Dooleys Launch Norevale Farm Boarding Operation

As of Sept. 1, Leo and Sarah Dooley have launched their own boarding operation, named Norevale Farm.

The 110-acre farm is located in Lexington, Ky., on Hume Bedford Pike, near Paris. With a focus on small scale, quality horsemanship, the following services are offered at the new establishment:

  • Year-round and seasonal boarding for mares, foals, yearlings, and layups
  • Foaling and breeding for year-round and seasonal mares
  • Quarantine after all major sales
  • Sales prep for mares, foals, and yearlings

Leo gained experience at Jim Bolger's racing stables, Ballylinch Stud, Dromoland Farm, and Ecurie des Monceaux before graduating from University College of Dublin with an Equine Science degree and moving to the U.S.  Leo spent four years working at Hunter Valley Farm before moving to Indian Creek Farm where he worked as broodmare manager for two years.

Sarah is a graduate of the Irish National Stud course and the Godolphin Flying Start course. Sarah spent a sales season at Bluewater Sales before her two years at Hunter Valley Farm as sales coordinator. She then spent a year in the bloodstock department at Lane's End Farm, followed by a move back to the family farm, Marula Park Stud, owned and operated by her parents, Tony and Susan Holmes.

“'Going out on our own', as they say, has always been our goal – both individually and as a couple,” Leo and Sarah said. “We jumped at the chance when the right piece of land came up, just right around the corner from Marula. We're really proud of the prep work we have put into this decision and what we can offer clients as a team.  The farm is looking great and we couldn't be more excited to be up and running.”

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‘It’s A Gift’: The Calming Influence Of Cordell Anderson

Watching Cordell Anderson guide a horse through its paces under the bright lights of the Keeneland sales pavilion, one thing becomes immediately clear to anyone who knows what they're looking at – this man is extremely good at his job.

On its surface, the concept of a person standing at the other end of a shank from a horse does not sound like a complicated interaction, but the steady-handed ease in which Anderson can bring a jittery yearling into line or how he helps a star look like a superstar can come off more like a carefully choreographed dance. If there is space between the dance partners, he fills it seamlessly. When it's time to let the horse have their solo number, he's able to stand at the cusp of the spotlight with just enough control to rein his partner in if it's needed.

Like any good dance routine, part of the trick is making the complicated moves and tiny nonverbal communications with one's partner seem routine, and this is Anderson's gift. The energy he puts out is often reflected in the horse he's handling, so he has developed an otherworldly ability to stay calm under whatever circumstance comes striding into the ring.

“If somebody is really willing to listen and learn, they can learn it, but also, it's a God-given thing,” Anderson said. ”For me, it's a gift. I do a lot with the horses, and they don't seem to mind. I can have the shank and walk underneath their belly with just me and them. They just stand there and take it in, just like I do. It's amazing. I love horses, always loved them.”

The way Anderson approaches horses comes naturally to him, but it's not from a generational history in horsemanship. His family had farm animals growing up in Jamaica – goats, pigs, and chickens – and he was taught from early on to handle them gently, but his introduction to horses came from a nearby farm he passed every day coming and going from home. At 18, he went to work there.

The farm was the stable for Eileen Cliggott, one of Jamaica's cornerstone trainers, and the trailblazer for female conditioners in the country. Her operation was a factory for producing successful participants in the racing industry, both on the island and beyond, including jockey Richard Depass, who became a multiple Grade 3-winning rider in the U.S.

Anderson quickly got a complete equine education working under Cliggott and other local trainers.

“As a groom down in Jamaica, you have to ride your own horses,” he said. “You come in for the morning, groom them, saddle them up, take them to the track, and gallop them. When it comes to breezing, they'll get a jockey to ride them.”

During his time in the stables, Anderson began working with a filly shipped in from New York named Distincly Restless, who quickly became attached to him. The filly was owned by Mr. and Mrs. John Munroe, who noticed the bond forming, and also recognized the ability Anderson had to handle a horse.

“[Mrs. Munroe] asked me to hold a filly so she could take a picture, and she showed me what to do – one leg like this and the other like this – so I did it,” Anderson said. “Her husband was over there talking to the trainer, and she yelled out, 'John, John, John. Look at this. Look at how he holds this horse perfectly. He's a natural.'

