Duramente Colt Tops Hokkaido Selection Sale

Despite massive COVID-19 prevention protocols, the postponed 2020 Hokkaido Selection Sale drew a strong crowd, easily as big as normal years despite protocols requiring everyone to pre-register for entry credentials. The looming pandemic-induced global recession also seemed to have little effect on the sale, which set records on nearly all fronts despite being pushed back a little over a month from its usual mid-July date.

While the clearance rate was 82.5%, down from last year’s record of 83.5%, it was the best year of the sale by every other measure since its inception. The 2020 renewal grossed ¥3,589,300,000 (US$33,719,535/£25,694,448/€28,549,547), a 15.66% increase from 2019. The 2020 average was ¥19,507,065 (US$183,406/£139,643/€155,160), and the median was ¥16,500,000 (US$155,007/£118,117/€131,242), both a record, up 23.83% and 22.22%, respectively, from the 2019 figures. Overall 184 of the 223 lots that went through the ring sold, of which 137 were colts and 47 were fillies. After weeks of COVID-19 spikes around the country, Hokkaido’s rural breeders uniformly issued a massive sigh of relief, being spared any massive consequences from the recession thus far.

The sires of the top 10 lots sold say a lot about the current trends in Japanese racing and breeding, and one of those trends is the popularity of young sires. The highest price lot was lot 155, a colt by first-crop stallion Duramente (Jpn) out of Kirschwasser (Jpn) (Sakura Bakushin O {Jpn}) that sold to Toshihiro Hirosaki Holdings for ¥79,200,000 (US$744,034/£567,013/€629,944), the second most expensive yearling ever sold in the history of the Selection Sale. Offered by Amaba Reiji Bokujo, his fourth dam was blue hen mare Blitey (River Ridge).

The second highest priced lot was lot 125, a Kizuna (Jpn) colt out of Smash Heart (Jpn) (King Kamehameha {Jpn}) from the draft of Sakai Bokujo that Chiyono Terada bought for ¥66,000,000 (US$620,034/£472,511/€524,954).

Sophomore sire Kizuna (Jpn) had two other lots in the top 10. Lot 191, a colt that Toshihiro Hirosaki Holdings stretched to ¥50,600,000 (US$475,359/£362,250/€402,364) for from Tsuchida Farm and lot 97, another colt, that brought €44,000,000 (US$413,353/£314,945/€349,881) from Masahiro Miki and was offered by Hiroshi Chikushi.

Lord Kanaloa (Jpn), whose oldest foals are only 5-year-olds, had a pair of colts in the top 10: lot 21 went for ¥57,200,000 (US$537,358/£409,429/€454,825) to Minoru Yoshioka from Masanobu Sasajima’s draft. His dam is a half-sister to Japanese Group 3 winner Kinetics (Jpn) (Forty Niner) and the MSW Fujino Wave (Jpn) (Black Tie Affair {Ire}). The other, offered by Sakai Bokujo as lot 160, was out of MGSW & G1SP Kokorono Ai (Jpn) (Stay Gold {Jpn}). He was acquired by Shigeo Nomura for ¥50,600,000 (US$475,359/£362,250/€402,364).

Freshman sire Maurice (Jpn)’s lot 217 was a colt consigned by Kineusu Bokujo that was snapped up by Northern Farm for ¥50,600,000 (US$475,359/£362,250/€402,364). Consigned by Oshima Bokujo, the Mastery colt (lot 94), out of the MGSP mare Courtesan (Street Sense), sold for ¥45,100,000 (US$423,700/£322,854/€358,612) to Bando Bokujo. He came to Japan in utero after selling for $250,000 to J.S. Company during the 2018 Keeneland November Breeding Stock Sale.

Also included in the top 10 was what is likely the last Deep Impact (Jpn) yearling filly to ever go through public auction. A member of the Sakai Bokujo consignment, lot 91, out of GII Indian Oaks heroine Tiz Windy (Tiznow), sold to Tatsue Ishikawa for ¥63,800,000 (US$599,381/£456,720/€507,349).

Also among the top 10 lots was Grand Stud’s lot 209, a Henny Hughes half-brother to Listed Japan Dirt Derby (Jpn-G1) winner Higashi Will Win (Jpn) (South Vigorous). He changed hands for €53,900,000 (US$506,402/£385,843/€428,622) and was bought by Yoshizawa Stable Co. Ltd., the owner of 2019 Kentucky Derby contender Master Fencer (Jpn) (Just a Way {Jpn}).

