Best Goes To $1.95M for GISW Concrete Rose

Larry Best continued his spending spree during the early stages of breeding stock sales season, going to a session-leading $1.95 million to secure 2019 GI Belmont Oaks Invitational S. winner Concrete Rose (Twirling Candy) at Keeneland November Monday. The 4-year-old filly, a daughter of GI Humana Distaff S. runner-up Temple Street (Street Cry {Ire}), was consigned to the sale by Lane’s End as agent for Ashbrook Farm and BBN Racing as hip 216 and took Best’s purchases Monday to four horses for gross receipts of $4.54 million. Best also signed for four horses Sunday night at Fasig-Tipton for $2.45 million. Concrete Rose, trained by Rusty Arnold for the aforementioned partnership, won her first two career starts, including Keeneland’s GII Jessamine S. and suffered her lone defeat to date when eighth in the GI Breeders’ Cup Juvenile Fillies Turf. She ran the table in four starts as a sophomore, winning the GIII Florida Oaks and GIII Edgewood S. ahead of the Belmont Oaks. Concrete Rose, who was offered as a racing/broodmare prospect, was last seen rolling home in the Saratoga Oaks in August 2019.

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City of Light Weanlings Clear The Path At Fasig-Tipton November Sale

The first major commercial test for North America's first-crop weanling sires is the Fasig-Tipton November sale, and City of Light has come out fast from the gate, responsible for two of the evening's top three-priced weanlings.

Larry Best's OXO Equine went to $600,000 to secure Hip 129, a City of Light colt who is the first foal out of the winning Into Mischief mare Breaking Beauty.

Bred in Kentucky by Camas Park Stud, the bay colt's second dam is the German Oaks winner Que Belle, whose runners include Grade/Group 3 winners Osidy and Quetsche. Looking further down the page, one will find European champion Bakharoff, among other international graded and group stakes winners.

Hunter Valley Farm consigned the colt, as agent.

The weanling-to-yearling pinhook contingent showed up at the top of market on Sunday as well, with the Brian Graves-led Blue Sky Stables landing a first-crop City of Light colt for $380,000.

The gray or roan colt, offered as Hip 82, is out of the unplaced Unbridled's Song mare Stormy Rhapsody, whose runners include the stakes-placed Arkaan. He was bred in Kentucky by Fred W. Hertrich III and John D. Fielding, and his extended family includes French Horse of the Year Allez France, Grade 1 winner Al Mamoon, La Gueriere, and Icon Project, as well as Grade 2 winners Master Command and Lasting Approval.

Taylor Made Sales Agency consigned the colt, as agent for Hertrich's Watercress Farm.

City of Light, by Quality Road, stands at Lane's End in Versailles, Ky. He has a busy couple weeks ahead of him at the fall mixed sales, with five weanlings cataloged in the Fasig-Tipton November sale and 15 in the book at Keeneland.

The first weanlings by Triple Crown winner Justify were expected to make an impact during their debut mixed sale season this fall, and those high-level returns have already started to roll in on Sunday at the Fasig-Tipton November Sale, led by a $400,000 filly.

Offered as Hip 30, the filly sold to Breeze Easy, and she is out of the placed Sky Mesa mare Lastofthsummerwine, whose five foals to race includes four winners, all of them black type earners. She is a half-sister to Grade 2 winner Conquest Panthera, Grade 3 winner Happy Like a Fool, stakes winner Hawaiian Noises, and Grade 2-placed Maniacal.

Bred in Kentucky by Magnolia Bloodstock and Lynch Bages LTD, the filly hails from the family of Grade 1 winners Nine Keys, French Colonial and Silver Voice, Grade 2 winner Clef d'Argent.

Four Star Sales consigned the filly, as agent.

Justify, a son of Scat Daddy who stands at Ashford Stud in Versailles, Ky., will also have an busy November sale season ahead of him. He had nine foals cataloged to the Fasig-Tipton November sale to lead all first-crop sires, and he has 16 entered in the Keeneland November Breeding Stock Sale, 11 of which are in the select Book 1.

To view the auction's full results, click here.

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The Art And Science Of Setting Stud Fees

As the November mixed sales approach and mares start getting booked to stallions, practically all of North America's significant stud farms have released their advertised fees for the 2021 breeding season.

Each advertised fee is the end result of a decision-making process that can vary from farm to farm, whether a stallion's fee is being decided for the first time, if it's being raised or lowered, or if it's holding steady from the previous year.

