Pessin: Derby City City Distaff Winner Bell’s The One Likely To Train Up To Filly & Mare Sprint

Lothenbach Stables' classy sprinter Bell's the One, the narrow victor of the $500,000 Derby City Distaff (Grade 1) at Churchill Downs on Sept. 5, will search for Breeders' Cup glory in the $1-million Filly & Mare Sprint (G1) on Nov. 7, according to trainer Neil Pessin.

Bell's the One, ridden by Corey Lanerie, stormed from off the pace to defeat 2019 Kentucky Oaks (G1) winner Serengeti Empress by a scant nose on the wire of the Derby City Distaff. The victory vaulted the Majesticperfection filly to one of the top contenders for the season-ending championship event at Keeneland.

“This filly amazes us every time because how hard she tries,” Pessin said. “It was an unbelievable stretch drive in the (Derby City Distaff) with a very classy filly in Serengeti Empress. It was a great horse race.”

Pessin reported Bell's the One is likely to bypass Keeneland's local prep for the Filly & Mare Sprint, the $200,000 Thoroughbred Club of America (G2) on Oct. 3, and will train up to the Breeders' Cup.

The post Pessin: Derby City City Distaff Winner Bell’s The One Likely To Train Up To Filly & Mare Sprint appeared first on Horse Racing News | Paulick Report.

Source of original post

‘We’ll Take Our Best Shot’: Art Collector In ‘Stiff’ Work For Preakness

Bruce Lunsford's Art Collector, who would have been co-second choice for the Kentucky Derby (G1) until a minor foot issue forced him out of the race, worked five-eighths of a mile at Churchill Downs in a strong 59.40 seconds – a time for the distance eclipsed Saturday only by Kentucky Derby winner Authentic's 59.20.

“I thought it was good,” said trainer Tommy Drury, who will have his first Preakness starter. “We wanted to make sure we did enough today. They had him in 59-and-change, and I had him three-quarters (of a mile) in 1:12. It was what we were looking for. We went a little longer between races than we'd hoped to be. We just wanted to make sure we're where we want to be. Leading up to the race from here, now you're just kind of back on a maintenance program. You know you've got him where you want him, and hopefully we'll be on the flight the Tuesday before the Preakness (G1) and we'll take our best shot.”

The fractional times for Art Collector's work were 24.20 seconds for the first quarter-mile, and 36 for three-eighths, reflecting a final quarter-mile time in 23.40. He then galloped out six furlongs in 1:11.60, with jockey Brian Hernandez Jr. reporting that the gallop-out extended to a mile.

“He worked a really good five-eighths and then his gallop-out was huge,” Hernandez said. “He galloped out a really, really good mile. We knew going into this work that we needed it to be a pretty stiff one because we're going into the Preakness, and they're not going to give you anything. We needed to make sure our horse was in good shape. What was nice about him was that he came back after the work and it was like he didn't even do anything. We seem to be on the right page…. I had him on my watch in '12s' the whole way, 11-and-2 from the eighth pole to the wire, and then he galloped out the same way, just kind of cruising along.”

Turned over to Drury in January, Art Collector is 4-for-4 as a 3-year-old after breaking his maiden last year on grass at Kentucky Downs and finishing first in an entry-level allowance race, only to be later disqualified for registering over the permitted level for a dewormer. After ripping off a pair of allowance races to start 2020, the son of 2006 Preakness Stakes winner Bernardini powered to victory in Keeneland's rescheduled Toyota Blue Grass (G2) and then in the $200,000 Ellis Park Derby.

The Ellis race on Aug. 9 was meant as a bridge between the July 11 Blue Grass and the Sept. 5 Kentucky Derby. But to the chagrin of his team — all from Louisville — Art Collector nicked the bulb of his left front heel in a routine gallop the day before Derby entries were to be taken. While a minor issue, it was bad timing, leaving the foot tender and with strict medication rules limiting how it could be treated.

“He's been good,” Drury said when asked how Art Collector is doing now compared with how he was doing before the foot mishap. “Fortunately he's been good mentally and he's certainly happy enough. He had his  ears thrown up galloping out this morning. He's doing all the things you want to see a horse do at this stage of the game. The nice cool morning I think had them all feeling good, and he certainly was one of them.”

Art Collector would have been the first Derby starter for Drury, a lifelong Louisvillian, and the 72-year-old Lunsford, who has lived in the city most of his adult life. Hernandez has made Louisville his home since he began riding full-time in 2004.

While missing the Derby at home was a huge disappointment, Art Collector's team quickly set their sights and enthusiasm on a road trip to Baltimore.

“If you'd asked me in January, 'You've got a shot to go to the Preakness, what do you think about that?' I'd have been doing backflips,” said Drury, whose first graded-stakes victory in 30 years of training came with Art Collector in the Blue Grass. “It's one of the most historic races in the country. We'd have loved to have been in the Derby because this is home for us, but gosh, to be able to run in the Preakness four weeks later. That's the one thing that gave me comfort, knowing that we've got a huge race coming up right around the corner, that we can miss this one and be ready for that one — be on our game and take our best shot. That's really all we've been trying to do: make good decisions, use good judgment and make sure that our horse is taken care of.

