The Art And Science Of Setting Stud Fees

As the November mixed sales approach and mares start getting booked to stallions, practically all of North America's significant stud farms have released their advertised fees for the 2021 breeding season.

Each advertised fee is the end result of a decision-making process that can vary from farm to farm, whether a stallion's fee is being decided for the first time, if it's being raised or lowered, or if it's holding steady from the previous year.

There are few concrete “sliding scale” indicators when it comes to setting or moving a stallion's fee. They certainly help, but a Grade 1 victory on the racetrack or a fashionable pedigree are no guarantee of a sky-high introductory fee. The only hard and fast rule is that supply and demand should guide the ship, or else it might take on water.

For Bill Farish of Lane's End, setting fees means an extended series of feedback, starting with internal meetings, then picking up the phone to hear from outside breeders.

“I try to keep it pretty open in our organization,” he said. “Jill McCully, Levana Capria, Chance Timm, David Ingordo, we all talk about it pretty extensively, and then come up with it. I make the decision, but it's a collaborative effort, because if everyone's not comfortable with it, it's not going to work.

“We try to get a good feeling internally where we all are,” Farish continued. “We talk to a lot of people that breed with us and get a feel for where they are, and to make sure we're not way off with our thinking. You want to touch base with those that are going to be buying seasons. Generally, we're in the same ballpark with them, anyway, but we do have informal polling with them.”

Setting fees for incoming stallions presented a unique challenge for the 2021 breeding season. An increasingly fickle marketplace still responds positively toward first-crop sires at auction, giving them a unique premium in that first book of mares.

However, the bloodstock industry has been rattled by the shrinking foal crop and economic uncertainty inside and outside of the Thoroughbred business. Practically all of Kentucky's stallions except for the ones on meteoric rises saw decreased fees for the upcoming season. Most stallions will never stand for a fee as high as they do in their first season, but in a year where the purse strings stand to be especially tight, setting that price too high might turn breeders off.

With four first-season stallions expected to enter to the breeding shed in 2021, WinStar Farm has had to walk that tightrope on a large scale.

“You look at their race record and pedigree,” WinStar Farm's Elliott Walden said. “It's a bit of an art, it's not a science to get it right. There's quite a bit of comparative analysis with horses that have had a similar body of work that have gone to stud in the past, or this year.”

The intention behind a stallion's direction can also factor in the decision on an initial stud fee and beyond.

A syndicate built with “breed to race” operations who plan to wait on the foals to prove themselves on the racetrack might be less swayed by the whims of the marketplace, as opposed to syndicates comprised of commercial breeders.

This will also affect the types of mares sent to a particular stallion, both by syndicate breeders and outsiders.

“The commercial market is a driver, but it's not the main driver for me,” said Mill Ridge Farm's Headley Bell, who manages the syndicate for stallion Oscar Performance. “That's where the syndicate fell into place. We made the price of the shares attractive enough to get a really good syndicate. That's the foundation of the horse. Then, I think the market ends up seeing that and it provides them confidence, as well.

“We're not just sitting there relying on a commercial market that's going to be there the first year, and then they're going to leave you,” he continued. “This is a long-term project, so we try to manage him accordingly, as far as his fee goes, and the number of mares. We've tried to put the horse first in what we're doing.”

Because of the long-term strategy behind Oscar Performance's syndicate, the stallion's fee has not changed drastically over his first three seasons. He debuted at $20,000 in 2019, and his fee was unchanged in his second season when many others in his class see at least a mild drop. In his third season, typically a difficult one to drum up interest, Oscar Performance was lowered to $15,000.

Moving a stallion's fee up or down can be a delicate process. For one on the rise, it signifies a ringing public endorsement, but one that has to be tempered so as not to scare potential breeders away. For ones going down, the line has to be tiptoed between correcting supply and demand while still protecting the commercial reputation of the stallion and the investment of breeders.

