Jay Privman, Walter Haight, Jack Mann Named To Joe Hirsch Media Roll of Honor

Daily Racing Form national correspondent Jay Privman and the late turf writers Walter Haight and Jack Mann have been selected to the National Museum of Racing's Joe Hirsch Media Roll of Honor. 

Privman, 62, a resident of Carlsbad, Calif., covered his first race in 1980 — Spectacular Bid's victory in the Malibu Stakes — while in college at California State University, Northridge, and working part-time for The Los Angeles Daily News. Privman worked for The Daily News full-time from 1981 through 1991, then became West Coast editor for The Racing Times (1991 to 1992) and West Coast correspondent for The New York Times (1992 to 1998). He also was a correspondent for The Thoroughbred Record and The Thoroughbred Times (1983 to 1998) before joining Daily Racing Form in October 1998. 

Along with his distinguished print career, Privman served as a television reporter or handicapper for CBS, ESPN, Fox, and NBCSN from 1998 through 2018 and host of “Thoroughbred Los Angeles,” a Saturday morning show on AM830 KLAA, from 2003 to present. He covered every Kentucky Derby from 1982 through 2019 (missing 2020 and 2021 because of covid and a health issue, respectively) and every Breeders' Cup from the inaugural in 1984 through 2021 (with the exception of 2020 because of the pandemic). 

Author of the books “Breeders' Cup: Thoroughbred Racing's Championship Day,” and “Del Mar at 75” and a contributing writer to the Daily Racing Form book “Champions,” Privman has earned numerous honors for his racing coverage. He is a six-time winner of the Red Smith Award (1989, 1990, 1997, 1998, 1999, 2008) from Churchill Downs for the best Kentucky Derby story; a two-time winner of the David F. Woods Award (2002, 2013) from the Maryland Jockey Club for the best Preakness Stakes story; and a two-time winner of the Joe Hirsch Award (2010, 2016) from the New York Racing Association for the best Belmont Stakes story. 

Privman's Breeders' Cup awards include six Joe Hirsch Awards (2001, 2003, 2005, 2015, 2017, 2018) for news reporting and the Bill Leggett Award (2017) for feature writing. Other honors include the Old Hilltop Award from the Maryland Jockey Club (2005); Walter Haight Award, from the National Turf Writers Association (2005); induction into the Southern California Jewish Sports Hall of Fame (2011); and the Charles W. Engelhard Award, from the Kentucky Thoroughbred Owners and Breeders (2016). Privman has also been a reporter on eight Eclipse Award-winning broadcasts: three each with ESPN and NBC and one each with Sirius Radio and Fox Sports West 2. 

Haight (1899  ̶  1968), a native of Washington, D.C., joined The Washington Post in 1924, embarking on a prolific 44-year run with the paper. He started with The Post as a general assignment reporter and began covering thoroughbred racing for the paper in 1932. He reported on his first Kentucky Derby that year, beginning a streak of 37 consecutive years writing about the event. Haight was The Post's racing writer and editor for 36 years and held the honorary No. 1 seat in the Churchill Downs press box for his longevity covering the Run for the Roses. 

Known for his storytelling ability, Haight had a 2-year-old horse named after him in 1941 that provided him fodder for several entertaining columns. Haight was known to inject himself into his writing through first-person narratives, and in the book “Bred to Run,” he created a horse named Flat Tire that had whimsical conversations with the author. 

A charter member and president of the Maryland Racing Writers Association and a vice president of the National Turf Writers Association, Haight has a career excellence award named in his honor annually presented by the National Turf Writers and Broadcasters Association. Upon his death in 1968, The BloodHorse said Haight “wrote with glee, for he saw the humor and the drama in the game” of racing. The publication described him as a “jolly man” who reveled in his role as “Aesop of the press box. Some of his funniest stories never made it into print. He could relate to the intricate machinations of past-posting a bookie, or the heart-breaking collapse of a four-horse parlay, with an admixture of merry pathos that kept listeners enthralled for hours.”

