This Side Up: Past Specters, Present Ghosts

How poignant that, in this of all weeks, the two most breathtaking winners on Belmont day should both have prompted comparisons with Ghostzapper, whose GI Breeders' Cup Classic at Lone Star Park in 2004 was surely the greatest Thoroughbred performance ever on Texan soil. Because while the whole racing world came to Dallas that day, it appears that there will be no reciprocal embrace when it comes to the standards sought—not just federally, but internationally—to give American horseracing credibility in the contest for public engagement in the 21st Century.

It's precisely because some individual states, obdurately or cynically indifferent to the bigger picture, can prove so undeserving of their precious autonomy that we need to find a better way. As it is, one that has produced many great horsemen and women, not to mention a Triple Crown winner in Assault, is now menaced by strangulation as regulation. It feels like the political equivalent of some reckless sadomasochistic excess that turns into a tragic accident.

Anyway, to more cheerful subjects. Or maybe not, because while it's gratifying that the original, at 22, is still recycling his genetic prowess at Hill 'N Dale, the idea that we might have not one new Ghostzapper, but two, feels too far-fetched a coincidence given how rarely we are favored by so freakish a talent.

It's pretty clear what both Flightline (Tapit) and Jack Christopher (Munnings) have to do, if they are to sustain comparisons so far stimulated by the sheer exhilaration with which they've been dominating all comers. And that's eventually to stretch out the way Ghostzapper did, that day at Lone Star.

As things stand, there does at least appear to be a tantalizing possibility that they could end up doing so together, and in the same race as their great template. Until they do, however, it feels a little premature for that contentious adjective, “great”, to have been applied as liberally as it already has to Flightline, in particular.

There's no denying his extraordinary natural ability, and it's exciting that he's bred to be at least as good round a second turn. Thankfully we may be able to test that hope pretty soon, or as soon as will be allowed by a career schedule that promises to make him a poster boy for the notorious diffidence of modern horsemen, compared with their predecessors. You would think that a son of Tapit, with a second dam by Dynaformer, might be equal to more old-fashioned campaigning, but at least those influences will be squarely behind him once his stamina is examined.

From a European perspective, the rise of Flightline attests to a different way of measuring things over here. After clocking those monster Beyers in maiden and optional allowance sprints, no American horseplayer was surprised to see him separate himself from Grade I rivals with equal contempt—and he's now averaging 112 through four starts.

In a racing environment less beholden to the stopwatch, however, you might still hear one or two caveats that in the GI Met Mile he beat one horse that really needs 10 furlongs; another that put in a conspicuous backward step; and a pure sprinter. Nor would such a trifling loss of rhythm, in some light early traffic, be taken terribly seriously. On the other hand, nobody could fail to be dazzled that he could do this off a long lay-off, shipping for the first time, and at a new trip.

What should really sharpen European antennae, however, is the other “F”-word in the room. When it comes to greatness, no modern horse on the other side of the water has achieved more consensus than Frankel (GB) (Galileo {Ire}). So much so, that at the time it took some nerve to dare question the conservatism with which he was campaigned, beating up the same guys in the same discipline until his penultimate start, and never leaving his stall for a single night. While there were admittedly tragically extenuating circumstances, the fact is there had never been a time when his late trainer Sir Henry Cecil would have been comfortable about risking his champion's immaculate record in, say, the Breeders' Cup Classic or Arc.

An unbeaten record does tend to become a burden that stays the hand of adventure. Frankel was always being measured against specters of the past, but never went looking for trouble even against his contemporaries. It's wonderful that connections of Flightline are disposed to explore the range of his brilliance. But having relaunched him on the same day that the Kentucky Derby winner bombed out in the third leg of the Triple Crown, after spurning the second, let's hope they remember our collective mission—already mentioned, in a different context—of public engagement.

Flightline is proving one of those paragons that the bloodstock business needs to work out, just every so often, as a seven-figure yearling from a noble maternal line who is going to repay those stakes, big time, as a stallion. But potentially exposing his wares across no more than half a dozen starts wouldn't just short-change breeders of the future, who need evidence that he's a reliable vessel of the kind of toughness latent in his page. It also gives him little chance of reaching the kind of public so much more accessible in the era, for instance, of his 10-for-47 ancestress Lady Pitt (Sword Dancer).