Besides Mastery’s single lot, two other foreign stallions were represented. Lot 129, a filly by Nathaniel (Ire) out of a full-sister to two-time G1 Dubai World Cup winner and Japan-based stallion Thunder Snow (Ire) (Helmet {Aus}) hailed from the Yano Bokujo consignment. She sold for ¥30,800,000 (US$289,372/£220,487/€244,933) to Yuichi Masuda. Postponed (Ire)’s filly (lot 70) rounded out the trio from the draft of Yano Bokujo. Knocked down to Yasuo Tejima for ¥9,350,000 (US$87,849/£66,932/€74,354), the daughter of Salasie (Fr) (Teofilo {Ire}) is out of a half-sister to Kind (GB) (Danehill), the dam of Frankel (GB).

Overall it was Kizuna that rocked the sale selling nine lots for a gross of ¥298,100,000 (US$2,800,860/£2,133,964/€2,370,398) and an average of ¥33,122,222 (US$311,217/£237,116/€263,377). Henny Hughes wasn’t far off selling all of his 11 offerings for a gross of ¥285,450,000 (US$2,682,095/£2,043,491/€2,269,837) and averaging ¥25,950,000 (US$243,835/£185,750/€206,348). Lord Kanaloa sold eight for a gross of ¥242,550,000 (US$2,279,088/£1,736,175/€1,928,706) and average of ¥30,318,750 (US$284,886/£217,021/€241,100). Epiphaneia (Jpn), a sophomore sire with a lot of promise, had 13 lots sell grossing ¥229,900,000 (US$2,160,305/£1,645,673/€1,828,207) and averaging ¥17,684,615 (US$166,177/£126,590/€140,631). The hot two freshman sires Maurice and Duramente grossed ¥227,700,000 (US$2,139,633/£1,629,925/€1,811,029) from 12 sold and ¥222,750,000 (US$2,093,019/£1,594,600/€1,771,659) from 10 sold, respectively. Maurice averaged ¥18,975,000 (US$178,294/£135,836/€150,920), while Duramente’s average came in at ¥22,275,000 (US$209,291/£159,448/€177,167). Finally, first-crop sire Drefong, who has been quite popular with his progeny at the sales this year and last year grossed ¥138,600,000 (US$1,302,258/£992,126/€1,102,390) from six sold, averaging ¥23,100,000 (US$217,047/£165,351/€183,731).

The week continues with the 2020 Hokkaido Summer Sale beginning Tuesday and running through Aug. 28. If the Selection Sale’s momentum can be maintained, it could be a banner year for Hidaka region breeders.

JP¥106.449 = US$ 1.00

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The Sports Business Furlong: Frank Nakano, Managing Director of Sports and Entertainment at JPMorgan Chase

   Usually held the first weekend in May, the Kentucky Derby has been viewed as the unofficial start of the summer season and the U.S. Open on Labor Day weekend has been a fitting bookend to this season. This year, due to COVID, sports fans will have the opportunity to enjoy these events which transcend their respective sport at the same time. Both mainstream cultural phenomena will be held with zero spectators this year, however the U.S. Open made the decision early on to go spectator free and their partners have planned accordingly.

   Fifteen years ago, I first met today’s interviewee, Frank Nakano, while pitching the Breeders’ Cup as the perfect sponsorship for his client, American Express. Needless to say, that partnership never came to fruition, but a good friendship ensued. Over the years, Frank has been a valuable resource willing to share his professional perspective on understanding the motivations of a brand for wanting to engage with sports and lifestyle investment as a business platform since he has worked both for various brands and agencies as well as different sports properties (NHL and NBA). 

   Frank Nakano is currently the Managing Director of the Sports and Entertainment team at JP Morgan Chase who is responsible for working to cross firms aligning with the Chase brand with sports, entertainment and culturally-relevant properties that reflect the passion of customers. His team maintains a particular focus on the business outcomes of sponsorship and integrating various lines of business as appropriate for each relationship. 

   The JPMC portfolio is primarily focused on multi-purpose venues that attract fans 200+ times a year. Anchored by the longstanding partnership with the U.S. Open (USTA), the Madison Square Garden Company (Radio City Music Hall, Chicago Theater, Beacon Theatre and the Forum in Los Angeles), JP Morgan Corporate Challenge, Chase Field, Amelie Arena / Tampa Bay Lightning and the newly opened Chase Center that made its long-awaited debut in September of 2019), JPMorgan Chase was named Sponsor of the Year in 2017 by the Sports Business Journal.