“The filly ran and beat the boys in the first race she was in, and they decided they wanted to bring her back to the States,” he continued. “The filly was so attached to me, they said, 'Well, we'd better take you with her.'”

Anderson, about 21 years old at the time, wasn't able to secure a permanent visa in time to follow the filly back to New York, but he tracked the mare's career, and when she retired to Taylor Made Farm in Kentucky, he went to join her in 1981.

Anderson credited the Taylor Made operation for taking his horsemanship skills to the next level, learning under Duncan Taylor and his brothers. His time there ultimately led to him landing his job as a ringman at Keeneland, after his skill showing horses was noticed by the auction company's yearling inspection team. He started with Keeneland during the 1988 November sale.

The sales are typicaly a rapid-fire ordeal, with a two-person crew of ringmen trading off horses. The ones with big hopes might come with a scouting report from the sellers, but for the most part, Anderson and his co-workers are coming in cold every time a horse steps in. With that being said, Anderson has developed a few skills to help him meet each new incoming challenge.

“Most of the time, I have a few seconds to read the horse,” he said. “Sometimes I'll stand at the back door and watch them out there and see how they are. I'll see them acting up with the person out there, and as soon as they hit my hand, it's a different horse. I've had a lot of people come up to me and say, 'That horse was so unruly back there, and as soon as you took them, they just changed. What did you do?'”

So, what does he do? He keeps an even keel and lets the horses feel that energy.

“I have no nervousness in me, that's number one,” Anderson said. “The horse can feel you, all the vibes coming from you, so I try not to let that out there. Plus, I've never really had one that I've been scared of that much, unless he's really big and stud- dish and wants to run over you. Some broodmares are bad, but the yearlings are really easy.”

Keeneland's team of ringmen and women is stacked top-to-bottom with elite handlers of horses, and Anderson's contemporaries recognize his unique ability to get a horse to show its best side.

“Cordell is one of the best that's ever done it,” said Ron Hill, who has worked with Anderson for the better part of two decades. “He and I have a different style, but we get to the same point. His work speaks for itself. There's no man alive that's held as many million-dollar horses as Cordell Anderson. That kind of says it all.”

With an accolade like that, one might get the idea that seven- figure horses would eventually blur together for Anderson, but that would be a mistake. Getting a chance to spend some time with a horse as it goes from promise to profit hasn't gotten old yet, instead giving him another chance to add to his prestigious list.

In particular, Anderson said he fondly remembered the sale of Fusaichi Pegasus, a Mr. Prospector colt co-bred and consigned by Arthur Hancock III's Stone Farm that sold for $4 million at the the 1998 Keeneland July sale. He went on to win the 2000 Kentucky Derby and finish second in the Preakness Stakes.

“Arthur told me this horse was going to sell good, and he said 'When you get him, start smiling, because your smile really works,'” Anderson said. “He was a big horse. I thought he was going to give me a little trouble, but he didn't do anything. A lot of the time, they come in there and just freeze. That sound from up above their head with the auctioneers, they start wondering where in the heck this thing is coming from.”

For all of the expensive horses Anderson has guided through the ring, his recollection is just as strong for the lesser-priced horses who went on to outrun their hammer prices.

One that stuck out in his memory was Curlin, a Smart Strike colt who sold to Kenny McPeek, as agent, for $57,000 at the 2005 September sale. He went on to become a Hall of Famer, two-time Horse of the Year, earner of over $10 million, and one of the top commercial sires in today's marketplace.

“When I saw Curlin was selling for that low, I was out there stretching my head like, 'Come on, aren't you guys gonna buy this horse?'” he said. “There was just something about Curlin that I liked a lot.”

This yearling sale season is unlike any in memory, and that extends to inside the ring, where both Keeneland and Fasig-Tipton have decided against using ringmen to limit potential COVID-19 exposure contacts. Instead, showpeople with the individual consignors are holding on to the horses throughout their time in the ring, while one of Keeneland's regular ringmen stands to the side to provide guidance if it's needed, or step in if a yearling becomes too unruly.

It's a different September for Anderson, who lives in Lexington, Ky., with his son William, but he's got plenty to keep him busy working for the barn of owner Jim McIngvale. After gaining national exposure as one of the main sets of hands on Eclipse Award winner Runhappy, he works with several of Runhappy's debut crop of juveniles owned by McIngvale.