There are few concrete “sliding scale” indicators when it comes to setting or moving a stallion's fee. They certainly help, but a Grade 1 victory on the racetrack or a fashionable pedigree are no guarantee of a sky-high introductory fee. The only hard and fast rule is that supply and demand should guide the ship, or else it might take on water.

For Bill Farish of Lane's End, setting fees means an extended series of feedback, starting with internal meetings, then picking up the phone to hear from outside breeders.

“I try to keep it pretty open in our organization,” he said. “Jill McCully, Levana Capria, Chance Timm, David Ingordo, we all talk about it pretty extensively, and then come up with it. I make the decision, but it's a collaborative effort, because if everyone's not comfortable with it, it's not going to work.

“We try to get a good feeling internally where we all are,” Farish continued. “We talk to a lot of people that breed with us and get a feel for where they are, and to make sure we're not way off with our thinking. You want to touch base with those that are going to be buying seasons. Generally, we're in the same ballpark with them, anyway, but we do have informal polling with them.”

Setting fees for incoming stallions presented a unique challenge for the 2021 breeding season. An increasingly fickle marketplace still responds positively toward first-crop sires at auction, giving them a unique premium in that first book of mares.

However, the bloodstock industry has been rattled by the shrinking foal crop and economic uncertainty inside and outside of the Thoroughbred business. Practically all of Kentucky's stallions except for the ones on meteoric rises saw decreased fees for the upcoming season. Most stallions will never stand for a fee as high as they do in their first season, but in a year where the purse strings stand to be especially tight, setting that price too high might turn breeders off.

With four first-season stallions expected to enter to the breeding shed in 2021, WinStar Farm has had to walk that tightrope on a large scale.

“You look at their race record and pedigree,” WinStar Farm's Elliott Walden said. “It's a bit of an art, it's not a science to get it right. There's quite a bit of comparative analysis with horses that have had a similar body of work that have gone to stud in the past, or this year.”

The intention behind a stallion's direction can also factor in the decision on an initial stud fee and beyond.

A syndicate built with “breed to race” operations who plan to wait on the foals to prove themselves on the racetrack might be less swayed by the whims of the marketplace, as opposed to syndicates comprised of commercial breeders.

This will also affect the types of mares sent to a particular stallion, both by syndicate breeders and outsiders.

“The commercial market is a driver, but it's not the main driver for me,” said Mill Ridge Farm's Headley Bell, who manages the syndicate for stallion Oscar Performance. “That's where the syndicate fell into place. We made the price of the shares attractive enough to get a really good syndicate. That's the foundation of the horse. Then, I think the market ends up seeing that and it provides them confidence, as well.

“We're not just sitting there relying on a commercial market that's going to be there the first year, and then they're going to leave you,” he continued. “This is a long-term project, so we try to manage him accordingly, as far as his fee goes, and the number of mares. We've tried to put the horse first in what we're doing.”

Because of the long-term strategy behind Oscar Performance's syndicate, the stallion's fee has not changed drastically over his first three seasons. He debuted at $20,000 in 2019, and his fee was unchanged in his second season when many others in his class see at least a mild drop. In his third season, typically a difficult one to drum up interest, Oscar Performance was lowered to $15,000.

Moving a stallion's fee up or down can be a delicate process. For one on the rise, it signifies a ringing public endorsement, but one that has to be tempered so as not to scare potential breeders away. For ones going down, the line has to be tiptoed between correcting supply and demand while still protecting the commercial reputation of the stallion and the investment of breeders.

“If it's a horse that's in the process of making it, you don't want to go too high and snuff out the positive demand,” Farish said. “If it's one that's on the fence and not really making it, it's a tough decision because you don't want to cut them too much and hurt them in the eyes of the breeders. There were a bunch of mares that were bred at a higher fee on those kinds of horses, so you don't want to drop them too far, because that goes into it, as well.”

Walden expanded on that point, noting that even lowering a stud fee contains a certain degree of gatekeeping to keep the number of unhappy customers to a minimum.

“Raising or lowering – That's the trickiest, I think,” he said. “There is a very interesting dynamic between supply and demand. Obviously, you want good demand. You want people to want your stallions, and you need to meet the supply. But, you also don't want to have 500 applications and have to turn a bunch of people away. You want to get it right where you have more demand than supply, but not to an extreme amount.”

