Freddie McKibbin Q&A: ‘My Auctioneering Style Is Lots Of Energy’

Freddie McKibbin has established himself as one of the most recognisable auctioneers at Tattersalls in a short space of time. The achievement is impressive enough given McKibbin is just 25 years of age. But the fact that he didn't set out to be an auctioneer in the first place is all the more creditable. 

McKibbin sat down with Brian Sheerin during the December Mares Sale to discuss his career to date and hopes for the future for the latest TDN Q&A.

It's hard to believe that you've only been auctioneering for two years.

I started in August 2021 but it feels like I have been doing it for a good while now. Auctioneering at Book 2 this year was nerve-wracking but, since then, it just feels like it is second nature for me which is encouraging.

And you didn't set out to be an auctioneer, either. 

No, that's true. I started bid spotting for Tattersalls during my gap year to try and earn a little bit of extra money on the side. I was working as a pupil assistant with Simon Crisford at the time. I'd always looked at the auctioneers and thought, 'God, I could never do that.' A couple of years later, after I'd done the Irish National Stud course and worked in Australia, I came back and applied for the Tattersalls internship. Luckily, I got that, but it wasn't until I sat down with Ollie Fowlston that I thought about becoming an auctioneer. When you think of auctioneering, you think of the American and Australian way of doing things, where the numbers just roll off the tongue. Obviously at Tattersalls, we have a more traditional way of doing things, where you make out what the auctioneer is saying and the figures the auctioneer is asking for. I initially thought I'd be too boring-and just say numbers, numbers, numbers-but I practiced a lot and Ollie came up to the ring with me quite a bit at the start. He was my mentor and the guy who honed in on me and said, 'right, if you want to give auctioneering a go, this is what you need to do.' Edmond Mahony was also a huge help and he invested a lot of time in coming up to the ring whilst I was practising and giving me advice and things to work on. It took a good year of practicing pretty much three or four times a week before I was ready for the real thing.

What does that unseen practice consist of?

So, we'd do it in sections. The ring would be completely empty but for me and Ollie. We'd start with the figures, going from one thousand, to two thousand and three thousand, and just get into a patter from there. Next we'd add in the fillers, which would be, 'bid again,' for example and then we could concentrate on introducing the lot and eventually the selling of the lot. We'd do it all in different parts before piecing it all together in the empty ring. Once I got to a certain stage Edmond would then come up with me, he would put his hand up and I would take the bid from him. I wasn't allowed to go on to the next bid until he took his hand down. I was like, 'right, this is a live situation,' and I had to stay on that figure and work as though it was a real sale. Essentially, counting is the easy part, but it's when you haven't got any bid and you have to fill the time, that's when it becomes tricky. 

Even for me watching on as a journalist, I find it hard to track who's bidding so I can only imagine how difficult it is for you to maintain your rhythm as well as everything else.

It is difficult and, here at Tattersalls, we can't take a bid unless we have seen it. At other sales houses, they have bid spotters who can make noises to signify a bid has been taken, but we don't do that here. The bidder has to bid to the auctioneer at Tattersalls for it to be accepted. There's a lot going on but, it's really enjoyable and, the more you do something, the more confident you get. My confidence is growing but, again, there's still lots to be working on and I still try and come up to the ring when I can to practise. I do a lot of charity gigs as well to keep the momentum going in between sales. I did the Leger Legends auction at Doncaster which raises money for the Injured Jockeys Fund. They're actually great fun to do because it's a completely different kettle of fish. You need to be sharp as you are selling different items and you're not trying to be funny but, on the other hand, it shouldn't be boring. They're definitely good to do. 

Does it ever become daunting? For a lot of sellers, how their horse gets on in the ring can make or break their year and, if it doesn't go right, you could be an easy person to blame. 

Exactly. You're in control of the room and, no matter what the vendor has done or what the purchaser is planning on doing, you're the bridge, you're the broker. It is high pressure stuff and I try not to think about it like that. When I tend to think about a high valued lot or a lot where I know the vendor is expecting to get well paid, that can sometimes hold you back in a way, so I try to treat every lot the same, no matter the status. Obviously I do take it all into account but, in general, I try to treat them all the same in a bid to alleviate the pressure and it's something that works well for me. My hope is to always come off the rostrum after giving it everything I can and hopefully there's a happy vendor at the end of it all. 

In terms of satisfaction, I'd say selling I'm A Gambler for 850,000gns at the horses-in-training sale last year and taking bids from some of the biggest players in the game from the rostrum outside would rank pretty highly?

Selling I'm A Gambler was brilliant because he exceeded both mine and Charlie Johnston's expectations. It was a great experience and one I am sure I will not forget! During Book 1, I was out on the podium. You've got some big players outside and some of them can be discreet bidders so it's all about knowing when they're bidding and being careful not to miss a bid. Thinking about it, it's actually brilliant practice for what I will hopefully in time encounter up on the rostrum at Book 1 and in the Sceptre Sessions. That is the main aim; to sell at Book 1 and the Sceptre Sessions in time.