“If it's a horse that's in the process of making it, you don't want to go too high and snuff out the positive demand,” Farish said. “If it's one that's on the fence and not really making it, it's a tough decision because you don't want to cut them too much and hurt them in the eyes of the breeders. There were a bunch of mares that were bred at a higher fee on those kinds of horses, so you don't want to drop them too far, because that goes into it, as well.”

Walden expanded on that point, noting that even lowering a stud fee contains a certain degree of gatekeeping to keep the number of unhappy customers to a minimum.

“Raising or lowering – That's the trickiest, I think,” he said. “There is a very interesting dynamic between supply and demand. Obviously, you want good demand. You want people to want your stallions, and you need to meet the supply. But, you also don't want to have 500 applications and have to turn a bunch of people away. You want to get it right where you have more demand than supply, but not to an extreme amount.”

Whether it's a newcomer or a veteran stallion, the ideal outcome of a Thoroughbred mating has changed ever so slightly in recent years due to The Jockey Club's 140-mare limit for stallions born in 2020 or later. No stallion standing today will see their books limited in any way going forward, but the foals they conceive will be born with that ceiling, should they warrant stallion careers in the future, which could be perceived as a limit on how much money a potential colt could make in his lifetime.

Realistically, only a sliver of any given foal crop is retired to stud, and an even smaller sliver of that group would be enough of a commercial success to threaten the stud book limit. Of all the factors that do go into a stallion's fee, Farish said the stud book cap on the ensuing foals was not on the list.

“Not in the slightest,” he said.

As if balancing a stallion's public value in his own ecosystem wasn't harrowing enough, there can be the issue of how the stallion and his fee interacts with those around him. At many larger Kentucky farms, veteran stallions will have sons or grandsons on the same roster, or farms will double down on horses by the same sires or similar female families.

Presumably, these stallions would be drawing from a similar pool of mares that match their general pedigrees and physicals, which could create some tough decisions for both the breeders and stud farms.

In some instances, the pricing system can offer breeders entry into a particular sire line at different price points.

For example, Lane's End stands cornerstone sire Candy Ride for $75,000. His son Twirling Candy stands at the same farm for $40,000, while newcomer Game Winner, also by Candy Ride, enters stud for $30,000. Fellow Candy Ride son Unified is advertised for $10,000, while Gift Box, a grandson of Candy Ride through sire Twirling Candy, will also stand for $10,000.

“You don't want one to hurt the other, so you try to price them to where they'd benefit from being in the same place,” Farish said. “Occasionally, they do get into each other's way, but that can be tricky.”

Bret Jones of Airdrie Stud said he preferred to price horses with similar pedigrees based on their individual merits, even if the price points are close, and let the breeders decide which option works best for them.

“At the end of the day, I don't know that you can get too caught up in that when it comes to standing a similar-bred stallion,” he said. “The Portland Trailblazers passed on Michael Jordan because they already had Clyde Drexler, so I think you can outthink yourself sometimes when it comes to stallions with similar pedigrees. I think you have to believe in the stallion on their individual merit, and price them however you think you can generate business.”

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In The Stud Presented By Kentucky Equine Research: West Coast, First Crop Weanlings Of 2020

West Coast has a champion's resume on his pedigree page and on the racetrack, and his debut foals get closer by the day to proving the same to be true for him as a stallion.

In this week's episode of In The Stud, we speak with Bill Farish of Lane's End about the Eclipse Award-winning son of Flatter whose first foals are weanlings of 2020.

Out of the champion juvenile filly Caressing, West Coast became a champion in his own right during his 3-year-old campaign, notching victories in the G1 Travers Stakes and Pennsylvania Derby, the G2 Los Alamitos Derby, and the non-graded Easy Goer Stakes.

West Coast then squared off against the top older horses in the world, turning in-the-money efforts in the G1 Breeders' Cup Classic, Pegasus World Cup Invitational Stakes, Dubai World Cup, and Awesome Again Stakes. He retired with earnings of $5,803,800.

