Privman, Haight, Mann Selected to Hall of Fame Media Roll of Honor

Daily Racing Form national correspondent Jay Privman and the late turf writers Walter Haight and Jack Mann have been selected to the National Museum of Racing's Joe Hirsch Media Roll of Honor.

Privman, 62, a resident of Carlsbad, Ca., covered his first race in 1980–Spectacular Bid's victory in the Malibu Stakes–while in college at California State University, Northridge, and working part-time for The Los Angeles Daily News. Privman worked for The Daily News full-time from 1981 through 1991, then became West Coast editor for The Racing Times (1991 to 1992) and West Coast correspondent for The New York Times (1992 to 1998). He also was a correspondent for The Thoroughbred Record and The Thoroughbred Times (1983 to 1998) before joining Daily Racing Form in October 1998.

Haight (1899-1968), a native of Washington, D.C., joined The Washington Post in 1924, embarking on a prolific 44-year run with the paper. He started with The Post as a general assignment reporter and began covering thoroughbred racing for the paper in 1932. He reported on his first Kentucky Derby that year, beginning a streak of 37 consecutive years writing about the event. Haight was The Post's racing writer and editor for 36 years and held the honorary No. 1 seat in the Churchill Downs press box for his longevity covering the Run for the Roses.

Mann (1925-2000), a New York City native, began his writing career in 1940 while in high school for the weekly Long Islander. After serving with the Marine Corps from 1943 to 1946 in the North Pacific during and immediately after World War II, he returned to newspapers as a reporter and editor of two Long Island weeklies, then joined Newsday, first as a reporter, then as assistant city editor, then as sports editor. Specializing in coverage of horse racing and baseball, Mann wrote for Newsday (1952 to 1962); The Detroit Free Press (1962 to 1963); The New York Herald-Tribune (1963 to 1965); Sports Illustrated (1965 to 1967); The Miami Herald (1968 to 1970); The Washington Daily
News (1970 to 1971); The Washington Star (1971 to 1972); The Baltimore Evening Sun (1980 to 1990); and The Racing Times (1991 to 1992), among others. While sports editor at Newsday, Mann led the section's transition from having a local focus to one that covered sports nationwide.

The Joe Hirsch Media Roll of Honor Committee is comprised of Edward L. Bowen (chairman), author of more than 20 books on Thoroughbred racing; Bob Curran, retired Jockey Club vice president of corporate communications; Ken Grayson, National Museum of Racing trustee; Jane Goldstein, retired turf publicist; Steve Haskin, Secretariat.com and longtime BloodHorse columnist; G. D. Hieronymus, retired Keeneland director of broadcast services; Jay Hovdey, five-time Eclipse Award-winning writer; and Dan Smith, retired senior media coordinator of the Del Mar Thoroughbred Club.

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The Huge Gamble That Paid Off: Remembering The Inaugural Breeders’ Cup

This is the 38th time, going back to 1984, that I join horsemen, horseplayers, racing media and fans in anxiously awaiting the list of pre-entered horses for the Breeders' Cup that will be released for public consumption on Wednesday.

Back in the 1980s when I was working in the Los Angeles office of Daily Racing Form, the Nov. 10, 1984, date of the inaugural running and the details – a seven-race $10-million extravaganza – were put in print so frequently in the long run-up to the event that they were burned into memory.

I recently came across the West Coast special edition of the Form that our office produced for that first-ever Breeders' Cup at now defunct Hollywood Park in Inglewood, Calif. For $1.75, readers got the regular Daily Racing Form along with a 96-page insert featuring cover art by Pierre “Peb” Bellocq and chock-full of Breeders' Cup news, features and past performances for the day's races.

The lead news story on this revolutionary day of racing and the main column in the Breeders' Cup special section were, naturally, written by Daily Racing Form's esteemed executive columnist, Joe Hirsch. Hirsch quoted John Gaines, the man who created the Breeders' Cup, about the event's prospects for having a long-term impact on the industry: “The test of time has still to be met,” Gaines told Hirsch, “but on the eve of the inaugural, it looks to me like the Breeders' Cup is here to stay.”

