Triple Crown Turning Point: How Sharpening Focus Worked Wonders for Whirlaway

Belair Stud had dominated the sport of horse racing in the 1930s, the distinctive white with red spots a fixture in the winner’s circles of the Triple Crown races in multiple years. By the 1940s, though, the tide was turning toward a different set of silks, the immortal Devil red and blue of Calumet Farm.

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Broadway Performers Added To Line-Up Of Entertainment For Belmont Stakes Racing Festival

The New York Racing Association, Inc. (NYRA) today announced that cast members from Disney's hit Broadway musical ALADDIN will perform on Saturday, June 11 at Belmont Park as part of the 2022 Belmont Stakes Racing Festival.

The ALADDIN performance will feature the Oscar-winning classic “A Whole New World” and the showstopping “Friend Like Me” performed by Jeremy Gaston, Jonah Ho'okano and Katie Terza on the Winner's Circle stage prior to the 154th running of the Grade 1, $1.5 million Belmont Stakes Presented by NYRA Bets.

The ALADDIN cast joins a blockbuster lineup of entertainers set to perform at the Belmont Stakes Racing Festival, including DJ Pauly D, one of the world's most in-demand DJs and reality television personalities, as well as the New York Bee Gees, Sal “The Voice” Valentinetti and Black Tie Brass.

With the 154th running of the Belmont Stakes presented by NYRA Bets as its centerpiece, the 2022 Belmont Stakes Racing Festival will take place at beautiful Belmont Park from Thursday, June 9 through Saturday, June 11. Featuring the very best in thoroughbred racing along with world-class entertainment and hospitality options, the Festival has become an exciting way for sports fans to kick off the summer season in New York.

Produced by Disney Theatrical Productions, under the direction of Thomas Schumacher, ALADDIN features music by Tony Award and eight-time Oscar winner Alan Menken (Beauty and the Beast, Newsies, Sister Act), lyrics by two-time Oscar winner Howard Ashman (Beauty and the Beast, The Little Mermaid), three-time Tony Award and three-time Oscar winner Tim Rice (Evita, Aida) and six-time Tony Award nominee Chad Beguelin (The Wedding Singer), with a book by Beguelin, and is directed and choreographed by Tony Award winner Casey Nicholaw (The Book of Mormon).

Hailed by The New York Times as “fabulous and extravagant!” the Broadway production has broken 14 New Amsterdam Theatre house records and spawned eight productions on four continents, with a new North American tour launching in October. It can be seen currently on Broadway, in Japan, the Netherlands, Mexico and Germany.

For more information, visit www.AladdintheMusical.com. To download production video and photos, visit www.press.AladdintheMusical.com.

For additional information on the Belmont Stakes Racing Festival, visit BelmontStakes.com.

The post Broadway Performers Added To Line-Up Of Entertainment For Belmont Stakes Racing Festival appeared first on Horse Racing News | Paulick Report.

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Making Claims: Is The Moon Too Far Away To Matter In Today’s Marketplace?

In “Making Claims,” Paulick Report bloodstock editor Joe Nevills shares his opinions on the Thoroughbred industry from the breeding and sales arenas to the racing world and beyond.

As we approach the 53rd anniversary of the first moon landing, I find myself staring at the glowing orb in the night sky with a furrowed brow and wondering if it's time for a change.

Historically, the moon has been the greatest frontier that our species has traversed, reserved for the very best among us. The 238,900 miles from Earth's surface to the moon is by far the greatest distance any human will travel in their lifetime, requiring a level of training that would cause most of us to crumble into dust. In exchange, the names of the 12 men that have set foot on the moon are woven into the fabric of humanity's story. This is the greatest thing they, and perhaps any person, will achieve.

Here's the problem: We haven't put a man on the moon since 1972. America regularly has astronauts on the International Space Station, and programs like SpaceX have made the opportunity for civilians to reach the boundaries of our planet's atmosphere more available than ever, but people just aren't going to the moon anymore.

The rigorous physical and technical training necessary to do it is just too great for all but the most elite specimens to stay the trip, which can be discouraging, and hard to accept – especially if you just paid $55 million for a seat on a spacecraft.

Moon travel is at a crossroads, and if something isn't done soon, humanity could lose interest in going to space altogether.

Don't worry. I have a plan.

To increase public interest in the moon and reflect the modern state of space travel, we need to bring its orbit closer to the Earth.

The International Space Station orbits at about 240 miles from Earth, and SpaceX's Inspiration 4 mission reached an orbit of about 363 miles, which is the farthest a civilian has traveled from Earth. If we adjusted the distance between Earth and the moon to 300 miles, this would reflect the current investment focuses of space travel, and make this monumental achievement much more obtainable.

In the past, it was accepted that going to the moon was supposed to be difficult. The names of the 12 men that have set foot there are not just major figures within their own sphere, but household names among the general public. The story of America can't be told without names like Neil Armstrong, “Buzz” Aldrin, and Alan Bean.

On the same note, many of us revere the ones that almost made it to the moon, like Michael Collins, who had to watch from orbit during the Apollo 11 mission as Armstrong and Aldrin grabbed the glory. For all the fame that the moonwalkers achieved, the sympathy we feel for the astronauts that got so close without touching it is why many of us took interest in space travel in the first place.

