Day 1 Of Thoroughbred Makeover Sees Early Leaders In Dressage, Show Jumping

The first day of preliminary competition is in the books at the 2021 Thoroughbred Makeover and National Symposium, with Dressage and Show Jumper taking the spotlight as the competition's two most popular classes this year.

The 2021 “Mega-Makeover” includes separate competition years to accommodate horses from the postponed 2020 Thoroughbred Makeover, as well as the scheduled 2021 event. While both 2020 and 2021 horses competed side-by-side in arenas today, their scores are ranked separately.

2020 Dressage: Elbow Room, trained by Helen Pianca

Elbow Room (D'Funnybone – Show Me the Carats, by More Than Ready) and Helen Pianca danced across the Rolex Arena into the overnight lead in the 2020 competition year for Dressage, earning a 77.414 on their test plus a 48.00 for their demonstration ride, for a combined score of 125.414. The demonstration ride allows trainers to showcase their horse's strengths and any advanced maneuvers they may be developing not already demonstrated in the test.

“He handled the atmosphere like a professional,” said Pianca, a professional from Granville, Ohio. “We had one little bobble in our demo ride, but other than that he felt pretty flawless. We lost some training time when I had a baby, so he had a few months off in the earlier part of this year, and I think he would have been just as good last year, honestly — he's been a professional since I got him. He's my first 'me' horse — now that I have kids, I want a horse for myself! For me personally, I can't beat a Thoroughbred.”

Elbow Room is a 2014 16-hand chestnut gelding, bred in New York by EKQ Stables Corp. He sold as a weanling at Keeneland November in 2014 for $40,000, then sold again as a yearling at Fasig-Tipton New York Saratoga Preferred New York Bred Yearling Sale for $75,000. He went on to make 23 starts with four wins, retiring in July of 2019 from Finger Lakes with earnings of $36,970. He'll return in the Freestyle on Thursday.

2021 Dressage: My Dad Louie, trained by Jaclyn Schellhase

Jaclyn Schellhase and My Dad Louie. Photo courtesy CanterClix
Stepping out in Western tack in the second year Western dressage was available as an entry option in the discipline, My Dad Louie (Regal Ransom – Indigo Girl, by Leestown) and Jaclyn Schellhase top the overnight standings for 2021 Dressage. The pair earned a 72.500 on their test and a 50.00 on their demonstration ride, for a total score of 122.500.

Primarily a barrel racer, Schellhase, a professional from Canton, Ga., applied My Dad Louie's flatwork foundation from barrel racing to a new-to-her discipline.

“He's a great mover and he's very responsive, so I thought he could help me step out of my comfort zone and we could do this together,” she said. “In our demo, we started with just the same maneuvers as the test, but then added in some extended canter, which felt like it went beautifully.”

Schellhase has already connected My Dad Louie to new owners, who have come to the Thoroughbred Makeover to cheer their new horse on, with plans to make him an all-around horse. He is a 2015 16-hand dark bay/brown gelding, bred in Louisiana by Randy Davis & Associates Inc. He made 21 career starts with three wins, earning a total of $47,610. His last race was in August of 2020 at Louisiana Downs. He'll also compete in the Barrel Racing on Wednesday and Thursday, and roll his times to the T.I.P. Barrel Racing Championship.

2020 Show Jumper: Canton Comet, trained by Samantha Fawcett

Samantha Fawcett and Canton Comet. Photo courtesy CanterClix
Canton Comet (Shanghai Bobby – Katie's Ten, by Rock Hard Ten) and Samantha Fawcett have a nearly nine-point lead on the rest of the 2020 Show Jumper discipline after the first day of competition, receiving marks of 175.50 and 175.00 for a round score of 175.25.

“I purchased her as a 3-year-old from Kentucky with the goal of sending her to the 2020 Makeover; my intentions were actually to sell her then. I'm very glad that did not happen, because we've decided to keep her to develop her further in show jumping,” describes Fawcett, a professional from Alton, Ontario. “We kept everything really straightforward with the extra time and focused on her dressage. She really grew into herself and really started to blossom over the past winter. She's exceeded our expectations!”