   Prior to joining JPMC, Frank was Vice President of Marketing Partnerships at the National Basketball Association managing development and relationships with national brands including Nike, HP, Cisco, Taco Bell, Southwest Airlines and others in addition to overseeing the League’s partnership strategy and sales of the U.S. National Team program leading up to the 2008 Beijing Olympics. Prior to his role at the NBA, he served as the Vice President at Momentum Worldwide working as agency partner for American Express and Verizon Wireless after having worked nine years with the National Hockey League in the International Business Development Group.

 

CC: Do you have a favorite horse racing memory?

FN: Six years ago, we were somewhere outside of Dallas and a bunch of the guys I grew up with just happened to be in town. We went to the track because one of my friends enjoyed racing. The rest of us had no idea what we were doing. I asked what the most significant payout would be and they said, “You’ve got to pick the trifecta.” I picked based on favorite numbers and the names of the horses. I put 20 bucks down, and then didn’t pay attention as the race came up. As the horses finished, unbelievably, it came up in that sequence. So I won the trifecta for about four seconds, and then there was an announcement that there was an inquiry on the track. I asked my friend what that meant and he said,”that means you’re not going to win.”

 

CC: Why do you think sponsorship of venues, events and sports are an important element to a company’s marketing portfolio?

FN: For JPMorgan, sponsorship is really about being able to engage with customers in moments of passion. It’s a main reason as to why we focus on venues as they are the location where the memories happen. A lot of our competitors have developed terrific access programs at the point of sale, like the first to buy ticketing. Although we’ve done some of that, our premise is that we want to be present at that moment when you can experience and are engaged with your passion point.

Through this multipurpose venue strategy, we also learn a lot about our customers because every time they swipe their card, we know what kinds of events they were attending and what engages them with our brand, and we can hopefully eventually push the right kind of offer moving forward that is tied to their interests.

 

CC: Are there other benefits to being a sponsor that you don’t have with other forms of branding or traditional media efforts?

FN: Yes, definitely. I think sponsorship allows you to get deeper. Although it’s not as wide as advertising, you can go deeper into the personalization where your customer can immerse themselves between your brand and what engages them. This is very valuable as a brand, especially for us as a financial services institution, because it creates an emotional connection between us and our customers. It really gives us an opportunity to change a customer’s interaction with Chase and make their relationship not so transactional, because frankly, financial service is a fairly utilitarian product, but through these moments, we can give it some context, which is our ultimate goal.

 

CC: How many proposals do you receive in a year and what would be some of the key attributes you look for when you’re choosing a sports property or venue to sponsor?

FN: Our department receives and evaluates over 300 proposals a year. It’s certainly a cross between an art and a science, but since we’ve landed on this venue strategy because of the year-round opportunities, we then factor in key markets. Like any business, we want to present our brand either where it is not as present or prevalent, or where it is a growing business and looks to continue to sustain that momentum. We also look to enhance our sponsorships with elements that drive our community efforts. So every partnership that we engage has to have a component that gives back, because our bank is there and we want to be good citizens to that community.

 

CC: What’s the most outlandish proposal you have been pitched?

FN: Since we are not just in sports but also other entertainment spaces like culinary and musical categories, one of my favorites was from a music tour by an artist whose tour I will not name. It was essentially a song about–sorry for this word, but along the lines of “B**ch Better Have My Money” and the organizers of this tour thought it was appropriate to prepare a proposal because “Presented by Chase” would be a terrific tie due to the lyrics. It took a little while to try to understand the logic on that, but I got a good kick out of that one.

 

CC: What is a key mistake often repeated by rights holders?

FN: I think it is overestimating media value within the partnership. In most deals, the media elements are a component of the integrated package, but as a sponsor our core focus is really about the engagement with customers. We are certainly seeing that play out now in this abnormal period where there are no fans and no opportunity to engage. If our focus was to be on media, there are many more efficient ways to purchase those opportunities without having to partner with the rights holder.

 

CC: A current change in sports is the growing trend of legalized betting. As a financial institution, how does this new category marry up with your brand, and do you want to associate with venues or teams that would have sports betting partners?