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Mann (1925  ̶  2000), a New York City native, began his writing career in 1940 while in high school for the weekly Long Islander. He attended Columbia University for a year on the GI Bill and served with the Marine Corps from 1943 to 1946 in the North Pacific during and immediately after World War II. In 1947, he returned to newspapers as a reporter and editor of two Long Island weeklies, then joined Newsday, first as a reporter, then as assistant city editor, then as sports editor.

Specializing in coverage of horse racing and baseball, Mann wrote for Newsday (1952 to 1962); The Detroit Free Press (1962 to 1963); The New York Herald-Tribune (1963 to 1965); Sports Illustrated (1965 to 1967); The Miami Herald (1968 to 1970); The Washington Daily News (1970 to 1971); The Washington Star (1971 to 1972); The Baltimore Evening Sun (1980 to 1990); and The Racing Times (1991 to 1992), among others. While sports editor at Newsday, Mann led the section's transition from having a local focus to one that covered sports nationwide. 

Mann won an Eclipse Award in 1987 and was honored with the Walter Haight Award from the National Turf Writers Association in 1993. He also received the Maryland Jockey Club's Old Hilltop Award for lifetime achievement. Mann also authored the 1966 book, “The Decline and Fall of the New York Yankees.” Along with racing and baseball, Mann also covered professional football and did freelance work for Look, Life, People, and Penthouse magazines, among others. 

Known for his attention to detail, Mann also had a combative side that led him to tangle with his superiors and often change employers. 

“He did some outstanding stuff, but at some point, no matter how well he was doing, somebody would fool with his copy,” said Clem Florio of the Maryland Jockey Club upon Mann's death in 2000. “They just couldn't leave their hands off of his stuff. He cared about getting the facts straight and writing well. He said he'd been fired from the best.

“He was a very special kind of guy. He had a special insight into things — and he was a stickler for English. He'd say, 'If you're going to tell a story, tell it right. If you're going to write, write correctly.' He kept a bulletin board of faux pas, including his own.”

At Newsday, Mann was fired, but returned in the early 1960s — when he either quit or was fired again, according to Newsday sports columnist Steve Jacobson, who was first hired by Mann.

“He's the guy who dragged Newsday from local sports into the big leagues, Jacobson said. “He was brilliant.”

Previous selections to the Joe Hirsch Media Roll of Honor are Steven Crist (2010), Charles Hatton (2010), Bill Nack (2010), Red Smith (2010), Dr. Russ Harris (2011), Joe Palmer (2011), Jay Hovdey (2012), Whitney Tower (2012), Andrew Beyer (2013), Kent Hollingsworth (2013), George F. T. Ryall (2013), Jim Murray (2014), Jennie Rees (2014), Raleigh Burroughs (2015), Steve Haskin (2015), Jim McKay (2016), Maryjean Wall (2016), Barney Nagler (2017), Michael Veitch (2017), Jack Whitaker (2017), Joe Burnham (2018), Tom Hammond (2018), Charlsie Cantey (2019), Billy Reed (2019), Pierre “Peb” Bellocq (2020), and William Leggett (2020). 

The National Museum of Racing's Joe Hirsch Media Roll of Honor was established in 2010 to recognize individuals whose careers have been dedicated to, or substantially involved in, writing about thoroughbred racing (non-fiction), and who distinguished themselves as journalists. The criteria has since been expanded to allow the consideration of other forms of media.

Often referred to as the dean of thoroughbred racing writers, Hirsch won both the Eclipse Award for Outstanding Writing and the Lord Derby Award in London from the Horserace Writers and Reporters Association of Great Britain. He also received the Eclipse Award of Merit (1993), the Big Sport of Turfdom Award (1983), The Jockey Club Medal (1989), and was designated as the honored guest at the 1994 Thoroughbred Club of America's testimonial dinner. The annual Grade 1 Joe Hirsch Turf Classic Invitational at Belmont Park is named in his honor. Hirsch, who died in 2009, was also a former chair of the National Museum of Racing and Hall of Fame Nominating Committee and the founder of the National Turf Writers Association.