Canton Comet is a 2016 16.3-hand black mare bred in Kentucky by Kirby Chua. She sold for $80,000 as a yearling at Keeneland September in 2017, and went on to make nine starts with one win. Her final start was in August of 2019 at Arlington, where she retired with $20,698 in earnings. She'll return in the Show Hunter on Wednesday.

2021 Show Jumper: Absolute Drama, trained by Emily Clayton

Emily Clayton and Absolute Drama. Photo courtesy CanterClix
Absolute Drama (Big Drama – Perfect Charm, by Charismatic) and Emily Clayton outshone the rest in the 2021 competition year for Show Jumper, earning scores of 152.25 and 155.75 for a round score of 154.00

“I'm shocked, actually,” describes Clayton, a professional from Lafayette, Louisiana. “He's only four — I just wanted to give him a good ride. We focus on flatwork a lot at home, and a lot of work went in, but he's pretty easygoing and level-headed. Our first round was our best round.”

Absolute Drama already has a new home lined up after the Thoroughbred Makeover and will head to his new owners once he and Clayton return home. A 2017 15.3 hand dark bay/brown gelding, Absolute Drama was bred in Louisiana by EPIC Thoroughbreds, LLC and made four starts, never breaking his maiden. He retired with $450 in earnings from Evangeline, making his final start in July of 2020. He'll return in the Show Hunter on Wednesday.

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The Blueberry Bulletin Presented By Equine Equipment: With Makeover Two Weeks Away, This OTTB Is Already A Winner

Exactly two weeks from today, I will have finished my second dressage ride at the Thoroughbred Makeover. The last few months of training and competing with Blueberry have been preparation for two five-minute sessions in the enormous outdoor stadium at the Kentucky Horse Park normally resolved for much more advanced, professional riders and very expensive horses.

For those who aren't familiar, the Retired Racehorse Project's Thoroughbred Makeover is a training competition open to recently-retired off-track Thoroughbreds. Much like the Kentucky Derby, you're only eligible to do it for one year, because the purpose is to show off how much Thoroughbreds can learn in the first ten months or so of training for a new sport or 'discipline.' There are ten different horse disciplines running at the Makeover, and you may pick one or two to compete in. Blueberry and I will be competing in dressage, so the format for us is that we will perform two tests – a prescribed test which we must memorize and replicate as accurately as possible, and a freestyle where we have five minutes to ride in whatever sequence or pattern we choose to show off what he has learned. We'll get to do this in the Rolex Stadium, which is a giant arena with plenty of distractions so he'll also need to be calm and focused in order to do well. Our placing is determined by our combined score from the two rides.

The top five scores from each horse sport will return for a finals round to determine the winner from each discipline. Then, an overall winner is chosen from the various horse sports, with the judges favoring the horse who has proven the best example at their chosen second career.

While we have a few things we'll be practicing in our last two weeks, I think we're as ready as we can be. Reporters always grumble a little in the last days before the Derby as the field's trainers all give us very much the same quotes morning after morning. Their work is mostly done by those last few days. They're hoping to keep their horses happy and sound; you can acclimate them to the new track, you can school them in the paddock, but you're either almost ready to run 1 ¼ miles or you aren't. If you aren't, you're already out of time. There's not much else for a trainer to say in that situation, but it makes for boring copy. As a rider though, I get it.

Likewise, we will school in the big stadium, and we will practice making our trot-to-halter sharper, our right lead canter departs smoother and more correct…but the big pieces are in place. Since we began training in late April, Blueberry has gone to two shows as a non-competing entry just to check out the environment and four shows as a competitor. He has performed four different tests a total of six times, including one we'll do at the Makeover. He has seen chaotic show environments and spent a night away from home, handling all of that with the ease I'd expect from a horse who witnessed busy racing barns and spent lots of time on the road during his race career.

My conditions for whether we'd attend the Makeover were always two-fold: He must be sound and healthy (so far so good, but cross your fingers his front shoes stay on), and I must feel I've mentally prepared him for what the competition requires of him. I feel like I've accomplished the latter, which is an enormous task in itself.