Along with I'm A Gambler, are there any other moments that stick out in the memory bank?

Well the I'm A Gambler one is funny because, when you watch the video back, it looks as though I've pulled my hamstring atop of the rostrum. When the Najd Stud team bid again, I dropped down as though I'd pulled my hamstring, as I wasn't expecting it. It got circulated on social media and, while it was funny, I'm not sure it was the most professional moment! That sticks out but there have been a few slips of the tongue at times as well.

Of course, auctioneering is not the only string to your bow here at Tattersalls. You've climbed the ladder pretty fast and have become a recognisable and friendly face of the company.

Working hard and gaining as much experience as possible is the priority. There are so many different facets to the business and I have a lot to learn. I do the stabling for the yearling sales and other sales bar December, where I do a lot of organising and help run the Sceptre Sessions, for example. That is great. We target the high-quality fillies and mares and try to give people an incentive to sell at the Sceptre Sessions. I have enjoyed that and it is very rewarding when you see the Sceptre Sessions producing such strong results for the vendors who support Tattersalls. There's lots to the role and I try to get over to other sales to represent the company. Yearling and breeze-up inspections are another big part of it. That's a process I'm looking forward to doing more of next year.

You touched on the fact you've spent time with Simon Crisford, did the Irish National Stud Course and have worked in Australia as well. You've crammed a lot in for a 25-year-old.

I just wanted to get as much experience in different areas of the industry as possible. I spent a year with Simon as a pupil assistant and learned all things hands on. There were a few great guys there, including Les Reynolds, the travelling head lad. He basically showed me the ropes and took me under his wing. I don't come from a hands-on background in horses–my Dad is in equine insurance and my grandfather is Tim Richards, who was a racing journalist–but the passion was always there. The hands-on experience is what I was keen to get and Simon was brilliant for giving me advice.  It made sense to me to kick on and bypass university, plus the Irish National Stud course was a great experience and I met some great mates there. After that, I went to work for Arrowfield Stud in Australia, so it was all packed into a short space of time.

You're obviously very ambitious. 

I like to think that I am the type of person that when I put my mind to something I put all my focus and energy into it and try to be the best I can be at whatever it is. I was not the best at school but always loved sport and rugby was my passion. I ended up being captain for the first team and thankfully I didn't disgrace myself in my final exams either. I have always been very driven and I definitely have a competitive side. It certainly shows when I play golf with my dad and brother!

With that in mind, where would you see yourself in five years' time? 

Hopefully selling at Book 1 and the Sceptre Sessions and being a senior inspector for Tattersalls. I don't know what will come after that but I will continue to work on honing my craft as an auctioneer and working within the company at Tattersalls.

Did you ever think of race commentating?

It's funny you say that because Richard Pugh, a Director of Tattersalls Ireland and a race commentator said the same to me and Matt Hall. He said that the two of us should think about giving it a go. Look, I wouldn't say no to it. I can remember being put on the spot to commentate on the Hennessy, or races like that in front of friends, and it's mind-blowingly difficult. It's not something I'd rule out!

In terms of theatre and drama, I'd imagine there are few better places to work than at Tattersalls.

It's an amazing place. Everybody goes back to Marsha or Alcohol Free selling here but even some of the smaller lots are fascinating. I'll never forget Alastair [Pim, fellow auctioneer] selling the Kingman half-sister to Chaldean for a million. The way he got to a million was seriously impressive. Sometimes that theatre is seriously engrossing.

Being an auctioneer yourself, you can probably appreciate the craft better than anyone on the big days.

Definitely. It is a skill being able to get up there and remember everything you need to know about each horse, their physicality, their pedigree, the instructions from the vendor and spotting bids all whilst keeping your patter and potentially having one of the rostrum spotters giving you instructions at the same time. And then you have the added pressure of the big days when you know you have a lot who is the highlight. At the end of the day Tattersalls works on behalf of the vendor and for most it is their livelihood, so you want to do the best you can for them and get the result they want. I remember coming up to Tattersalls when I was younger and being so impressed by the auctioneers. Not only were they good at their job, but they were also entertaining whilst keeping their nerve and staying calm under pressure on the big lots. It is something I have tried to take into account with my own style and I try to let my energy and enthusiasm show from the rostrum. I am lucky that I have learnt from some of the best auctioneers in the game!

 

 

 

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Rory Cleary: Getting To Know One Of Jim Bolger’s Main Jockeys

Earlier this week, Jim Bolger told TDN Europe that the stable jockey void left by his retired son-in-law Kevin Manning would be filled by Rory Cleary and Luke McAteer.

   Cleary has already recorded big-race success for his long-standing boss, when guiding Mac Swiney (Ire) (New Approach {Ire}) to G1 Irish 2000 Guineas glory in 2021, and has opened up about what it means to be provided with an opportunity to play a bigger role at Coolcullen Stables this season.

   As well as being a key cog in Coolcullen's wheel, Cleary is also a hugely-respected breeze-up rider, and has a long and successful association with Eddie O'Leary's Lynn Lodge Stud outfit.