The In The Stud video series, put together by our friends at EquiSport Photos, features up-and-coming names in the stallion ranks, with a focus on those whose first foals are weanlings of 2020. Paulick Report bloodstock editor Joe Nevills interviews farm staff about the stallion's appealing qualities and what mares might work best with them, while giving viewers and potential breeders a chance to see the stallion on the walk and on the racetrack.

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The Stage is Set for Phyllis Wyeth’s Dancing Rags

Dancing Rags, the 2016 GI Alcibiades S. heroine, will be offered at this year’s Fasig-Tipton November Sale on Nov. 8. and will represent the end of the line of an esteemed story in Thoroughbred racing and breeding as one of the last broodmares owned by the late Phyllis Wyeth. The daughter of Union Rags is in foal to top sire Curlin, and already has an Into Mischief yearling filly and a War Front weanling filly on the ground.

“I think Dancing Rags should appeal to a lot of people,” said consignor Braxton Lynch of Royal Oak Farm. “She is beautifully balanced. She has a lovely head and eye, and has plenty of power, length and athleticism. Both her yearling and weanling look very much like her.”

Raced by philanthropist and Thoroughbred breeder Phyllis Wyeth, who passed away in January of last year, Dancing Rags’s greatest appeal comes in the legacy she will carry on as a producer.

“She was an amazing person,” longtime associate Bill Farish said of Wyeth. “She was paralyzed in a car accident when she was in college, but never let that slow her down in life. She was a very big advocate for disabled Americans. I’ve been told that all the ramps on the sidewalks in New York City and other cities are really because of her and her efforts.”

“What a privilege it was to get to know Mrs. Wyeth,” said Fasig-Tipton’s Boyd Browning. “Many people that faced a disability and the challenges that she faced from a physical perspective would have felt sorry for themselves. But Mrs. Wyeth was a character. She brightened the sales grounds. I loved visiting with her and hearing her stories. She had a great wit about her and a great spirit of life.”

Wyeth grew up near her family’s farm in Virginia, where their racing and breeding operation was most noted for Devil’s Bag and Gone West. After marrying the acclaimed painter Jamie Wyeth in 1968, she and her husband resided at her family’s Point Lookout Farm on the Pennsylvania-Delaware border. Despite her physical disability, Wyeth’s love for horses never faltered and she was a carriage driver and active Thoroughbred breeder throughout her life.

Her biggest success in racing came when a homebred colt by Dixie Union went on to become 2012 Belmont S. winner Union Rags.

A fourth-generation homebred, Union Rags was initially sold as a yearling at the Fasig-Tipton Saratoga Yearling Sale, but Wyeth bought the colt back one year later for $390,000.

“He sold for just above the reserve she had set, but she still wasn’t very happy with the sale,” Farish recalled. “She got reports that he was training really well as a 2-year-old. She had really high hopes for him, and he ended up living up to it.”

Wyeth’s instincts proved to be correct when Union Rags went undefeated in his first three starts as a juvenile, and later retired to Lane’s End Farm as a four-time MGSW with Grade I victories in the Champagne S. and Belmont S.

“She was very attached to her horses, and Union Rags was a great example of that,” Farish said. “She came and visited Union Rags as often as she could and really loved seeing him.”

A few years after Union Rags’s Belmont S. victory, Wyeth found a filly at the 2016 OBS March Sale from the first crop of Union Rags that she couldn’t leave without. She purchased Dancing Rags, who had worked a speedy :10 breeze, for $210,000.

Again, Wyeth’s horse sense turned out to be accurate when Dancing Rags broke her maiden at second asking and then sailed to Grade I stardom in the Alcibiades S. at Keeneland for Graham Motion.

“When Dancing Rags won the Alcibiades, it was an incredible day,” said Farish. “To see Phyllis not only race Union Rags, but then race a Grade I winner by him was a real thrill for her and a thrill for anyone that knew her.”