Though he wasn't without an ego and for the greater good of the event opted to step away from active oversight of the Breeders' Cup during its formative years, Gaines was quick to praise others who helped transform his idea into reality.

“Ideas don't climb mountains,” Gaines told Hirsch. “People climb mountains. The reason the Breeders' Cup is here today is because of men like Johnny Nerud, Brownell Combs, Bunker Hunt, John Mabee and others who have worked so hard on its behalf.”

Hirsch was such an icon in racing media that he got a sneak preview of the Cup before Gaines unveiled the concept at a Kentucky Derby week luncheon in 1982. Gaines invited Hirsch to a breakfast meeting, promising him that the meeting would lead to “the most important story” he would ever write.

The concept at the outset was for the Breeders' Cup to be almost fully funded through foal and stallion nominations. Simulcasting was in its infancy, and neither that nor hospitality and ticket sales were seen as significant contributors to Breeders' Cup's early success. For the program and funding mechanism to work, Gaines needed the support of his fellow breeders and stallion owners.

“I realized it was a huge gamble because it involved motivating people to work together who have spent their lives competing against each other,” Gaines told Hirsch. “Needless to say, there was a lot of give and take when everyone got together. There were diverse points of view, but accommodations were made and there were many compromises. People fought hard for what they thought was right. I would say it was a quintessential American experience. … It was like a group of mountain climbers climbing the mountain while tied together. If we fell, we were going to fall together, but I think now we are standing at the top together.”

Gaines said he could see changes to Breeders' Cup from time to time. “The program is not cast in stone,” he said. “We're trying to put on the best show possible, and if we can see a way to improve it with change, then changes will be made.”

As noted, the original Breeders' Cup was a one-day, seven-race event, with five races each offering a $1-million purse, the Turf offering $2 million and the Classic $3 million. It's grown to 14 championship races spread over two days with purses now totaling $31 million, topped by the $6-million Classic.

Stallion and foal nominations, while still an important part of funding, have been joined by simulcast wagering and ticketing as key revenue generators, along with sponsorships. The inaugural Breeders' Cup is the only one where on-track wagering of $11,466,941 was more than the simulcast handle, $8,009,109.  The last two years, simulcasting wagering exceeded $150 million over the two days. Ticket prices for the event have accelerated just as much as wagering.

NBC Sports, led by its Standardbred-owning president, Arthur Watson, was “all in” from the outset, scheduling four hours on network television and putting together a 10-person broadcast team led by Dick Enberg and Dave Johnson. Michael Weisman, executive producer for the telecast, told Daily Racing Form's George Bernet, “This type of production is unprecedented and we're geared up for it with our best people. We are treating this event as we would a World Series or Super Bowl … which it is.”

That first championship day was as good as anyone could have hoped for. So was the NBC Sports telecast that I watched on a small TV in the Form's Bimini Place editorial office (someone had to work, putting together Monday's results issue!).

There was instant credibility when Chief's Crown won the Juvenile as the odds-on favorite to seal an Eclipse Award as champion 2-year-old male, winning for the sixth time in nine starts. Finishing second behind the Danzig colt was Tank's Prospect, who would win the 1985 Preakness. Third-place finisher Spend a Buck would go on to score in the Kentucky Derby and become the champion 3-year-old male and 1985 Horse of the Year.

There were outstanding performances by the likes of Eillo in the Sprint, Royal Heroine in the Mile and Princess Rooney in the Distaff. Lashkari lodged a massive 53-1 upset in the Turf, defeating the globe-trotting 1983 Horse of the Year All Along.