FN: I think I’d separate how we think about it. We wouldn’t necessarily not do a deal with a venue partner because they have a sports betting component. We realize that that is certainly a trend moving forward. We ourselves aren’t getting involved in that medium and are not crazy about it. I feel there’s a certain drag on a property if they get too heavily invested in it, but we realistically understand where the industry is going and we would make sure that we are not in the middle of that association.

 

CC: With the U.S. Open taking place on Labor Day, what is your opinion of the event without fans?

FN: If you had asked me this four months ago, I would have said it would have been one of the worst things possible to think about, because it is such a grand event in what it represents in terms of fan engagement. In many ways, it is a core part of the magic of that event. In many ways, the U.S. Open is not even about tennis. It’s an end-of-the-summer-season event, it’s summertime in New York, it’s a global event. But now looking forward, I think it will be interesting and I think it will be a terrific symbol for New York and the sports world to be played without fans.

I think it will be interesting from a marketer’s perspective to see how we translate what’s so great about that event. Now we’re challenged with how do we bring it to an at-home experience? How do we engage people in the social aspect of it while they’re home with the celebrity factor? The goal is now focused on how do you get that energy to come through the screen? We’re excited to bring our experience to a fan-less U.S. Open and translate it to the at-home experience.

(Click here for JPMorgan Chase’s Activations for a spectator-free U.S. Open)

 

 CC: Based on your knowledge of the game, if you were a stakeholder in racing, what would you exploit to try to generate more interest from sponsors and advertisers?

FN: The beauty of the in-person experience. Until you see it up close, you can’t comprehend what great athletes the horses and the jockeys are and that there’s more to it than what appears to the layman. Then it’s the overall experience. I think that’s why people love the pageantry of the Kentucky Derby with its decades of tradition and festivities beyond the actual race itself. I would say that’s a great way to market it— as an experience. Similarly, Saratoga has built that tradition and there’s a destination element as well as a focus on racing. Focus on tradition and the pageantry of the sport.

 

CC: What’s the best sponsorship advice you have received and who gave it to you?

FN: I think it comes from my former boss, the guy that started the division I’m working in now. He had a very analytic approach to sponsorship. He said we’re never going to take away the emotion of it. That’s what it’s based on, but it has to be moved closer to a science than an art. I think the industry has traditionally been too loose in terms of not measuring itself and setting out goals. He emphasized a focus on the science behind it, especially in sponsorship where we did not want to be known as a company that went to games and fancy dinners. It should not be about us, but we should look at it from the customer perspective. How does sponsorship drive revenue? How does it bring people together? How does this strengthen the brand, and then most importantly, how do we prove that out?

 

CC: Is there a business mistake that you try to avoid at all costs?

FN: There’s a lot to them. I think you never want to take the emotion out of how you’re selecting, but I think you really want to make sure you’re doing your homework, looking at everything from not only the brand that you’re associating with, but the people that are going to be involved with it. Making sure that there’s enough flexibility within agreements, because the beauty of sponsorship is that it needs to evolve as you go along. You need to have enough structure in the agreement to protect your rights and get a set vision of what assets you are going to get. But you also need to be able to call an audible and adjust accordingly because things change so quickly and it’s not a commentary necessarily on the platform, but you just need to be able to pivot quickly. That entails some flexibility from the partner you’re choosing as well. As much as you can, have that understood up front.

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Derby Training At Churchill Downs: King Guillermo ‘Enjoying Being In Kentucky’

It was a quiet Tuesday morning of training beneath the historic Twin Spires with several Kentucky Derby and Kentucky Oaks contenders continuing their training for Labor Day weekend's races including Victoria's Ranch's King Guillermo, who galloped 1 ½ miles at 7:30 a.m. (all times Eastern) under the watchful eye of his trainer Juan Avila.

The speedy King Guillermo has turned heads in his morning training led by his flashy :58.20 five-furlong move last Saturday. He is scheduled to work once prior to the Sept. 5 race.

“I think he's really enjoying being in Kentucky,” said the Venezuelan-native Avila, who emigrated to the U.S. in 2018. “We're very happy with how he's taken to the track and his workouts the last two weeks.”

King Guillermo's owner, five-time Major League Baseball player Victor Martinez, is scheduled to arrive in Louisville later this week.

