Cornerstone New Zealand Breeder Sir Patrick Hogan Dies At Age 83

The Thoroughbred world is mourning the death of Sir Patrick Hogan, who has passed away in Waikato Hospital after a period of ill health.

From humble beginnings and with a determination shared by his wife Justine, in 1976 Sir Patrick founded Cambridge Stud, a nursery that was to reshape the bloodstock industry and draw unprecedented international attention to New Zealand.

In a masterstroke that was to reap huge accolades and rewards for Cambridge Stud, Hogan selected Sir Tristram as his foundation stallion.

With just two wins from 17 starts, Sir Tristram had a modest race record, but his new owner's implicit faith in the Irish-bred stallion's bloodlines – franked by his own Irish heritage – set the platform that would see Cambridge Stud become the dominant force through subsequent decades.

Long-time associate Joe Walls, both a friend and business associate in his role as Chairman of New Zealand Bloodstock, spoke on behalf of many when describing Patrick Hogan's contribution to New Zealand's proud heritage.

“I have been fortunate enough to have known Patrick and Justine for more than 50 years and my association was more than just a client, salesman one. They have been amazing friends to both Wendy and myself,” Walls said.

“Two such great horses in Sir Tristram and his son Zabeel couldn't have been placed in better hands. His dedication to the industry, his marketing skills, his flair and his professional fairness put the New Zealand industry and the national sales on the map internationally.”

Even as a boy growing up on the family farm where horses and cattle shared the paddocks, Hogan's special talents shone through.

Ribbon-winning dairy calves provided the springboard to parading Fencourt Stud yearlings at the annual Trentham sales as a teenager, and once he had his own draft under the Cambridge Stud shingle, he brought a new standard to promotion and marketing.

What was to become a legion of Cambridge Stud staff quickly learnt the Hogan way of impeccable personal presentation and the expectations of the man known respectfully as The Boss.

Not only did they follow his example of preparing and showing off stud graduates to their best advantage, but so did rival breeders take note as the bar was continually raised through the influence of one man possessed with passion and vision par excellence.

“For me personally and for so many other people who were mentored by Patrick it's a very sad day,” said Marcus Corban, whose association with Hogan spanned four decades in a career that grew to becoming Cambridge Stud general manager.

“He was a great mentor and to me he was like a father; he was a perfectionist, a great thinker, he was passionate, so methodical with his matings and everything he did.

“When I think back on Patrick's life and what he achieved, that also includes his rock, Mrs H (Lady Justine), who was with him from the very start. It's a terribly sad time for the family.”

Hogan was to freely admit in subsequent years that the best thing that ever happened to him and Cambridge Stud was Sir Tristram, but the contemporaneous point raised by others is whether anyone else could have achieved so much in moulding the stallion into the breed-shaping champion of the late 20th Century.

Sir Tristram sired top class racehorses of virtually every description, from a Golden Slipper winner to a multitude of classic and cup winners, not forgetting numerous leading jumpers.

All up he left 45 individual Group 1 winners, a figure that surpassed legendary North American stallion Northern Dancer's record. Amongst them was the horse that, through another inspirational Hogan call, was to continue his sire's legacy.

Australian Guineas winner Zabeel took up duties at Cambridge Stud in 1991, initially alongside Sir Tristram, who was to die aged 26 in 1997.

In a graphic illustration of the Hogan guile, Zabeel stood out amongst Sir Tristram's sire sons, quite incredibly surpassing his tally of Group 1 winners by one with 46 to his name, as well as notching a raft of stallion premierships.

The legacy founded by Sir Tristram has continued to the present day, as witnessed by the number of class performers with his blood in their veins and now headed by his grandson Savabeel, New Zealand's dominant sire of the past decade.

“In my lifetime there has been no greater influence in the New Zealand breeding industry than Patrick Hogan,” commented Sir Peter Vela, principal of New Zealand Bloodstock.

