Who Will Be This Year’s Leading Freshman Sire?

From a stellar class, which freshman sire will emerge on top? And what sire currently flying under the radar will be the year's biggest surprise? With the first 2-year-old sale of the season, OBS March, now in the books, we thought it would be a good time to ask the experts:

JUSTIN CASSE
Top pick: Mendelssohn (Scat Daddy–Leslie's Lady, by Tricky Creek). 2022 fee: $35,000, Coolmore America.
“I saw some very athletic two-turn horses by Mendelssohn with size, scope, strength, and balance. They were very athletic types and they breezed fast. I didn't imagine some of them putting in as quick a breeze time as they did, but the fact that they did and are bred and built to go two turns, that would make me excited. They were attractive, athletic types that were scopey. Not all horses built like that have speed, but they showed speed. It was impressive to see what they were capable of.”

Under-the-radar pick: Cloud Computing (Maclean's Music–Quick Temper, by A.P. Indy). 2022 fee: $5,000, Spendthrift Farm
“I think they were well-balanced, solid, with good bone, good substance, size scope and strength. I vetted three or four of them, and they were typically good-moving horses, with little wasted action, and very good walkers. I think what you're seeing is that the yearling market was so strong last year that most of the pinhookers probably needed to step down their choice of the desired freshman sires. They probably couldn't afford most of the ones that everybody wanted, so you had a horse like this who was throwing quality individuals and they were falling into those pinhookers price bracket at the yearling sale. They were a pleasant surprise at the sale. These horses looked more like milers–precocious with a good walk. I'm sure there's a lot of Maclean's Music coming through there.”

DAVID INGORDO
Top Pick: Bolt d'Oro (Medaglia d'Oro-Globe Trot, by A.P. Indy). 2022 fee: $20,000, Spendthrift Farm.
“I thought Bolt d'Oro was an immensely talented horse. I saw him training in California and always got really good reports on the horse. When I saw his offspring , I thought they were nice horses and very athletic. Then I watched them develop from yearlings into two-year-olds and they all came forward really nicely. We have some going into training that we bought as yearlings that we are pretty high on. Then seeing his sales horses kind of put the exclamation point on it.”

Under-the-radar pick: Accelerate (Lookin at Lucky-Issues, by Awesome Again). 2022 fee: $15,000, Lane's End.
“Disclaimer, I was intimately involved with Accelerate. We bought him as a yearling and we broke him at the Mayberry's. We sent him to John Sadler and he stands at Lane's End. I've been watching him since his yearling year. That's how long he's been part of my life. He's never let us down and he improved from year to year. I'm very high on the ones we have in training and we bought a few more at the sales because we didn't have enough. He's never missed a mark. He's done everything right for us. These ones at the two-year-old sale are showing some speed, which he himself had. The criticism is that he didn't start running until later on. He was a May foal and we took our time with him and let him grow up. The ones with earlier foaling dates are showing precocity and speed. I've been happy with the ones we have at the farm and the ones I've seen at the sale.”

LAUREN CARLISLE
Top Pick: Mendelssohn.
“They have size, scope and the ability to run on turf or dirt.”

Under-the-radar pick: Good Samaritan (Harlan's Holiday-Pull Dancer, by Pulpit). 2022 fee: $7,500. WinStar Farm.
“The March group breezed well and had solid physicals.”

MIKE RYAN
Top Pick: Good Magic (Curlin-Glinda the Good, by Hard Spun). 2022 fee: $30,000, Hill 'n' Dale Farms.
“It's a very strong crop this year. You have the five main sires-Justify, City of Light, Mendelssohn, Good Magic and Bolt d'Oro. It's a loaded generation. Some people will say I am biased, but my pick is Good Magic. People might say he's picking him because he's his own horse. I have seen quite a few training at Stonestreet and at Niall Brennan's and some other places and I was very impressed with what I saw. They are very much like him. Great attitudes. Great demeanors. Great appetite for training and they enjoy what they are doing. They are focused and committed, a trainer's dream. He was like that himself. I like Mendelssohn quite a bit, too. It might be a flip of the coin between Mendelssohn and Good Magic.”