There are hundreds of horses and riders coming from all around the country to compete at the Makeover, and nearly 100 pairs in my dressage class alone. I'm a competitive person, but I'm also a realist – our goals for this event aren't about where we finish, because we're not likely to appear in the finals. We'll be facing professional riders with horses who started their training months before us; while I believe that Blueberry is athletic and has a lot of potential in dressage, there will also be horses with more raw talent here than us.

And all of that is fine. Because we've already won.

An evolution of Blueberry's body condition and muscling through this year

In the five months we've had together, he has completely changed jobs and made it look easy. He has completely changed the way he uses his muscles, and built muscle in new places, keeping his little ears pricked even when I know I'm asking him to do something challenging. When we ride down the center line of a dressage ring at a show, a switch flips in his mental energy. With no previous experience, he somehow knows when he is competing, despite the fact his competitors no longer run alongside him. He stands patiently in the wash rack at home or the trailer at the show grounds like a horse who has done this all for years. He lets me kick my feet out of the stirrups in an open grass field and carries me carefully, allowing me to wobble as I work on my core strength and balance. He walks through puddles and over tarps, trots through ground pole exercises, and calmly ignores it when his friends in a nearby pasture start galloping and bucking while we're trying to finish up a schooling session. In many important ways, Blueberry is so advanced for a 4-year-old in this stage of training.

My mare, though I love her, was a tough ride. He has made dressage fun for me for the first time. He has taught me that patience can be rewarded. He has helped me retrain my own muscles to ride more correctly and quietly. He has given me so much confidence. And it's all just the beginning.

The Makeover was a bucket list event for us, but it'll only cap off our very first season together. We plan to have many more, with new goals. The way we'll ride a Training Level test in two weeks will be very different from the way we ride it in another year. But when we come down the center line to salute the judge, I will be so incredibly proud to present him. However he compares to everyone else, he is an absolute champion to me.

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Horowitz On OTTBs, Presented By Excel Equine: ‘Victory’ At The Thoroughbred Makeover Looks A Little Different For Everyone

The performances that make me smile the biggest and appreciate the retired racehorses and the trainers that care so much for them at the Retired Racehorse Project Thoroughbred Makeover the most are not necessarily the ones that win ribbons or even make the Finale.

Don't get me wrong: as the announcer of the Thoroughbred Makeover since the annual marquee event for OTTBs was first held at the Kentucky Horse Park in 2015, I've been blown away by the talent that Thoroughbred sporthorses can show in new sports with less than a year of retraining after a racing career.

Like when Rosie Napravnik went into a gallop after a flawless jumping round in the eventing finale aboard Sanimo at the 2019 Thoroughbred Makeover to win the discipline. It was reminiscent of the jockey-turned-eventer galloping out after a flawless ride aboard Untapable in the 2014 Breeders' Cup Distaff, after which Napravnik announced her retirement from racing, only to embark on a new equine career, much like the OTTBs that she now rides.

Sanimo and Napravnik moved up to the Prelim level of eventing in 2021 with two top-three finishes that qualified them for the American Eventing Championships and a return to the Kentucky Horse Park.

Or when Carleigh Fedorka had a breathtaking dressage test to win the discipline at the 2015 Thoroughbred Makeover aboard Called to Serve, a horse ESPN's Gary West once described as “a bull in perpetual search of a china shop” because of his naughtiness during race training.

There have been countless other performances that bring out the immense talent of OTTBs, and I'm looking forward to more when I announce the 2021 Mega Makeover from Oct. 12 to 17.

However, at least as valuable to the goal the RRP has that the Thoroughbred Makeover is “intended to inspire good trainers to become involved in transitioning these horses to second careers” is seeing the rounds in each discipline where trainers create a positive experience for their horses based on where their training is, rather than pushing things to the max.

I smile when I see the barrel racer that trots the barrel pattern rather than sprinting all out. The rider pats the horse on the neck afterward. They both leave the TCA Covered Arena proud of their accomplishment.