As for Jack Christopher, while we naturally respect Chad Brown's direct experience of Ghostzapper, you would think that Munnings is going to need quite a bit of help from the mare, if he is to get their son home in the Breeders' Cup Classic. Jack Christopher's dam is by Half Ours, hardly a stamina brand, and is also a half-sister to Street Boss, an unusually fast horse for a son of Street Cry (Ire).

Their mother, incidentally, was by Ogygian—and so contributes to the redemption of Damascus, as a distaff influence, after failing to establish a sire-line. Daughters of Damascus himself produced Red Ransom, Boundary and Coronado's Quest, plus the granddam of Maclean's Music. Among his “failed” sons, meanwhile, Bailjumper is damsire of Medaglia d'Oro; Accipiter gave us the second dam of Cairo Prince; and Ogygian, above all, has secured a lasting foothold as damsire of Johannesburg.
Johannesburg's son Scat Daddy, of course, managed to come up with a Triple Crown winner from a mare by none other than Ghostzapper. So we do know that the most brilliant horses can carry their speed farther on dirt than on paper.

Certainly Jack Christopher for now looks the most charismatic member of a crop that remains a long way short of resolving its hierarchy. Actually all it may take is for one barn to establish its own pecking order, and the rest may follow, with Jack Christopher on nodding terms with Zandon (Upstart) and Early Voting (Gun Runner).

Between Early Voting and Mo Donegal (Uncle Mo), the GII Wood Memorial has now furnished two Classic winners. If Mo Donegal could win the GI Travers, too, he would emulate Damascus as one of five horses to have won an “Empire State” Triple Crown of Wood, Belmont and Travers.

Damascus, to be fair, raced 16 times at three. He lost out by half a length in the Gotham in a tooth-and-nail duel with Dr. Fager, and came out six days later to win the Wood by half a dozen lengths. Okay, maybe we have to accept that most horsemen nowadays consider it unreasonable to campaign a modern racehorse the way Frank Whiteley Jr. did Damascus, who won from six furlongs to two miles. But if we cede that point, however reluctantly, then let's hope that some others in our industry can recognize the need for a more obviously wholesome form of modernization.

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Jack Christopher as Impressive as it Gets in Woody Stephens

 

ELMONT, NY – Did the best 3-year-old in the country run on the undercard?

Unbeaten 'TDN Rising Star' Jack Christopher (Munnings) put on an absolute show with a jaw-dropping win against five overmatched rivals in Saturday's GI Woody Stephens S. at Belmont Park.

Away in good order from his rail draw, the flashy, blaze-faced chestnut conceded the early advantage to Provocateur (Into Mischief) and was astutely guided by Jose Ortiz to the outside of that rival. Traveling kindly in second through fractions of :22.61 and :45.38, Ortiz took a peek over his right shoulder and had to be feeling mighty good as the 1-5 favorite cruised up to take over leaving the quarter pole. It was only a question of how much he'd win by from there. And the answer was 10 lengths while stopping the timer for seven furlongs in a very sharp 1:21.18. Pappacap (Gun Runner) was second. The pacesetter held third.

Jack Christopher is campaigned in partnership by Jim Bakke, Gerald Isbister, Coolmore Stud and Peter M. Brant.

“I felt really good as he was coming down the lane,” winning trainer Chad Brown said. “Once Jose [Ortiz] was able to extract himself and get this horse out in the clear, I didn't see any way the horse could lose.”

Jack Christopher once again received some awfully high praise from Brown, who also trains the talented 3-year-old duo of GI Preakness S. winner Early Voting (Gun Runner) and GI Kentucky Derby third Zandon (Upstart).

“This horse is an exceptional talent,” Brown said. “This is my 15th year of training and I've never had a dirt horse with this much pure brilliance. He reminds me a lot of Ghostzapper when I worked for Bobby Frankel. He's a brilliant horse that can probably run any distance.”

Brown added, “Everybody wants to have horses like this–horse of a lifetime–including me.”

A no-brainer 'Rising Star' on debut at the Spa Aug. 28, he concluded his juvenile season with a powerful performance in Belmont's GI Champagne S. Oct. 2. Scratched from the GI Breeders' Cup Juvenile with a stress fracture in his left shin, he returned with a facile win in the GII Pat Day Mile S. at Churchill Downs May 7.

Jack Christopher will receive his first test around two turns going 1 1/8 miles in the GI TVG.com Haskell S. at Monmouth July 23.

“I'm looking to keep him healthy and looking forward to the next one,” Brown said.