Under-the-radar pick: Cloud Computing.
“Niall Brennan has a couple that I have seen train and I was most impressed by them. He reminded me a little bit of Upstart from a few years ago. I didn't give Upstart a whole lot of recognition at the yearling sales. But when I saw them train as two-year-olds I was very impressed with them. I think Cloud Computing will prove to be a good value. They're well grown. They've got speed. But I don't think they'll be limited to one turn. ”

LIZ CROW
Top Pick: Bolt d'Oro.
“I have been really impressed with the Bolts overall physically. A bunch of them breezed well at OBS. They were quick and precocious.”

Under-the-radar pick: Cloud Computing.
“We had the Cloud Computing that we sold for $560,000. We bought him as a yearling and he just improved every day since we bought him. We have another one that is going to the April sale that we like as well. The ones I've been around have been really nice horses.”

JARED HUGHES
Top Pick: Good Magic.
“He was a good two-year-old and his offspring have a lot of quality to them. They are very classy. I think they will be forward enough to be around for the big fall races. I don't expect them to be early. I more expect them to start winning in the two-turns races. Like the Connect model.”

Under-the-radar pick: Accelerate.
“They have the right shape and they seem to have really good attitudes. They seem like they could be forward, even though he, as a racehorse, wasn't that forward.”

The post Who Will Be This Year’s Leading Freshman Sire? appeared first on TDN | Thoroughbred Daily News | Horse Racing News, Results and Video | Thoroughbred Breeding and Auctions.

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Sikura’s Faith Rewarded by Grade I Exacta

It is now a decade since John Sikura was walking through a Lexington steakhouse and glimpsed, on a screen over the bar, a bay colt coasting clear of his pursuers with sparks coming from his heels: :21.24, :43.48, 1:07.44.

He was puzzled: it wasn't yet the weekend, and he wasn't aware of any stakes being run that day. Seven lengths in a hand ride. Then they told him that this was just a maiden race out at Santa Anita. Sikura couldn't believe his ears. He wasn't alone: a 114 Beyer for this son of Distorted Humor was the highest ever awarded for a debut.

To Sikura, this was an epiphany comparable to the time he was making a fishing trip in Argentina and hooked Candy Ride (Arg) running a mile in 1:31 flat. In the event, that horse would only start his stud career at Sikura's farm before moving on; but Maclean's Music has conversely initiated a relationship, with breeder Barbara Banke of Stonestreet, that has meanwhile only strengthened through the arrival at Hill 'n' Dale of Curlin, Good Magic and Kantharos.

Sikura remembers arranging to meet Banke and her advisor John Moynihan at the September Sale and asking himself how he could adequately convey his zeal, despite the fractured splint bone that had confined Maclean's Music to that single, dazzling excursion. After all, Banke had herself shown extraordinary belief in retaining the colt at $900,000 as a yearling; and Sikura's soundings with the horse's trainer had drawn a commensurate endorsement.

“Steve [Asmussen] told me that this was not only the fastest horse that he's ever trained,” Sikura recalls. “He said, 'This is the fastest horse I've ever seen.' And from someone like Steve, that really stuck with me. I felt bound and determined to buy that horse, because I believed him to be a supernatural talent. It took about two years of conversation. And when the horse was finally retired, I made what I thought at the time a ridiculous offer–as if he was a Grade I horse. But what you bid should show your commitment. So we struck a deal quickly. I jokingly say that I know I offered too much, because once I made the offer, we discussed everything else–but we never discussed money again.”

Yet whatever Sikura put on the table that day is now proving good value. For one thing, he felt certain that Maclean's Music, but for his injury, would have put himself way beyond reach. As it was, Sikura and his partners started Maclean's Music at just $6,500. Last Saturday, two of his sons finished a street clear of the rest in a stirring duel for the GI Woody Stephens S. The winner, Drain The Clock, is his fourth at the elite level. The first, of course, had been 2017 GI Preakness S. scorer Cloud Computing from his debut crop.