   In this week's Starfield Stud-sponsored Q&A, Cleary speaks about that famous day with Mac Swiney, his passion for young horses, including showjumpers, and how excited he is about the new season.

 

Brian Sheerin: Jim Bolger firmed up riding plans for the stable this week and confirmed that he was looking to yourself and Luke McAteer to fill the void left by Kevin Manning. That must have provided you with a boost.

Rory Cleary: It's great to hear it. That's the reason why I am still there working for Jim Bolger because, any time there has been a spare ride going, he never looked outside the yard. It's going to be an exciting start to the year and hopefully it all goes well and we can keep it that way.

 

What did it mean to ride a Classic winner aboard Mac Swiney in the Irish Guineas?

To ride a Classic winner, it means the world to any jockey, and it was amazing to do it. Because of Covid, the public weren't there but the jockeys made it really special for me as they came out in force and welcomed me back into the winner's enclosure. We did fancy Mac Swiney, especially when the rain came. It's not like he was a no-hoper. You know that when a man like Jim Bolger runs one in a big race, you are not there to make up the numbers, so it was amazing when it happened. It's something I'll never forget.

 

You are widely regarded as one of the busiest jockeys in the weighroom. Give us an idea of what a normal day looks like for you?

I ride out for Jim Bolger every morning and normally ride work for whoever I can on the Curragh in the afternoons. I was in Tally-Ho today to ride breeze-up horses for Lynn Lodge Stud and then came back to my own place in Kildare where I rode a few of my own horses.

 

That's a lot of miles.

It's a good few alright. Bolger's would be about a 50-minute drive every morning. I'd normally ride five or six lots in there and, on a work morning, I could ride a few more on top of that.

 

How much of an influence has Jim had on your career and what has it been like to be associated with the yard for over a decade now.

I'm with Jim for 12 years now and it's been unbelievable. Just the routine of the place, the facilities that he has, it makes it a great place to work. Not only has it been a great place to work, but it has been a great place to learn. I have been very lucky to be riding work with Kevin Manning and Gordon Power. There are plenty of top-class lads down there from the ground up. There are men there who would be able to train in their own right but they are happy working for Jim. For me, it's been a great place to be.

 

Mac Swiney, with Cleary in the saddle, winning the Irish 2000 Guineas | Racingfotos.com

You rode just one winner for Jim last season but it turned out to be in the G3 Eyrefield S. I suppose that shows that, even as the number two rider, top-class spares were going to fall your way, like we saw when you won the Irish 2000 Guineas aboard Mac Swiney.

Last year was a bit of a frustrating one for me to be honest. With the weights rising from 8st 4lbs to 8st 7lbs because of Covid, it took away those light weights from the big handicaps, which have been my bread and butter down through the years. Myself, Niall McCullagh and Wayne Lordan and a few others, we'd always have done light pretty easy, and in those big premier handicaps, you were bound to come in for some lovely spares. That didn't really happen last year with the weights going up. Take Verhoyen (GB) (Piccolo {GB}) for example, I won a Scurry H. on him because Billy Lee, his regular rider, couldn't do the weight. That was a nice spare to get. With the weights rising, it's gone very competitive and it's hard to get a ride in those races now.

 

You mentioned you do plenty of work with the breezers. Obviously they will be cranking up a notch in their work around this time of year. Are there any younger sires who have caught your attention at this early stage in the year?

The breeze-up side of things has gone very competitive and a lot of the consignors have really upped their game in recent years. They have bought the big pedigree horses by top sires so there's a lot of quality there. Yes, there's a few first-season sires on the scene and it's always interesting to see them coming along. I have ridden a Blue Point (Ire) for Lynn Lodge Stud and he's a nice horse, he's definitely quick, but I wouldn't be able to say I like the progeny of this sire or that sire until I've sat on a few of them. I haven't sat on a whole pile of horses by first-season sires but, on the Blue Point I rode, I liked him.

 

Do you ride for many other breeze-up yards?

I ride mainly for Eddie O'Leary. He actually got me started with the breezers and I'm doing it a long time for him now. I also ride a good bit for Katie Walsh at Greenhills Farm and she has had a lot of success in recent years.

 

Have you ridden many of the horses bound for Goffs Dubai Breeze Up Sale, the first one of the year?

I have and they are all big, good-looking dirt-bred horses who won't come into their own until they are 3-year-olds. They are horses who take a bit of time. Eddie has two going out there. I've sat on the two of them and they're impressive.

 

Would you breeze a few yourself?

I've two this year and hopefully it goes okay. One of them is showing plenty, so hopefully we get well-paid for her. She's by Raven's Pass and she goes really nicely. Hopefully she'll either go to the Tattersalls Guineas Sale or else the Goresbridge Sale at Fairyhouse. We've a nice filly by Highland Reel (Ire), but she'll take a bit more time. Hopefully she'll go to Fairyhouse.

 

It's not only the breezers that you trade. I know the showjumpers are close to your heart and you've had quite a bit of luck with them.