“This country was so fortunate to have someone like him; he was a great horseman, his knowledge, what stallions to develop and how to grow the industry, so from every point of view his passing is just so sad.

“He was a hugely significant man for the things we can see and also for his generosity which was perhaps less well known, whether it was someone in need or the many people he shared his knowledge with.

“His name and persona was, and always will be, synonymous with the New Zealand thoroughbred breeding industry and his massive contribution to putting this country on the world stage.”

Hogan's achievements earned induction to both the New Zealand and Australian Racing Hall of Fame, while Sir Tristram, Zabeel, iconic Cambridge Stud broodmare Eight Carat and her Zabeel son Octagonal are also members of racing's most elite pantheon.

Other high points in Hogan's life centered on the many international visitors to Cambridge Stud; indeed he rated the 1990 visit by Queen Elizabeth ll – herself an expert in thoroughbred matters – as the standout highlight of his life.

The following year Hogan was awarded the CBE (Commander of the British Empire) for services to racing and the community, and that was followed in 2000 by the ultimate Royal Honour, a knighthood.

In author Dianne Haworth's landmark biography “Give a Man a Horse,” Hogan reflected on Her Majesty's visit with the following words: 'We hosted the Queen for lunch at our home, and from time to time I still think, “Was she sitting at our table or not?” That to me is the greatest award.'

Sir Tristram and Zabeel were instrumental in Cambridge Stud's 31-year reign as the leading vendor at the National Yearling Sale, while Hogan's two-tone green (and very Irish) racing colors became a familiar and successful sight at racecourses on both sides of the Tasman.

With no heir apparent to take over the reins at Cambridge Stud, several years ago Hogan was faced with the very real likelihood that the nursery that defined his life's work would pass into foreign ownership.

His quandary was solved when Brendan and Jo Lindsay, with whom Patrick and Justine Hogan could draw familiar parallels as a self-made Kiwi couple, entered the picture and in 2016 bought Cambridge Stud as a going concern.

While the name Hogan would no longer be directly involved in the iconic nursery, it will forever be recognised that none of what has been achieved over nearly half a century would have been possible without the indelible imprint of one of our greatest visionaries.

Sir Patrick Hogan, who was aged 83, is survived by his wife Lady Justine, daughters Erin and Nicola, four grandchildren and four great-grandchildren.

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Preakness Art Submissions Open

The Art of Racing, inaugurated last year as a partnership between 1/ST, the Maryland Jockey Club and the Maryland Institute College of Art (MICA), today launched its 2023 program. This year, the call for entries has been expanded to artists nationwide, and beginning today, artists can submit their entries to www.preakness.com/the-art-of-racing. Submissions will be accepted through Mar. 10.

The art competition commemorates the second jewel of the Triple Crown Series and its impact on Baltimore, as artists are invited to create and submit original, two-dimensional visual art depicting the unique elements of Thoroughbred horse racing and the Preakness Stakes. Last year's program drew nearly 150 entries and included an open voting phase, during which the public was invited to visit the aforementioned site to cast their vote for their favorite work of art. This year's voting range will be from Mar. 13 to Mar. 27. The top 10 selections will be entered into the finalist category with the winning piece being selected by a panel of judges.

The winning artist of the second-annual competition will be awarded a $4,000 stipend and two tickets to Preakness 148 on May 20, 2023. In addition, their work will be reproduced on a curated collection of Preakness 148 merchandise that will be available for purchase online and onsite during Preakness weekend. Proceeds from merchandise sales will, once again, be directed to the Park Heights Renaissance, a non-profit organization pursuing employment opportunities and affordable housing for Park Heights residents.

“The artwork featured during last year's inaugural competition was exceptional,” said David Wilson, Chief Marketing Officer, 1/ST. “Artists shared their interpretations of the thrill of victory, the heartbreak of defeat and the vibrant crowds of Thoroughbred horse racing fans coalescing each unforgettable year in the Preakness Stakes.”

