National Stud New Boy Is Poetry In Motion 

The real Lope de Vega, dubbed the Spanish Shakespeare, was as prolific a playwright and poet as he was a lover, and is believed to have fathered about 15 children, some legitimate, others not so. 

That's small fry for a stallion, of course, and the horse who has carried his name with such distinction, both on the racecourse and at stud, could well end up with at least that many sons following him to stud. So far, in Ireland, he is represented by Phoenix Of Spain (Ire) and Lucky Vega (Ire), who has joined the former at the Irish National Stud this season, as well as Darley's Belardo (Ire), the stand-out member of his sire's first crop. In Newmarket, the National Stud has welcomed its own son of Lope De Vega (Ire) in Lope Y Fernandez (Ire), who drew plenty of praise when shown to the public during last year's December Sales. 

In fact, it is fair to say that Lope Y Fernandez had his fair share of admirers almost from the start, for he commanded a price of €900,000 as a yearling when offered by Ballylinch Stud on behalf of breeder SF Bloodstock at the Arqana August Yearling Sale. MV Magnier was the buyer, and off the handsome dark brown colt went back to Ireland to join the bluebloods at Ballydoyle. 

An easy-moving sort himself, Lope De Vega does appear to pass on this swagger to his offspring, and it was this aspect of Lope Y Fernandez, as he prowled about the National Stud's stallion unit, that had visitors talking during the early viewing rounds. 

“He does just does stand out from the crowd, and he's an amazing-looking horse,” says Jamie Jackson, who is himself also in a new role, if not completely new, at the National Stud. Previously assistant to Joe Callan, who has taken up the position of interim general manager at Market Rasen racecourse, Jackson has recently been appointed nominations manager, and his job is being made a little easier when it comes to selling the stud's new recruit. 

“He's got an exceptional walk,” Jackson continues as he watches the dark brown stallion take a turn alongside his handler Luke Strong. “He's just such a well-balanced horse; he's an oil painting.”

A winner on debut at two, Lope Y Fernandez was then placed second and third behind Pinatubo (Ire) in his next two starts in the Chesham S. at Royal Ascot and G2 Vintage S. at Glorious Goodwood. The Vintage S. had been won the previous year by his half-brother Dark Vision (Ire) (Dream Ahead), and their dam, the five-time winner and listed-placed Black Dahlia (GB) (Dansili {GB}), has also produced the stakes-placed Al Hayyah (Ire), a full-brother to Lope Y Fernandez. 

The latter, who landed his own group honours in the G3 Round Tower S. as a juvenile, went on to a 3-year-old campaign which can perhaps be described as frustratingly consistent, with four Group/Grade 1 placings in the Irish 2000 Guineas, Prix Jean Prat, Prix Maurice de Gheest, and Breeders' Cup Mile. At four he returned to win the Listed Heritage S. and was second again at the highest level behind Palace Pier (GB) in the Queen Anne S.

Lope Y Fernandez demonstrated a good deal of speed and, encouragingly, for those breeders who still like to see hardiness demonstrated on the racecourse, his dam ran 42 times, while her dam, South Rock (GB), was also a multiple winner, including at listed level, and is by the similarly hardly Rock City (GB), whose name is not seen too often in pedigrees these days but won the G2 Gimcrack S. among his five group wins for Richard Hannon Sr.

Now embarking on his first season at stud, Lope Y Fernandez has an interesting four-strong syndicate behind him, with Coolmore retaining an interest, and the National Stud teaming up with Whitsbury Manor Stud and successful racing syndicator and breeder Nick Bradley to complete his diverse ownership group. 

Jackson continues, “We were looking for a new stallion off the back of a good season with Time Test (GB) and Aclaim (Ire). We need to keep the ball rolling, and obviously ride the waves. We had Lope Y Fernandez on our radar for a good while, and obviously Ed Harper had the same idea at Whitsbury Manor. We managed to acquire him together and it's great that Coolmore kept an interest, and Nick Bradley also got involved through Ed.”

He adds, “For us to compete and be involved with the game against all the competitors we have, I think it's a great idea moving forward and something we'd love to explore more. It's a great initiative and it gives him every chance to be successful and be very well supported with good mares.”

The stallion career of Lope Y Fernandez is to be structured in the same way as Time Test, who sired four stakes winners from his first crop of runners in 2021 and was one of the most sought-after young stallions at last year's sales. His book is already full, and the team at the National Stud has also been fielding plenty of interest in Lope Y Fernandez. 

“We've released 40 breeding rights for him and they have been very popular,” Jackson notes. “We've had some very good mares pencilled in already, with a half-sister to Showcasing (GB), a full-sister to the Tin Man (GB), and a half to Kodi Bear (Ire).”