Myself and my wife, we have a small yard in Kildare and we breed sport horses. We produce them on for all sorts of phases; hunters, eventers and showjumpers. Some of them might just end up being leisure horses. We do a lot of breaking and pre-training as well.

 

Rory Cleary is all smiles after winning the Irish 2000 Guineas aboard Mac Swiney for Jim Bolger | Racingfotos.com

What would the market be like for a good showjumper?

We don't have the high-end horses but we're hoping to get into that bracket. In time, we'd like to get into the bigger and better horses but, at the moment, we're doing it on a small scale. Thankfully it's worked out well and we've traded horses to America, England, Holland, Germany and lots of other places so it's going well. Not only that, the people who have bought off us have come back and bought off us again.

 

And who would you pre-train for?

We mainly break horses in. I broke a lot of yearlings this year that will end up going breezing. I broke a lot of Cormac Farrell's horses and he plans on breezing a lot of those. They are all going well and he has a nice filly by Frosted going to Dubai. He has a nice bunch over both codes and is a busy man. He's constantly on the road and is doing very well for himself.

 

I spoke to your father Tom about a half an hour after you won the Guineas on Mac Swiney. Obviously, he couldn't be there because of Covid but you could hear what the win meant to him and the Cleary family as a whole.

It was a very proud moment for us all and I know they got a great kick out of it. You know, if it wasn't for the input of my parents, with Dad training the few horses and Mam starting us off on the ponies, who's to say we'd have had the passion for it. It's down to them that we developed the passion. For all the hard work they put in–they were never off the road bringing us showjumping, hunting or pony racing, and kept good horses under us–it meant a lot.

 

Have you ever thought about life beyond the saddle? Would you ever think of training like your father?

We'll pre-train anyway but, to be honest, I really enjoy the breeze-up side of things and the sport horses as well. My wife is a huge help to me in the yard and does all of the mucking out and, when I have them broken and riding, she rides them out with me as well. It's something we really enjoy doing together. We've the kids coming along and they've the ponies as well. We don't know what way we could but it will be something involved with horses, that's for sure.

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Phil D’Amato Q&A: ‘You Don’t Have To Spend A Lot To Find A Going Global’

   One of the finest turf trainers in America, Phil D'Amato has done exceptionally well with his European imports in recent years, highlighted by Grade I winner Going Global and more recently American Oaks scorer Rhea Moon. 

   In this week's Q&A with Brian Sheerin, D'Amato explained how, with the help of Niall Dalton, Craig Rounsefell and BBA Ireland's Michael Donohoe, he has built one of the most competitive stables in America.  

   Read about his approach to finding 'diamonds in the rough' on a budget, his training methods and much more. 

Brian Sheerin: You do extremely well with your imports from Britain and Ireland. What is it that you look for in form horses when you go about recruiting them from Europe?

Phil D'Amato: There are a number of factors. First and foremost, you need a horse that you think will handle a firm turf course and you can gauge that by the tracks that they have been running at in Europe and how they are handling that. If you don't have a good gauge on how they would handle the American turf, then you can check how the pedigree has done in the States and if that suggests they are prone to do better on firm ground. Number two, they definitely need a turn of foot. All turf races over here, from the quarter pole home, you need to show a good turn of foot. I definitely like to see that over horses who are more staying types in Europe. Horses who go to the lead in Europe and try to make all, those horses don't tend to do well in America, you need something with acceleration. Those are the big things for us. Conformation is another. I don't think conformation plays as big a part in Europe, especially with the amount of homebreds that race and the forgiving training surfaces, but in the States, conformation plays a much bigger role as our courses are not as forgiving. You need a horse with good conformation over here, one that's going to hit the ground square, so that it will be able to stay sound for you. 

You've built up a top-class recruitment team with Michael Donohoe and Niall Dalton coming up with a lot of the goods. 

You have to give them a lot of credit. I've also had a lot of good luck with Craig Rounsefell-all of those gentlemen know what to look for. They are trying to find the diamond in the rough and prove that you don't have to spend a lot of money to find a Going Global (Ire) (Mehmas {Ire}).They have good connections with the trainers and know who the sellers are. There are a lot of sellers in Britain and Ireland, as that's how a lot of these guys make their money given the prize-money over there, and not everyone can train for a Sheikh or somebody who is very wealthy. They need to trade so, in that respect, Niall, Michael and Craig know the people who will lead them the right way. They continue to buy horses from those people. 

And is it purely form horses that you buy from Europe or have you ever dipped your toe into breeze-up or even yearling markets?

We have bought a breeze-up horse or two but it's mostly horses who have run. I prefer to see a horse who has run at least twice and I am not a big fan of the horses who have run just once. To me, it seems like the horses who have run at least twice or more, they come over here to America and they seem to be hardier horses. You have a better handle on them and they tend to cope with the training better as well. They are better than the one-off horse who's run third or fourth. I just like horses who have been able to show their form a couple of times but, the flip side of that means that, getting to see a bit more often means that you have to pay that bit more. It has its pluses and minuses. 

I'd love to know what expectations you had for Going Global when you bought her after she won a Dundalk nursery off a mark of 70. Could you ever have envisaged that she'd improve to the level that she has?