Wild Again (inside) holds off Gate Dancer to win first Breeders' Cup Classic at 31-1

There was drama in the day's second race when Fran's Valentine was disqualified from first for interference at the stop of the stretch in the Juvenile Fillies, making Outstandingly the winner. But that was nothing compared to what would come with the stretch run of the Classic when Wild Again emerged with a narrow victory at 31-1 odds over Gate Dancer and 3-5 favorite Slew o' Gold. Adding to the intrigue was the fact that Wild Again, making his 16th start of the year, was supplemented to the race by his connections at a cost of $360,000 in hopes of winning first prize of $1,350,000.

Jockey Pat Day moved Wild Again to the lead down the backstretch and held off Slew o' Gold and Angel Cordero Jr. and a hard-charging Gate Dancer and Laffit Pincay Jr. the length of the stretch to win by a head over Gate Dancer. Slew o' Gold was another half-length back, but stewards quickly lit the inquiry sign for the second time that day after the three horses exchanged bumps as they raced to the wire. After a lengthy deliberation, stewards left Wild Again as the winner but disqualified Gate Dancer from second to third for causing most of the problems by lugging in to the other two horses.

John Gaines' huge gamble paid off. The Breeders' Cup was off and running. It clearly has stood the test of time now, and I can't wait for the next chapter.

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The Friday Show Presented By Monmouth Park: A Publisher’s Retrospective

Publisher Ray Paulick has interviewed all sorts on The Friday Show, but this time around, the spotlight is on him.

On this week's episode, bloodstock editor Joe Nevills asks Ray about his beginnings, both in horse racing and covering the sport, which horses inspired him along the way, and what about the sport compelled him to make it a career.

Ray and Joe also discuss how the Thoroughbred industry, and reporting on it, has changed in the three-plus decades since Ray moved to Kentucky.

We then unveil a new and improved Star of the Week segment, in which the hosts look at a notable winner from the previous week at Woodbine.

Watch this week's show, presented by Monmouth Park, below:

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The Jockey Club To Take Over Production Of American Racing Manual

The Jockey Club announced Tuesday that it will take over production of The American Racing Manual from the Daily Racing Form. The manual has traditionally served as a source for historical racing trends and data for 125 years.

“We commend the Daily Racing Form team for their dedication to compiling the statistics and written content that have made up The American Racing Manual over the years,” said James L. Gagliano, president and chief operating officer of The Jockey Club. “This publication is an invaluable resource to the industry, and The Jockey Club plans to continue that tradition and hopes to improve upon it.”

Daily Racing Form will continue to provide content for The American Racing Manual, helping to maintain many of the longstanding features familiar to readers.

“Daily Racing Form is proud to contribute to the continued production of The American Racing Manual,” said Itay Fisher, president and chief executive officer of Daily Racing Form. “The racing manual has been the go-to source for historical data and yearly statistical information for well over a century, and we support The Jockey Club's efforts in taking over the stewardship of this great Thoroughbred title.”

Starting with the 2021 edition, The Jockey Club will provide the digital PDF version of the manual free of charge on its website as part of its online Fact Book. Over the next few years, the manual will be converted from a static PDF to a more dynamic product with links to source data and other user-friendly features to provide easy access to more information about Thoroughbred racing to everyone from researchers to fans.

The Jockey Club is accepting feedback for potential modifications to The American Racing Manual, which can be submitted to contactus@jockeyclub.com.

The Jockey Club, founded in 1894 and dedicated to the improvement of Thoroughbred breeding and racing, is the breed registry for North American Thoroughbreds. In fulfillment of its mission, The Jockey Club, directly or through subsidiaries, provides support and leadership on a wide range of important industry initiatives, and it serves the information and technology needs of owners, breeders, media, fans and farms. It founded America's Best Racing (americasbestracing.net), the broad-based fan development initiative for Thoroughbred racing, and in partnership with the Thoroughbred Owners and Breeders Association, operates OwnerView (ownerview.com), the ownership resource. Additional information is available at jockeyclub.com.

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