The Joe Hirsch Media Roll of Honor Committee is comprised of Edward L. Bowen (chairman), author of more than 20 books on thoroughbred racing; Bob Curran, retired Jockey Club vice president of corporate communications; Ken Grayson, National Museum of Racing trustee; Jane Goldstein, retired turf publicist; Steve Haskin, Secretariat.com and longtime BloodHorse columnist; G. D. Hieronymus, retired Keeneland director of broadcast services; Jay Hovdey, five-time Eclipse Award-winning writer; and Dan Smith, retired senior media coordinator of the Del Mar Thoroughbred Club.  

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Nack Among Seven Voted Into National Sports Media Association Hall Of Fame

A record seven men have been voted into the National Sports Media Association Hall of Fame. They are sportscasters Bill King, Jim Nantz, and Dick Stockton, and sportswriters Larry Merchant, William Nack, William C. Rhoden, and Rick Telander.

In addition, NSMA members voted Mike “Doc” Emrick as the 2020 national sportscaster of the year, and Nicole Auerbach as the 2020 national sportswriter of the year.

Among the 108 who won 2020 state sportscaster or sportswriter of the year honors, 51 are first-time winners. They include two who passed away during the year: Detroit sports talk show host Jamie Samuelsen and 100-year-old Sid Hartman of the Minneapolis Star Tribune.

The NSMA will honor its winners and Hall of Fame inductees during the organization's 61st awards weekend, tentatively set for June 26-28, 2021, in Winston-Salem, N.C.


As the play-by-play voice of the San Francisco/Golden State Warriors, San Francisco Giants, University of California Golden Bears, Oakland/Los Angeles Raiders, and Oakland A's, King was on hand to broadcast some of the most famous sports moments in San Francisco Bay Area history. He had a signature beard, a signature call (“Holy Toledo”), and provided for many, the soundtrack of Bay Area sporting life. King died in 2005.

Nantz is a five-time winner of the NSMA's national sportscaster of the year award, a three-time Emmy winner, and a member of the Sports Broadcasting, Pro Football, and Naismith Basketball Halls of Fame. After stints at local television stations in Houston and Salt Lake City, Nantz moved to CBS in 2005 and has worked there ever since. Nantz is the network's lead play-by-play announcer for its coverage of the NFL, the PGA Tour, and the NCAA Basketball Tournament.

Like Nantz, Stockton is one of sportscasting's most versatile play-by-play announcers, with vast experience calling the NFL, Major League Baseball, and the NBA. Currently in his 27th year at FOX Sports, following 17 years at CBS, Stockton also has worked 19 years for Turner Sports. He began his career with local television sports jobs in Philadelphia, Pittsburgh, and Boston.

Merchant may best be known as a boxing analyst with HBO Sports, but he began his career in the Army, as a sportswriter for the Stars and Stripes. After his discharge, Merchant wrote for the Wilmington (N.C.) News, where he became sports editor. From there it was on to the Associated Press before becoming sports editor and columnist at the Philadelphia Daily News. He then spent ten years as a New York Post general columnist. He joined HBO Sports as a boxing analyst in 1978, calling some of the sport's marquee fights, before retiring in 2012.

What Merchant was to boxing, Nack was to horse racing. He spent 11 years writing about sports, politics, and the environment at Newsday, before going to work at Sports Illustrated in 1978. He spent 24 years at SI, covering every big horse racing story and winning several awards. He also wrote three books, including Secretariat: The Making of a Champion. Nack died in 2018.

Rhoden spent 34 years as an award-winning columnist at the New York Times, with more than a decade spent as the author of its “Sports of the Times” column. In 2006, he wrote the book, Forty Million Dollar Slaves, He was a frequent panelist on ESPN's The Sports Reporters, and after retiring from the Times in 2016, he began as a writer-at-large for The Undefeated, ESPN's digital site that explores the intersections of race, sports, and culture.

Telander has spent the last 26 years as an award-winning sportswriter at the Chicago Sun-Times, where he is now the senior sports columnist. Prior to that, he was an award-winning special contributor, then a senior writer at Sports Illustrated. Also an author, Telander wrote the book, Heaven is a Playground, which in 2002, SI ranked #15 in its Top 100 Sports Books of All Time.

Emrick was voted National Sportscaster of the Year for the fourth time. The Michigan resident retired in the Fall after calling the Stanley Cup Finals for NBC Sports. The Hockey Hall of Famer had been calling the sport professionally since 1973.