Well, you know what, Michael Donohoe is really good friends with her former trainer Michael Halford, and we had bought horses from him before. Going Global had gotten sick previously and hadn't run well before she won at Dundalk but they had good reasons as to why she hadn't been running well. We knew that story coming into the race and then, when she did produce at Dundalk, it was time to strike. We had a little bit of extra insight into buying her and Halford liked the way that filly had been training for a while so he guided us in the right direction. That was the story there. 

You touched on the fact that a lot of trainers over here in Ireland where I am based, their business model accounts for trading horses, and Michael Halford would be up there with one of the best at that. Are there certain trainers you like to return to?

We have a good rapport with a lot of people and there are a lot of people who lead us the right way. It's the people who are going to leave a little extra in the tank who we are interested in buying off. That's the way I train my horses and I don't like to have them fully cranked first-time up. I like to let them develop through their races and I try to buy my horses off like-minded people. You need to try and buy a horse who is likely to continue to develop over here in the States. You know the yards that are crack first-time out specialists and I try to stay away from those trainers because all of their horses usually show everything they have first-time out. It's the guys who leave a little extra in the tank and like to let them develop race to race, those are the guys we like working with. 

What would be the key differences between the European horses compared to the American-breds who you have grown up with?

Size and conformation are the big things. To buy a dirt horse versus a grass horse, it's apples and oranges. You are looking at the horse totally differently. A dirt horse has a big thick bone, and a big hind end, gaskins and forearms, that can withstand training and pushing through the dirt. Your turf horse is a bit more angular, lighter of body and bone, just a little bit more agile. You need to put two different caps on when you are looking to buy a dirt horse versus a grass horse. 

And when it comes to acclimatising a European import, what is your approach to that?

They are all different and all treated as individuals. I like to gradually build them up and let them tell me when they are ready to do more and start breezing. Some horses take a month before you breeze them and others are ready to go within two weeks. They are all different. You can't put them in a cookie-cutter training style as they all needed to be treated differently. 

When you go down through the imports that you have done well with in America, there are no Galileos, Frankels or Dubawis in there, which makes the achievements all the more impressive. 

We mostly have horses by mid-range stallions, because we can afford them. We're not looking to buy a Galileo (Ire), Frankel (GB) or Dubawi (Ire) for half a million dollars, our budget is much less than that. Those are the stallions we look at, the ones that produce the goods but who are within our price range. We bought horses by Mehmas at the right time but now that stallion is moving up the ladder. It's all about leaving that to Michael and Niall, who are great at that. What's an advantage is, they work the yearling sales as well and watch these horses develop through all of the different yards. They have keen insights from when they hit the sales ground right up until when they race. That's a big advantage. 

American Oaks winner Rhea Moon (Ire) (Starspangledbanner {Aus}) is the latest star European import to grab the headlines for your stable. How did she come on your radar? In many ways she was quite unexposed given she'd only had the two starts in Ireland for Ken Condon. 

She ran a really good second to a Juddmonte colt [Straight Answer (GB) (Kodiac {GB})] on her second start at the Curragh and that horse came out and won a stakes race not too long afterwards. She had good sneaky form in that she came out of a live race and ran a good second. Again, she came from a good yard that develops them the right way instead of having them cranked to the gills first-time out, so she looked a nice prospect. We went after her and thankfully we were able to get her.

You touched on how important a turn of foot is on the American turf racing scene. She showed that when winning the Oaks. Where next for her now?

She's in steady training right now and we will probably run her some time in March or April with a view towards a prep for the Gamely S., that's a Grade I, which we have in late April. Hopefully that will launch her 4-year-old campaign and lead us towards the Breeders' Cup in November. 

Given the prize-money situation in Britain and Ireland, have you had much interaction with owners from this part of the world who are interested in placing their horses in training directly with you rather than selling them abroad?

I actually have started to get overseas owners going that route as opposed to me buying them. We'll see how that goes. I got a filly sent to me, called With Love (GB) (Territories {Ire}), who is owned by Atomic Racing in Ireland. 

Look at a filly like Bellabel (Ire) (Belardo {Ire}); she won a race worth €6,490 on her final start for Jessica Harrington in Ireland but has won almost $200,000 in America which is borderline insane. 

She was another nice pick by Michael Donohoe. He has many clients who have horses in training with Jessica and she recommended us to buy her as the owner wanted to sell. We were in the right place at the right time. We gave her a little break and she'll also be back towards the end of the month. Hopefully she's another nice prospect for us. 

Has it been a conscious decision for you to concentrate on turf racing in America over the dirt?

The concentration on turf has really come down to budget. In America, if you want to compete with the Bob Bafferts, Todd Pletchers and Steve Asmussens of the world, it costs a lot of money. Those gentlemen have many million-dollar yearlings to work with and, to try and compete against that, you have to have a ginormous budget. I am lucky to have good owners with good budgets but nowhere near that. You can buy a good European horse for a fifth or a tenth of that price. It seems that, in turf racing, too, these horses seem to have a little more longevity and can be campaigned for an extra year or two. The racing is really more about that last quarter burst over the punishing grind from start to finish on dirt. That's why these horses seem to last longer and get the chance to develop into stakes horses or, for the fillies, into breeding prospects. 