“Ever since the morning that we didn't enter for the Derby, the Preakness has been our primary concern. He seems like he's going into it the right way, and now we've just got to stay out of his way a little longer.”

The post ‘We’ll Take Our Best Shot’: Art Collector In ‘Stiff’ Work For Preakness appeared first on Horse Racing News | Paulick Report.

Source of original post

Derby and Oaks Winners Return to the Worktab

GI Kentucky Derby hero Authentic (Into Mischief) and GI Kentucky Oaks victress Shedaresthedevil (Daredevil) both returned to the worktab Saturday at Churchill Downs.

GI Preakness S.-bound Authentic covered five panels in :59.20, the fastest of 38 works at the distance. With jockey Martin Garcia aboard, the bay clicked off splits in :23.80 and :35.40, galloping out six furlongs in 1:12.20.

“It went very well. Martin has been with me,” said trainer Bob Baffert, who came to Louisville from the Keeneland Sale in Lexington. “He knows what I expect. I told him we’re going to go three-quarters from the [five-eighths pole], and he just went off, didn’t have to move on him. This horse, he gets over any track. He couldn’t have looked better, coming off a race like that. Everything is all systems go for the Preakness. Got a nice work out of him. I’ll come back, give him an easier work next week and he should be ready to go.”

His stablemate Thousand Words (Pioneerof the Nile), who was forced to scratch from the Derby after flipping over in the paddock, also breezed Saturday. Florent Geroux was in the irons for the five-panel move in 1:02.40 (26/38). The bay was clocked in splits of :25.80, :8 and :50.60 and galloped out six furlongs in 1:14.60.

“He’s not a real good work horse,” Baffert said. “I usually have him in company, and today I had him by himself. He’s just a steady kind of horse. Distance is his friend. Flo got to know him today, and I think he’s going to work him back this week. Now he knows the horse a little bit better. But it was fine. I like the way he actually finished up. He started picking it up the last part. I worked him seven-eighths today. That’s him. He’ll never wow you in the mornings. Just steady. He’s funny in that if you try to rush him early, he gets discouraged.”

The incident with Thousand Words in the paddock injured longtime Baffert assistant Jimmy Barns, who required eight screws in his arm.

“But Jimmy is doing fine now,” Baffert said. “He got his arm patched up. He had a great surgeon who patched him up. He’s actually in pretty good spirits.”

With Barnes temporarily out of commission, both Baffert horses have been under the watchful eye of fellow Hall of Famer D. Wayne Lukas since the Derby. They are scheduled to ship to Baltimore Sept. 29.

Also on the worktab Saturday were Preakness contenders Art Collector (Bernardini) and Mystic Guide (Ghostzapper). A late defection from the Derby with a minor hoof issue, Art Collector breezed five furlongs in :59.40 (2/38) with jockey Brian Hernandez, Jr. at the controls. The homebred went in fractions of :12.20, :24.20 and :6 with a five-panel gallop-out in 1:11.60.

“He’s in a great spot right now with his fitness,” trainer Tommy Drury said. “We wanted a bit more of a serious work today and he went well within himself. He’ll have a maintenance work next weekend before we ship to Baltimore.”

GII Jim Dandy S. victor Mystic Guide prepped for a possible start in the Preakness with a half-mile move in :48.60 (2/35) at Fair Hill in company with 2-year-old maiden winner Tate (Quality Road).

“Mystic Guide sat just off of [Tate] breaking from the half-mile pole and he came to him in the stretch and they finished together, which was the planned work,” trainer Mike Stidham said. “Then he had a real solid gallop-out. It was just what we were looking for and we’re very pleased with where we’re at with him right now.”

Oaks upsetter Shedaresthedevil also returned to the worktab at Churchill Saturday, covering a half-mile in :49 flat (40/112). With exercise rider Edvin Vargas aboard, the bay clocked her first quarter in :25.20 and galloped out five-eighths in 1:02. Her champion stablemate Monomoy Girl (Tapizar) also breezed Saturday, going four furlongs in company in :49.60 (70/112). Both fillies are nominated to Keeneland’s GI Juddmonte Spinster S. Oct. 4.

Oaks runner-up Swiss Skydiver (Daredevil) was also back to breezing Saturday, going a half-mile in :48 flat (11/112) with Tyler Gaffalione in the saddle. Trainer Ken McPeek tweeted that he is considering the Preakness, Spinster and GI QEII S. on turf for Swiss Skydiver’s next start.

The post Derby and Oaks Winners Return to the Worktab appeared first on TDN | Thoroughbred Daily News | Horse Racing News, Results and Video | Thoroughbred Breeding and Auctions.