Jackson, 25, already has a good relationship with Whitsbury Manor Stud, where he started working five years ago before completing the BHA Graduate Scheme.

“I had no horse-handling experience,” he recalls. “I just thought I'd go there for a summer and then off the back of that thought, 'this is exactly what I want to do'. I applied for the grad scheme and very luckily got placed here at the National Stud for eight weeks. Now, two and a half years later, I'm still here. I've seen the Time Test and Aclaim foals come all the way through to be successful racehorses. They have every chance to be 3-year-olds as well.

“The stud at the moment is on a massive upward trajectory. Time Test had an amazing season and is looking to cover his biggest and best book ever with some dams of Classic winners, and Classic winners themselves, which is unbelievable. Aclaim was one of the leading first-seasåon sires, the first foals of Advertise (GB) were very well received and have gone to some good homes. Rajasinghe (Ire) will have his first 2-year-olds and he will have every chance. He was a fantastic son of Choisir (Aus) and won the Coventry in record time.”

Clearly, confidence abounds at the National Stud, which welcomed a new chairman, Lord Grimthorpe, at the end of last year, and has, in the Juddmonte-bred Time Test, an in-demand stallion who links Grimthorpe to his predecessor, the late Duke of Roxburghe, who was insistent that the farm should stand the Juddmonte-bred son of Dubawi (Ire). The National Stud stallion unit is now named in the duke's memory, and there could be no more fitting a tribute to the passionate owner-breeder than if at least one of the current young incumbents could rise to the ranks of the elite.

For those breeders who missed the chance to see Lope Y Fernandez in December, he will be on one of 12 stallions on show at Tattersalls for the TBA Stallion Parade just ahead of the February Sale on on Thursday, Feb. 3.

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Taking Stock: Courting Rituals of Breeders and Stud Farms

In about three weeks, another breeding season will begin, but that's the easy part for stud farms.

Getting those mares was the hard part, and that process played out over the last four or five months, an annual courting ritual of farms and breeders. It includes behind-the-scenes hustling, heavy-duty advertising campaigns, and some occasional arm twisting or deal making, because except for a handful of elite or popular sires that breeders are banging doors down to get into, most stallions need mares, usually as many as possible to fill books that can sometimes number more than 200.

The Jockey Club will take an active role in changing that somewhat, beginning with stallions born in 2020 and later. The organization issued a ruling that will limit books to 140 mares a year when those colts go to stud in a few years. Well, that's if TJC ends up prevailing, because there are some lawsuits, brought by a few farms that would like to keep things as they are now, floating around to challenge that rule. Some of these farms are big-time players and they're not going to go away quietly, but that's a story for another day.

In the meantime, stud farms need as many mares as they can get to stallions, as I said. It's either to recoup their initial investments in these stallions or, if they're lucky, to make money. The most commercial stallion prospects–the champions and “horses of a lifetime”–cost an arm and a leg to procure off the track, and lesser recruits are always in danger of not getting enough mares to cover costs. That's why you see so many ads for them in that important first year they enter stud. These days, you see even more of this on social media, where everyone seems to be attending one stallion show or another and then posting amateur photos that in many cases will make farms cringe, but, hey, that's the price of publicity, and most folks on Twitter or Facebook see everything as either “sexy,” “handsome,” or a “hunk,” so it's not all bad.

Stud farms need to front load new horses, meaning they will try to breed as many mares as they can, not only for the income it generates but also to guarantee that they have as many first-crop runners as possible to have a chance at success.

Everyone, of course, wants to find the next Gun Runner (Candy Ride {Arg}), who had a phenomenal run in 2021 with his first 2-year-olds, but most horses are destined for failure, at least in the commercial sense–which is how the breeding industry operates. You've probably noticed that even some leading freshman sires have been sold abroad after they couldn't sustain the pace constructed for them with boatloads of mares, numbers which most are unlikely to see again, in their first books. And once the numbers and quality drop off, so too does sire performance, for the most part.

If a farm has an elite stallion or a particularly attractive first-crop horse, a stallion director sometimes might let you in to him if you'll send a mare or two to a lesser stallion in his third or fourth year on its roster, a classic case of scratching your back if you'll scratch his, except in this case you might get a couple of foals you don't really want just to get the one you do.

Or maybe a stallion director will give you a good deal on a stud fee if you send multiple mares to a stallion, which is usually more common with horses after their first year, when demand and stud fees drop off. There are plenty of deals like that to be found because these types of horses aren't popular with commercial breeders, and it's a simple enough concept to understand.