Anderson, 64, is well aware of his reputation as a prodigious calming influence for horses, and he said people still ask him how he does what he does. The root of the question, though, has changed from wanting to know the answer out of amazement after a big sale to wanting to know so they can emulate it themselves. He pointed out fellow Keeneland ringman Aaron Kennedy as a younger person in the industry with a bright future as a “go-to” person to handle the big horses.

To anyone else looking to follow in Anderson's footsteps, he said having soft hands and a Teflon demeanor were crucial. Like a good dance partner, the horse will follow your lead.

“All you have to do is just be patient, be calm, smile, don't let anything bother you,” he said. “If you let things bother you, that's the thing that will most throw you off. Your boss might say something to you that you get mad about, and everything goes out of whack. Once your adrenaline starts, everything gets all screwed up, so you don't want that. You have to swallow it and go on.”

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The Familiar Road Home For Honor A. P. At Lane’s End.

The floors of A.P. Indy's stall had been bare since February, when Lane's End lost its elder statesman and pensioned cornerstone sire at the age of 31. For an entire season, the residents of the stallion operation's front barn passed by the empty stall on the way to the breeding shed.

Choose your cliche: both life and the show must go on at a stud farm, but Lane's End's “big stall” hadn't had a vacancy in a long time. Whoever filled the spot, it was going to be a big deal.

Fitting then, that the horse who finally called for bedding in A.P. Indy's stall for the first time in seven months would be one of the Hall of Famer's own blood, and one named to be a living tribute to his career.

Grade 1 winner Honor A. P. arrived at Lane's End on Tuesday around 11:30 a.m., and he checked in to the most high-profile suite in the place. A day earlier, his pending arrival was announced after the 3-year-old colt was found to have come out of his fourth-place effort in the Kentucky Derby with a strained front-left tendon.

It was a quick turnaround for Honor A. P., who had just returned from Churchill Downs to the barn of trainer John Shirreffs at Santa Anita Park before the injury was discovered – just over a week from wheels-up to wheels-down in Kentucky, where he will enter stud in 2021. Tendons can take a long time to get back to racing shape in a racehorse, if they ever do, so the decision to move him on to the next phase of his career was an easy one.

“It's not visible, but it's obviously there,” said Bill Farish of Lane's End. “It's too bad that it came when it did, but timing-wise, the Derby's not when it would have been. If it had been in May and this had happened, they probably would have brought him back. Now, it's a six-month thing, and you're going to be into missing the breeding season.”

Even before naming the horse, owners Lee and Susan Searing of C R K Stable clearly thought highly of A.P. Indy's handiwork.

Honor A. P. is a son of fellow Lane's End resident Honor Code, one of A.P. Indy's most successful runners, one of his last notable sons to retire to stud, and the kind of horse that forces a person to believe in evolution. Many of the physical traits that defined both A.P. Indy and his sons – the alert, inquisitive look in his eye, the ebbs and flows of his withers and midsection into a solid rump, the general impression that the horse before you could run forever – are all present in Honor Code, but bigger and stronger than the generation before him.

The Searings bought Honor A. P. for $850,000 at the 2018 Fasig-Tipton Saratoga Selected Yearlings Sale. He was practically a carbon copy of his flashy dark bay sire at the end of the shank.

Besides the uncanny resemblance to Honor Code, Honor A. P. had the page to merit the lofty price and the expectations that came with it. His dam is the multiple Grade 1-winning Wild Rush mare Hollywood Story, who had generated plenty of black type on her page before Honor A. P. set foot on the track.

Honor A. P. as a yearling at the 2018 Fasig-Tipton Saratoga Sale.

Just like Honor Code did for A.P. Indy, Honor A. P. developed into a generational update of his sire, keeping the classic A.P. Indy look and the strength of Honor Code, but adding a bit of scope to the equation. That combination of traits led Honor A. P. to become one of the top 3-year-olds of his generation, punctuated by a victory in the Grade 1 Santa Anita Derby.

Farish had been interested in Honor A. P. as a stallion prospect well before he was a fully-fledged classic contender. He'd flown out to California to watch him finish second in the G2 San Felipe Stakes in March. However, the talks with the Searings got more serious after the colt's nose touched the finish line in the rescheduled Santa Anita Derby on June 6, and the announcement that Lane's End had secured the breeding rights went out on June 26.