Over the years, the example of Danzig has inspired many failed speculations on talents that had flared only briefly on the track. But Maclean's Music, now up to $25,000, already has Cloud Computing and Complexity at stud; while the two protagonists at Belmont, Drain The Clock and Jackie's Warrior, will presumably follow them in due course. Other recent credits include a first graded stakes success, after consecutive Grade I podiums, for Estilo Talentoso; and a :55.3 track record for Pimlico stakes winner Firecrow. All this when priced for mares who could bring little to the table.

But then one of Sikura's axioms has always been that “the genetic switch” is either on or off. “I think Quick Temper (A.P. Indy) was 16, she'd never had a black-type horse,” he notes. “And then she has a Preakness winner. Complexity's dam is by Yes It's True. Okay, a good broodmare sire, and he was a lovely type–but I didn't see Grade I. Jackie's Warrior is out of an A.P. Five Hundred mare. So credit to the horse, these mares have just been a conduit of his success.”

And whereas Into Mischief was required to seal his rise by stretching his trademark speed to Classic distances, Maclean's Music had addressed that challenge straight off the bat with Cloud Computing. True, his highest achievers since have been dashers, consistent with the overall branding of his family: his remarkable dam Forest Music (Unbridled's Song), who last year came up with her third graded stakes winner in Uncle Chuck (Uncle Mo), made all in the GII Honorable Miss and extends a branch of the Lady Be Good (Better Self) dynasty also decorated by the dashing sprinter Mining (Mr. Prospector).

Remarkably, despite soaring to 181 mares in 2017 after clocking 20 winners from just 40 freshman starters, Maclean's Music had slumped to 57 by last year–and of these, Sikura supplied maybe 35. Fortunately, that bumper 2018 crop is the one that has already produced Drain The Clock and Jackie's Warrior. It seems safe to say that Maclean's Music has now ridden out the bump in his road.

“This year we've had more than 300 requests to breed the horse,” Sikura reveals. “His fee will definitely rise next year: I believe he's emerging as an important young sire that has proven he can get the utmost quality without the coveted mares. And when a horse like this starts breeding graded winners, or three dams deep in black type, then the possibilities are endless. He's getting patronage from serious breeders that hadn't considered the horse before.”

That, he stresses, is not intended as criticism. After all, he himself didn't use Into Mischief until he had reached $100,000. Yet everyone in the business knows that Sikura mixes his colors on a different palette. Yes, he knows that the sums will only add up if you ultimately achieve commercial traction. As he often says: “The market is always right–even when you disagree with it.” Nonetheless a different mindset is required when prospecting for stallions. Otherwise you find yourself in a long line for the obvious horse, with the last guy standing guaranteed to have overbid.

“Everything I do in my life, every time I have big decisions to make, I try very hard not to listen to the chatter,” Sikura remarks. “Without being reckless, I think you have to believe in yourself and heed your intuition. That's the way I've always been: I'm not driven by projections, or odds. I've certainly been wrong plenty of times, and will be wrong again. But when it's all over, I wouldn't have changed anything. Because making decisions that way has served me well even in defeat. The reward is always the journey. Successes are only fleeting. But my failures, my disappointments, have taught me lessons. If you're in the middle of the road, you're going to get run over by a car going one direction or the other. So you have to act and think boldly.”

Not that he senses any imperative to quirkiness or unorthodoxy. Charlatan, for instance, he notes as a very obvious specimen–and, sure enough, potentially the best he has ever recruited for the farm. But what Sikura does resent is when that herd mentality denies a stallion a fair chance to show his potential. He wants people to think for themselves. Deriding their meek obedience to trends, he recalls a period when every middle-aged man of his acquaintance bought a Harley Davidson and smoked Cuban cigars. (Never mind that some dude in Miami had stuck on a fake label.)

“And when most breeders hear the same opinion often enough, they start to think it's their opinion too,” he says. “It's against human nature to be independent: to support a horse until your belief is either proven out, or proven wrong. We have such a commercial business, everybody wants to be so current that they ignore a body of work. Yet the reality of breeding to a stallion who's hot in 2021 is that your foal will not be born until 2022, or sold until 2023. And by then all the drive behind him will most likely have transferred to another horse of the moment.”

