Curlin’s Voyage Retired, Will Be Bred To Tapit

Curlin's Voyage, by leading sire Curlin out of Atlantic Voyage, has been retired, according to an announcement from Hill 'n' Dale Farm Tuesday. The 3-year-old filly was bred and raised by Hill 'n' Dale Equine Holdings, Inc.

Raced by John G. Sikura and Windsor Boys Racing and trained by Josie Carroll, Curlin's Voyage compiled an enviable record as a juvenile, being on the board five times in six starts including three wins, a second and a third.

Named Champion Two-Year-Old Filly in Canada, Curlin's Voyage validated her championship form at three with a convincing victory in the $500,000 Woodbine Oaks.

She retires with earnings of $536,056 and will be bred to Three-Time Champion Sire Tapit for the 2021 breeding season.

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This Year’s Sporting Art Auction Offers Racing Legends, Beautiful Landscapes, And A Bit Of Humor

In a year when nothing is quite normal, it's nice to have a few things you can count on. For the Keeneland auction pavilion, the switch from horses to art is as reliable as the changing of the seasons. For the eighth year, broodmares and weanlings made their annual November parade through the auction ring while paintings and sculpture decorated the pavilion's halls, awaiting their turn to change hands in the Sporting Art Auction.

While in previous years, the Sporting Art Auction sees paintings and sculpture auctioned from the iconic Keeneland ring, this year's sale will be conducted virtually. Those who were at Keeneland for the November Sale may also have noticed fewer works of art lighting their passage between the café and the back walking ring, as organizer Cross Gate Gallery sought to display this year's catalogue in smaller groups to discourage crowding from viewers.

Much like the sale that precedes it, the catalogue for the Sporting Art Auction varies a bit year by year.

“We want everyone to be able to find something that we like, so we do have 19th Century British, and we extend all the way up,” said Bill Evans Meng, gallery director for Cross Gate Gallery in Lexington, Ky. “There are a lot of contemporary painters. I'm 37 and everyone my age is buying the new things. [The catalog] is maybe is a little more contemporary this year but sometimes you have to go with what you can find.”

Meng said he aims to have a healthy mix of time periods, styles, and subjects each year. While most feature horses either in racing or foxhunting contexts, there are often a few pastoral scenes as well as a few of hunting dogs, farm creatures, or fowl.

A few works were commissioned to depict specific horses. A trio of portraits from well-known equine painter Richard Stone Reeves depict Law Society, Coup De Feu and Mr. Right, while a signed collection of 12 prints from Franklin B. Voss (no relation to the author) is a fond look back at the top runners of the 1920s and 1930s, including Man o' War, Gallant Fox, Seabiscuit, and Discovery.

For Meng, works designed to immortalize a particular subject sometimes come along with the most interesting stories.

“The ones that are specific, they have a story and people like that,” said Meng. “I feel like all three of the Reeves this year, they had real connections to the connections. The one of the Coup de Feu was a father and son story – the father owned it and got his son started racing. Law Society was a big horse for Vincent O'Brien and of course shows his incredible training facility. The third Reeves, Mr. Right, came from the trainer and I got to talk to him a lot and he really liked the horse. When you do these specific ones, there's always a story and I think people connect to that.

“Of course a lot of our clients are horsemen and they're into bloodlines. They might know this was their horse's great-great-grandsire and that means something to them.”

In a somewhat unusual twist, this year's auction also features a human portrait from German/American artist Nicola Marschall of Daniel Swigert. Swigert and his Elmendorf Farm are two of the oldest names in the Kentucky Thoroughbred business, tracing back from the 1870s.

(We wrote about Elmendorf and Swigert in our Kentucky Farm Time Capsule series. Read that profile piece here.)

“When he was young he tried to build up what became Buffalo Trace Distillery and then he went on to become a great horsemen,” he said. “I knew about him, but I didn't know enough about him to appreciate it when I saw the painting the first time [10 or 12 years ago.]”

Lot 120, Early Morning Exercise, Green Lane as painted by Peter Howell

Other pieces are looser or more interpretative, allowing an owner or fan to see their own favorite horse in the lights and shadows. Painter Peter Howell's depictions of morning training at Keeneland and Newmarket are particularly good examples of this.

Then there are pieces likely to garner attention on name recognition alone. The catalog contains a number of sketches from the well-known Sir Alfred Munnings, as well as brightly-colored scenes from popular Henry Lawrence Faulkner and a landscape from Andrew Wyeth.

(Read more about Sir Alfred Munnings in this 2017 feature.)

There are also pieces with a sense of humor. Andrew Pater's 'The Empty Bowl' features a hound next to his empty dish wearing the dry, humorless expression all pet owners have experienced when they've dared to come home late. 'Antagonizing the Barn Cat' from George Armfield shows a faceoff between an irritated tabby and a trio of terriers poised to hop and play. Then there's Philip Eustace Stretton's 'Study of A Ginger Cat' displaying an enormous orange feline upon a regal crimson cushion.