I smile when I see the freestyle competitor recognize that their horse is overwhelmed by the atmosphere, adjust their routine, and the horse picks up confidence as a result.

I smile every time riders show gratitude for themselves and their horses that just making it to the Kentucky Horse Park is an accomplishment, regardless of where the horses are at in their retraining, because the Thoroughbred Makeover is only part of a long journey that the horse will hopefully embark on in a new life after racing.

Jonathan and Ashley Horowitz announce the finale of the 2018 Thoroughbred Makeover.

There is no doubt that the Thoroughbred Makeover is an elite competition, with $100,000 in prize money and top-level riders competing across ten disciplines on horses that will go on to be leaders in their new sport. In addition, what makes the Thoroughbred Makeover so special and important is that it is also addresses a cause that all professional sports now have to reckon with — the welfare of their elite athletes after they retire. Thanks to the RRP and the Thoroughbred Makeover, horse racing is moving in the right direction with this.

“Since 2015, the Thoroughbred Makeover has steadily grown into not only the largest Thoroughbred retraining competition in the world, but also the largest gathering of people with a professional interest in Thoroughbred aftercare,” RRP executive director Jen Roytz said. “Since then, we've seen more than 3,000 horses go through the process of transitioning from racing to their sport horse careers by preparing for this unique competition, and now we're seeing our Makeover graduates from years past starting to perform at the upper levels in their new equestrian disciplines.”

After coming together for a memorable week at the Kentucky Horse Park, the Makeover trainers, who have represented 46 states and four Canadian provinces, as well as England, can return to their hometowns and inspire others with what OTTBs can achieve.

“That's what works so well with the Makeover,” RRP program manager Kristen Kovatch Bentley said. “It manages to cater to not only the trainers who use the structure of that first year to prepare horses for careers in the upper levels, or take advantage of the visibility to market a horse for sale at the event, but for the one-time 'bucket list' trainers who are entering this competition with their forever horse. It's rare for one event to be able to bring together so many different facets of the industry in one week, but because everyone has had that same incredible experience of partnering with these amazing horses to undertake this transformative 10-month journey together, the competition becomes a celebration.”

The Thoroughbred Makeover inspired me to learn to ride, and my work with OTTBs has changed my life. My wife, Ashley Horowitz, and I currently run the Super G Sporthorses farm in Parker, Colo., where ten of the 16 horses on the farm are Thoroughbreds. Those ten were bred in seven different states.

“For those who don't have a background in or natural connection to equestrian sports outside of horse racing,” Roytz said, “this allows them to gain a deeper appreciation of not only what these horses can go onto accomplish after racing, but how much time, skill, effort, money and more goes into their care and training as they make this life-altering transition from racehorse to sport horse.”

I'm one of those people and appreciate that I now have gone from “talking the talk” as a broadcaster to “walking the walk” as an eventer on OTTBs thanks to what has inspired me at the Thoroughbred Makeover.

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The Blueberry Bulletin Presented By Equine Equipment: My OTTB Did Not Fail

One of the first things I did after adopting Blueberry was to embark on a small online shopping spree for him (naturally, none of the draft cross mare's gear would fit him), followed by a small online shopping spree for myself. I found a t-shirt on Etsy which reads, “My OTTB ran slower than yours.” It made me chuckle, as the new owner of a horse who ran once and placed fourth.

Blueberry is by Uncle Mo, out of a graded stakes-winning mare. He had the mind of a racehorse, and we're told he showed such impressive speed in the mornings, his training team suggested he be nominated to stakes races at Woodbine before he'd even made a start. We joke sometimes about our “underachiever” who cost $400,000 as a yearling and won a little over $4,000 in return.

But the reality is, there's a little air of disappointment when racing people are asked about OTTBs. Many are eager to support aftercare in word and in deed, but there's often a wistful air if you ask them about a specific horse that has left their operation for a second career. 'Oh yes,' they may say. 'It's a shame they didn't work out.'