Any horse can have a good or bad year. Sikura feels they get overpraised for one, overpunished for the other. Like so many of us, he is depressed by a “travelling caravan” from one new stallion to the next; by the stigma of familiarity against the proven horse; by breeders paying extra for the unknown, only to find themselves competing with each other on a flooded market.

But every now and then you get a young stallion that does make it over the crossroads. At 13, Maclean's Music now looks like he is the latest to weave through the traffic of fashion. “You can't pinpoint the moment,” Sikura says. “There's just a sort of energy in the pavilion that changes.” Sure enough, the top colt of the opening session at OBS this week was a $350,000 Maclean's Music that had failed to meet his reserve as a $6,000 weanling.

It's a rare stallion, though, that can beat the odds in an environment where farms must throw so many incentives into getting people aboard. Sikura feels that a left-field proposition like Lost Treasure would have been given a far better numerical opportunity 10 years ago. Nonetheless he will keep rolling the dice, for instance by backing Army Mule just the way he did Maclean's Music.

“I have to be very cautious, very selective, in doing anything 'obscure,'” he accepts. “Because I will have to do all the heavy lifting myself. If it works out, good. But it's a lot of time, money and effort to invest, if the only believer is yourself. Do that too often, and you'll go broke finding the mares to prove a point. And I'm not just trying to be contrary or counterintuitive.”

When things do work out, however, there is a corresponding sense of fulfilment. “It is rewarding,” Sikura says. “If the odd time you're the only one with that strong belief, then you should go for it. Because most good horses, there's a story behind them. It wasn't easy or obvious, wasn't always A.P. Indy topping the sale. American Pharaoh was out of a Yankee Gentleman mare. So many good horses come from a place where opinion hasn't identified them–but they've always been right there. So the only thing changing is the momentum of support.

“There will be mockery and ridicule, usually from those that never take risks or were born with enough that they really don't have to create for themselves. But my passion and my commitment will always take priority over commerce. If you do it right, commerce follows.”

Especially if people see that you have done something once, and then do it again. They figure that you might just keep doing it. That applies as much to maverick horsemen, like Jim Bolger, as to stallions themselves.

“I think every year it gets harder,” Sikura concedes. “Every year opinions narrow. But I was taught to be authentic–in what you do, and in the business that represents who you are–and that's the way I want to stay. I'm not saying it's enlightened or better or smarter. It's just my way. You have one life to live. And this is a hard business. But it's one where you can express yourself uniquely. You can find the mare that piques your interest in Book 6 as well as Book 1. And I think it's more enriching if you can make your own path rather than follow the trodden highway all the time.

“You can set trends or follow them. But when you follow them, the opportunity to make money is gone. I always say that when everybody knows, it's too late. Maclean's Music was possibly a reckless pursuit. But there's a very pure litmus test: his offspring competes against the offspring of others, and we can judge them on performance. A smalltown kid that shows up in the big city won't get much initial opportunity. But the one that eventually wins out is recognized for what he is. So for Maclean's Music I hope this is just the beginning.”

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Brown: Crowded Trade Needs ‘To Step Up’ For Preakness Start

Four years after securing his first victory in a Triple Crown race in the Preakness Stakes (G1), trainer Chad Brown is aiming Crowded Trade for Pimlico Race Course's signature event on May 15.

Cloud Computing, a 13-1 long shot co-owned by Klaravich Stables and William Lawrence, won the 2017 Preakness by a head over Classic Empire. Klaravich is the sole owner of Crowded Trade, who has been on course for the Preakness since finishing third in the Wood Memorial (G2) at Aqueduct on April 3.

Brown said Wednesday by phone from Saratoga Springs, N.Y. that Crowded Trade is scheduled to work this weekend, probably on Saturday, weather permitting.

“Assuming he works well, I'm planning on coming to Pimlico and trying the Preakness,” Brown said.

Hall of Fame jockey Javier Castellano is booked to ride the colt in the Preakness.