Prior to the Kentucky Derby and Oaks training window, Lloyd Madison Farm's Major Fed galloped 1 ½ miles at 5:15 a.m. under exercise rider Margarito Fierro. Trained by Greg Foley, the $300,000 Indiana Derby (GIII) runner-up is scheduled to have his final breeze on Friday. Approximately 45 minutes following Major Fed's gallop, West Point Thoroughbreds and Pearl Racing's $600,000 Arkansas Derby (GI) third-place finisher Winning Impression had a light 1 ½-mile gallop with trainer Dallas Stewart's exercise rider Emerson Chavez in the saddle.

Raymond Daniels and Wayne Scherr's graded stakes placed Necker Island had his normal 1 ½-mile gallop at 7:30 a.m. under Hillary Hartman. Trainer Chris Hartman reported Necker Island is scheduled to have one work prior to the Derby with jockey Miguel Mena in the saddle.

Several Kentucky Derby contenders have yet to converge on Churchill Downs but are scheduled to arrive in the upcoming week. The following is the latest arrival information, according to senior director of the stable area Steve Hargrave:

  • Tuesday via flight from San Diego (approximately 12:30 p.m. ET at Barn 40): Rushie (Michael McCarthy)
  • Wednesday or Thursday via van from Skylight Training Center to Churchill Downs: Art Collector (trainer Tommy Drury)
  • Sunday via flight from New York: Caracaro (Gustavo Delgado) and Ny Traffic (Saffie Joseph)
  • Sunday via van from Florida: Sole Volante (Patrick Biancone)
  • Aug. 31 via flight from San Diego to Louisville: Authentic (Bob Baffert), Honor A. P. (John Shirreffs), Storm the Court (Peter Eurton); and Thousand Words (Baffert)
  • Aug. 31 via flight from New York: Dr Post (Todd Pletcher) and Tiz the Law (Barclay Tagg)
  • Aug. 31 or Sept. 1 via van from Canada: Shirl's Speight (Roger Attfield)

On the Longines Kentucky Oaks front, Mark and Nancy Stanley's graded stakes placed Tempers Rising galloped 1 ½ miles at 6:30 a.m. under Chavez. Also making an appearance Monday morning at Churchill Downs was Flurry Racing Stables, Qatar Racing Limited and Big Aut Farms' $200,000 Indiana Oaks (GIII) winner Shedaresthedevil, who galloped 1 ½ miles with exercise rider Edvin Vargas up for trainer Brad Cox. Her stablemate, Juddmonte Farms' $600,000 Alabama Stakes (GI) runner-up Bonny South, galloped 1 ½ miles under exercise rider Gustavo Abrego.

“Both of these fillies continue to train really well and even though Bonny South just ran, she looks great on the track,” Cox said. “I think Shedaresthedevil has really come into her own and continues to mature with age.”

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Derby Week Stakes Races Taking Shape At Churchill Downs

Seventeen stakes races cumulatively worth purses of $9.78 million are on tap for Kentucky Derby Week at Churchill Downs, which runs Tuesday, Sept. 1 through Saturday, Sept. 5. The spectacular week of racing, headlined by the $3 million Kentucky Derby presented by Woodford Reserve (Grade I) on Sept. 5 and $1.25 million Longines Kentucky Oaks (GI) on Sept. 4, will feature 14 graded stakes events.

Here's a look at some of the known early probable entrants, according to assistant racing secretary and stakes coordinator Dan Bork:

$115,000 Champion's Day Marathon Overnight Stakes presented by Thoroughbred Aftercare Alliance (Entries taken Friday, race Tuesday, Sept. 1) – Probable: Eskenforit (trainer Steve Margolis).

$150,000 Unbridled Sidney (Entries taken Saturday, race Wednesday, Sept. 2) – Bye Bye J (Steve Asmussen); Change of Control (Michelle Lovell); Dixieincandyland (Eddie Kenneally); Stonewood (Carlo Vaccarezza); Tomlin (Mike Stidham); and Violent Times (Ralph Nicks).

$200,000 Pocahontas (GII) (Entries taken Sunday, race Thursday, Sept. 1) – Alexandria (Tim Hamm); Crazy Beautiful (Kenny McPeek); Dream Quist (McPeek); Girl Daddy (Dale Romans); Trip to Seoul (James Chapman); and Xtrema (Keith Desormeaux).

$115,000 Opening Verse Overnight Stakes (Entries taken Sunday, race Thursday, Sept. 1) – Crafty Daddy (Kenny McPeek); Cullum Road (Ignacio Correas IV); Hembree (Mike Maker); and Mr. Misunderstood (Brad Cox). Possible: Set Piece (Brad Cox).