Pedigree Notes:

Jack Christopher, a $135,000 FTKOCT yearling, is one of five Grade I winners for Coolmore's Munnings. He is the lone graded winner for broodmare sire Half Ours. The winner's dam is also represented by an unnamed Mo Town 2-year-old filly and a Complexity filly of this year. The former RNA'd for $145,000 at last week's Fasig-Tipton June Digital Sale. Rushin No Blushin, a maiden of eight career starts, was claimed for $50,000 out of her career finale by owner/trainer Neil Pessin at Keeneland in 2013. The half-sister to MGISW and useful sire Street Boss (Street Cry {Ire}) subsequently brought $70,000 from Castleton Lyons, in foal to Congrats, at the 2014 KEENOV sale.

Saturday, Belmont Park
WOODY STEPHENS S. PRESENTED BY MOHEGAN SUN-GI, $392,000, Belmont, 6-11, 3yo, 7f, 1:21.18, ft.
1–JACK CHRISTOPHER, 124, c, 3, by Munnings
1st Dam: Rushin No Blushin, by Half Ours
                2nd Dam: Blushing Ogygian, by Ogygian
                3rd Dam: Fruhlingshochzeit, by Blushing Groom (Fr)
($145,000 RNA Ylg '20 FTKSEL; $135,000 Ylg '20 FTKOCT).
'TDN Rising Star' O-Bakke, Jim, Isbister, Gerald, Coolmore Stud
and Brant, Peter M.; B-Castleton Lyons & Kilboy Estate (KY);
T-Chad C. Brown; J-Jose L. Ortiz. $220,000. Lifetime Record:
4-4-0-0, $841,400. Werk Nick Rating:  Click for the
   eNicks report & 5-cross pedigree.
2–Pappacap, 124, c, 3, Gun Runner–Pappascat, by Scat Daddy.
O/B-Rustlewood Farm, Inc. (FL); T-Mark E. Casse. $80,000.
3–Provocateur, 118, c, 3, Into Mischief–Cayala, by Cherokee
Run. 1ST GRADED BLACK TYPE, 1ST G1 BLACK TYPE.
($600,000 Ylg '20 KEESEP). O-My Racehorse Stable and
Spendthrift Farm LLC; B-Kingswood Farm & David Egan (KY);
T-Todd A. Pletcher. $48,000.
Margins: 10, 1 3/4, 2 1/4. Odds: 0.35, 11.50, 19.20.
Also Ran: Wit, Chasing Time, Morello. Click for the Equibase.com chart, the TJCIS.com PPs or the free Equineline.com catalogue-style pedigree. VIDEO, sponsored by TVG.

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Munnings: A Life of his Own

There is one blatant flaw to the exhibition of works by Sir Alfred Munnings (1878-1959) that has just opened at the National Horseracing Museum in Newmarket—and that is its lamentable brevity, ending as soon as June 12. Barely less obvious, however, is the aptness of its place in the calendar, incorporating as it does a long holiday weekend in celebration not just of a royal jubilee, but of national culture and (across the Derby and a Lord's Test) sporting tradition.

In the words of John Masefield, engraved on the epitaph for Munnings in St. Paul's Cathedral: “Oh friend, how very lovely are the things/The English things, you helped us to perceive.” It is a measure of the span of the monarch's reign that one of the final commissions executed by Munnings, actually not part of this quite marvellous exhibition, was of the young Queen with her finest racehorse, Aureole, before the 1954 Coronation Cup at Epsom—almost a year to the day after her own coronation. And to many admirers, Munnings will forever preserve the quintessence of an England never to be retrieved: pastoral, sporting and very beautiful.

Even in his own day, Munnings was a bulwark of tradition, with a notorious distaste for the artistic experimentation of contemporaries. His own modernity was confined to designation as a “British Impressionist”, and instead he extends a native tradition as our greatest equestrian painter since Stubbs.

So while this may be a busy time of year for Newmarket's professional community, its members must beg, borrow or steal whatever time they can to seize this quietly historic opportunity right on their doorstep. Some of the exhibits in 'A Life of His Own', after all, have never previously been disclosed to public view.