Brown's only other Preakness starter was Good Magic, who ended up fourth in a tight finish of the memorably fog-shrouded 2018 running won by eventual Triple Crown champion Justify.

Crowded Trade is a work in progress for Brown, the four-time Eclipse champion trainer. After breaking his maiden by six furlongs Jan. 28 at Aqueduct, the son of More Than Ready finished second by a nose to Weyburn in the Gotham (G3) before going on to the Wood.

“He's got to step up off his last race and prove he can get the distance,” Brown said. “In both of his last starts, as we have stretched him out, he has come up a little short through the stretch. He makes a good move and he sort of hung a little bit both starts. The distance is definitely a question mark, but he seems like a horse that's improving.”

Although Crowded Trade had enough qualifying points to make it into the field, Brown opted to skip the 1 ¼-mile Kentucky Derby (G1) and wait for the 1 3/16-mile Preakness.

“We specifically sat out the Derby to try to give him a little bit more time in between starts and try a slightly shorter distance than the Derby,” Brown said. “As of right now, we're still following that thought process to give it a try.”

The post Brown: Crowded Trade Needs ‘To Step Up’ For Preakness Start appeared first on Horse Racing News | Paulick Report.

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Kentucky Sires for 2021, First Yearlings: Part II

Thursday, Chris McGrath covered the first half of the Kentucky stallions with first yearlings. Click here to read about Justify, City of Light, West Coast, Mendelssohn, Good Magic, Bolt d’Oro, and Always Dreaming. The second part appears below.

ACCELERATE (Lookin At Lucky–Issues, by Awesome Again) has also been trimmed to $17,500, at Lane’s End, having already been our “gold” value pick of the intake at an opening $20,000. Whatever made him attractive then has scarcely diminished in the meantime, given that he was never going to appeal to those fast-buck cynics who breed for the ring rather than the track. As it was, he actually made an auspicious start with his weanlings: the 13 sold (of 21) averaged $68,307, better than a couple already examined at higher fees and duly a more fertile yield.

A fee that so generously acknowledged the possibility of commercial wariness–this, after all, was a horse that only reached his true prime at five–certainly paid dividends in books of 167 and 137 to get Accelerate started. These breeders will get a ton of horse for the money: his Breeders’ Cup Classic success was his fifth at Grade I level in a year when his solitary reverse was by a neck to the brilliant City of Light over nine furlongs. His GI Pacific Classic romp, by a record 12 1/2 lengths, was underwritten by a 115 Beyer and it took an unbeaten Triple Crown winner to deny him Horse of the Year.

There’s an old-school grandeur to his page: his first two dams are granddaughters of Deputy Minister and Damascus; the second is also a half-sister to a GI Jockey Club Gold Cup winner; and he’s inbred to a Broodmare of the Year in fifth dam Smartaire, whose son Smarten is damsire of Lookin At Lucky’s father Smart Strike. But remember also that his stakes-placed mother has produced a Grade I-placed juvenile, and that even as a son of such a scandalously underrated sire he realized $380,000 from a terrific judge as a yearling. So there may be rather more commercial traction than some might anticipate, besides all those priceless assets of soundness, constitution and progression that any sane breeder should wish to impart to a family.

Collected | Sarah Andrew

Another GI Pacific Classic winner, COLLECTED (City Zip–Helena Bay {GB}, by Johannesburg), has proved very popular at Airdrie, duly holding a $17,500 fee after covering 156 and 155 mares in his first two seasons. Around half his weanlings into the ring were retained for another go–nine sold of 21 at an average $58,777–and it’s true that Collected himself thrived with maturity, splitting Gun Runner (Candy Ride {Arg}) and West Coast in the GI Breeders’ Cup Classic at four after shocking Arrogate (Unbridled’s Song) at Del Mar in high summer. That season he accumulated triple-digit Beyers in all six starts, a rare accomplishment indeed. But don’t forget that Collected was also a debut winner and graded stakes-placed at two.