“I've chuckled myself walking by it,” said Meng. “We don't get a lot of cat paintings, but we do have some clients that sort of got on a cat kick, so there you go. He's sort of looking majestic.

“They kind of would paint these animal genre scenes like that, where you'd see them acting out. Animals are going to be animals. I think they're something people can relate to, something lighthearted. Those do well, because people like to laugh.”

Lot 73, Study Of A Ginger Cat, 1908 by Philip Eustace Stretton

Art collectors, like breeders with an impressive base of broodmares, do not necessarily have a time clock on their investments. Some pieces may come to auction when an owner disperses their collection or as part of an estate sale. Other owners may look at the market and their particular piece's merits and try to read the tea leaves, deciding if this is the time to benefit from an increase in value. Meng tells people that their decision should ultimately come down to their relationship with a piece – and for some, that means they may decide to rebuff his overtures to selling.

“That's why we generally have 180 lots instead of 5,000 like at the Keeneland sale,” said Meng. “I tell people, you're the one who has to love it. You're the one who has to look at it every day. And if you love it, you shouldn't let it go.”

See this year's Sporting Art Auction catalog online here.

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TAA Announces Grants Of $3.5 Million To 81 Accredited Organizations

The Thoroughbred Aftercare Alliance announced today that $3,500,000 will be awarded as grants to 81 Thoroughbred aftercare organizations that currently hold TAA accreditation.

Since inception in 2012, the TAA has now awarded more than $20.7 million in grants to accredited Thoroughbred aftercare organizations.

“We are grateful to the TAA's many supporters that have allowed us to award $3.5 million this year,” TAA President John Phillips said. “We know these funds will significantly assist the work of TAA-accredited organizations during this challenging time. As we look forward to 2021, we ask industry participants to continue to support accredited Thoroughbred aftercare and our equine athletes.”

Earmarked specifically for equine care, TAA grants have helped accredited organizations assist more than 11,000 Thoroughbreds at approximately 170 facilities across North America.

TAA-accredited organizations undergo a thorough application and inspection process prior to accreditation being awarded to ensure they meet the TAA's Code of Standards, which covers five key areas: operations, education, horse health care management, facility standards and services, and adoption policies and protocols. Facility inspections are conducted at all facilities housing Thoroughbreds for each organization. Ongoing updates and re-inspections are required of all organizations as a condition of TAA accreditation.

The TAA is supported by members from every aspect of the Thoroughbred industry, including owners, breeders, trainers, stallion farms, racetracks, sales companies, horsemen's groups, foundations, veterinarians, horseplayers, racing fans, wagering technology companies, and many others.

The full list of TAA-accredited organizations, information about the accreditation process, and a list of the TAA's industry supporters is available on ThoroughbredAftercare.org.

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Versatility ‘Never Hurts’: United Could Be The Early Leader Or Could Stalk Pace In The Turf

United will be back this weekend to contest his second Grade 1 Breeders' Cup Turf, and his connections will no doubt be hoping he can turn around last year's painfully-close second-place finish behind Bricks and Mortar.

This year, trainer Richard Mandella said he'll be coming in with a new weapon: a running style discovered in his win in the G2 John Henry Turf Championship last time out.

“We decided to just jump him out, put him on the lead, and stay out of trouble,” said Mandella. “He'd been in trouble the race before and it may have cost him winning. We thought we'd let him jump out there and he really liked it. It gives us the feeling that we have options now to do whatever feels best.”

Previously, United had been prone to stalk an early leader going at a slow or moderate pace, and wait farther back off a hot pace. It's possible the newfound versatility could give him an edge over the many European invaders in the race, including formidable foes in Magical (IRE) and Mehdaayih (GB), but Mandella wasn't tipping his hand when it came to race strategy on Thursday.

“It never hurts to have the versatility option to go either way,” Mandella said. “But it's too early — I haven't seen enough of the field yet to handicap and figure out what our best strategy is. I'll pretty much leave that up to Flavien Prat, a great jockey.”

United has been first or second in all his starts going back to the 2019 John Henry, and Mandella said he feels good about the gelding coming into the weekend. He does anticipate a challenger in Channel Maker, the Bill Mott trainee who won this year's Sword Dancer by an impressive 5 3/4 lengths, but he doesn't focus too much on other horses, preferring to keep eyes on his own work.

Since he's a gelding, Mandella said it's likely United will be back for a 6-year-old campaign. He'd tried to take the horse to this year's G1 Dubai Sheema Classic, but evolving travel lockdowns due to COVID-19 meant he brought the horse to Dubai, schooled him in the paddock, and promptly learned they had to head home. It might be nice to try again, Mandella said in a press conference Thursday, depending upon what international travel protocols are by March 2021.

“I fully intend to keep him around as long as he's healthy and happy,” said Mandella.

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