$300,000 Eight Belles presented by TwinSpires.com (GII) (Entries taken Monday, Race Friday, Sept. 4) – Four Graces (Ian Wilkes); Mundaye Call (Brad Cox); and Sconsin (Greg Foley). Possible: Ocean Breeze (Wayne Catalano).

$300,000 Edgewood presented by Forcht Bank (GII) (Entries taken Monday, Race Friday, Sept. 4) – Beguiled (Phil D'Amato); Lucky Betty (Will VanMeter); Outburst (Eddie Kenneally); and Sharing (Graham Motion).

$250,000 Twin Spires Turf Sprint presented by Sysco (GII) (Entries taken Monday, Race Friday, Sept. 4) – Archidust (Steve Asmussen); Carotari (Bryan Lynch); Chaps (Eddie Kenneally); Chief Cicatriz (Shawn Davis); Diamond Oops (Patrick Biancone); Extravagant Kid (Brendan Walsh); Tell Your Daddy (Neil Pessin); Tiger Blood (Mike Maker); and Well Labeled (Larry Rivelli).

$400,000 Alysheba presented by Sentient Jet (GII) (Entries taken Monday, Race Friday, Sept. 4) – By My Standards (Bret Calhoun); Hence (Jack Sisterson); Owendale (Brad Cox); and Silver Dust (Bret Calhoun).

$1 million Old Forester Bourbon Turf Classic (GI) (Entries taken Tuesday, Sept. 1, Race Saturday, Sept. 5) – Bowies Hero (Phil D'Amato); Digital Age (Chad Brown); Factor This (Brad Cox); Mr Dumas (Mike Maker); Parkland (Carlo Vaccarezza); Sacred Life (Chad Brown); Somelikeithotbrown (Maker); and Spectacular Gem (Jimmy Baker).

$500,000 La Troienne presented by Oak Grove Racing & Gaming (GI) (Entries taken Monday, Race Friday, Sept. 4) – Lady Kate (Eddie Kenneally); Monomoy Girl (Brad Cox); Saracosa (Cipriano Contreras); and She's a Julie (Steve Asmussen). Possible: Vexatious (Jack Sisterson).

$500,000 Derby City Distaff presented by Derby City Gaming (GI) (Entries taken Tuesday, Sept. 1, Race Saturday, Sept. 5) – Bell's the One (Neil Pessin); Mia Mischief (Steve Asmussen); Sally's Curlin (Dale Romans); Serengeti Empress (Tom Amoss); and Wildwood's Beauty (Scott Becker).

$500,000 Longines Distaff Turf Mile (GII) (Entries taken Tuesday, Sept. 1, Race Saturday, Sept. 5) – Beau Recall (Brad Cox); Belle Laura (Juan Avila); Daddy is a Legend (Rusty Arnold); Juliet Foxtrot (Brad Cox); and Newspaperofrecord (Chad Brown). Possible: She'sonthewarpath (Steve Margolis).

$500,000 American Turf presented by Smithfield (GII) (Entries taken Tuesday, Sept. 1, Race Saturday, Sept. 5) – Fancy Liquor (Mike Maker); Field Pass (Maker); King Theo (Carlo Vaccarezza); Mr. Big News (Bret Calhoun); Sugoi (Mike Tomlinson); and Vanzzy (Mike Pino). Possible: South Bend (Bill Mott).

$500,000 Pat Day Mile presented by LG&E and KU (GII) (Entries taken Tuesday, Sept. 1, Race Saturday, Sept. 5) – Cezanne (Bob Baffert); Echo Town (Steve Asmussen); Liam's Pride (Doug O'Neill); Shashashakemeup (Keith Desormeaux); and Sonneman (Steve Asmussen). Possible: Attachment Rate (Dale Romans); Rushie (Michael McCarthy); South Bend (Bill Mott); and Taishan (Richard Baltas).

$200,000 Iroquois presented by Ford (GIII) (Entries taken Tuesday, Sept. 1, Race Saturday, Sept. 5) – Belafonte (Tom Humphries); Drop Anchor (Kenny McPeek); Pico D'Oro (Bill Morey); Sittin On Go (Dale Romans); Super Stock (Steve Asmussen); Therideofalifetime (Ignacio Correas IV); and Ultimate Badger (Romans).

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