The legacy of City Zip has come to seem ever more precious, and Collected has a cosmopolitan and classy pedigree held together by fifth dam Runaway Bride, whose son Blushing Groom (Fr) is responsible for the dam of Collected’s grandsire Carson City. European shoppers of sufficient imagination (admittedly a rather pathetic minority, nowadays) should definitely be interested in a dirt performer who carried dirt speed so well when his first four dams are by Johannesburg, Danehill, Lyphard and Alleged; his mother, meanwhile, is half-sister to a couple of group performers in Japan.

Collected was one of those who lost momentum when kept in training for an extra season but certainly looked value compared with those who finished either side of him at the Breeders’ Cup, who started at $70,000 and $35,000, respectively. Sure enough, he’s the one who has managed to hold his fee and, from such an exemplary farm, he will surely get the track performers to show why.

Oscar Performance | Sarah Andrew

It’s been great to see a stallion back at Mill Ridge, where they are also doing a fine job in the promotion of OSCAR PERFORMANCE (Kitten’s Joy–Devine Actress, by Theatrical {Ire}). We all know how breeders talk the talk about the imperatives of the expanding turf program, without always walking the walk. But Oscar has welcomed strong three-figure books in both seasons to date, and the seven sold of 10 weanlings into the ring put him just where he needed to be at $57,285.

A clip from $20,000 to $15,000 should keep him right in the game, and there’s no doubting his eligibility to catch a rising tide with the proliferation of grass and synthetic opportunities; not to mention the industry’s increasing vigilance over medication. Racing without Lasix, Oscar Performance won Grade Is at two, three and four, and blew the dust off a 20-year-old record for a mile at Belmont at 1:31.23.

Really it’s some package: the constitution to bank $2.3 million through three seasons, having won a Saratoga maiden by over 10 lengths on his way to winning at the Breeders’ Cup at two; and a pedigree saturated with Classic influences on both sides of the ocean. Being out of a Theatrical mare, Oscar Performance entwines the twin lines of Northern Dancer instituted by Special and her daughter Fairy Bridge, respectively via Nureyev and Sadler’s Wells.

Good Samaritan | Sarah Andrew

It was constantly bumping into Oscar Performance that helped to drive GOOD SAMARITAN (Harlan’s Holiday–Pull Dancer, by Pulpit) into what turned into a fertile experiment on dirt instead, starting with success in the GII Jim Dandy S. and only beaten a half in the GI Clark H. Launched at $12,500 by WinStar, he mustered as many as 162 mares in his first book and another 104 last spring. Having processed 15 of 18 weanlings into the ring at $30,100, he gets a bit of help with his fee, down to $7,500.

If a grade below his old rival Oscar, he also maintained his form through three seasons and he’s a nice looker with aristocratic antecedents: his branch of the La Troienne dynasty, stretching through fourth dam La Affirmed (Affirmed), has already produced productive stallions in Sky Mesa and Bernstein.

Down to $10,000 from an opening $12,500, TAPWRIT (Tapit–Appealing Zophie, by Successful Appeal) is a lovely creature who earned a place alongside his sire at Gainesway with a GI Belmont S. success and a stakes record in the GII Tampa Bay Derby. His second book dropped from 154 to 95, but he made a most respectable start at the sales, selling 14 of 18 at $46,214. He should certainly breed a pretty horse, as a $1.2 million Saratoga yearling himself; and he’s entitled to be quicker out of the blocks than might be expected, his dam being a Grade I winner at two. (Incidentally, she has also produced a Grade II winner on turf.)

Mo Town | Sarah Andrew

MO TOWN (Uncle Mo–Grazie Mille, by Bernardini) has taken a second consecutive cut at Ashford, now $7,500 having opened at $12,500, after covering 144 and 108 mares in his first two books and moving on a dozen of 18 weanlings at $36,750.

Actually I like this horse quite a bit and hope he is given time. He was one of those who had somewhat faded from view by the time he arrived at stud, having been confined to a single unproductive start when kept in training at four. But he had shown versatility and class in winning the GII Remsen as a juvenile and then switching onto ‘the weeds’ to win the GI Hollywood Derby.