I once explained this to a guy at TJC. Look, I said, imagine you're a commercial breeder for a moment. Would you want to breed to a horse in his third year at stud, when you know that you're going to sell a yearling by him when his oldest foals are three? What if that stallion has bombed with his 3-year-olds and 2-year-olds by the time you're sending your yearling into the ring? You'll likely get hammered in sales ring, right? Can you see why breeders, I said, prefer to patronize first-year horses who don't have black marks against them when their first yearlings sell? He slowly and deliberately nodded in agreement, but his expression–a light bulb going on–had already beaten the nod to the punch.

What was left unsaid in that conversation was that that paradigm isn't going to change just because you limit a stallion to 140 mares.

What it will do, however, is give more stallions a shot at stud, because more farms will have more first-year horses to sate commercial demand, and by the numbers alone, that will reduce books for each horse at each price point as more stallions enter the market. The net effect will mean more diversity and more cheaper horses at stud, too, which isn't a bad thing at all, right?

Of course, there will be more churn and burn, too, with stallions getting even shorter leashes on which to operate, but there's a Darwinian element to this that's fair enough: Either make it with your first 2-year-olds or get sent to Korea or Turkey or Louisiana, because we don't have time to see how the 3-year-olds will do, as commercial breeders aren't interested in breeding to a horse in his fifth season at stud unless he's a star.

That's what happened to Daredevil (More Than Ready). Sold to the Turks before his 3-year-olds raced, he was brought back to Kentucky after the success of Swiss Skydiver and Shedaresthedevil, but with a twist. He's owned by the Jockey Club of Turkey, and that entity is standing him at Lane's End. So, we might be seeing a new trend with hastily exported horses, if they succeed after they've been sold and are then brought back by their foreign ownership entities to capitalize on commercial demand in North America.

In fact, Horse of the Year Knicks Go (Paynter) is owned and raced by Koreans in North America and was initially destined for stud duty in Korea, but after his success last year, his owners decided to stand him here, at Taylor Made. If he doesn't make it here, he can always be sent home, but if he's a success, the foreigners will reap the financial rewards.

Paradigms, therefore, are also shifting within the overall commercial scheme we're operating under, which is yet another change to a series of changes that began when tightly held syndicates that limited horses to 40 mares gave way to increasingly bigger books that were fashioned to make money, necessitated by bidding wars for the most desirable stud prospects.

Change is necessary for growth, and one change that'd be refreshing to see is a move away from the commercialism that's dominating the breeding industry. How? Well, how about more people racing the horses they breed?

Homebreeders once made this a sustainable business– in fact, they also made it more sporting and more humane, because there's a tendency to give a horse more time if you've foaled and raised him–and though we're far removed from that model these days, a wider array of cheaper stallions might spur some growth in that area and make it viable again to breed to race, particularly as purses have risen to levels never seen before.     And at the top end, those multi-member partnerships speculating on yearling colts as potential stallion prospects may in the future form multi-ownership groups to race some of the foals of their most successful prospects.

If some of that were to happen, it would strengthen the underpinnings of a business that's way too top heavy on selling alone.

Wishful thinking? It's a thought, anyway.

Sid Fernando is president and CEO of Werk Thoroughbred Consultants, Inc., originator of the Werk Nick Rating and eNicks.

The post Taking Stock: Courting Rituals of Breeders and Stud Farms appeared first on TDN | Thoroughbred Daily News | Horse Racing News, Results and Video | Thoroughbred Breeding and Auctions.

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Alenquer To Begin Campaign In Winter Derby

Alenquer (Fr) (Adlerflug {Ger}), the winner of last year's G2 King Edward VII S. at Royal Ascot, will begin his 5-year-old campaign in the G3 Winter Derby at Lingfield on Feb. 26.

After his Royal Ascot triumph, the William Haggas-trained Alenquer finished third in the G1 Grand Prix de Paris and second in the G1 Juddmonte International. He wrapped up his campaign with a ninth-place finish in the heavy ground G1 Prix de l'Arc de Triomphe.

“He's a nice horse,” Haggas said. “He ran in the Arc, which he probably shouldn't have done, but he still ran a good race and he's a pretty useful horse. He won't run before the Winter Derby. He'll run in the Winter Derby and will hopefully go on to run in Dubai in the Sheema Classic.”

Haggas also entered My Oberon (Ire) (Dubawi {Ire}) and Grocer Jack (Ger) (Oasis Dream {GB}) in the Winter Derby, but said the race is a back-up for that pair, who are being prepared for the G1 Saudi Cup, with the Neom Turf Cup also an option for Grocer Jack.

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Q&A with Jake Ballis of Black Type Thoroughbreds

Jake Ballis, principal owner of Black Type Thoroughbreds, has had considerable success in the horse business over a short amount of time. The very first horse the Houston native bought into with his childhood friend and former high school basketball teammate Rashard Lewis, Join in the Dance, made the 2009 Kentucky Derby.

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