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Preakness Art Competition Returns For Second Year

The Art of Racing, inaugurated last year as a partnership between 1/ST, the Maryland Jockey Club and the Maryland Institute College of Art (MICA), today launched its 2023 program. This year, the call for entries has been expanded to artists nationwide, and beginning today, artists can submit their entries to www.preakness.com/the-art-of-racing. Submissions will be accepted through March 10th.

This unique art competition commemorates the second jewel of the Triple Crown Series and its impact on Baltimore, as artists are invited to create and submit original, two-dimensional visual art depicting the unique elements of Thoroughbred horse racing and the Preakness Stakes. Last year's program drew nearly 150 entries and included an open voting phase, during which the public was invited to visit www.preakness.com/the-art-of-racing to cast their vote for their favorite work of art.

From March 13 through March 27 visitors to The Art of Racing website can cast their votes. The top 10 vote-getters will then be entered into the finalist category, with the winning piece selected by an esteemed panel of judges representing the artistic, business, philanthropic and political communities that provide support to Park Heights as the home of Preakness 148.

The winning artist of the second-annual competition will be awarded a $4,000 stipend and two tickets to Preakness 148 on May 20th, 2023. In addition, their work will be reproduced on a curated collection of Preakness 148 merchandise that will be available for purchase online and onsite during Preakness weekend. Proceeds from merchandise sales will, once again, be directed to the Park Heights Renaissance, a non-profit organization pursuing employment opportunities and affordable housing for Park Heights residents.

1/ST and the Park Heights Renaissance have an ongoing partnership to raise awareness of Park Heights' storied culture. The Art of Racing is among a series of initiatives between 1/ST and the Park Heights Renaissance that includes the George E. Mitchell Black-Eyed Susan Stakes and the George E. Mitchell Park Heights Community Fellowship Grant. As an extension of the late community advocate George E. Mitchell's legacy, The Art of Racing recognizes and honors individuals who demonstrate a similarly remarkable commitment to the Park Heights community.

“The artwork featured during last year's inaugural competition was exceptional,” said David Wilson, Chief Marketing Officer, 1/ST. “Artists shared their interpretations of the thrill of victory, the heartbreak of defeat and the vibrant crowds of Thoroughbred horse racing fans coalescing each unforgettable year in the Preakness Stakes.”

The winner of last year's competition was Theresia Zhang, a MICA student, whose original illustration titled “Speed” was selected from among the 147 total submissions.

Beginning in the 1970s, the partnership between MICA and the Preakness Stakes was revitalized by The Art of Racing. A nod to the seven murals created by then-MICA professor Raoul Middleman and his students that live in perpetuity behind Pimlico Race Course's grandstand, the competition honors a tradition forged by both Maryland-based institutions defined by history, scholarship and character.

“I imagine that Raoul Middleman would have been thrilled to see a MICA student win the competition in its inaugural year,” said Dr. Tiffany Holmes, MICA's Interim Vice President for Academic Affairs and Provost. “Professor Middleman frequently introduced his students to site-specific artmaking, and The Art of Racing provides similar opportunities to new generations of artists and community members.”

For more information on The Art of Racing, please visit www.preakness.com/the-art-of-racing or follow @PreaknessStakes and #Preakness on social media.

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2023 Maryland Thoroughbred Career Program Dates Announced

The Maryland Horse Foundation announced that the 2023 Maryland Thoroughbred Career Program (MTCP) will run from June 5-9, 2023. The online application is now open and must be completed by Apr. 21. Interviews will take place in the two weeks after the application deadline and selected participants will be notified in early May.

“The Maryland Thoroughbred Career Program offers a great opportunity to see behind the scenes in the various components of the industry from reproduction to racetrack operations”, says Cricket Goodall, executive director. “We hope to show these young people that love horses that you can make a career out of that passion.”

For more information, click here.

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