I get it; no one spends six figures in stud fees, or pays an Eclipse Award-winning trainer's day rates hoping to find out their horse is slow, or injury-prone, or briefly brilliant but eventually flat. Everyone wants to win the Kentucky Derby. Everyone wants to catch lightning in a bottle. Perhaps it's good that so many people in this sport wake every day with these stars in their eyes, continuing to breed, sell, buy, train, and care for the thousands of horses who support so many livelihoods. Everyone who has a role in a racehorse's life is subject to back-breaking work, long hours, lost money, and chasing sleep. There wouldn't be an industry to employ us all if we didn't have crazy dreams to make all of that worthwhile.

But the reality, which I know people understand just as keenly, is that there will be many more horses like Blueberry than American Pharoah. When I wrote about the challenges of aftercare in late 2019, 28 percent of Thoroughbreds born between 2005 and 2014 never even made it to the races. One Australian study found that about 40 percent of that country's racing population retired each year, with only 10 percent of those heading off to breeding careers. The 2020 American foal crop is estimated to be 19,010, but there were only 99 Grade 1 races held in North America last year – it's just a matter of logic that some horses will have a career on a breeding farm waiting them, but most of them will not.

The last few months of under saddle work with Blueberry have been a joy. I tell people that he makes me look a lot smarter than I am, because the level of dressage we're working on now is physically easy for him. Our trainer, Stephanie Calendrillo, told me at one point that she loves a horse who loves to work, who asks her when she encourages them to lift their backs and soften their jaws, 'How high do you want me to lift?' She said Blueberry does it for you and then asks 'Oh sorry, was that enough? Do you need me to do more?'

He loves going to work, but he's smart about it. I pulled him out of his stall for a morning ride this week – his first in a couple of weeks – and where others might have expended calories on exuberant bucks and hops, he was immediately quiet, focused, responding to the slightest twitch of my rein or heel. He does not waste energy (if anything, he can trend towards 'sleepy' rather than quick), and believes with all his heart he is a professional who has Done All Of This Before even when he hasn't.

Having known his mother, I'd hoped when I adopted him that he would have this mindset. I did not know, until about May when he began ground driving walk/trot/canter, how he moved, beyond having a very impressive walk at the Fasig-Tipton Saratoga Sale in 2018. In his first months with me, he was on 24-hour turnout while he recovered from some minor ligament desmitis and we awaited a stall and better weather at my trainer's main property. When I saw him stretch out at a trot and felt his floaty canter for the first few times, I used a few four-letter words. I hadn't just adopted a nice horse, I'd adopted a really nice horse.

I'm excited to bring him to the Thoroughbred Makeover next month, but I also recognize that it's just our first show season goal. There will be other seasons after this one, and I think he's just going to get better with time.

'I'm not surprised,' Stephanie told me. 'He's well-bred, and class is class, no matter what you're doing with them.'

Blueberry warming up at his second dressage show in July, where he would win his Intro C class and finish second in his Intro A class

I think it's time we change the conversation about these, the vast majority of the Thoroughbred foals born in this country each year. There were 27,700 races held in North America, which means there were fewer than 27,700 winners, but that doesn't mean that every horse who didn't win a race, or who found a non-breeding second career has failed – they were just a predictable part of the statistical picture of competitive racing.

By extension, we can also reframe the successes of the racing connections for those horses. Part of the goal of breeding Thoroughbreds is to create an athlete, and breeders Jay and Christine Hayden did that. One of the goals of a commercial consignor is to be a source for Thoroughbreds with a lot of potential, and Cara Bloodstock achieved that in selling him. One of the goals for responsible owners is to be caring stewards of their horses' welfare, and Godolphin did that, backing off on his training at the first sign of trouble and providing me a sound horse with no limitations on performance. One of a trainer's worries is ensuring that they keep their horses physically and also mentally sound, and Johnny Burke and Brad Cox ensured their staff preserved Blueberry's kind impression of humans, allowing me a relaxed 4-year-old gelding who sometimes gets groomed by my trainer's 4-year-old little girl.

Horses with second careers are simply those who found renewed purpose in a different job. When humans do this, it's called resilience. Let's give our OTTBs the same credit for finding their calling.

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