At age 31, Auerbach is the youngest to win an NSMA national award in the organization's 61-year history. In her fourth year at The Athletic, she is one of its primary national college football writers. She also serves as a studio analyst for the Big Ten Network. Prior to The Athletic, she spent six years as a National College Sports Reporter at USA Today.

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IFHA: COVID-19 Has Demanded Creativity, Yielded Innovation For Racing Broadcasters

The second of four digital panels of the 54th International Conference of Horseracing Authorities was released last week and focused on the evolution of racing media in the time of COVID-19

The conference, organized by the International Federation of Horseracing Authorities (IFHA), normally takes place in person in Paris the day after the G1 Prix de l'Arc de Triomphe. This year's conference program focuses on the impact of the coronavirus pandemic on the international racing world. In this digital panel, broadcast media members were asked about the way their outlets have adapted to a socially distanced racetrack.

A few takeaways from the panel of media experts:

  • In Britain, viewership that would normally spike for main events and decrease for more pedestrian race days in between has remained more consistent throughout the past months, according to ITV's Francesca Cumani. It's hard to tell what this may mean, but Cumani hopes it's a sign fans are becoming more engaged with racing as they've had more time to devote to watching a horse prepare for a classic run.
  • In Japan, Japan Racing Association's Shigeru Suzuki said the country has seen a drastic increase in new account sign-ups for online wagering platforms. The number of registrants increased by 250,000 compared to pre-pandemic numbers, bringing the total to 4.7 million users. Suzuki also said the Green Channel, normally a pay-per-view way to watch the races at home, has been made available free of charge (though the online app is still paid). Total turnover in Japan year over year is similar to 2019 despite the lack of fan access during COVID-19.
  • Rob Hyland of NBC Sports said that although the disappearance of fans from the racetracks took away some of the magic from big races like the Kentucky Derby, the channel did its best to expand its use of technology to bring the fan experience to viewers at home. Capturing ambient sound became a bigger priority, now that conversations between riders and the sounds of horses galloping could be heard without background noise. More jockeys at this year's major races were wearing microphones and cameras. These extra points of access enabled remote analysis from anchors who were covering the race from out of state. The restrictions on media attendance also forced NBC to be more efficient — NBC's crew is normally over 300 for the Kentucky Derby, while this year it was less than 100.
  • In some ways, the silence at racetracks enhances the experience — Jason Richardson of Channel 7 and Racing.com recalled a moment when a jockey got a first Group 1 victory at Royal Randwick. Because there were no crowds shouting at the wire, Richardson was able to hear a group of jockeys behind the winner cheer for their colleague as the race finished.
  • In Australia, Channel 7 has brought the experience of celebrating owners to its viewers by asking ownership groups to film themselves watching the races or providing recordings of Zoom parties they use to virtually gather and watch races. Their energy doesn't translate exactly the same way, but still elevates the production, according to Richardson.
  • Cumani said that as racing has returned in Britain, broadcasters have had to be mindful of public perception when sending out images from the track. As happy as racing media were to be back, they had to be sensitive to the fact that daily life in the country remained disrupted.

    “In England I think there's a big danger that racing is is seen as an elitist endeavor, and why should racing continue when other things can't?” she said.

    Katherine Ford of Equidia and Sky Sports Racing echoed those sentiments from her viewpoint in France, agreeing that camera operators had to be careful not to inadvertently film someone who had pulled down their mask temporarily for a cigarette or a drink, lest viewers think racing personnel or racegoers were not masking properly. Hyland agreed, citing camera framing choices on Kentucky Oaks Day for some presenters whose backdrops were chosen so that the physical distancing between themselves and others would be clear to viewers.

  • Hyland recalled preparing for this year's Kentucky Derby weekend, when he tried to have more racing participants than usual wearing microphones for ambient sound. Trainer Bob Baffert, who Hyland characterizes as a bit superstitious, declined to wear one on Oaks Day since he felt confident about his chances with Gamine, worrying it would jinx him. He did agree to wear one for the Derby, where he felt less confident in his contenders. Of course, that meant NBC ended up with audio of his emotional reaction during Authentic's run.

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