Obviously Uncle Mo is on a roll as a sire of sires, looking at the freshman championship; and likewise Mo Town’s damsire, as a broodmare sire; plus I love Carson City, Danzig and Sir Ivor seeding the next three generations. The acquisition of the Grade I-placed granddam was another insight into the thoughtful strategies of the Gunthers, as her great-grandsire Raise a Native was full-brother to her third dam.

Mo Town resembles his soaring sire rather more closely in appearance than in fee, and flexibility in terms of surfaces is nowadays supposed to be at an increasing premium. If he appears to be cooling off a little, commercially, then remember that these remain very early days indeed. If anything, this could prove an opportune moment to get ahead of the curve.

Army Mule | Sarah Andrew

Another who slips to $7,500 despite having looked pretty fair value at $10,000 is ARMY MULE (Friesan Fire–Crafty Toast, by Crafty Prospector) at Hill ‘n’ Dale. That’s not hard to explain when you consider that his opening book of 140 slumped to just 47 this time round, but he actually made an excellent start in the ring: the 12 weanlings sold of 14 offered achieved an average of $49,083. That’s a yield matched only by City of Light in the whole intake.

If Army Mule was one of those that are just “too fast to last,” there’s no doubt that he had freakish ability. Though confined to just three starts, he won them by an aggregate 22 lengths in some smouldering times: romping in the GI Carter H. on his stakes debut, for instance, in 1:20.94. He had already flashed his physical charisma and speed when making $825,000 as a Fasig-Tipton Midlantic 2-year-old, and would hardly be the first influential stallion to have advertised his prowess in a window as narrow as four minutes’ racing in anger.

It’s sometimes hard to explain where talent like this comes from. But his first three dams respectively won at stakes, Grade III and Grade II level; and, if the sire may not be as respected in Kentucky as in Maryland, he is a wonderful conduit of Secretariat’s distaff influence. If I were a pinhooker for the 2-year-old sales, I would have this guy pretty near the top of my list among this lot.

Cloud Computing | Sarah Andrew

The same farm’s gamble on another brief candle, of course, produced an immediate Classic winner in CLOUD COMPUTING (Maclean’s Music–Quick Temper, by A.P. Indy). He started out at Spendthrift off $7,500, herding 171 and 122 mares before sending a dozen weanlings into the ring, 10 selling at $29,550.

Cloud Computing’s form soon tapered off after he won the GI Preakness S. barely three months after his debut. Nonetheless, it speaks to his physique that Mike Ryan gave $200,000 for a Maclean’s Music colt way down the September catalog as Hip 1831, and the pedigree is seeded throughout by wonderful old-school influences. (With the uncommon exception of Waquoit, a 15-length Jockey Club Gold Cup winner whose best daughter, the hard-knocking Grade I winner Halo America, is Cloud Computing’s second dam.) Overall there’s a lot of good blood here for a fee down to $5,000.

Of the rest, a toe in the water at the weanling sales generally proved a chilling experience, but that’s pretty standard at this end of the market and wouldn’t remotely disqualify any of them from earning a way back into fashion.

Ransom the Moon | Sarah Andrew

RANSOM THE MOON (Malibu Moon–Count to Three, by Red Ransom) retains a fee of $7,500 at Calumet despite his three-figure debut book dwindling to 44 mares this time round. Beating Roy H (More Than Ready) in consecutive runnings of the GI Bing Crosby S., however, is no mean distinction and one underpinned by the soundness to race five seasons. His historic farm has a somewhat quirky roster nowadays, with its stallions seldom undervalued. But there are still one or two nuggets we’ll be highlighting later in this series.

While SHARP AZTECA (Freud–So Sharp, by Saint Liam) is down to $6,500 from an opening $10,000 at Three Chimneys, he has numbers behind him after mustering 101 mares to follow a monster opening book of 195.

And he remains a very legitimate prospect, his splendid track career–earnings of $2.4 million, on the board in 14 of 17 starts, crowned with a five-length romp in the GI Cigar Mile (115 Beyer)–being rooted in a really interesting page, pairing up siblings Saint Ballado and Glorious Song 3×4. He’s another whose pedigree has been nurtured through several generations only with the best stallions and, with a bottom line tracing to champion and matriarch Kamar (Key to the Mint), he is perfectly entitled to pull a champion out of his hat. Definitely, definitely worth a roll of the dice at this money.