Where do you see the future of turf racing in America? It seems to be expanding and growing so it could be an exciting position to be in.

I really see that. I see an expansion of turf racing across the country for many of those reasons; the longevity of the horses and people seem to like the last quarter mile compared to dirt races that can be decided right out of the gate sometimes. People like to enjoy seeing their horses run over a long period of time and so turf racing fits that category. 

Could we ever see a Phil D'Amato-trained runner at Royal Ascot?

One day. That definitely is a dream. I know Wesley Ward has been successful at Royal Ascot. You definitely need to bring the right horse but, one day, it would be a dream for me to do something like that.

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Henry Field Q&A: “The Winning Post Trumps All”

In a little over a decade, Henry Field has built Newgate into one of the leading stallion operations in Australia and a force to be reckoned with on the international thoroughbred playing field.

   Foxwedge got the stallion arm of the operation up and running in 2012 and, since then, the roster has grown exponentially, with Capitalist and Extreme Choice some of the more recent additions to the farm.

   In this week's Q&A, Field explained the key principals that helped him build Newgate into what it is today, discussed the thinking behind partnering up with Rathbarry Stud to buy State Of Rest and much more.

Brian Sheerin: You have achieved a lot at Newgate in a little over a decade. If you could take me back to the beginning; what were your key principals in getting Newgate off the ground?

Henry Field: We didn't specifically set out to try and make Newgate a big stallion operation, it just grew organically. When we started out in 2010, we had a leased farm of about 200 acres, a couple of mares and borrowed a bit of money to get up and running. Thankfully, through my good friend James Harron, who had a good client in the Bateman family, they boarded a few mares on the farm. The Bateman family also gave me the opportunity to syndicate Foxwedge (Aus), a good stallion who shuttled between Australia and Europe, and that's what really got us going on the stallion front. At the same time, I had built up a really good relationship with Gavin Murphy and Tom Ryan of SF Bloodstock and we decided to embark on a joint venture at that time and build Newgate with SF Bloodstock as a major partner. Matthew Sandblom, one of my oldest clients, is an educational entrepreneur in Australia, and he also came on board in the partnership with Newgate. Between us all, we built Newgate into what is something pretty cool.

In many ways, you ripped up the playbook. Do you take time to look back at what you have achieved or are you someone who concentrates only on the future?

Always looking to the future and always trying to get better. The key to our success has been our personnel and the team. Obviously our farm is headed by Jim Carey, who I was lucky enough to work with at Coolmore 20 years ago, and I think he's the best stud manager I've ever worked with. I couldn't believe it when he came on board to work with us and he has been a huge part of our success story. On the bloodstock and sales side of things, we have Bruce Slade and Tony Williams, who are very experienced guys. Between us all, we've got a strong team that allows me to grow the business. I obviously work very closely with my partners in growing the business and, having the likes of Jim, Bruce and Tony managing the day-to-day running of things, that allows me to use my time on growing Newgate. It's grown exponentially since we started out.

You obviously built your brand with speed horses in Australia but now seem to be diversifying the business with more stoutly-bred horses. State Of Rest (Ire) is a good recent example of that. That may have come as a surprise to a few people. Why is it that you felt he'd be a good fit for Newgate?

Australian speed sires have been the bread and butter of the Australian sires' table for decades. Most people would agree that what we do best in Australia is speed horses and we probably have the best speed horses in the world down here. It is a high quality product, the Australian speed stallions, and it has really got our product going in Newgate, with Extreme Choice (Aus), Capitalist (Aus) and Deep Field (Aus), who have been so dominant here and in Hong Kong and broader Asia. Russian Revolution (Aus), the champion first-season sire in Australia last season, is another example, so they are all very fast horses, but we had been talking about diversifying over the past number of years as we felt there was an opportunity to bring in a high-class middle-distance horse into the operation. They are hard to get and obviously Coolmore and Godolphin have a stranglehold on the majority of the high-class horses who are retired to stud in Europe each year. Conceptually, I think that horses who can perform well in Australian conditions, they are often the ones who make the best sires and the fact that State Of Rest was good enough to come down and win the Cox Plate, our premier weight-for-age race where he beat our champion three-year-old Anamoe (Aus) and our horse of the year Verry Elleegant (NZ), it showed that the horse had top-class mile-and-a-quarter talent. Not only that, the fact that he did it after landing a Grade 1 in Saratoga, it showed that he had the tenacity and toughness that comes with travelling all over the world and succeeding at the top level, which is very important for us here in Australia. When State Of Rest became available with Rathbarry Stud, we jumped at the opportunity to partner with them to buy him. He went on and confirmed himself an outstanding racehorse when winning Group 1s in France and at Royal Ascot. But we had taken a view that, if we are going to stand a middle-distance horse, it has to be the right one for Australian conditions, and we are confident that State Of Rest is the right fit.