What a living piece of history, for instance, is the depiction of Humorist and Steve Donoghue being led onto the track for the 1921 Derby, loaned from a private collection. In his autobiography Munnings recalled making a study of the horse at Charles Morton's yard, on a sunny Sunday soon after his success, a scheduled run at Royal Ascot having been abandoned after he burst blood vessels in a gallop. Munnings and Morton then shared a couple of bottles of the celebratory champagne sent to Letcombe Bassett by Humorist's owner, Jack Joel, and after lunch the artist succumbed to the shade of a yew on the lawn. The next thing he knew, he was being woken by Morton's “pretty little wife—far younger than he—looking like Ophelia in Hamlet, wringing her hands” and crying out that Humorist was dead.

Then Morton himself appeared, his phlegm undiminished either by the champagne or the death of a Derby winner. He told Munnings to follow him into the yard for “a sight you won't see again as long as you live.” He threw open the door to Humorist's stall, and there he lay in the straw, one eye still open. There was blood everywhere. “Well,” said his trainer quietly. “There lies fifty thousand pounds' worth!”

Yet we today retain the priceless privilege of seeing the horse preserved in his vital glory by one of the great eyes ever to have united artist and horseman. Munnings invited Donoghue to his Chelsea studio to complete his prepared study of Humorist, seating him on a wooden prop in the famous black silks and scarlet cap; and he then made a social document of the background, with newspapers wind-strewn across the turf and a crowd hemmed between rails and tents and bookmakers' signs.

This exhibition, expertly curated by Katherine Field for the Palace House-based British Sporting Art Trust, encompasses some 40 works—not just oils, but also watercolours, drawings and sculpture—spanning 60 years of the artist's career, from recording the East Anglian country life of his youth to presidency of the Royal Academy. They incorporate samples of every stage in between: the Canadian Cavalry at war, the hunting field, landscapes, pageantry.

But Turf aficionados will especially prize the social documentation incidental to all this timeless art—as, for instance, the 1938 twin portrait of breed-shaping stallions Hyperion and Fairway for the 17th Earl of Derby, their grooms completing the serenity and veracity of the scene much after the fashion of Stubbs; or the casually attired, hatless riders following their dapper guv'nor onto the gallops against a summer sky of high cloud.

Munnings did much of this work in a studio converted from the last rubbing house on the Heath, a remote outpost near the end of the Devil's Dyke, working “in perfect silence but for the songs of skylarks.” Here he consented to a final racehorse portrait in 1951, having renounced such commissions after learning from Sun Chariot some years previously, “for the last time, the folly of attempting to paint racehorses.” What a benediction that he took so long to discover that folly, and not just for the town that welcomes him back to its midst for the next few days.

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Jack is Back in Pat Day Mile

In the post-race interview, trainer Chad Brown compared Saturday's impressive GII Pat Day Mile winner Jack Christopher (Munnings) to Hall of Famer Ghostzapper (Awesome Again), who Brown worked with while under the tutelage of Bobby Frankel. Like Jack Christopher, Ghostzapper also missed the Triple Crown series and focused on races around one turn during his 3-year-old season before blossoming into a top handicap horse at four, including a win in the GI Breeders' Cup Classic.

“This horse reminds me a lot of Ghostzapper, I was fortunate to work with that horse, he moves about the same as him and that one had a few rough patches as well,” Brown said. “He has a lot more to do, how far we'll see. It's a wonderful victory, very gratifying, but it's bittersweet that we got him to the first Saturday in May [but not the Derby], which we had been thinking about since he debuted at Saratoga. To get him here on the first Saturday in May, and to get him to the winner's circle, it'll always be in the back of my mind what could have been. It is what it is.”

While those are some big shoes to fill, and whether a 10-furlong Classic is in Jack Christopher's future remains to be seen, but he's certainly off to a good start with three impressive victories from as many starts.

Well hyped heading into his six-panel debut at Saratoga Aug. 28, the flashy chestnut–who is the spitting image of his sire–more than lived up to the buzz with a dazzling 8 3/4-length score, earning 'TDN Rising Star' honors. He followed suit with a decisive score in Belmont's one-mile GI Champagne S. Oct. 2, earning a 102 Beyer Speed Figure. The early favorite for the GI Breeders' Cup Juvenile, the $135,000 FTKOCT buy was scratched by the vets the night before the race. A stress fracture was discovered in his left shin which required a screw and he did not return to Brown until February, making the GI Kentucky Derby basically impossible.