The horse who beat Sharp Azteca in the GI Met Mile, clocking a knockout 117 Beyer, was consolidating the Grade I status he had established at two in the Los Alamitos Futurity. MOR SPIRIT (Eskendereya–Im a Dixie Girl, by Dixie Union) duly vindicated a $650,000 2-year-old tag and his graded stakes-placed dam is out of a half-sister to the dam of Stellar Wind (Curlin). Any reservations about his sire should have been cleared up by Mitole’s success in the same stallion-making race last year, and Spendthrift dependably assembled 176 and then 136 mares in his first two seasons. He has plenty of ballast, then, for one taking consecutive fee cuts, now down to $5,000 from an opening $10,000.

Another Met Mile winner, BEE JERSEY (Jersey Town–Bees, by Rahy), was always good value at $5,000 and advanced his second book at Darby Dan from 61 to 73. None has sampled the ring as yet, but he’s a fine-looking horse with a fantastic pedigree (fourth dam Lassie Dear, no less), so long as you are prepared to take a chance on his own sire. In fairness to that hard-knocking son of Speightstown, this was some advertisement from his first crop–he ran a 109 Beyer in wiring the Met–and I wouldn’t be at all surprised to see the unorthodoxy and imagination of Charles Fipke pay off by breeding another good one from Bee Jersey.

Nor, equally, if he does the same with TALE OF VERVE (Tale of Ekati–Verve, by Unbridled), whose marginal track qualifications are reflected in a fee of just $2,000 at the same farm, but whose family is also aristocratic: dam a half-sister to Grade I winner/multiple Grade I producer Zoftig (Cozzene) from the clan of Swale (Seattle Slew) and Forty Niner (Mr. Prospector).

Funtastic | Sarah Andrew

FREE DROP BILLY (Union Rags–Trensa, by Giant’s Causeway) has been sensibly reduced to $5,000 from an opening $10,000 after assembling pretty conservative books (82 and 91) by Spendthrift standards. He’s a juvenile Grade I winner out of a terrific mare, also responsible for Group 1 winner Hawkbill (Kitten’s Joy); and the next dam is a Grade I winner out of a half-sister to that very wholesome influence Cozzene.

MCCRAKEN (Ghostzapper–Ivory Empress, by Seeking the Gold) was another smart juvenile, his GII Kentucky Jockey Club S. qualifying him as the most precocious son of his sire, and he’s out of a graded stakes-placed half-sister to a Grade I winner. Though only denied his Grade I in the final stride of the Haskell, speed was his true forte–virtually invincible, in fact, up to a mile and sixteenth–and he confirmed his powers of acceleration when breaking the track record in the GIII Tampa Bay Derby. McCraken struggled for numbers last spring, but he has the graduates of a three-figure debut book going out to bat for him; and a clip to $6,000 at Airdrie (opened at $10,000) should also help.

 FUNTASTIC (More Than Ready–Quiet Dance, by Quiet American) had a very small first book but moved up to 51 mares at Three Chimneys last year, having dropped to $5,000 from $7,500. His shock Grade I success in the United Nations H. serves principally to showcase some authentically priceless genes as a half-brother to Saint Liam (Saint Ballado) and the dam of Gun Runner.

CHRIS McGRATH’S VALUE PODIUM
Gold: Accelerate ($17,500, Lane’s End)
   You want runners? You know he’ll get them…
Silver: Mo Town ($7,500, Ashford)
   Keep the faith, every right to add sire’s ‘Mo’-mentum
Bronze: Army Mule ($7,500, Hill ‘n’ Dale)
   Weanlings sold well and even better target for 2-y-o pinhookers

The post Kentucky Sires for 2021, First Yearlings: Part II appeared first on TDN | Thoroughbred Daily News | Horse Racing News, Results and Video | Thoroughbred Breeding and Auctions.

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