So this had been on your mind before State Of Rest became available?

Yes, we had discussed it with the team and were actively trying to find a middle-distance horse with the right attributes, but obviously they are hard to find. As soon as State Of Rest won the Cox Plate, it became obvious that he was the play. Also, Nick Williams, who is a big owner in Australia and in Joseph O'Brien's yard, told me the massive opinion that Joseph had of the horse before the Cox Plate so that performance did not come as a major surprise and the wheels had been set in motion. What the horse did after the Cox Plate, in winning Group 1s in France and at Royal Ascot, confirmed that he was a great investment for us and our partners in the China Horse Club.

Does State Of Rest represent a new challenge in terms of marketing him in Australia as he is something different for Australian breeders?

I think he will be received extremely well. For a brand like ours, that really specialises in Australian speed, for us to go and buy a Cox Plate winner, I think people take note of that in a very positive way. This is not a decision that was taken lightly. It has been well thought out and I think people notice that and I think they will support the horse heavily. I am sure that State Of Rest will be booked out within weeks of announcing his fee for this year.

You have set the rock-solid foundations with your sprint stallions at Newgate but, along with State Of Rest joining the roster, it seems as though there is plenty to look forward to on the track with the more stoutly-bred Militarize (NZ) (Dundeel {NZ}) shaping up to be a smart runner.

The reality is that the Australian sires' championship is dominated every year by the fastest horses, for the most part.There are some exceptions to the rule and there are some very good shuttle stallions, no more successful than Danehill (Ire) and more recently More Than Ready, so there are examples of very potent shuttle sires. Then there are some very successful middle-distance stallions, the likes of Zabeel (NZ) and So You Think (NZ), along with a horse in Melbourne, Shamus Award (Aus), who started from a low base. We don't want to be long in these types of horses but when there's one we have belief and high conviction in, we're certainly happy to take them on board.

What does the future hold for Militarize? He looks like a smart prospect.

He's more of a seven-furlong to a mile style two-year-old. There are two Group 1 races in the Sydney Autumn Carnival, the Group 1 Sires Produce Stakes and the Group 1 Champagne Stakes. We've won both races before and they are the two races we could target with him. Hopefully that will set him up for being an important middle-distance three-year-old for us.

The stallion partnerships are obviously very popular in Australia but what is it that you set out to buy when sourcing a yearling that you hope to stand at stud one day?

For me, first and foremost, they've got to be athletes. I'm far more focussed on buying runners and horses who are built mechanically-muscle tone, athleticism and class-how I like them. I probably work hardest to try and buy the racehorse first and am a big believer that horses can make their own pedigrees. It's a big bonus when these horses have a page behind them, and we'd never underestimate that, but I try to buy the best racehorse we can. The best stallion prospects are almost always the best racehorses.

It's almost becoming a buzz word in Europe, 'we need to be more like Australia,' but in reality, that's one of the few countries where spending a million dollars on a yearling can be justified given the prize-money on offer.

For sure. The reality is, it only makes sense if you are buying stallions and you won't last very long unless you are producing the goods and buying horses who end up on the roster as it's a very expensive game. We don't take for granted that one or two bad years could really put us in a bad spot. We've had a huge amount of success doing it and, alongside China Horse Club and our other partners, we've raced 12 colts who have gone on to be stallions in a seven-year period. We're probably averaging on purchasing 20 colts a year and, at the end of the day, results are what matter so we're lucky to have had success. With success, it gives longevity to the programme.

What would a day in the life of Henry Field look like? You are dealing with a lot of powerful people and there must be a lot of communication involved to keep everything moving in the right direction? If there's a lot of pressure involved, you seem to be dealing with it very well.

Obviously when the horses are winning, and we've been on a massive run with our two-year-olds this year, that makes it feel a lot easier. When they are losing, it can be a bit lonely. The one thing I would say is that we are massively selective when it comes to choosing our partners. Each and every one of them are outstanding and we're all close friends. We've a very strong social group and, even though we have some of the most successful business titans in Australia within the group, we've all got mutual respect for each other. I'll tell you what else is great, whether we have a good or a bad day, we all stay strong. We've been together for long enough that we can ride the ups and downs. We share the ambition to have success, which is imperative to keep the whole thing rolling, but we also have close relationships and friendships with the people who are involved in these partnerships. That's a wonderful thing.

You were in attendance at some of the biggest meetings in Britain last season courtesy of Artorius (Aus) and State Of Rest. What were your key takeouts from that trip?

For Australians, taking  horses to Royal Ascot is probably the ultimate in racing. It was an honour to win the Prince Of Wales's Stakes with State Of Rest and come so close to winning the Platinum Jubilee Stakes with Artorius, who got held up before flashing home and just failing to get there. Bottom line, you need a hell of a good horse to take up there. There's no point in bringing a second-rater. We'll certainly be trying again this year and Artorius will go back for another crack at the Platinum Jubilee. Hopefully with an ounce of luck, he can be winning there this year.

Artorius could be earning a lot more money staying in Australia but international competition is what underpins meetings like Royal Ascot.

