More Than 200 Workers At Golden Gate Fields Test Positive For COVID-19

A joint statement from Golden Gate Fields and the City of Berkeley Public Health released on Friday night revealed the extent of the COVID-19 outbreak among workers that forced the Northern California track to suspend racing operations on Nov. 13. A second announcement said racing would not resume before early December. The meet is scheduled to end Dec. 13 and reopen the day after Christmas, Dec. 26.

The joint statement indicated that more than 200 people living or working at the Bay Area track have tested positive for COVID-19. It's believed the backstretch community includes about 500 workers employed by approximately 75 trainers. The number of front-side personnel is not known.

The Golden Gate Fields stable area is located in Berkeley, with the racetrack and grandstand in the city of Albany.

Berkeley Public Health required mandatory tests for all workers when an outbreak among stable area employees became evident last week and racing operations were paused.

Joint statement from Golden Gate Fields and Berkeley Public Health:
City of Berkeley Public Health continues to work closely with Golden Gate Fields on a significant outbreak where more than 200 people living or working on-site at the racetrack have tested positive for COVID-19. 1/ST Racing, which operates the track, is following all of the City's recommendations for testing, quarantine and isolation. The steps they have taken include the following:

Every person living or working on-site has been tested and additional testing will be done.

All those who have tested positive are isolated off-site, following federal, state and City guidelines. The track is assisting with off-site housing for those who have tested positive and has arranged for twice daily food delivery to ensure that those individuals do not have to leave isolation and have the essential items they require.

Golden Gate Fields' on-site medical director, an infectious disease expert, is providing medical consultation to those who live and work at the racetrack.

For those close contacts who have tested negative but still need to quarantine for 14 days, the track is providing daily food delivery and access to medical support as well as the means to safely quarantine, including additional bathrooms and handwashing stations.

Golden Gate Fields continues to implement health and safety measures including, strict social distancing, masking policies and regular COVID-19 testing with isolation requirements for any positive cases or identified close contacts.

Both Berkeley Public Health and 1/ST Racing will be closely monitoring the situation to follow all local, state and federal guidelines. Should testing identify more cases, further investigation and tracing will be done by Berkeley Public Health and additional isolation and quarantine will be required.

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Del Mar: Glatt Records 1,000th Career Victory; Chaos Theory Gets Sadler Off Schneid

Folks got a sample of rider Umberto Rispoli's special talents this past summer at Del Mar when the international reinsman rode 49 winners in the 27-day meet, many of them on the turf course, and just missed being its leading rider in his first season at the shore oval.

They got another reminder about just how good he is in the featured race at the seaside track near San Diego, Calif., on Friday when he put on a masterful performance that included slipping up the rail late to tally by a head with Hronis Racing's Chaos Theory in a grassy allowance sprint that went as the day's second race.

On the next race on the program, veteran trainer Mark Glatt registered a nifty milestone when he rung up the 1,000th victory of his career with the speedy gelding Zestful in a nine-furlong allowance affair.

Chaos Theory, who ran his five furlongs in :56.08, bested Rafter JR Ranch, STD Racing Stable or Miller, et al's Texas Wedge, who in turn had a length on Mike Schott's Mikes Tiznow.

The win got trainer John Sadler off the schneid for the meet as he scored for the first time with his 24th starter. Chaos Theory picked up $39,000 from the $85,000 purse and increased his bankroll to $307,054 with his sixth win in his 13th start.

Chaos Theory, the 6-5 favorite, paid $4.40, $2.40 and $2.10 across the board. Texas Wedge returned $2.60 and $2.20, while Mikes Tiznow paid $3.40 to show.

Zestful, who is owned by the Shanderella Stables, Haramoto or Kawahara and others scored in his dirt test by 2 1/2 lengths under Edwin Maldonado in wire-to-wire fashion and paid $6.40 to win. He covered the nine furlongs in 1:50.94.

Glatt, whose father Ron was a longtime trainer in the Northwest, began training racehorses for a living in 1994 in his native Washington State, then moved south to the Bay Area shortly thereafter. In 2000, a client convinced him to try his luck in Southern California and he's been a regular – and successful — member on that circuit since.

He had his best year ever in 2019 when his horses won 73 races and more than $3.3 million in purses. In total, the 47-year-old horsemen has now won 1,000 races, had 932 seconds and 875 thirds for earnings of $32,458,403.

The last trainer to register his 1,000th victory at Del Mar was Peter Miller in 2018.

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COVID-19: Woodbine Seeks Clarification On Ontario Premier’s Lockdown Order

Woodbine Entertainment issued a statement Friday saying it was “working to understand the implications” of an order issued by Ontario Premier Doug Ford that put the Toronto and Peel Regions of the province in a strict lockdown under the government's color-coded system developed to respond to the COVID-19 pandemic.

Woodbine is located in the Toronto Region in the city of Etobicoke.

According to Ontario's COVID-19 response system – with five colors ranging from green for prevent to grey for lockdown – horse racing will not be permitted (though training can continue)  when the “grey” lockdown goes into effect on Monday, Nov. 23. The new measures are expected to last a minimum of 28 days, through Dec. 21. The Woodbine meet is scheduled to close Dec. 13.

“The situation is extremely serious and further action is required to avoid the worst-case scenario,” Ford said when announcing the measures. The order also closes restaurants, non-essential retail stores, meeting and event spaces, and indoor sports and fitness centers. Outdoor gatherings are limited to 10 people.

Woodbine issued the following statement after the lockdown order: “Since the beginning of our province's fight against the COVID-19 pandemic earlier this year, our commitment to public safety has not wavered. We are extremely supportive of the Government's efforts to reduce the spread of COVID-19 throughout our community. Furthermore, we are very proud of our safety record at Woodbine Racetrack and Woodbine Mohawk Park in this regard.