Source of original post

‘If You Can’t Split ‘Em, Dead Heat ‘Em!’ Putting Up The Wrong Numbers At Miles Park

For those racing fans old enough to remember, the recent Kentucky Downs race where the placing judges initially put up the wrong numbers of the first- and second-place finishers brought back memories of that same mistake on a dark and stormy night at Louisville's venerable Miles Park 46 years ago. There was one key difference: The error at Kentucky Downs this week was caught (and corrected) before the race was declared “official,” while the bad numbers at Miles Park were only changed hours after the “official” sign was posted, too late for those in attendance who held tickets on the real winner.

On July 4, 1974, during what turned out to be Miles Park's last full year of racing, the popular half-mile oval deep in Louisville's West End was enjoying good-sized crowds and handle for the one day (Saturdays) and five nights it raced. Opened in 1956 as a harness track, it was re-named in 1958 for noted businessman and horse-owner J. Fred Miles, but to its loyal patrons it was always called “Smiles” Park. I was helping to put myself through law school at the University of Louisville by working in the track's clubhouse dining room as a $20-a-night mutuel clerk.

That year was a traumatic one for Louisville — on April 3, 1974, a tornado had devastated several sections of the city, killing eight people. But barely a month later, Cannonade won the 100th Kentucky Derby before a record attendance including Princess Margaret representing the Queen of England.

At the end of the Churchill Downs spring meet, Miles Park took over on the Kentucky circuit for its traditional six weeks of racing. On Thursday, July 4, 5,344 fans turned out for the holiday night's nine races. The feature race, with a $5,000 pot, was the “Spirit of '76 Purse,” an “about” one-mile allowance test for older horses.

As the crowd roared, a 17-1 shot, Git, a 7-year-old gelding ridden furiously by Jesus Rosello, prevailed by a nose over Julia's Dash … or did he? Sometime after the race was made “official,” an embarrassed Frank Muth, one of the placing judges, informed the stewards that the wrong horse had been posted as the winner – that Julia's Dash's nose had reached the wire first, not Git's.

After a stewards' hearing the next morning, Mr. Muth and his two fellow judges, Bernard “Bernie” Berns and John Francis Dugan, were each fined $100 and suspended the final week of the meeting. (Mr. Berns unsuccessfully appealed his sanction to the Kentucky State Racing Commission and went to his grave insisting that Git had won the race.)

A press release and published ruling emphasized the integrity of the veteran officials and, eventually, as the story was re-told through the years, the mistake was blamed on the rainy weather, an outdated photo-finish camera, and a printed photograph that Mr. Muth – as good a racing official as ever lived – had called for that night that, to the naked eye, bordered on an optical illusion (see photo).

Frank Muth

Replacing the departed trio of judges was a new set abruptly pressed into service: assistant racing secretary Donnie Richardson, clerk of scales Jerry Botts, and racing secretary Warren Wolf. To their chagrin (and without their agreement), in a move that today would be labeled “transparency,” their full names were announced to the next night's crowd. Messrs. Richardson, Botts and Wolf got an immediate challenge in their new positions: In the first race, as fate would have it, there was an extremely close finish.

Understandably, the replacement judges took considerable time to study the printed photo. As the minutes wore on, the impatient bettors, mindful of the previous evening's debacle, began to ever more loudly chant in unison: “If you can't split 'em, dead heat 'em!  IF YOU CAN'T SPLIT 'EM, DEAD HEAT 'EM!   IF YOU CAN'T SPLIT 'EM, DEAD HEAT 'EM!!!” – until the result was finally posted on the tote board to thunderous Bronx cheer applause.

In those seemingly less-complicated times, no lawsuits were filed because of the placing judges' mistake, not even by Git's colorful owner, Henderson, Ky., automobile dealer George “Hoolie” Hudson, who, in later years, admitted that he more than made up the $2,000 difference in the purse redistribution with the bets he had legitimately cashed on his $37.60 “winner.” The fans' anger may have been assuaged, too, by the wise decision of track management (led by perspicacious general manager John Battaglia) to give out thousands of passes for free admission, food, and other giveaways.

After ill-conceived decisions to try Quarter Horse racing, a winter meet in late 1974, and even a gray, dud-of-a-new-name, Commonwealth Race Course, little Miles Park closed for good the following year. But its memories have endured for anyone lucky enough to have worked there during some wonderful summers, when everybody was young and our futures were all in front of us – even on the night the judges put up the “officially” wrong numbers.

Bob Heleringer is a Louisville, Ky. attorney, former racing official (placing judge), and is currently writing a second edition of his legal textbook, “Equine Regulatory Law.”

The Courier-Journal published the mis-read photo finish

The post ‘If You Can’t Split ‘Em, Dead Heat ‘Em!’ Putting Up The Wrong Numbers At Miles Park appeared first on Horse Racing News | Paulick Report.

Source of original post

Verified by MonsterInsights