Hammered down to 3-5 favoritism for this return, Jack Christopher brushed with his inside neighbor a bit after the break, but was kept steady by Jose Ortiz and tugged his way up three wide between horses to establish position exiting the chute. He pressed from a joint second as GII Best Pal S. winner Pappacap (Gun Runner) clocked early fractions of :22.70 and :45.61. Sidling up besides the pacesetter on the backstretch run, the Brown pupil seized command at the top of the stretch with Pappcap still to his inside and GIII Swale S. victor My Prankster (Into Mischief) ranging up to challenge on the outside. Neither proved to be any match for Jack Christopher, who was kept to task by Ortiz when he began to drift slightly in the lane and gunned clear in the final sixteenth to win as he pleased. Pappacap held second over My Prankster.

“We asked a lot of him today after a long layoff and an injury,” Brown said. “Coming off of a layoff, you never know, especially running a mile. I had a really good feel, here on Derby Day, I asked a lot of him. I chose this race because I wanted him to run against his own age group, and I didn't want to sprint the horse. I wanted to run him in a race that allowed him to stretch his legs a little bit, get comfortable at some point of the race, protect him, and to move him forward. It certainly worked today.”

The Eclipse winner continued, “Jose did a great job, he got squeezed a little bit at the start, and made the good decision to use him early to move him up and out and in the clear. He really took control of the race at that point. At the end of the day, he's a super talented race horse and if we can keep him on the track, we'll see a lot of great things from him.”

“Cutting back to one mile brought my horse's 'A' game today,” Ortiz said. “I was worried around the three-eighths pole because I thought if there was one horse that could beat me it was Pappacap after he ran so well last time [fourth in the GI Curlin Florida Derby]. So I moved into him and when I got to him at the five-sixteenths, I felt like I had him. I heard Flavien [Prat on Pappacap] asking for more and he wasn't getting anywhere. So I was confident and waited longer so I had plenty horse for the end.”

Pedigree Notes:
Jack Christopher is one of five Grade I winners for Coolmore's Munnings and one of three of his offspring to secure that top-level score in 2021 along with Eda and Kimari. Breeder Castleton Lyons purchased the winner's dam Rushin No Blushin for $70,000 at the 2014 KEENOV sale in foal to Congrats. The half-sister to MGISW sire Street Boss (Street Cry {Ire}) did not have much luck at first. The resulting foal died and her next two foals did not do much running. She was barren in 2018 and then came Jack Christopher. The 13-year-old mare's only foal since is a juvenile filly by Mo Town. Rushing No Blushing failed to get back in foal to Munnings for 2022 and visited Complexity last spring. This is also the family of graded winners Bellera, Life Imitates Art and Beyond Blame.

Saturday, Churchill Downs
PAT DAY MILE S. PRESENTED BY LG&E AND KU-GII, $500,000, Churchill Downs, 5-7, 3yo, 1m, 1:34.81, ft.
1–JACK CHRISTOPHER, 122, c, 3, by Munnings
   1st Dam: Rushin No Blushin, by Half Ours  
   2nd Dam: Blushing Ogygian, by Ogygian
   3rd Dam: Fruhlingshochzeit, by Blushing Groom (Fr)
($145,000 RNA Ylg '20 FTKSEL; $135,000 Ylg '20 FTKOCT). *TDN Rising Star*. O-Jim Bakke, Gerry Isbister, Coolmore Stud and White Birch Farm, Inc.; B-Castleton Lyons & Kilboy Estate (KY); T-Chad C. Brown; J-Jose L. Ortiz. $291,400. Lifetime Record: GISW, 3-3-0-0, $621,400. Werk Nick  Rating: A. Click for the eNicks report & 5-cross pedigree.
2–Pappacap, 122, c, 3, Gun Runner–Pappascat, by Scat Daddy. O/B-Rustlewood Farm, Inc. (FL); T-Mark E. Casse. $94,000.
3–My Prankster, 120, c, 3, Into Mischief–My Wandy's Girl, by Flower Alley. ($600,000 Ylg '20 FTKSEL). O-Lawana L. and Robert E. Low; B-Stonestreet Thoroughbred Holdings LLC (KY); T-Todd A. Pletcher. $47,000.
Margins: 3 3/4, HD, 2. Odds: 0.70, 7.50, 8.20.
Also Ran: O Captain, Trafalgar, Doppelganger, Tejano Twist, Kavod, Major General, Trademark, Ben Diesel. Scratched: Howling Time.
Click for the Equibase.com chart, the TJCIS.com PPs or the free Equineline.com catalogue-style pedigree. VIDEO, sponsored by TVG.

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