“To that end, we are currently working to understand the implications this recent news will have on Thoroughbred racing at Woodbine Racetrack and the thousands of people it supports throughout the province.

“We will provide further updates at the appropriate time.”

Racing will be conducted on Saturday and Sunday. Saturday's “super Saturday stakes program” features three graded stakes and kicks off at 1:25 p.m. ET.

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This Year’s Sporting Art Auction Offers Racing Legends, Beautiful Landscapes, And A Bit Of Humor

In a year when nothing is quite normal, it's nice to have a few things you can count on. For the Keeneland auction pavilion, the switch from horses to art is as reliable as the changing of the seasons. For the eighth year, broodmares and weanlings made their annual November parade through the auction ring while paintings and sculpture decorated the pavilion's halls, awaiting their turn to change hands in the Sporting Art Auction.

While in previous years, the Sporting Art Auction sees paintings and sculpture auctioned from the iconic Keeneland ring, this year's sale will be conducted virtually. Those who were at Keeneland for the November Sale may also have noticed fewer works of art lighting their passage between the café and the back walking ring, as organizer Cross Gate Gallery sought to display this year's catalogue in smaller groups to discourage crowding from viewers.

Much like the sale that precedes it, the catalogue for the Sporting Art Auction varies a bit year by year.

“We want everyone to be able to find something that we like, so we do have 19th Century British, and we extend all the way up,” said Bill Evans Meng, gallery director for Cross Gate Gallery in Lexington, Ky. “There are a lot of contemporary painters. I'm 37 and everyone my age is buying the new things. [The catalog] is maybe is a little more contemporary this year but sometimes you have to go with what you can find.”

Meng said he aims to have a healthy mix of time periods, styles, and subjects each year. While most feature horses either in racing or foxhunting contexts, there are often a few pastoral scenes as well as a few of hunting dogs, farm creatures, or fowl.

A few works were commissioned to depict specific horses. A trio of portraits from well-known equine painter Richard Stone Reeves depict Law Society, Coup De Feu and Mr. Right, while a signed collection of 12 prints from Franklin B. Voss (no relation to the author) is a fond look back at the top runners of the 1920s and 1930s, including Man o' War, Gallant Fox, Seabiscuit, and Discovery.

For Meng, works designed to immortalize a particular subject sometimes come along with the most interesting stories.

“The ones that are specific, they have a story and people like that,” said Meng. “I feel like all three of the Reeves this year, they had real connections to the connections. The one of the Coup de Feu was a father and son story – the father owned it and got his son started racing. Law Society was a big horse for Vincent O'Brien and of course shows his incredible training facility. The third Reeves, Mr. Right, came from the trainer and I got to talk to him a lot and he really liked the horse. When you do these specific ones, there's always a story and I think people connect to that.

“Of course a lot of our clients are horsemen and they're into bloodlines. They might know this was their horse's great-great-grandsire and that means something to them.”

In a somewhat unusual twist, this year's auction also features a human portrait from German/American artist Nicola Marschall of Daniel Swigert. Swigert and his Elmendorf Farm are two of the oldest names in the Kentucky Thoroughbred business, tracing back from the 1870s.

(We wrote about Elmendorf and Swigert in our Kentucky Farm Time Capsule series. Read that profile piece here.)

“When he was young he tried to build up what became Buffalo Trace Distillery and then he went on to become a great horsemen,” he said. “I knew about him, but I didn't know enough about him to appreciate it when I saw the painting the first time [10 or 12 years ago.]”

Lot 120, Early Morning Exercise, Green Lane as painted by Peter Howell

Other pieces are looser or more interpretative, allowing an owner or fan to see their own favorite horse in the lights and shadows. Painter Peter Howell's depictions of morning training at Keeneland and Newmarket are particularly good examples of this.

Then there are pieces likely to garner attention on name recognition alone. The catalog contains a number of sketches from the well-known Sir Alfred Munnings, as well as brightly-colored scenes from popular Henry Lawrence Faulkner and a landscape from Andrew Wyeth.

(Read more about Sir Alfred Munnings in this 2017 feature.)

There are also pieces with a sense of humor. Andrew Pater's 'The Empty Bowl' features a hound next to his empty dish wearing the dry, humorless expression all pet owners have experienced when they've dared to come home late. 'Antagonizing the Barn Cat' from George Armfield shows a faceoff between an irritated tabby and a trio of terriers poised to hop and play. Then there's Philip Eustace Stretton's 'Study of A Ginger Cat' displaying an enormous orange feline upon a regal crimson cushion.

“I've chuckled myself walking by it,” said Meng. “We don't get a lot of cat paintings, but we do have some clients that sort of got on a cat kick, so there you go. He's sort of looking majestic.

“They kind of would paint these animal genre scenes like that, where you'd see them acting out. Animals are going to be animals. I think they're something people can relate to, something lighthearted. Those do well, because people like to laugh.”

Lot 73, Study Of A Ginger Cat, 1908 by Philip Eustace Stretton

Art collectors, like breeders with an impressive base of broodmares, do not necessarily have a time clock on their investments. Some pieces may come to auction when an owner disperses their collection or as part of an estate sale. Other owners may look at the market and their particular piece's merits and try to read the tea leaves, deciding if this is the time to benefit from an increase in value. Meng tells people that their decision should ultimately come down to their relationship with a piece – and for some, that means they may decide to rebuff his overtures to selling.

“That's why we generally have 180 lots instead of 5,000 like at the Keeneland sale,” said Meng. “I tell people, you're the one who has to love it. You're the one who has to look at it every day. And if you love it, you shouldn't let it go.”

See this year's Sporting Art Auction catalog online here.

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