“It didn't take long at all,” Farish said about the negotiation process. “Lee Searing was excited to have him come here. He named him after A.P. and everything else. Lucky for us, he genuinely wanted to have him here. We'd been following him since [the Saratoga sale], and David [Ingordo, Lane's End's bloodstock agent] bought him.”

A few hours after Honor A. P. arrived at Lane's End, he was brought out for display to the media, and he was soon joined by Honor Code. The two stallions stood face-to-face as if they were looking into a mirror; each with four socks and a flashy white face punctuating their near-black coats. Keeping true to the theme of generational progress, Honor A. P's socks were a little longer and his blaze was a little wider.

Honor A. P.'s long white socks also provided the optical illusion that he might be a little racier and longer-legged than his sire, though Farish said time might balance that out.

“I think he looks that way right now because he's still tucked up and racing fit, but the resemblance is uncanny,” he said, “This guy's running style was maybe a little more like A.P. Indy than it was Honor Code. He's maybe a tick taller. They're both definitely taller than A.P. was. He's got more length and length of stride than Honor Code did, but they were both effective.”

These two horses looked similar, and they obviously come from similar blood. One would assume this would mean they might be drawing from a similar pool of mares come 2021 and beyond, perhaps cannibalizing each other's books, but Farish said the stallion that breeders might gravitate toward will depend on the outcome they desire with the foal.

“Yes, in some ways you're dealing with the same crosses, but you have one horse that does have runners and one that doesn't, so they're in very different points in their careers,” he said. “People that are looking for a more proven horse are going to go to Honor Code, and ones that want something sale-wise that's unproven, they'll go to Honor A. P. It gives people an interesting choice.

“I would think a lot of the American speed-type sires are going to work very well –Speightstown, lines like that could complement the A.P. Indy line,” Farish continued. “It's worked, and we'll keep trying what's worked. In the beginning, with a stallion like this, you don't like to try to over-manage it, because you really don't know what's going to work. You'd like to think you do, and a lot of times you're right, but a lot of times you're wrong. City Zip was going to be a six-furlong sire and he ended up getting stakes winners at a mile and a sixteenth on the grass. You just try as many different things as you can.”

Honor A. P. not only inherited his grandsire's stall when he arrived at Lane's End, he also inherited his groom, Asa Haley.

Haley was paired with A.P. Indy for 14 years, and he stayed on with the stallion after he settled into life as a pensioner. He also tends to another of A.P. Indy's sons at the farm: the 2003 Horse of the Year Mineshaft.

Haley and Honor A. P. only had a few hours to get acquainted before the two went through their paces before the cameras on Tuesday afternoon, but the horse obeyed his new handler well as they paraded around the courtyard of the stallion complex. It's a first step compared with nearly a decade and a half together with A.P. Indy, but so far, so good.

“He seems to be pretty nice so far,” Haley said. “I think we should get along. I mostly get along with all my other horses, so I hope I can get along with him, too, so I guess time will tell.”

Arguably no one on the planet knew the makeup of A.P. Indy like Haley did, and what made the old horse tick. For a long time, Honor Code resided in the stall immediately next to his sire, so Haley had plenty of time to notice the patterns between father and son, and when he applied that knowledge to his latest charge, he could see back through the generations in Honor A. P.

“That white eye,” Haley said, noting the signature ring that the grandfather, father, and son each have around an eye. “It sticks out, just like like A.P.'s did. That white eye sticks out on Honor Code, and it's sticking out on him, too.”

There is bedding again in A.P. Indy's stall, and a nameplate on his door. It would be a lot to expect of the stall's new resident to beckon a new set of “good old days” like his his famous grandsire, but with the letters “A. P.” on the the first door on the right in the Lane's End stud barn, perhaps the rookie can at least provide a bit of normalcy. Every generational shift has to start somewhere.

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Into Mischief Continues His Commercial Ascent At Keeneland September Sale

The past 12 months have seen Spendthrift Farm's flagship sire Into Mischief achieve just about everything a stallion needs to do in order to be considered a major commercial sire.

Let's go down the list:

Breeders' Cup winner? Check.

Eclipse Awards? Covfefe got him two for good measure.

Leading sire title? He earned his first at the end of 2019.

Classic winner? Authentic went from the outside post to the history books earlier this month.

With that kind of momentum behind him, the next step was to have a big showing at this year's Keeneland September yearling sale. Another box, another check.