The now six-year-old mare is out of Grade III-placed Home Court (Storm Cat), a daughter of Eclipse Award-winning older mare and Breeders’ Cup champion Jewel Princess (Key to the Mint). Following her racing campaign, Home Court was purchased for $1.4 million in foal to Gone West at the 2005 Keeneland November Sale.

As Browning reflects on the purchase, he said the buyer of the mare makes Dancing Rags’s story even more special to him.

“Our long-time friend and associate Bill Graves bought Home Court for Gordon Stollery’s ASG Thoroughbreds,” he said. “So it’s got the personal connection for us, with both Mrs. Wyeth and Bill Graves, in terms of the pedigree influences.”

Home Court was sold again at the Keeneland November Sale in 2012. Soon after, she produced her first blacktype winner in dual MGSW and sire Coup de Grace (Tapit), followed by Dancing Rags herself.

Lynch says that Wyeth’s family plans to gradually trim down the horsewoman’s broodmare band, and that they found this year’s ‘Night of Stars’ sale to be a perfect fit for the unique offering.

Dancing Rags will be sold as Hip 261 with Lynch’s Royal Oak Farm consignment.

“She’s almost like the complete package for a breeder that’s looking for either success as a commercial operation or a racing operation,” Browning said. “Not only was she the product of many years of really astute horsemen and women’s matings, she demonstrated her quality on the racetrack. Now the family has set the stage by breeding her to two of the most preeminent stallions that have offspring, and she’s in foal to Curlin-arguably one of the world’s greatest stallions.”

“Dancing Rags represents one of the last opportunities to buy anything from [Wyeth’s] program,” Farish said. “She has Phyllis written all over her. She’s got a great pedigree, and I think she’s going to be a great broodmare.”

Browning added of the women the mare represents and her inspirational life’s tale, “It’s a story filled with tradition. It’s a story filled with hope. You look at what she was able to accomplish and it should inspire all of us to get up and make a little extra effort today because we know that she had to make a little extra effort every day.”

 

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Daredevil Returns From Turkey To Stand At Lane’s End In 2021

Leading second-crop sire Daredevil will relocate to Lane's End Farm for the 2021 breeding season.

The sire of 3-year-old sensations Swiss Skydiver and Shedaresthedevil, Daredevil is the #3 North American-based, second-crop sire behind only American Pharoah and Constitution with just over half as many starters.

Daredevil is the only first-crop sire to ever sire an individual winner of the Kentucky Oaks and the Preakness Stakes in the same year. Swiss Skydiver is only the sixth filly to win the second leg of the Triple Crown in its 145 years and only the second since Nellie Morse in 1924.

Shedaresthedevil was her sire's first classic winner in 2020 and led home the exacta for her sire in the most prestigious three-year-old fillies race of the year. These two Grade 1 winners from just 74 starters in 2020 represent 2.78 percent Grade 1 winners to starters, a staggering percentage at the elite level. This places Daredevil behind only Galileo worldwide at 3.6 percent and ahead of North American based super-sires War Front (1.5 percent), Speightstown (1.35 percent), More than Ready (1.27 percent), Tapit (.83 percent) and Into Mischief (.77 percent) in 2020.

Daredevil will stand at Lane's End as property of the Jockey Club of Turkey.

“We are extremely honored that the Jockey Club of Turkey is entrusting us with the continuation of Daredevils stallion career in America” said Bill Farish. “What he has accomplished is nothing short of remarkable. I would like to personally thank Murat Sancal for his ongoing efforts, the board members of the TJK, and especially the president Mr. Serdal Adali. This is the beginning of a very fruitful relationship with them and we are very grateful.”

Daredevil is in quarantine in preparation for his departure to Kentucky. He will arrive at Lane's End near the end of November and be available for inspection shortly after. Daredevil will stand for $25,000 in 2021.

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