Here's the thing: While we might revere those names, and we're happy to name streets and museums after them, they don't reflect the modern space traveler. NASA, and other space-related organizations, clearly aren't interested in recruiting the kind of astronaut that would have thrived in the 1960s. We shouldn't base our priorities on the decades-old idealized image of an astronaut. The vocation and its participants have changed. Times change.

The current state of space travel commands its astronauts to lean less toward being an explorer of uncharted lands and more toward being a commercial pilot, bringing their passengers up and down safely.

Because we haven't sent anyone to the moon in decades, there obviously isn't a public demand for someone with those skills, and we shouldn't bother catering toward people who strive to achieve that status through physical toil and unmatched technical skill. If they want to try that with another country's program, which might be more geared toward long-distance space travel, I say let them.

When the moon is closer to us, that handful of astronauts will instead train to pilot shorter-distanced spacecraft, and conform to the modern commercial space travel market.

Investors pour billions into commercial space travel every year. It shouldn't be their fault that the spacecraft they buy and build aren't designed to go the distance necessary to reach the destination. Their perception is reality in that marketplace, and if they want the moon to be closer so their rockets can reach it, we shouldn't be so precious about its location.

Stuffy traditionalists might argue that the moon has always been 238,900 miles from the Earth, and that distance shouldn't change on a whim. What they don't realize is that 1.4 billion years ago, the moon was 33,143 miles closer to the Earth than it is today, and everything was fine. Bringing the moon closer would not be a new idea.

I can also hear the armchair scientists clutching their spectacles about the effect that a closer moon would have on the environment.

Yes, the tides would change drastically, and forever alter the makeup of the human race after much of the planet is covered in water.  What happens to individuals not interested in going to the new, closer moon is not my concern. The people that remain would be singularly focused on getting to the moon, which would be more accessible than ever.

Other diversions will fall by the wayside as people pile into rocket ships, and our crisis of interest in moon travel will be solved.

Anyway, enjoy the Belmont Stakes this weekend; one of the last great moonshots that North American horse racing has left.

The post Making Claims: Is The Moon Too Far Away To Matter In Today’s Marketplace? appeared first on Horse Racing News | Paulick Report.

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‘All Grown Up’ June Sale Brings Curtain Down on Juvenile Sales Season

A juvenile sales season which set records at each stop along the way, comes to a close with the Ocala Breeders' Sales Company's June Sale of 2-Year-Olds and Horses of Racing Age, which begins its three-day run Tuesday morning in Ocala.

OBS Director of Sales Tod Wojciechowski expects demand for 2-year-olds to remain high at the June sale.

“I think there is still demand for horses,” Wojciechowski said. “I think we saw that certainly in April [at the OBS Spring sale]. We heard from a lot of people who still had orders to fill and said they'd be back.”

The OBS Spring sale set records for gross, average and median and, while that April auction has turned into a powerhouse destination, the June sale has had its own renaissance over the last few years.

“The June sale is all grown up,” Wojciechowski said. “It was not always considered a stand alone sale. It was an afterthought sale for a number of years, but nowadays, June is a heck of a sale in its own right. Quality horses have come out of June every year. I think people appreciate that. And it seems, as the sales calendar has gotten later over time, some of these horses that need a little more time, that maybe aren't ready for March or April, can really showcase themselves at June and people are finding success with those horses.”

In 2021, 567 horses sold at the June sale for a gross of $24,626,450 and an average of $43,433–both highwater marks for the auction. The median was a record-tying $20,000.

“I try not to prognosticate things like that,” Wojciechowski said when asked if the sale's 2022 renewal could live up to those lofty figures. “I think we will have a good sale and we will be thankful, and the consignors will be thankful, if we get horses sold.”

The 2022 June sale has already eclipsed the 2021 renewal in one respect, with 1,131 juveniles catalogued this year, compared to 907 a year ago.

“I don't know that it is good or bad,” Wojciechowski said of the larger catalogue. “It is what it is. I am happy that the consignors have enough faith that the June sale is a place where they can market their horses.”

During last week's under-tack show, a pair of fillies shared the fastest furlong time of :9 4/5: hip 560, a daughter of Flatter consigned by Julie Davies (video); and hip 795, a filly by Irish War Cry consigned by Thorostock (video).

A filly by Army Mule (hip 437) turned in the week's fastest quarter-mile work of :20 2/5 for the Fast Horses consignment.

“I thought we got very lucky with the weather,” Wojciechowski said of the under-tack show. “It is Florida. It is hot in June, but we were able to dodge rainstorms and didn't really have any interruptions and we were able to get six consistent days in a row. They were hot, but they were consistent.”

The June sale begins Tuesday morning and continues through Thursday with bidding beginning each day at 10 a.m.

The post ‘All Grown Up’ June Sale Brings Curtain Down on Juvenile Sales Season appeared first on TDN | Thoroughbred Daily News | Horse Racing News, Results and Video | Thoroughbred Breeding and Auctions.

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