASTIC (More Than Ready–Quiet Dance, by Quiet American) had a very small first book but moved up to 51 mares at Three Chimneys last year, having dropped to $5,000 from $7,500. His shock Grade I success in the United Nations H. serves principally to showcase some authentically priceless genes as a half-brother to Saint Liam (Saint Ballado) and the dam of Gun Runner.

CHRIS McGRATH’S VALUE PODIUM
Gold: Accelerate ($17,500, Lane’s End)
   You want runners? You know he’ll get them…
Silver: Mo Town ($7,500, Ashford)
   Keep the faith, every right to add sire’s ‘Mo’-mentum
Bronze: Army Mule ($7,500, Hill ‘n’ Dale)
   Weanlings sold well and even better target for 2-y-o pinhookers

The post Kentucky Sires for 2021, First Yearlings: Part II appeared first on TDN | Thoroughbred Daily News | Horse Racing News, Results and Video | Thoroughbred Breeding and Auctions.

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