I've got great admiration for the Japanese, who you could make the same argument for. They could keep their best horses on home shores and run them for a lot more prize-money but they like to travel. We have an obligation to travel our horses. The quality of Australian racing at this point, especially up to a mile, has never been better. We have some very powerful genetics. There is a lot of wealth in the Australian bloodstock industry and that has created a situation, a bit like in Japan 20 years ago, where the Australians are going over and buying some of the best northern hemisphere mares in the world. I think we are breeding some great horses and almost have a responsibility to bring them all over the world and showcase how good our product is.

And I understand there is an exciting chapter about to be written with Extreme Choice?

We are breeding northern hemisphere mares to Extreme Choice, who is statistically the best stallion in Australia and running at 17 per cent stakes horses to runners. He's obviously had fertility problems but, from his first crop, he's had a Golden Slipper winner and many more top-class runners. He's a phenomenal stallion so we are breeding some mares on the northern hemisphere time to him and have set an ambitious goal for one of them to win a two-year-old race at Royal Ascot. We've set a long range plan with Extreme Choice and look forward to bringing some of his better two-year-olds to Royal Ascot to take on the best juveniles in Europe in a couple of years. That's certainly one of the biggest ambitions for our partnerships, to take on the best two-year-olds in Europe and show them that ours are the best in the world!

You touched on the sales; Newgate enjoyed a great start to the new year at Magic Millions.

We had 54 offered and sold 54 at Magic Millions. We were the leading vendor, once again, and also the leading buyer as we bought 18 colts for our syndicate. They will race in our partnership and hopefully we'll have a lot of success and one or two of those will end up being stallions at Newgate. It was a very busy sale but certainly one I came away from feeling quite satisfied that we did a lot of good business at.

Who would you say your biggest influence has been?

Doing the Godolphin Flying Start programme provided me with a huge head start. From there, I got a great position with Coolmore, where I was given a lot of responsibility and opportunity. To have gained experience with two of the preeminent global stallion operations set me up well for starting Newgate. But as individuals go, I started out in this industry with Gai Waterhouse and she hammered into me the importance of work ethic and integrity. There was no better school to learn the basics than in Gai's. I only spent a short time working with Tim Hyde in Ireland but I think he left one of the biggest impressions on me. He educated my eye and, a lot of the success we have had in buying horses in Australia down through the years, I would attribute that to Tim. It was such an honour to walk around the sales complex with Tim. There are no finer horsemen than him. He took me under his wing for about six months but it was a time I will never forget. I've learned a lot about horses from a lot of good people but he really taught me more than anyone else in this industry. The basis of every horse I buy now, it stems from what I learned from Tim. The other people who have been extremely important to my career have to be my business partners, Gavin Murphy and Tom Ryan of SF Bloodstock. They are two of the smartest guys in the game and they make me look very intelligent. It wouldn't matter what country a mare or stallion is in, they are the sharpest guys I've met at valuing horses and buying and selling. I would definitely say that the SF team have been a phenomenal help in driving the success of Newgate, along with my other partner Matthew Sandblom, a self-made businessman. It's very easy for me to say we've built this great business at Newgate but I can assure you that, without Gavin, Tom and Matthew, there'd be no Newgate today.

How would you define success at Newgate?

Success for us is a continuing focus on being the best we can be. I think in this business, all the marketing and sales that you do, none of that really matters. All that matters is the winning post. If I had to define success for Newgate in two words it would be the winning post. I must add that another lightbulb moment came about five years ago when I was lucky enough to visit Arthur Hancock's Kentucky Stone Farm. Tom Ryan took me out there and their way of raising horses is very organic and natural. It goes right back to how it was done decades back and, over the past five years at Newgate, there would be very few farms with a better record than ours at raising horses. I would credit that to our methodology of raising horses hard and tough. The value of bloodstock had sky-rocketed in the past decade or two and a lot of horses are being raised a bit soft as a result. Arthur raises his horses as naturally as possible and he gets big, strong and tough horses as a result. Certainly at Newgate, there can't be many farms that raise their horses in bigger paddocks and in bigger mobs than what we do. I am sure that has played a major role in our success. All facets of this business are important but the winning post trumps all. Whether that's for your stallions or the racehorses that you are breeding, winning races and winning good races is really all that matters.

What has been your best day in racing?

Being involved in the ownership of two Golden Slipper winners in Stay Inside and Capitalist. Winning Golden Slippers is the ultimate for us so, being involved in the ownership of two of them, that is something that was very special.

Newgate has exploded into a global brand and you've achieved a lot in 10 years but it seems like there is still a lot more to come. You are clearly quite hungry still.

I feel like we've built a great platform. We started off 10 years ago with a dream and now we've got great foundations built. Naturally, if you look at where we might be in another 10 years' time, we're starting from a far better position than when we set out in this business.

The post Henry Field Q&A: “The Winning Post Trumps All” appeared first on TDN | Thoroughbred Daily News | Horse Racing News, Results and Video | Thoroughbred Breeding and Auctions.

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