Whether it's a newcomer or a veteran stallion, the ideal outcome of a Thoroughbred mating has changed ever so slightly in recent years due to The Jockey Club's 140-mare limit for stallions born in 2020 or later. No stallion standing today will see their books limited in any way going forward, but the foals they conceive will be born with that ceiling, should they warrant stallion careers in the future, which could be perceived as a limit on how much money a potential colt could make in his lifetime.

Realistically, only a sliver of any given foal crop is retired to stud, and an even smaller sliver of that group would be enough of a commercial success to threaten the stud book limit. Of all the factors that do go into a stallion's fee, Farish said the stud book cap on the ensuing foals was not on the list.

“Not in the slightest,” he said.

As if balancing a stallion's public value in his own ecosystem wasn't harrowing enough, there can be the issue of how the stallion and his fee interacts with those around him. At many larger Kentucky farms, veteran stallions will have sons or grandsons on the same roster, or farms will double down on horses by the same sires or similar female families.

Presumably, these stallions would be drawing from a similar pool of mares that match their general pedigrees and physicals, which could create some tough decisions for both the breeders and stud farms.

In some instances, the pricing system can offer breeders entry into a particular sire line at different price points.

For example, Lane's End stands cornerstone sire Candy Ride for $75,000. His son Twirling Candy stands at the same farm for $40,000, while newcomer Game Winner, also by Candy Ride, enters stud for $30,000. Fellow Candy Ride son Unified is advertised for $10,000, while Gift Box, a grandson of Candy Ride through sire Twirling Candy, will also stand for $10,000.

“You don't want one to hurt the other, so you try to price them to where they'd benefit from being in the same place,” Farish said. “Occasionally, they do get into each other's way, but that can be tricky.”

Bret Jones of Airdrie Stud said he preferred to price horses with similar pedigrees based on their individual merits, even if the price points are close, and let the breeders decide which option works best for them.

“At the end of the day, I don't know that you can get too caught up in that when it comes to standing a similar-bred stallion,” he said. “The Portland Trailblazers passed on Michael Jordan because they already had Clyde Drexler, so I think you can outthink yourself sometimes when it comes to stallions with similar pedigrees. I think you have to believe in the stallion on their individual merit, and price them however you think you can generate business.”

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Uncle Mo Colt Tops Third Session Of Fasig-Tipton Kentucky October Yearlings Sale

A colt by champion sire Uncle Mo topped the third session of the Kentucky October Yearlings sale Wednesday in Lexington, Ky.

A son of record-breaking champion freshman sire of 2015 proved most popular on Wednesday, fetching a top price of $600,000 from Donato Lanni, agent (video).

The dark bay or brown colt was offered as Hip 1131 by Lane's End, agent. The session topper is a half-brother to English stakes winner Wind Fire (Distorted Humor) out of a winning full-sister to Grade 1 winner Majestic Warrior and stakes winner and multiple stakes producer Crystal Current. Hip 1131 was bred in Kentucky by Kinsman Farm.

The second-highest price of the day was paid for a colt by leading sire Into Mischief, purchased by Spendthrift Farm from the consignment of Paramount Sales, agent (video).

Offered as Hip 1147, the bay colt is a half-brother to Grade 2 winner Yara, dam of undefeated 2-year-old stakes winner of 2020 Moon Swag. Hip 1147 was bred in Florida by Bulldog Racing and Gabriel Duignan.

Nine other yearlings sold for $200,000 or more during the sale's third session, including:

  • Hip 844, a colt from the first crop of multiple Grade 2 winner Mohaymen, sold for $315,000 to Trade Winds Farm from the consignment of Hunter Valley Farm, agent. A half-brother to multiple Grade 1 winning millionaire Got Stormy, Hip 844 was bred in Kentucky by Mt. Joy Stables, Pope McLean, Marc McLean, and Pope McLean Jr. The colt was a $145,000 selected weanling purchase by Redly Bloodstock at last year's Fasig-Tipton November Sale, where he was consigned by Pope McLean, agent.
  • Hip 1040, a filly by successful young sire Maclean's Music, sold for $280,000 to JCM Racing from the consignment of Eaton Sales, agent. A half-sister to four winners from the immediate family of multiple Grade 1 winner Code of Honor, Hip 1040 was bred in Kentucky by Athens Woods LLC.

Wednesday's session saw 237 yearlings change hands for a total of $9,062,300. The average was $38,238 and the median was $17,000. Through three days of selling, 726 yearlings have sold for $25,800, good for an average of $35,059. The three-day median is $15,000.

The Kentucky October Yearlings sale resumes Thursday, Oct. 29 at 10 a.m.

Results are available online.

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