During Monday's session alone, Into Mischief had three yearlings bring seven-figure prices, adding to the one he hammered down on Sunday's opening day of trade. His four total seven-figure offerings tied him with Medaglia d'Oro for the most by a sire at Keeneland September through the end of Book 1. Prior to this year, his million-dollar yearling club consisted of a single horse.

If there was any remaining doubt that Into Mischief has earned his place among the the very top echelon of North America's commercial sires, it was pulverized with every seven-figure fall of the hammer.

“It's just building on what he's done,” said Spendthrift Farm general manager Ned Toffey. “He's always been a commercial horse, but when you win the Derby and you show people that you're able to get a classic horse, which was sort of the only question left unanswered with him, this has just given people that much more confidence to go out and ante up for a really nice Into Mischief. That's great news for us, it's great news for our breeders, and we couldn't be happier with it.”

The leader of the pack for Into Mischief through the end of Book 1 at the Keeneland September sale was Hip 438, a filly out of the Grade 2-placed stakes-winning Medaglia d'Oro mare Taylor S who sold to Larry Best's OXO Equine on Monday for $1.9 million, the second-highest overall price for both the day and the sale.

Taylor S is a half-sister to Breeders' Cup Dirt Mile winner Liam's Map and Grade 3 winner Not This Time, who have both gotten off to fast starts as stallions. Taylor Made Sales Agency consigned the top filly, as agent.

It was the second Into Mischief yearling Best purchased at the sale, after landing Hip 121, a colt out of the Grade 2-placed Cuvee mare Curlina, for $1 million on Sunday. He was handled by Gainesway, agent.

Elsewhere, Courtlandt Farm bought Hip 275, a filly out of the stakes-placed Distorted Humor mare Mary Rita, while BSW/Crow Bloodstock landed Hip 405, a filly out of the Unbridled's Song mare Special Me whose siblings include Grade 1 winner Gift Box and Grade 2 winner Stonetastic. Both yearlings were purchased for $1,025,000.

The performance by Into Mischief's yearlings during the Keeneland September sale carries on the momentum set last week during the Fasig-Tipton Selected Yearlings Showcase, where he had 17 yearlings sell for a combined $6,745,000, led by a colt out of the Distorted Humor mare Blind Copy who sold to the partnership of SF Bloodstock, Starlight Racing, and Madaket Stables for $800,000.

Had the yearling season ended after just the two days of the Fasig-Tipton sale, Into Mischief's 2019 foal crop would have been the fourth-highest out of his 10 crops to reach the market by number of horses sold at upper price points ($750,000 and up, $500,000 and up, or $250,000 and up). After two more days of selling at the market's highest level, this season's crop of yearlings sits second or third in those three categories, with a solid chance of finishing the year safely in first across the board.

With 2020 being an unprecedented year in practically every aspect of the Thoroughbred industry, Into Mischief was also the beneficiary of arguably the biggest update a sire has ever received heading into the yearling season: Authentic's victory in the postponed Kentucky Derby, just days before selling began.

With that being said, Toffey said a Derby winner alone doesn't guarantee an immediate spike in returns.

“The 'Derby bump' doesn't happen without the stock out here that he's got,” he said. “As his stud fee has gone up, the mare quality has gotten better, the individuals have gotten better, and that just continues to happen.

“That's the thing that's been remarkable over the years – not every stallion improves as the mare quality improves, but he's continued to do that,” Toffey continued. “In his second year, his stud fee was as low as $6,500, and all the way right up to last year at $175,000, the mare quality continues to go up and the quality of the offspring just continues to look better, and they continue to perform better. We're just glad he's on our team.”

Into Mischief's average yearling sale price reflects the stallion's climb up the commercial ladder. His first crop of yearlings saw 26 members go through the ring in 2011 for an average price of $22,792.

A year later, his second crop had 13 yearlings average $21,269 from combined revenues of $276,500 – all their respective lowest points. Into Mischief's average yearling sale price in 2019 was greater than his combined second-crop gross from 2012, and he stands a good chance of surpassing that threshold for a second time this year, continuing a journey to the top of the marketplace that seemed like a pipe dream a decade ago.

“That's the great thing about this game,” Toffey said. “You're always hoping for the best, you're shooting for the stars, and most of the time, you don't get these kind of results. Horses like Into Mischief just don't come along very often. He's just been remarkable. We thought we had the horse of a lifetime with Malibu Moon, and we've got another one with Into Mischief.”

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